Showing posts with label george lucas. Show all posts
Showing posts with label george lucas. Show all posts

Saturday, August 25, 2012

Star Wars: The Clone Wars, Vol. 2 (Microseries) (2003) Review

Star Wars: The Clone Wars, Vol. 2 (Microseries) (2003)
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Finally, the second volume of the animated series Star Wars: Clone Wars by the Samurai Jack production team. Director Genndy Tartakovsky, obviously a fan of the Star Wars Saga, fills this series with more scenes that fans have waited for that even George Lucas hasn't delivered, for example: The "Knighting" of a Jedi, Windu fighting airborne, while Yoda fights an overwhelming invasion force on Coruscant, much more. The angular stylized animation is a visual feast for all generations. This volume continues where the first left off, with General Grievous, while the war continues, Anakin Skywalker undergoes his final rite of passage, while Master Shaak Ti and other Jedi try to defend the Supreme Chancellor from the General. Clone Wars Vol. II. aired just before the release of Episode III., the series efficiently bridges the Episode II/III. gap, the events in the final chapters (21-25) leading directly to the opening of the movie. Unseen events from the opening crawl are elaborated on like how the Chancellor is kidnapped, how Coruscant strike happens and C-3PO, voiced by the "real deal" (Anthony Daniels), revealing his new "suit." After the 3 minute chapters of "season one" the extended 12 minute chapters are better suited to the more envolved story-line(s).
A must-have for Star Wars and animation fans. Clone Wars Vol.II., like it's predecessor, is an excellent vehicle to introduce the uninitiated to "the Saga."

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The Emmy Award-winning animated series continues with Star Wars: Clone Wars Volume Two, available for the first time on DVD. Directed by Genndy Tartakovsky, this series captures George Lucas' vision in a dynamic animated style that is a visual delight for all ages. As seen on Cartoon Network, Star Wars: Clone Wars Volume Two concludes the epic adventures that bridge the story between Star Wars: Episode II Attack of the Clones and Star Wars: Episode III Revenge of the Sith. Witness firsthand the trials of Anakin Skywalker and the secret ceremony in which he becomes a Jedi Knight. Then, follow the Jedi as they attempt to repel a surprise attack by General Grievous, on the galactic capital, Coruscant. Clone Wars Volume Two is filled with exciting galactic battles that lead directly to the beginning of Revenge of the Sith.

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Saturday, July 21, 2012

THX 1138 - The Director's Cut (Two-Disc Special Edition) (1971) Review

THX 1138 - The Director's Cut (Two-Disc Special Edition) (1971)
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The world seems to be divided between two kinds of people. The people who think George Lucas is a talented legitimate artist, and those who think he's a business man unbothered by aethetics. For those who feel Lucas has (or had) talent, THX-1138 is a testament to it that. The use of color (or lack thereof), sound and editing in this film is truly unique. Lucas is often accused of lacking in writing skills, but THX-1138 doesn't rely on complex character backstories, or inspiring dialogue. In fact, THX, SEN, and LUH are rather one-dimensional characters. (Just to settle a common argument about the film, I do not believe SEN is intended to be homosexual, as beings in this world aside from THX and LUH are asexual because of their sedations) While images and sounds typically supplement dialogue as the force that progresses a story, it seems to be backwards at times in THX-1138. The title "visual storyteller" has been applied to every director at one point or another it seems, but for this work Lucas truly earns it. The sound effects of Star Wars have been copied so many times we all are numb to how good they really were, but watching this movie gives us a fresh idea of how incredible sound can be. These days most movies just use digital catalogs for all of their sound effects - Lucas had people go out with tape recorders and find things. While the sound is crude by today's standards, it is richer and warmer.

If I had any complaints about the film, it would be that there are moments where its quite obvious that its being made by an amateur director fresh out of film school who is used to making short features. Although these aspects also supplement the film as a whole, it does detract from the watchability (and rewatchability) of this film for some people.

