Mars Attacks (1996) Review

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(More customer reviews)Hollywood has made movies from books, TV shows, even other movies. However, "Mars Attacks" may be the first time a movie was made from a trading card.
Back in the late 1960s, Topps Cards created a line of Mars Attacks trading cards. However, these cards were pulled off the shelves after only a few months because the aliens depicted on them were considered to be too gruesome. My, how times have changed.
Director Tim Burton has taken those old trading cards and recreated them into this Sci-Fi B-movie throwback. In the process, he has created a movie that is pure, guiltless fun.
"Mars Attacks" also benefits from an all-star cast, including Jack Nicholson (in a dual-role), Michael J. Fox, Sarah Jessica Parker, Pierce Brosnan, Martin Short, Danny Devito, Glenn Close, Natalie Portman, Tom Jones, Annette Bening, Lukas Haas, Jim Brown, and many others. The fact that you get to watch the aliens disentegrate (and otherwise kill) many of these stars only adds to the fun. Unfortunately, Tom Jones wasn't one of those unlucky stars. Maybe someday a sequel will be made that will rectify that. :)
Oh yeah........ did I happen to mention that Congress gets vaporized? This proves that the Martians aren't all bad!
The DVD comes with many extras, including quite a few production notes that helps you to understand how the movie came to be. This is one movie that you will want to see over and over again (especially anytime that Congress is getting on your nerves).

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IN THIS SCI FI EPIC MARTIAN SPACESHIPS ARE APPROACHING EARTH. SHOULD THE PRESIDENT BOMB THEM OR EMBRACE THEM? FROM THE OPENING SCENE IN A TOWN CALLED LOCKJAW, WHERE A BLAZING FIRE SPRINTS THE ROAD, TO THE APOCALYPTIC FINALE YOULL NEVER KNOW WHAT TO EXPECT SOPHOMORIC FUNNINESS, BLACK HUMOR, OR A GENUINE FRIGHT.

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The Other Boleyn Girl (2008) Review

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(More customer reviews)THE OTHER BOLEYN GIRL suffers from overexposure to the passion for all things Tudor that has produced multiple novels, television series, and films that range from great to mediocre. Having not read Philippa Gregory's best selling novel, this viewer entered the theater without preconceived notions of the path the story would take/stray in the wake of heightened interest in historical data. From the opening scenes to the end the impression is one of having viewed some very beautiful scenery, sumptuous costumes, grand lighting - and very little involvement in caring for the plight of the characters. The soggy music score underlines the unrelenting dark atmosphere of the story and the production, and despite a cast of actors known for credibility in historic roles, there is little compassion stirred.
King Henry VIII (Eric Bana, in relatively little screen time) tires of Katherine of Aragon (Ana Torent) and her inability to bear a male heir. The Boleyn clan (Mark Rylance and Kristin Scott Thomas in collusion with the Duke of Norfolk David Morrissey) seize on Henry's frustration and serve up their daughters Anne (Natalie Portman) and Mary (Scarlett Johansson) to satisfy his dalliances. The younger Mary beds him first, does produce a son, but falls out of favor leaving Anne to work her newly honed skills of feminism learned during her exile in France on the easily seduced King to become his queen, yet is able to only bear him a daughter, Elizabeth. The results are tension in the castle, in the Boleyn family, and between the sisters Anne and Mary. History is molded by the writer to maintain more of a Hollywood soap opera that a recreation of fact and it all ends with beheadings and the child Elizabeth running gaily through sunny old meadows of England.
The actors all try to make us buy into this version of betrayal and lust and loathing, but the dialog (written by Peter Morgan) is tired and used and anything but in keeping with the period. But then, the movie is a collection of scenes that are very pretty to watch... Justin Chadwick directs. Grady Harp, March 08

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Based on the best-selling novel, The Other Boleyn Girl is a captivating tale of intrigue, romance and betrayal starring Natalie Portman, Scarlett Johansson, and Eric Bana. Two sisters, Anne (Portman) and Mary (Johansson), are driven by their ambitious family to seduce the king of England (Bana) in order to advance their position in court. What starts as an opportunity for the girls to increase their family fortune becomes a deadly rivalry to capture the heart of a king to stay alive.

