Pink Panther 2 (2009) Review

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(More customer reviews)Better sight gags, more inspired comic sequences, and an actually clever mystery plot make "The Pink Panther 2" a more confident and more enjoyable film than its predecessor, which itself was perfectly watchable.
Yes, I guess it's pretty clear that I'm one of those in the minority who don't think it's sacrilege that Steve Martin is trying to follow in the footsteps of the great Peter Sellers. Two things should be remembered on this score: Peter Sellers was extremely talented, no doubt, but his Inspector Clouseau was, well... a bumbling detective character. In other words, it's not the kind of subtle, nuanced character that another talented comic actor can't legitimately take a crack at. Secondly, people forget that critics weren't head over heels in love with the original Sellers Clouseau movies, either, especially his last two or three. Moviegoers tended to like them, but critics mostly dismissed them in favor of Seller's more serious comic works, like "Dr. Strangelove", "Being There", etc. So let's all get a grip now.
Myself, I enjoy Martin's take on the character. Seller's Clouseau was a complete boob who only solved crimes and attained fame completely accidentally, which was admittedly interesting. Martin's take is also interesting, though: his Clouseau is a complete boob at most things, but also has some legitimate detective skills. Those two divergent aspects of the same character makes Martin's Clouseau fun to watch.
So, is the film a comic masterpiece? Nah. But "The Pink Panther 2" is a lot of fun, and definitely worth a trip to the theater.

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Funny Face (1957) Review

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(More customer reviews)In 1957, Paramount produced a very enjoyable musical comedy called "Funny Face", directed by Stanley Donen, and to the music of George Gershwin, Adolph Deutsch, Roger Edens and Leonard Gershe. With a simple plot, the film begins in New York City within the offices of the major fashion magazine named "Quality". Its president, Maggie Prescott (Kay Thompson), is determined to find a new way to promote the magazine. In a moment of inspiration, she comes up with the slogan "Think pink," and breaks into song praising the color pink and saying that everything (from women's clothing, soap, furniture, etc.) must be pink. Of course, she "wouldn't be caught dead" in it.
Moving on to another magazine project, Maggie wants to find the perfect spot to photograph one of the magazine's models named Marion (Dovima, who was a major fashion model in the 1950's working closely with photographer Richard Avedon. This was her only film.). An assistant suggests that they go to a bookstore in Greenwich Village to create an intellectual atmosphere. Maggie, Marion, a host of Maggie's staff all in pink and the magazines head photographer, Dick Avery (Fred Astaire), force their way into a dingy, but quiet, bookstore along with all of their equipment. A store employee, Jo Stockton (Audrey Hepburn) protests the uninvited intrusion vehemently, but the "Quality" magazine army locks her out of the store to work undisturbed. After several hours, the "Quality" mob vacates, but the books and store are left in a shambles for Jo to clean up. Dick offers his help to clean the store, but Jo refuses. After Dick leaves, Jo proceeds to sing another wonderful song in the film, "How Long Has This Been Going On?"
Maggie decides that "Quality" must find a real "Quality woman" to represent the magazine and it isn't Marion. When Dick develops the photos taken at the bookstore, Jo is in one of them. He suggests to Maggie that Jo could be the woman that they need, but Maggie has her doubts. To lure Jo to the "Quality" offices, they order a large number of books and want them delivered. Jo arrives hours later with a pile of books and is accosted by Maggie's staff who want to redress her in preparation for a photo shoot. Jo escapes and hides in Dick's dark room. They talk and he sings to her another of the film's title song, "Funny Face". Jo completely disagrees with everything that "Quality" magazine represents; she believes in "empathicalism", a philosophy that rejects all material things, as described by her idol, Professor Emile Flostre, who lives in Paris. When Jo is told that the "Quality woman" photo shoot and a fashion show will be done in Paris, she reluctantly agrees to be the model since it will give her the opportunity to meet Prof. Flostre.
The film continues in Paris where Jo models many clothes designed by Givenchy and a romance between her and Dick Avery develops. Jo finally gets the opportunity to meet Prof. Flostre (Michel Auclair), but will he meet Jo's expectations? Will the romance between Jo and Dick survive the photo shoot and meeting Prof. Flostre? Does Maggie get to produce the Paris fashion show of your dreams? You'll just have to watch this very entertaining film to find out!
The songs in the film include:
* "Think Pink" 5/5, Kay Thompson. A fast, snappy & whimsical song.
* "How Long Has This Been Going On?" 5/5, A blues song sung by Audrey Hepburn at the bookstore.
* "Funny Face" 5/5, Fred Astaire. A charming song.
* "Bonjour Paris" 5/5, Fred Astaire, Audrey Hepburn, Kay Thompson. A fun song filmed at various locations in Paris.
* "He Loves and She Loves" 4.5/5 Audrey Hepburn and Fred Astair. Filmed at Le Château de la Reine Blanche in Coye-la-Forêt with Audrey Hepburn modeling a wedding dress.
* "How To Be Lovely" 5/5, Kay Thompson and Audrey Hepburn. A fun & gutsy song.
* "Basal Metabolism" 4.5/5, A blues song that Audrey Hepburn dances to in a bistro.
* "Clap Yo' Hands" 5/5, A fun, melodramatic blues song sung by Fred Astaire and Kay Thompson to sneak into the bistro. (a.k.a. "Ring-a Them Bells")
* "Let's Kiss and Make Up" 4.5/5 Fred Astaire. A love song sung again at Le Château de la Reine Blanche.
* "'S Wonderful" 5/5, Audrey Hepburn and Fred Astaire. Another love song sung at Le Château de la Reine Blanche.
Some may think that "Funny Face" is nothing more than fluff, but it was produced to entertain with color, fashion, music, dance and comedy and it does so very well. The acting, singing and dancing from Audrey Hepburn, Fred Astaire and Kay Thompson is quite good and I rate "Funny Face" with 5 out of 5 stars. If you're primarily interested in Oscar-winning dramas, "Funny Face" may disappoint you; but if you enjoy light-hearted musicals and like to laugh, then you'll probably be very entertained with this fun film!