This was one of the first art films I ever watched as a young man, and this had a huge impact on me. To know what was happening, I had to pay attention to everything - not just words.
Without having seen this movie, I wouldn't have learned to appreciate so many other films in the way I do. Every so often we viewers have to have our artistic perspectives broadened, and this film continues to do that. I would recommend this film to anyone - Star Wars fans (be warned... it is different), young film students, anyone.

Personally, I consider it a real shame that he burned out after directing the first Star Wars (those familiar with Lucasology know that he only directed the first feature and the newer prequels), since he obviously was capable of so much. I'm not dumping on Star Wars here, but the while the world doesn't end with the Star Wars movies, unfortunately Lucas's directing career did.

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Two-Disc Special Edition: * Digitally remastered with THX certified sound * Commentary by George Lucas and co-writer/sound effects editor Walter Murch * Theatre of Noise sound-effects track with branching segments to 13 master sessions with Walter Murch * 2 New documentaries: "A Legacy of Filmmakers: The Early Years of American Zoetrope" and "Artifacts from the Future: The Making of THX 1138" * George Lucas's original student film "THX-11384EB" * "Bald": 1971 production featurette * Five new trailers from the 2004 theatrical release* Original theatrical trailer

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Sunday, October 16, 2011

Star Wars: The Clone Wars (Widescreen Edition) (2008) Review

Star Wars: The Clone Wars (Widescreen Edition) (2008)
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I bought this for my 6 year old son who loves Star Wars and the Clone Wars cartoons. He is always asking me to let him watch the Clone Wars on TV but it is on past his bedtime. This helps satisfy his need to see the TV series. He loves it and I think its very imaginative.

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STAR WARS:CLONE WARS - DVD Movie

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Saturday, September 10, 2011

Indiana Jones - The Complete Adventure Collection (Raiders of the Lost Ark/ Temple of Doom/ Last Crusade/ Kingdom of the Crystal Skull) Review

Indiana Jones - The Complete Adventure Collection (Raiders of the Lost Ark/ Temple of Doom/ Last Crusade/ Kingdom of the Crystal Skull)
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Okay, I believe we all know who Indiana Jones, is, right? I grew up with Indy and my kids will be the same. This new box-set is the definitive Indy box-set. This set features the original classic trilogy plus the newest addition, "The Kingdom of the Crystal Skull". Just like the set that came out in May for the 4th movie, this set comes with the new special editions of the original 3 movies. The best part about this set is that the 4th movie is the 2-Disc special edition and not the lame 1-disc version. My only complaints with this set are 1) that the DVD cases are those really lame slim cases and not regular sized DVD cases and 2) the bonus disc from the original trilogy boxset is missing (although the special features makeup for that is most respects) and 3) while the cover is cool, the order of each movie cover is weird; you start from the top right and work your way around. All in all, this is the best Indy box-set out there and it's worth getting. Here's my ratings for each movie:
Raiders of the Lost Ark: 5/5
The Temple of Doom: 4/5
The Last Crusade: 5/5
The Kingdom of the Crystal Skull: 3.5/5

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Item Name: Indiana Jones - The Complete Adventure Collection (Raiders of the Lost Ark/ Temple of Doom/ Last Crusade/ Kingdom of the Crystal Skull); Studio:Paramount

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Monday, September 5, 2011

Star Wars - Episode II, Attack of the Clones (Widescreen Edition) (2002) Review

Star Wars - Episode II, Attack of the Clones (Widescreen Edition) (2002)
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One problem with this film, as was the same with Phantom Menace. And that is, no one will be satisfied. High expectations are what ruins these films. But once we get above this we can start to realise that this film is great. I've never been so jazzed as when Yoda had that look on his face and got angry. Anakin I thought was superb, the evil in his eyes during the Tusken Raider scene is chilling. Perhaps too many CGI effects to give it a truly darker feel, and I would advise Lucas to get someone to polish up his dialogue, but all in all a very enjoyable film that will be taking a place on my shelf.