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Where the Heart Is (2000) Review

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(More customer reviews)Based upon the book of the same name by Billie Letts, this film was a more than pleasant surprise. It is simply a compelling absorbing, and unusual film. Well directed by television veteran Matt Williams, the movie exudes a certain folksy charm that grabs the viewer from the get go and keeps that viewer enthralled until the final scene.
The film centers around Novalee Nation (Natalie Portman), a very pregnant seventeen year old, who, with her boyfriend, lowlife Willy Jack Pickens (Dylan Bruno), pulls up to a Walmart's in Oklahoma where he abandons her. So, with virtually no money, literally barefoot and pregnant, and nowhere to go, she sets up camp in Walmart by night and explores the town by day, making friends with a number of memorable characters.
She unexpectedly has her baby at Walmart's, making her into a minor local celebrity. While at the hospital convalescing, she meets a sassy, brassy nurse, Lexie Coop (Ashley Judd), who befriends her. She is showered with gifts and her mother, Mama Lil (Sally Field), a floozie who discovers her daughter's whereabouts courtesy of the media hoopla, pays her a visit. Having abandoned her once before, she is there long enough for Novalee to be abandoned, yet again.
Along comes Thelma 'Sister' Husband (Stockard Channing), an eccentric but kindhearted recovering alcoholic who scoops Novalee and her baby up and takes her to her home. This would be the beginning of a whole new life for Novalee, one that would be enriched by the people whom she meets and the experiences, both good and bad, to which she is subjected. It becomes the story of her personal and emotional odyssey, as well as the story and growth of those with whom she most closely interacts. It is a story about life, relationships, responsibilities, love, and the ties that bind.
It is also the story of Willy Jack Pickens and the direction his life takes subsequent to his abandonment of Novalee. After some bad breaks, he gets talent agent, Ruth Meyers (Joan Cusack), to sign him on in hope of furthering a musical career. Unlike Novalee, however, he does not take well to the vicissitudes of life and begins a free fall in a downward spiral. His waterloo culminates in a dramatic meeting with Novalee after many years, a meeting that sets her free from her past, free to love the one person who loves her for herself.
Natalie Portman delivers her best performance to date. In the role of Novalee, she mixes innocence with wonder at what the world has to offer her. She adds a certain sweetness, poignancy, and determination to the role that translates into a wonderful vulnerability laced with steel. It is this quality that gives Novalee the will to go on when the odds are so against her, and that is just what Natalie Portman conveys to the viewer.
Stockard Channing is great as the eccentric and kind Thelma 'Sister' Husband, a woman who never had children of her own but is truly a mother at heart. Nurturing her garden, as well as Novalee and her baby, flowers and plants are not the only things that thrive under her care. A veritable Mother Earth, she is the kind of person who brings out the best in others, and Novalee and her baby are no exception. Stockard Channing, a great, though underrated actress, brings this home to the viewer in spades.
Ashley Judd is terrific as the wide eyed, "looking for love in all the wrong places" Lexie. She comes across as sassy and brassy but is really only looking for someone to appreciate her for who she is and not for the sex she has to offer. Judd delivers the nuances that this role demands. James Frain is sensational as the shy, sensitive, and kind Forney Hull, the town librarian's brother who befriends Novalee. He plays the role with such vulnerability and imbues him with such goodness that the viewer cannot help but care deeply for him. It is also almost hard to believe that James Frain is British, as he has an American accent so down pat.
Dylan Bruno is perfect as Willie Jack Pickens, the country good old boy who ruins his own life and almost ruins Novalee's. Joan Cusack shows her deft comedic flair in the small, but memorable role of Ruth Meyers, and Sally Field leaves her mark in her cameo role as Novalee's mother. All in all, stellar performances are given by the entire cast. This is a well directed film that should not be missed.