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Coco Before Chanel (2009) Review

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(More customer reviews)Coco Before Chanel is aptly titled; it follows Coco Chanel from her time in an orphanage, but it stops where most people become familiar with her story. The film stars the delightful Audrey Tatou as Coco. Perhaps my favorite thing about Coco Before Chanel was it's honesty. I confess to loving the feel-good rags to riches biopics as much as anyone, but it's rare to see a biographical film provide hope with honesty and without sappiness. Most of the film is not feel good. It's hardly depressing, but it is real. Coco didn't have an easy life. She and her sister were orphans, and they fought for opportunities. Coco makes some decisions she may not be proud of, but she doesn't regret them. She doesn't have the dream of becoming a fashion designer from day one, just as few of us truly know what we'll end up doing from the beginning. Her skills, experience and desire for self-sufficiency slowly evolve to lead her to it.
The film is a little slow, but it's similar to the pace of her life. It seems like it's not going anywhere for awhile, and if you didn't know what Chanel is, you might think that. I personally thought the subtitles were a little fast. My French is decent enough to understand some of the dialogue, but I often read the subtitle before the characters had begun to speak their lines. The beautiful lulls of dialogue featured the next subtitle, which threw off the pace a bit for me.
The beauty of the film comes in its last half hour, when it becomes clear the slowness was in fact subtlety leading to a mesmerizing and poetic final half-hour. It's the kind of film one might be tempted to stop watching if she were at home, but ends up loving. It truly is a film that is the sum of it's parts. It works as a whole, but it's not necessarily riveting from the opening frame.
It's a beautifully feminist film; it's an honest look at one woman's struggle and journey for her place in the world. It's not a film with universal appeal, but it is a fantastic, beautiful, and inspiring film. If you like foreign films, historical films, biopics and strong female leads, then I highly recommend this film.

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Audrey Tautou (The Da Vinci Code, Amélie) shines in this intriguing portrait of the early life of Gabrielle Bonheur Chanel, the orphan who would build a fashion empire and be known universally by her nickname, Coco. She journeys from a mundane seamstress job to boisterous cabarets to the opulent French countryside, possessing little more than her unwavering determination, unique style and visionary talent. Also starring Benoît Poelvoorde (In His Hands) and Alessandro Nivola (Junebug). Featuring lush settings and stunning costume design, Coco Before Chanel is the gripping and dramatic story of an icon who defied convention and defined the modern woman.