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The STAR WARS saga continues on DVD with Episode II Attack of the Clones. Anakin Skywalker has grown into an accomplished Jedi apprentice, and he faces his most difficult challenge yet as he must choose between his Jedi duty and forbidden love. Relive the adventure the way it was meant to be seen in spectacular digital clarity, including the climactic Clone War battle and Jedi Master Yoda in the ultimate lightsaber duel. Experience this 2-disc set that features over six hours of bonus materials, and see how Episode II unlocks the secrets of the entire STAR WARS saga.

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Sunday, August 21, 2011

Star Wars: Episode III - Revenge of the Sith (2005) Review

Star Wars: Episode III - Revenge of the Sith (2005)
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I have often thought upon viewing the prequel trilogy, the intervening years between the original and the new. To be sure, most of the criticisms of the new trilogy are adult in nature. We speak ill of wooden dialogue and acting, convoluted storylines, and themes that aren't true to the nature of the purity of science fiction. I was only five when Episode IV was release, so my only criticism of that particular film came in the form of whining to my folks that I couldn't see it again and again and again.
My point is this: George Lucas has his flaws, most of which are related to him being out of the director's chair for more than 20 years before embarking on his new trilogy toy, but I think, more importantly, that we as a filmgoing populace have changed as well. The fact that Lucas has been able to bridge that gap successfully (while telling the story backwards, to boot!) demonstrates the man's immense talents. Perfect? Far from it, but damned entertaining, nonetheless.
Which brings me to the crown jewel of the prequel trilogy. "Revenge of the Sith" is the second best film of all six, ranking only behind "The Empire Strikes Back" in terms of depth an substance. The acting is better and the writing, if not terrific, is helped by a game cast and a pace that doesn't allow you to catch your breath. Hayden Christiansan, for the most part, owns this role, displaying an adult gravity he was unable to display in the dramatically clunky "Attack of the Clones" The rage, frustration, and fear contrasted with Anakin's heroism and confidence in the face of battle made for a complex character who you found yourself rooting for despite the story's preordained outcome.
The special effects, as usual, are outstanding, but for the most part serve the film this time. There are points during the first two prequel films that you feel Lucas and Co. are simply showing off some of their shiny new toys, but in this film there is a more concrete sense of purpose.
Dramatically the film belongs to Ian McDiarmid. His performance creates the right balance of charm and villiany and by doing so makes Anakin's turn all the more believable even though the turn itself feels a tad sudden. In fact, I dare say that I enjoyed McDiarmid more when he was under the guise of Palpatine than when he fully reveals himself as Sidious. The scene during the opera is one of the great dramatic highpoints of any of the six movies.
As for the flaws: sure, there were a few. I would like to have seen a more galvanizing series of events leading to Anakin's turn, perhaps some more perceived betrayals at the hands of the Jedi Council? I would like to have seen a more fleshed out performance by Natalie Portman, who seems to be more of an afterthought than a character in the third film. (On a side note, Portman is a terrific actress, but was, in this humble reviewer's opinion, the most ill-served of the entire cast by the clunky dialogue that pervades all three films.)
The one part to which I didn't object that seemed to be the bane of many Star Wars fans is the scene involving the birth of Vader. I liked the allusions to "Frankenstein" for that is what Vader's story eventually becomes in the following trilogy: a search for his humanity, much like Mary Shelley's creation.
I also didn't have a problem with Vader's reaction to the fact he'd caused Padme's death. You have to remember that, despite the fact that he now has James Earl Jones' booming voice, he's still Anakin and still very young. It does sound odd, I admit, but it's still completely in character. You also have to remember that Darth Vader will have a good 20 to 25 years to complete his transformation into the cold, remorseless killing machine we come to know and love in Episode IV.
In all, "Revenge of the Sith" does a terrific job of tying things together in a manner that harkens back to when I was a child watching Star Wars for the first time. It's impossible, as an adult, to completely dismiss some of the flaws in the later films, but Episode III definitely comes close. It is a magnificent piece of escapist filmaking that has heart, soul, and character and I would highly recommend it to anyone, Star Wars fan or no, looking for a fun time at the movies.