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Ashley Judd and Natalie Portman shine in this offbeat, delicious slice of life about a down-on-her-luck Southern teen. After gaining 15 minutes of fame for giving birth to "The Wal-Mart Baby", Novalee Nation (Portman) begins to put her life together with the help of the kind, quirky strangers who become her surrogate family.It's an inspiring celebration of love, friendship and self-worth that delivers "quality, emotionally satisfying entertainment" (ReelViews).

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Star Wars - Episode II, Attack of the Clones (Widescreen Edition) (2002) Review

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(More customer reviews)One problem with this film, as was the same with Phantom Menace. And that is, no one will be satisfied. High expectations are what ruins these films. But once we get above this we can start to realise that this film is great. I've never been so jazzed as when Yoda had that look on his face and got angry. Anakin I thought was superb, the evil in his eyes during the Tusken Raider scene is chilling. Perhaps too many CGI effects to give it a truly darker feel, and I would advise Lucas to get someone to polish up his dialogue, but all in all a very enjoyable film that will be taking a place on my shelf.

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The STAR WARS saga continues on DVD with Episode II Attack of the Clones. Anakin Skywalker has grown into an accomplished Jedi apprentice, and he faces his most difficult challenge yet as he must choose between his Jedi duty and forbidden love. Relive the adventure the way it was meant to be seen in spectacular digital clarity, including the climactic Clone War battle and Jedi Master Yoda in the ultimate lightsaber duel. Experience this 2-disc set that features over six hours of bonus materials, and see how Episode II unlocks the secrets of the entire STAR WARS saga.

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Beautiful Girls (1996) Review

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(More customer reviews)I saw this film once before but, unawares, rented it again and, even though I realized I had seen the movie previously after it started, I enjoyed even more the second time. This is quality movie-making: good production values, a good script, good acting. I even ordered a Neil Diamond album after watching the "impromtu" singing of Sweet Caroline in a fun bar scene. Ensemble acting at its best, we have Rose O'Donnell, Uma Thurman and Matt Dillon featured along witn talented others. Timothy Hutton is perhaps the most interesting character in the film as a lost soul and his 30-something character's "romance" with thirteen-year-old Marty played by Natalie Portman is truly remarkable. I don't know what federal laws I was breaking but I was in love with Marty and I secretly hoped that Hutton's character returned to get her when she turned eighteen. What an amazing adult woman in a thirteen-year-old's body! They had a fascinating and strange relationship. Uma Thurman is good as the unavailable spirit who visits and then disappears. Her line about looking for a man who can say (and supposedly mean) just four words ("Good night, sweet girl") was memorable. Rosie O'Donnell's rant about men and their attraction for the false and superficial beauty of media images of women was hilarious and almost show-stopping. Lots to like here.

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An all-star cast sparks this captivating comedy about a group of old friends whose 10-year high school reunion creates some hilariously unexpected surprises. Willie (Timothy Hutton -- FRENCH KISS), Tommy (Matt Dillon -- TO DIE FOR), and Paul (Michael Rapaport -- MIGHTY APHRODITE) may have lost a bit of their youth, but they're still ready to party with Uma Thurman (PULP FICTION), Rosie O'Donnell (TV's THE ROSIE O'DONNELL SHOW), Lauren Holly (DUMB AND DUMBER), and Mira Sorvino (AT FIRST SIGHT) -- the "beautiful girls" who've turned their lives upside down! Also featuring a hot soundtrack, BEAUTIFUL GIRLS is a must-see comic delight that's sure to entertain you!

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Star Wars: Episode III - Revenge of the Sith (2005) Review

