Showing posts with label coen brothers. Show all posts
Showing posts with label coen brothers. Show all posts

Friday, December 30, 2011

The Hudsucker Proxy (1994) Review

The Hudsucker Proxy (1994)
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Two things killed this movie at the box office when it was first released: first, its title. Americans didn't seem to know what a "proxy" was, much less a hudsucking one. The second was its time of release. The movie came out in May as an early summer release but was actually a movie that would have been better received at Christmas. "Jaws" is a prototypical summer film. "It's A Wonderful Life," by comparison, would hardly be a summer blockbuster but sets the perfect tone for the holiday season. Come back in twenty years and you will find that "The Hudsucker Proxy" IS the Frank Capra classic for a new generation. It is Capra meets "Metropolis" blended with the smart humor of the Coens.The casting is near perfect. Tim Robbins is the naive and goofy savant. Paul Newman is as wonderful a villain as you will find as the evil Sidney Mussberger. Only Jennifer Jason Leigh takes a bit of getting used to as the tough talking reporter but she will move you by movie's end.I've had to beg, plead, wheedle and cajole my friends through the years to watch this movie and not let themselves be turned off by its title. Thus far it's left no one disappointed.

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A clerk (Robbins) is promoted to company president as part of a stock manipulation scheme, but the clerk has an idea that will ruin everything if he gets the chance.Genre: Feature Film-ComedyRating: PGRelease Date: 7-JUN-2005Media Type: DVD

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Saturday, November 19, 2011

Burn After Reading (2008) Review

Burn After Reading (2008)
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I just wanted to point out that every single complaint that the one-star reviews dole out are just icing on the cake as far as me totally loving this movie. The characters had no depth? The plot was too amorphous? THAT WAS THE POINT FOLKS. The characters are examples of typical character flaws that are variations on stupidity. You're supposed to enjoy their lives falling apart. I sure as hell did.

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BURN AFTER READING - DVD Movie

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Sunday, August 7, 2011

No Country for Old Men (2007) Review

No Country for Old Men (2007)
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Cormac McCarthy's novel NO COUNTRY FOR OLD MEN has been successfully transformed into a film in the skilled hands of Ethan and Joel Coen. The story is intact, the characters are given the dialog so uniquely McCarthy's invention, and the horror of the message of the book - that we have come to a point in time when crime, especially random murder, surrounds our lives - is, if anything, even more pungent than on the pages of the book. It is an amazing, and a highly disturbing movie, and while this viewer is one of the few who does not believe it deserved the Oscar for Best Picture, there is little doubt that it is a brilliant piece of cinema.
The story is fairly simple: on the raw plains of Texas a slaughter of men and dogs engaged in a drug deal is discovered by a simple guy Llewelyn Moss (Josh Brolin). Moss observes the mayhem, sees the drugs, finds the 2 million dollar payoff money, takes the money, and embarks on an escape, leaving his wife Carla (Kelly Macdonald) to escape the pursuit of a mad killer Chigurh (Javier Bardem) who in turn is being pursued by the local sheriff (Tommy Lee Jones) and a hired hitman (Woody Harrelson). The satchel of money contains a tracking device and Chigurh has the instrument necessary to follow the trail the device leads. The remainder of the film is the pursuit both in Texas and in Mexico, accompanied by countless brutal murders of all sorts by the crazed Chigurh, until a surprise ending.
But the toughest part of this violent film is more in the discussion of shared philosophies between the sheriff and his old cronies: they reflect on the sad state of universal crime that is so different and more malevolent than in the 'old days'. The conversations, in the superb dialog of these old men, bring our attention to some realities we would rather not confront, and those realities are even more disturbing than the repeated images of bloated bodies and senseless murders that fill the screen. Jones, Brolin, and Bardem are indeed superb in their roles, but the small cameos of the townsfolk of Texas are little gems of acting and direction. This is a difficult film to watch because of all of the violence, but the message is one we must heed. We may be allowing the creation of 'no country for any men'. Grady Harp, March 08

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UPC:786936746754DESCRIPTION: Acclaimed filmmakers Joel and Ethan Coen deliver their most gripping and ambitious film yet in this sizzling and supercharged action-thriller. When a man stumbles on a bloody crime scene, a pickup truck loaded with heroin, and two million dollars in irresistible cash, his decision to take the money sets off an unstoppable chain reaction of violence. Not even west Texas law can contain it. Based on the novel by Pulitzer Prize-winning author Cormac McCarthy, and featuring an acclaimed cast led by Tommy Lee Jones, this gritty game of cat and mouse will take you to the edge of your seat and beyond right up to its heart-stopping final act.