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STAR WARS EPISODE III:REVENGE OF THE - DVD Movie

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Monday, August 8, 2011

Howard the Duck (1986) Review

Howard the Duck (1986)
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This is a review for the 2009 American dvd special edition release.
This is one of the most well known, whether you've seen it or not, films of all time. 23 Years ago George Lucas was one of the hottest producer/writer/directors in Hollywood thanks to his involvement with the original Star Wars trilogy and Indiana Jones. Everything he touched turned to gold. He started his own sound and effects companies that revolutionised the business and the method in which films are made, and he still does that today. Then came the infamous Howard The Duck. Even when it was announced some were unsure why Lucas would gravitate to such an offbeat concept(originally an equally offbeat and satirical Marvel comic). Then, the reports of the budget and reshoots(which thanks to this edition, you find out was due to the limitations of the original Howard puppet) had the skeptics reeling even more. Every writer would make sure to note the huge budget of the film, as if it was relevant to anyone at all. I notice some reviewers here on Amazon seem to use how much a film cost to deride it or how much it made to champion it, as if that says anything about the film itself. Independence Day was and is a terrible film but it made a tons of money when it was released. The true test of a good film or a film that trancends is time.
It's been over twenty years since Howard The Duck graced the silver screen and became one of the biggest and, apparently, most expenssive flops of all time. Everyone seems to know this movie. New generations who watched it on cable don't know a damn thing about the film's reviews or status back in the 80's and just take it for what it is: an extremely silly, farcical, goofy, sci-fi,fish out of water comedy, action adventure, horror movie. I saw this when I was really young and even at that young age I still knew something of what a flop this flick was, that's how hardcore the criticism was. Hell, there was an episode of Tiny Toon Adventures that had characters on the boxes in a video store coming to life, and one of them used the Howard The Duck video cassette as a bomb to stop an enemy(GET IT?!?!? HA!HA!)
Well, I still dont' get why this film was hated so much. I kind of get that it wasn't easily stuffed into convenient packaging. Was it a kids film? No, not really. It contains too much sexual humor, and innuendo to be. Was it a comedy? Yes, but it had some sincere and scary moments. Was it for an adult audience? Sort of. It was for anyone, but it seemed as though it would only appeal to those who feel like they're on the fringe of the norms in society. They can relate to its take no prisoners, anything goes approach to filmmaking and storytelling. That's the ticket. That's why it's a cult film now. An acquired taste produced to be a huge hit, but ended up only appealing to a small few.
The dvd itself is beautiful. The transfer is pristine. Surprisingly, the old-school effects hold up to the digital transfer. Phill Tippet's stop motion monsters at the end still look cool and the digital clean up doesn't make them look as arcane as one might expect. I've always thought John Barry's score was great. It still is. This film's score is one of the most memorable and creative, but due to the film's reputation it never got the kudos it deserves. In one scene there's broad comedy and puns, and then a sweet scene between Howard and Lea Thompson, followed by the awkwardness of a romance between a duck and a human, which is all scored appropriately and it works. There are two new featurettes on the disc. One is a retrospective doc, running about a half hour, about the making of the film and its development. We get the whole creative team of writer director Willard Huyck, writer/producer Gloria Katz(the writing team behind American Grafitti and Indiana Jones and the Temple Of Doom), actors Leah Thomson, Ed Gale(Howard), and Jeffrey Jones. I think it's sooo cool that they all participated in this and weren't afraid to openly say that they liked the film. There's a second featurette about the reaction to the film, it's reviews and box-office receipts. This one is fun too and it incorporates all those interview in previous featurette. Finally, we get the usual trailers and EPK materials from the film's original release.
I got this disc for 12 bucks. If you like or love this film then it's a must. If you're mildly interested or you love alternative cinema then it's a must as well. If you are still a hater from back in the day, then why the hell would you be reading this anyway?
PS: Rewatching the film yesterday, I really started missing the stop-motion effects that all but disappeared back in the mid 90's. The effects are so good, detailed, weighty, and other-worldly that I just smiled through the whole end sequence. Sure, CGI has it's place for a lot of things it does great or brilliantly(Benjamin Button, Gladiator etc.) but when it comes to creature or monsters or aliens does it look any more real in CGI? I don't know. I always know when I'm looking at something that's fully CGI and I know it's not really there. I felt the same way about old school effects. Gollum from the Lord of the Rings trilogy came closest in that regard,but that's about it. Just something to ponder if you will....