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(More customer reviews)I have often thought upon viewing the prequel trilogy, the intervening years between the original and the new. To be sure, most of the criticisms of the new trilogy are adult in nature. We speak ill of wooden dialogue and acting, convoluted storylines, and themes that aren't true to the nature of the purity of science fiction. I was only five when Episode IV was release, so my only criticism of that particular film came in the form of whining to my folks that I couldn't see it again and again and again.
My point is this: George Lucas has his flaws, most of which are related to him being out of the director's chair for more than 20 years before embarking on his new trilogy toy, but I think, more importantly, that we as a filmgoing populace have changed as well. The fact that Lucas has been able to bridge that gap successfully (while telling the story backwards, to boot!) demonstrates the man's immense talents. Perfect? Far from it, but damned entertaining, nonetheless.
Which brings me to the crown jewel of the prequel trilogy. "Revenge of the Sith" is the second best film of all six, ranking only behind "The Empire Strikes Back" in terms of depth an substance. The acting is better and the writing, if not terrific, is helped by a game cast and a pace that doesn't allow you to catch your breath. Hayden Christiansan, for the most part, owns this role, displaying an adult gravity he was unable to display in the dramatically clunky "Attack of the Clones" The rage, frustration, and fear contrasted with Anakin's heroism and confidence in the face of battle made for a complex character who you found yourself rooting for despite the story's preordained outcome.
The special effects, as usual, are outstanding, but for the most part serve the film this time. There are points during the first two prequel films that you feel Lucas and Co. are simply showing off some of their shiny new toys, but in this film there is a more concrete sense of purpose.
Dramatically the film belongs to Ian McDiarmid. His performance creates the right balance of charm and villiany and by doing so makes Anakin's turn all the more believable even though the turn itself feels a tad sudden. In fact, I dare say that I enjoyed McDiarmid more when he was under the guise of Palpatine than when he fully reveals himself as Sidious. The scene during the opera is one of the great dramatic highpoints of any of the six movies.
As for the flaws: sure, there were a few. I would like to have seen a more galvanizing series of events leading to Anakin's turn, perhaps some more perceived betrayals at the hands of the Jedi Council? I would like to have seen a more fleshed out performance by Natalie Portman, who seems to be more of an afterthought than a character in the third film. (On a side note, Portman is a terrific actress, but was, in this humble reviewer's opinion, the most ill-served of the entire cast by the clunky dialogue that pervades all three films.)
The one part to which I didn't object that seemed to be the bane of many Star Wars fans is the scene involving the birth of Vader. I liked the allusions to "Frankenstein" for that is what Vader's story eventually becomes in the following trilogy: a search for his humanity, much like Mary Shelley's creation.
I also didn't have a problem with Vader's reaction to the fact he'd caused Padme's death. You have to remember that, despite the fact that he now has James Earl Jones' booming voice, he's still Anakin and still very young. It does sound odd, I admit, but it's still completely in character. You also have to remember that Darth Vader will have a good 20 to 25 years to complete his transformation into the cold, remorseless killing machine we come to know and love in Episode IV.
In all, "Revenge of the Sith" does a terrific job of tying things together in a manner that harkens back to when I was a child watching Star Wars for the first time. It's impossible, as an adult, to completely dismiss some of the flaws in the later films, but Episode III definitely comes close. It is a magnificent piece of escapist filmaking that has heart, soul, and character and I would highly recommend it to anyone, Star Wars fan or no, looking for a fun time at the movies.

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STAR WARS EPISODE III:REVENGE OF THE - DVD Movie

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Brothers (2008) Review

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(More customer reviews)This ensemble cast delivered the goods and nailed each of their performances.
Tobey and Jake are very believable as brothers and Natalie was the true heart of this story as her beloved husband played by Tobey goes to a very dark place as a result of his experience in the war. All of the cast members were strong and made you really care about what happened to them.
I felt their happiness,pain and sadness.
Jim Sheridan the director is true to his style and storytelling theme about war and its effects on a marriage,family and forgiveness.
There was one scene with he and Natalie that reduced me to tears and that is not an easy thing to do, thus the five star rating which is well earned and deserved!

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Captain Sam Cahill (Maguire) is embarking on his fourth tour of duty, leaving behind his beloved wife (Portman) and two daughters. When Sam’s Blackhawk helicopter is shot down in the mountains of Afghanistan, the worst is presumed, leaving an enormous void in the family. Despite a dark history, Sam’s charismatic younger brother Tommy (Gyllenhaal) steps in to fill the family void.