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Barbie: A Fashion Fairytale Review

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(More customer reviews)Oh, to go back to the days when Barbie movies were full of imagination, creativity, princesses, dreams come true and REAL fairytales. This is no fairytale. It's a pathetic excuse for a kid's movie that is trying to be hip and modern and introducing little girls to the world of twitter, Juicy Couture and boyfriend breakups. "A Fashion Fairytale" is anything but. The animation was lame, the dialogue was too filled with "hip" phrases and "teen terms" to be good, and the characters leave much to be desired. And the clothes are immodest, over-glitterized pink party outfits that no one in the real world would wear. The themes have more sexual content than a Barbie movie has ever had, and I'm truly sorry I bought this sorry excuse for a movie. Even older viewers and Barbie lovers can't enjoy it, because the bar has been set. Listen up, Mattel!
This movie is nothing but an encouragement to have the latest fashions, the top designs, the coolest new cell phones, the hottest boyfriends, and be uber popular at the same time. Please! Children don't need sexy models and lecherous dogs to look up to. Barbie used to stand for something more. Her standards used to be higher. Now she's too busy shopping for even MORE tight, low-cut, haute clothes. And while she's at it, she COULD use another micro miniskirt, couldn't she? The only decent outfit this chick wears is when she's filming for "the Princess and the Pea." And she gets fired from that!
I want to go back to the days when I saw a barbie movie and bought it knowing it was going to be wholesome, whimsical, sweet, and creative. They got it so right back then-this is madness.

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Join Barbie™ in a colorful, modern-day fairytale filled with fashion, friends and fun! Barbie™ and her dog, Sequin™, jet off to visit her aunt’s amazing fashion house in Paris, and much to her surprise it’s about to be shut down forever. After she discovers three enchanting Flairies™ with sparkle-magic powers, Barbie™ comes up with a brilliant idea to save the business. She even inspires Alice, a shy fashion designer, and together they create a dazzling runway fashion show. Barbie™ shows that magic happens when you believe in yourself.

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La Vie en Rose (Extended Version) (2007) Review

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(More customer reviews)Don't plan to see this film and then go out for a lively night on the town. You will be so spent after the one hundred forty-one minutes of this gut-wrenching film that when the lights come on at the end, you'll need a minute to figure out where you are, and then additional downtime to process all you've seen. Days later, you'll still be thinking about this slice of life--and Edith Piaf.
Piaf's story is well known to her long-time fans--brought up in a brothel, wrested from the only life she knew by her father so they could join the circus, her teen years on the streets, her "rescue" by a crime figure who gave her the start to her career, and, ultimately, her international success and final illness. She was always frail, sickly, malnourished, and wildly temperamental. She was often on drugs or alcohol, and she was always in search of true love (not finding it till late in her life). All this is depicted here with its horrors and its rare moments of tenderness, the cinematography (Tetsuo Nagata) so brilliant that the realistic, dark settings invite the reader's emotional entry into them and exploration of them.
Marion Cotillard becomes Piaf, a physical likeness that is uncanny in its realism (one wonders if she can ever play another part without conjuring up Piaf's image), and her emotional connection to Piaf's music is total. Her song performances are absolutely flawless, as are her gestures, and the only clue that she is lip-synching is the unmistakable Piaf voice the emerges from her mouth. Louis Leplee (Gerard Depardieu) as the nightclub owner whose murder by organized crime draws Edith in for questioning, shows the genuine care he has for Edith and the tough face of a man who has seen and done it all.
Marcel Cerdan, the middleweight boxer who captures her heart (Jean-Pierre Martins), gives her something to live for, besides her music--at least for a while--and it is genuinely affecting here to see how earthy and unaffected he is in her presence. The supporting actors, all French, are outstanding, and few viewers will forget Emmanuelle Seigner, playing prostitute Titine, who cared for Edith as a child.
The film belongs to Cotillard, however, and all aspects of the film, from the brilliant writing of Olivier Dahan (who also directed) and Isabelle Sobelman, to film editing (especially the lip-synching to Piaf's songs), and the sets, costuming, and makeup, are designed to enhance her performance. The film follows no chronology, jumping from her childhood to her old age and then to some of the high points of her career, creating an impressionistic film of some of the signal moments in her life. It is difficult to imagine any biopic that will ever come close to this one in its power, but then, again, it's difficult to imagine any singer who will ever capture the world's imagination in quite the way that Piaf did. n Mary Whipple