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Saturday, April 9, 2011

Paris, Je T'Aime (Paris, I Love You) (2007) Review

Paris, Je T'Aime (Paris, I Love You) (2007)
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Paris is a city of light, lovers, art and beauty. And "Paris, Je T'aime" explores all the sides of the city in in eighteen brief fiolms, all set in various arrondissements of Paris, and directed by some brilliantly underrated directors. And they seem to be about love -- often it's a person, but each one is also an ode to Paris itself.
A somewhat lonely Denver mailwoman (Margo Martindale) makes her first trip to Paris, and recounts how "I fell in love with Paris, and Paris fell in love with me." A mime spreads colour and mischief on his way to love. Two strangers fall in love in a bar. A medic learns that a dying man is in love with her, and seeking her out inadvertantly led to his death at the hands of a racist gang.
A young boy leaves his misogynistic pals behind, to seek love with a young Muslim girl. A pair of British people visit the tomb of Oscar Wilde in Pere-Lachaise, an American actress falls for her drug dealer, and a young nanny's dismal living conditions are a stark contrast to that of the people she works for. All these -- and more -- are intertwined gently in the finale.
But two stand out especially. Tom Tykwer's includes a young blind man (Melchior Beslon) receiving a call from his American actress girlfriend (Natalie Portman). She tells him, "Our spring was wonderful but summer is over now and we missed out on autumn... our love fell asleep, and the snow took it by surprise." In his sorrow, he thinks back to how they met, and how their relationship continued... and gets a surprise.
And Vincenzo Natali turns in a bloody, gothic love story. A young American tourist (Elijah Wood) is walking alone at night, when he steps in a pool of blood. He follows the blood to where a beautiful vampire (Olga Kurylenko) is slurping someone to death -- only to have a sudden attraction bloom up between them. When he has a fall, what will happen?
"Paris Je T'aime" has it all -- comedy, tragedy, romance, racial tension, religion, vampires, sunlit vacations, glamour and cliches. Okay, there's the occasional dud -- "Tuileries," about an American tourist by the Coen Bros., is just lame. But since all the directors are given only about five minutes, most of them are tiny, polished gems without any extraneous material.
Natali's is colourless (except for blood) and eerie, Gurinder Chadha's is shyly sweet and sunny, Richard LaGravenese's is adorable, Craven's is syrupy, and Tykwer's is a delicate web of camera tricks and blurred glimpses. Sylvain Chomet even charms us with mimes zooming through the streets. And each brings another dimension of Paris to life, from lush green parks to bars to the Eiffel Tower itself.
And the acting is just as great -- the great Juliette Binoche, Seydou Boro, Catalina Moreno, Marianne Faithfull, Fanny Ardant, Gérard Depardieu, and the adorable Melchior Beslon. Martindale deserves special praise for her sweetly realistic portrayal of an American tourist, and Portman is brilliantly vibrant as a girl who yells a lot. And Elijah Wood turns out a brilliant performance in total silence, managing to convey fear, mischief, eroticism and love.
"Paris Je T'aime" is a collection of little gems, with the occasional dull pebble thrown in -- brilliant directors, emotionally charged stories, and great acting. Enchanté!

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In PARIS, JE T'AIME, celebrated directors from around the world, including the Coen Brothers, Gus Van Sant, Gurinder Chadha, Wes Craven, Walter Salles, Alexander Payne and Olivier Assayas, have come together to portray Paris in a way never before imagined. Made by a team of contributors as cosmopolitan as the city itself, this portrait of the city is as diverse as its creators' backgrounds and nationalities. With each director telling the story of an unusual encounter in oe of the city's neighborhoods, the vignettes go beyond the 'postcard' view of Paris to portray aspects of the city rarely seen on the big screen. Racial tensions stand next to paranoid visions of the city seen from the perspective of an American tourist. A young foreign worker moves from her own domestic situation into her employer's bourgeois environs. An American starlet finds escape as she is shooting a movie. A man is torn between his wife and his lover. A young man working in a print shop sees and desires another young man. A father grapples with his complex relationship with his daughter. A couple tries to add spice to their sex life. These are but a few of the witty and serendipitous narratives that make up PARIS, JE T'AIME.

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