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Paris, Je T'Aime (Paris, I Love You) (2007) Review

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(More customer reviews)Paris is a city of light, lovers, art and beauty. And "Paris, Je T'aime" explores all the sides of the city in in eighteen brief fiolms, all set in various arrondissements of Paris, and directed by some brilliantly underrated directors. And they seem to be about love -- often it's a person, but each one is also an ode to Paris itself.
A somewhat lonely Denver mailwoman (Margo Martindale) makes her first trip to Paris, and recounts how "I fell in love with Paris, and Paris fell in love with me." A mime spreads colour and mischief on his way to love. Two strangers fall in love in a bar. A medic learns that a dying man is in love with her, and seeking her out inadvertantly led to his death at the hands of a racist gang.
A young boy leaves his misogynistic pals behind, to seek love with a young Muslim girl. A pair of British people visit the tomb of Oscar Wilde in Pere-Lachaise, an American actress falls for her drug dealer, and a young nanny's dismal living conditions are a stark contrast to that of the people she works for. All these -- and more -- are intertwined gently in the finale.
But two stand out especially. Tom Tykwer's includes a young blind man (Melchior Beslon) receiving a call from his American actress girlfriend (Natalie Portman). She tells him, "Our spring was wonderful but summer is over now and we missed out on autumn... our love fell asleep, and the snow took it by surprise." In his sorrow, he thinks back to how they met, and how their relationship continued... and gets a surprise.
And Vincenzo Natali turns in a bloody, gothic love story. A young American tourist (Elijah Wood) is walking alone at night, when he steps in a pool of blood. He follows the blood to where a beautiful vampire (Olga Kurylenko) is slurping someone to death -- only to have a sudden attraction bloom up between them. When he has a fall, what will happen?
"Paris Je T'aime" has it all -- comedy, tragedy, romance, racial tension, religion, vampires, sunlit vacations, glamour and cliches. Okay, there's the occasional dud -- "Tuileries," about an American tourist by the Coen Bros., is just lame. But since all the directors are given only about five minutes, most of them are tiny, polished gems without any extraneous material.
Natali's is colourless (except for blood) and eerie, Gurinder Chadha's is shyly sweet and sunny, Richard LaGravenese's is adorable, Craven's is syrupy, and Tykwer's is a delicate web of camera tricks and blurred glimpses. Sylvain Chomet even charms us with mimes zooming through the streets. And each brings another dimension of Paris to life, from lush green parks to bars to the Eiffel Tower itself.
And the acting is just as great -- the great Juliette Binoche, Seydou Boro, Catalina Moreno, Marianne Faithfull, Fanny Ardant, Gérard Depardieu, and the adorable Melchior Beslon. Martindale deserves special praise for her sweetly realistic portrayal of an American tourist, and Portman is brilliantly vibrant as a girl who yells a lot. And Elijah Wood turns out a brilliant performance in total silence, managing to convey fear, mischief, eroticism and love.
"Paris Je T'aime" is a collection of little gems, with the occasional dull pebble thrown in -- brilliant directors, emotionally charged stories, and great acting. Enchanté!

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In PARIS, JE T'AIME, celebrated directors from around the world, including the Coen Brothers, Gus Van Sant, Gurinder Chadha, Wes Craven, Walter Salles, Alexander Payne and Olivier Assayas, have come together to portray Paris in a way never before imagined. Made by a team of contributors as cosmopolitan as the city itself, this portrait of the city is as diverse as its creators' backgrounds and nationalities. With each director telling the story of an unusual encounter in oe of the city's neighborhoods, the vignettes go beyond the 'postcard' view of Paris to portray aspects of the city rarely seen on the big screen. Racial tensions stand next to paranoid visions of the city seen from the perspective of an American tourist. A young foreign worker moves from her own domestic situation into her employer's bourgeois environs. An American starlet finds escape as she is shooting a movie. A man is torn between his wife and his lover. A young man working in a print shop sees and desires another young man. A father grapples with his complex relationship with his daughter. A couple tries to add spice to their sex life. These are but a few of the witty and serendipitous narratives that make up PARIS, JE T'AIME.

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