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One of the most talked-about movies of all time, Howard the Duck, lands on DVD for the first time ever in an all-new Special Edition! From executive producer George Lucas and the pages of Marvel Comics comes this unbelievably funny comedy about a fast-talking, cigar-chomping, beer-loving duck from a parallel universe who crashes to Earth. Featuring brand-new bonus features, a digitally remastered picture and new 5.1 surround sound, Howard the Duck Special Edition is a hidden treasure the whole family can enjoy.

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Tuesday, July 26, 2011

American Graffiti (Collector's Edition) (High School Reunion Collection) (1973) Review

American Graffiti (Collector's Edition) (High School Reunion Collection) (1973)
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"Where were you in `62?"
I wasn't around in `62 -- I was born in `63, as a matter of fact, and I was 10 when George Lucas' American Graffiti was released. I wasn't really aware of either George Lucas or American Graffiti in 1973, although four years later I would know Lucas from his next -- and most popular -- film, Star Wars. I did not go to the movies much in 1973, but I saw this wonderful film when it was broadcast by ABC some years later. (ABC, capitalizing on its "hot" new sitcom, Three's Company, shamelessly promoted it as "starring Suzanne Somers." In fact, Suzanne is not even billed with the eight "stars.")
If film and television historians have it right, though, American Graffiti was the catalyst for the 1950s Nostalgia fad that begat TV's Happy Days, Laverne and Shirley, and the blessedly short-lived Joanie Loves Chachi (not to mention Sha Na Na and Broadway`s Grease). And it isn't terribly surprising that Happy Days and its spin-offs owe their inspiration -- if not their very existence -- to Lucas' first major culturally significant film. Happy Days starred Ron Howard, who (as Ronny Howard) had second billing in Graffiti, while Laverne and Shirley costar Cindy Williams was the female lead.
American Graffiti is a bittersweet yet comedic look at what the DVD publicity blurb says was "America's last age of innocence." In the summer of `62, JFK was in the White House, the Beatles were still unknown in this side of the Atlantic, and drive in diners and movie palaces were very popular. There was no Internet or even Studio 54 just yet, so kids went cruising, looking for girls to pick up or rivals to race in their souped-up hot rods. (Lucas, in the Making Of documentary on the 25th Anniversary DVD, says his intent in making American Graffiti was to document cruising as a socio-cultural phenomenon that died in the more turbulent half of the 1960s.)
The movie's structure -- commonplace now but it was revolutionary at the time -- intertwines several plots involving a group of recently graduated Southern California high school seniors on their last night before going to college. Curt (Richard Dreyfuss) is fretting about going to college in the East with his friend Steve (Howard). Wracked with indecision, he spends his last night in town searching for The Blonde in the White Thunderbird (Suzanne Somers in her first, albeit small, role). His misadventures cause him to step out of character, especially when he crosses paths with The Pharohs, the local gang of miscreants.
Curt's sister Laurie (Williams) must not only cope with her brother's last minute bout with "cold feet" but with the fear of losing Steve. In what may be a typical situation for couples who are "steady" but are going to be separated by circumstances, she's devastated by Steve's suggestion that they "see other people" while they are in school. "I can't expect you to be a monk," Laurie says with false bravado, but in "The Smoke Gets In Your Eyes" sequence, it is obvious that she is hurt and angry.
The other two subplots of this wonderful film center on Toad (Charlie Martin Smith) and John (Paul Le Mat). Toad is the car-crazy, girl-deprived nerd that we either knew in school or that we recognize in ourselves. His attempts to impress the lovely Debbie (Candy Clark) are hilarious -- rivaled only by a similarly themed scene in Summer of '42 -- only to discover that Debbie likes him for who he really is. John, on the other hand, is the Han Solo of this bunch, the high school dropout who loves fast cars and even faster women. He, too, discovers a tender side as he is saddled with 12-year-old Carol (a pre-One Day at a Time Mackenzie Phillips). Not only must he learn patience while driving around with Carol, but also he is being challenged as the top drag racer by Bob Falfa (played by the man who would be Han Solo, Harrison Ford).
All these stories will converge in a climactic, winner take all race, and several Lucas touchstones will resurface in his later Star Wars series -- the choice to either take or reject a certain path, the relationship between men and their machines, and the quest for either love or adventure.
Serving as a unifying thread to all these subplots is Wolfman Jack, mostly heard on the radio but seen briefly in a Yoda/Ben Kenobi style of mentor for restless Curt.
Lucas uses music here very effectively. Each song (and there are over 40 here, ranging from Rock Around the Clock to The Great Pretender) was chosen to provide emotional context, not just period atmosphere. He envisioned American Graffiti as a musical "with no singing or dancing."
This film is fun to watch and definitely deserves having been votes as one of the American Film Institute's top 100 Films of All Time. Watch it with a friend or alone, and if you were of age in the 1960s, answer the movie's famous log line: "Where were you in `62?"