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Picturehouse and HBO Films present a critically-acclaimed biopic about the legendary international singing icon Edith Piaf, whose voice and talent captivated the world. Starring award-winner Marion Cotillard (A Very Long Engagement, A Good Year) in an astonishing performance, the film is a portrait of a remarkable artist born into poverty who survived using the only gift she had â€" her voice. Piaf’s tragic life was a constant battle to sing and survive, to live and love, with no regrets.

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Taken (Single-Disc Extended Edition) (2008) Review

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(More customer reviews)When I was a soldier stationed in Germany in the 1970s there was a raid on a Turkish-owned bar on the outskirts of Frankfurt A/M. German Polizei and US CID (US Army Criminal Investigation Division) broke up a white slavery ring that had been operating out of the bar for some time. The bar was a way-point in the transportation route of young European girls (preferably blonde) who had been kidnapped throughout Europe and were being smuggled to be sold in the harems and brothels of the Middle and Far East. The police found some twenty girls in the basement of the bar, some from as far away as Denmark and the Netherlands, waiting to be shipped further down the pipeline.
The German police and Interpol had been watching the bar for some time and were hoping to trace the route farther down the track to take down the ringleaders. The white slavers made the mistake of kidnapping the daughter of a US Army colonel whom they thought was a German national. The Colonel learned about the investigation and refused to allow his daughter to be held by the white slavers and victimized so the police could gather intelligence. As it turned out, I learned later, the raid eventually did lead to the disruption of this particular ring because the guys busted talked.
So, when I learned what this film was about I went in with a certain amount of understanding of the subject matter. Let me say here that this film hits the nail on the head in presenting its subject matter and the way young women are victimized by ruthless animals only out to make a buck. (SPOILER) The scenes where they show the young women being made into drug addicts to control them are particularly disturbing to me as I've seen the impact drugs had on young girls working as unlicensed street walkers in Germany (a nation that legalized prostitution to make it "safe"). As disturbing as the film was I am glad I watched it and if I had a daughter (I had all sons) I would make her watch this film when she reached an appropriate age in hopes it would make her more careful in how she behaved when I wasn't around to protect her. This is a film every parent should watch - it is a film every teenaged girl and boy should watch. It's sad, but things like what happens to the girls in this movie go on every day.
Having said that, the next question is, is the movie good?
Well, I've never seen Liam Neeson deliver a bad performance. Even if I didn't like the movie (and he's done a couple turkeys) he has always been superb. No exception here. Sadly, most of the negative comments about this film seem to be from people who don't like action movies. But Neeson elevates this even above the typical action movie. This is a story of family. When I watched Neeson's reaction to what happens to his daughter and his response I imagine it is what Natalie Holloway's daddy wishes he could have done, what every father of a child who has been abducted and brutalized wish they could do.
As a professional soldier and former martial arts instructor I find Neeson's action scenes are superbly executed and realistic. Don't look for a superhero leaping tall buildings with a single bound, but watch an expert, who may not be as young as he once was, doing what he knows best for a good cause. The fights are brutal, ruthless, and efficient, pros doing what they do. Even the violence is understated, brutal, but avoids the spectacular many audience have come to expect. What Neeson does is violent but considering the circumstances and motivation, necessary to save his girl. Great stuff.
The alleged coincidences do not strain or insult the intelligence overmuch, this is an action movie for folks who think. Of course, if you thought "The English Patient" deserved the Best Picture Oscar you'll probably hate this film. Otherwise, it is a don't miss. Neeson brings to the revenge flick empathy and gravitas lacking in other such films.
As I watched the film I thought of that Army colonel fighting Interpol and the German police to save his daughter. I hope he was able to see this film, I think he'd approve.