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AMERICAN GRAFFITI COLLECTOR'S EDITION - DVD Movie

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Sunday, February 27, 2011

Star Wars Episode IV - A New Hope (1977 & 2004 Versions, 2-Disc Widescreen Edition) (1977) Review

Star Wars Episode IV - A New Hope (1977 and 2004 Versions, 2-Disc Widescreen Edition) (1977)
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I am one of those geeks who was ten years old when Star Wars came out (note: it was not originally called "Episode IV.") I watched it in the theater perhaps a dozen times. It was the most amazing thing I had ever seen.
This release contains two DVDs: the version that Lucas has been tinkering with, and on a bonus disc, the original movie in 4:3 letterbox, taken from the best-available videodisc masters.
About that "tinkering." The 2004 version of Episode 4 looks, for the most part, quite gorgeous. The _restoration_ that Lucasfilm did is impressive: the blacks are blacker, the whites whiter, the color richer, the contrast improved all around, and the soundtrack is great. The dirt and scratches are gone, the shaky color very solid.
However, at some point Lucas crossed over from "restoration" into making a new movie. That's fine; he has the right to do so. But for him to say that the original Star Wars is not really what he had in mind, when it was one of the most famous and popular movies in history and became entrenched in the culture -- well, I find that weirdly arrogant. And when he says, in effect, that his altered version _is_ "Star Wars" and the original _isn't_ -- well, hmmm. A movie is a historical artifact. There's a difference between preservation and tinkering. Mainly, that tinkering mostly is there to gratify the artist, while preservation serves the art -- and the fans of the art. Artistic creation is a fragile and uncertain process. For Lucas to assume that he knew exactly what made Star Wars great and presume to make it better misstates the amount of control that artists actually have over how their creations are received by the public.
Where you draw this line is slightly unclear. I think the cleanup of the backgrounds is fine. The improvement of the soundtrack to use the latest technology available is wonderful. I'm not sure why Kenobi's weird cry that drives away the sandpeople was replaced with a slightly different weird cry. He's redone some of the explosions twice now. I'm not sure why they all became pink in 2004. Why did he feel that Alderaan and the Death Star needed to explode in giant rings? Why do the lightsabers now give off blinding green flashes when they collide? Most of these changes are not improvements; they are just distractions. They tend to stick out like a sore thumb to fans who have seen the movie many times.
But there are more than just the small arbitrary changes, I'm not really happy with the addition of dinosaur-like creatures in Mos Eisley, and I'm really not happy with giving these little bits and pieces cartoonish _sound_ that sounds like it came from Episode 1. Star Wars, the original, had a different tone, a different mood, than Empire and Jedi and the whole prequel trilogy. It's a little darker. It's a world where rebels and stormtroopers are violently killed and Han Solo shoots first. Lucas is free to make that world happier and more cartoonish in his later films, but altering, and in some cases censoring violence from the original, is a very strange thing to do.
So, although I really admire the improvements to the image and sound in the 2004 edition, I generally prefer watching the original 1977 cut. For that, I'm sorry to report that the digital transfer, from the videodisc master, is only adequate. Many fans are griping that it is 4:3 instead of anamorphic 19:9. This means it isn't full-width on a widescreen TV. That doesn't particularly bother me, but I'm viewing it on an old TV, not a widescreen TV. It looks like a very good analog videotape, but we've recently -- and rather abruptly, in terms of years -- gotten used to DVDs of films that were transferred to the digital realm and mastered there. It's actually taken from the master for the analog videodisc. The audio is good, but again we now tend to compare it to all-digital productions. Negative comments on Amazon about the black level are on the mark; some of the space scenes make black outer space look brown, or gray. This is particularly evident when we see Vader's helmet in his tie fighter; his helmet is blacker than the black background of space. But that is true in the original film; it was noticeable in the theater on opening day. A number of the desert scenes have poor contrast and faded color; some of this is film deterioration, and some is because the contrast and color in some of the outdoor Tatooine scenes were never that good to begin with. There are noticeable scratches. The color is shaky in some scenes, particularly outdoor scenes, and flickers a bit. It looks like a film that is considerably older than it is. I've seen restored films from considerably earlier that look a lot better than this one does.
Here's the thing: it didn't have to be this way. We would have considered it to be a fairly good video rendering at one point in time. But our expectations have been raised considerably -- and, in fact, Lucas himself is largely responsible for raising those expectations, because of his constant embrace of new technology for delivering films to audiences. The 2004 DVD release has all those black level problems fixed. There aren't any visible scratches. The contrast is excellent. The colors are vivid. The missing dialog is restored.
So which version do I want to watch? Well, the answer is neither. I want to watch a version that doesn't exist: call it "Star Wars: the Nostalgia Edition." That version would be fully _restored_, but not _altered_. And it would have things like Han Solo's scene with Jabba available as a "deleted scene" special feature, along with all the other so-called lost footage such as the scene at Anchorhead, which introduces (and makes sense of) Luke's relationship with Biggs. It would have been presented with respect for the original work, not as a bonus disc given no special treatment. Instead, Lucas has disowned that picture.
And here's the thing: I'd be shocked if Lucas didn't have every scene, unaltered, from the first film in beautifully restored digital form. After all, wouldn't a restored original film have been the starting point for this whole process of remastering that led to the 1997 and 2004 versions?
So, I'm not actually advocating that we give up the advances in restoration that are evident in the 2004 release. But don't bother with the tinkering. The fans don't care about it. Keep the original death star cell block footage. Sure, the tunnel behind the actors is obviously a matte painting, and the perspective is off kilter when the camera angle changes. But you know what? I saw Star Wars at least ten times in the theater and I never noticed the problem -- because it isn't a "problem," it's an artifact of the budget and technology that existed in 1977. You notice it if you are looking at the frame cynically, not when you are immersed in the story. It might be an irritant to Lucas now, but it is the effect we grew up with. For the "Nostalgia Edition," let Star Wars be Star Wars.
Then Lucas can go on with his director's cuts, turning Star Wars into a 3-D cartoon until the sun explodes, for all I care. Just don't make me watch Greedo shoot first!

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For the first time ever and for a limited time only, the enhanced versions of the Star Wars: Episode IV A New Hope, Star Wars: Episode V The Empire Strikes Back and Star Wars: Episode VI Return of the Jedi will be available individually on DVD. Plus, these 2-Disc DVD's will feature a bonus disc that includes, for the first time ever on DVD, the original films as seen in theaters in 1977, 1980 and 1983.

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Click here for more information about Star Wars Episode IV - A New Hope (1977 & 2004 Versions, 2-Disc Widescreen Edition) (1977)