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Prepare to get Taken for the ride of your life! “Liam Neeson is an unstoppable force” (Premiere) in this action-packed international thriller that will have you on the edge of your seat from start to finish. When his estranged teenage daughter (Maggie Grace) is kidnapped in Paris, a former spy (Neeson) sets out to find her at any cost. Relying on his special skills, he tracks down the ruthless gang that abducted her and launches a one-man war to bring them to justice and rescue his daughter.
Audio: English: 5.1 Dolby Surround / Spanish & French: Dolby Surround
Language: Dubbed & Subtitled: English, French & Spanish
Theatrical Aspect Ratio: Widescreen 2.40:1

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Paris, Je T'Aime (Paris, I Love You) (2007) Review

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(More customer reviews)Paris is a city of light, lovers, art and beauty. And "Paris, Je T'aime" explores all the sides of the city in in eighteen brief fiolms, all set in various arrondissements of Paris, and directed by some brilliantly underrated directors. And they seem to be about love -- often it's a person, but each one is also an ode to Paris itself.
A somewhat lonely Denver mailwoman (Margo Martindale) makes her first trip to Paris, and recounts how "I fell in love with Paris, and Paris fell in love with me." A mime spreads colour and mischief on his way to love. Two strangers fall in love in a bar. A medic learns that a dying man is in love with her, and seeking her out inadvertantly led to his death at the hands of a racist gang.
A young boy leaves his misogynistic pals behind, to seek love with a young Muslim girl. A pair of British people visit the tomb of Oscar Wilde in Pere-Lachaise, an American actress falls for her drug dealer, and a young nanny's dismal living conditions are a stark contrast to that of the people she works for. All these -- and more -- are intertwined gently in the finale.
But two stand out especially. Tom Tykwer's includes a young blind man (Melchior Beslon) receiving a call from his American actress girlfriend (Natalie Portman). She tells him, "Our spring was wonderful but summer is over now and we missed out on autumn... our love fell asleep, and the snow took it by surprise." In his sorrow, he thinks back to how they met, and how their relationship continued... and gets a surprise.
And Vincenzo Natali turns in a bloody, gothic love story. A young American tourist (Elijah Wood) is walking alone at night, when he steps in a pool of blood. He follows the blood to where a beautiful vampire (Olga Kurylenko) is slurping someone to death -- only to have a sudden attraction bloom up between them. When he has a fall, what will happen?
"Paris Je T'aime" has it all -- comedy, tragedy, romance, racial tension, religion, vampires, sunlit vacations, glamour and cliches. Okay, there's the occasional dud -- "Tuileries," about an American tourist by the Coen Bros., is just lame. But since all the directors are given only about five minutes, most of them are tiny, polished gems without any extraneous material.
Natali's is colourless (except for blood) and eerie, Gurinder Chadha's is shyly sweet and sunny, Richard LaGravenese's is adorable, Craven's is syrupy, and Tykwer's is a delicate web of camera tricks and blurred glimpses. Sylvain Chomet even charms us with mimes zooming through the streets. And each brings another dimension of Paris to life, from lush green parks to bars to the Eiffel Tower itself.
And the acting is just as great -- the great Juliette Binoche, Seydou Boro, Catalina Moreno, Marianne Faithfull, Fanny Ardant, Gérard Depardieu, and the adorable Melchior Beslon. Martindale deserves special praise for her sweetly realistic portrayal of an American tourist, and Portman is brilliantly vibrant as a girl who yells a lot. And Elijah Wood turns out a brilliant performance in total silence, managing to convey fear, mischief, eroticism and love.
"Paris Je T'aime" is a collection of little gems, with the occasional dull pebble thrown in -- brilliant directors, emotionally charged stories, and great acting. Enchanté!

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In PARIS, JE T'AIME, celebrated directors from around the world, including the Coen Brothers, Gus Van Sant, Gurinder Chadha, Wes Craven, Walter Salles, Alexander Payne and Olivier Assayas, have come together to portray Paris in a way never before imagined. Made by a team of contributors as cosmopolitan as the city itself, this portrait of the city is as diverse as its creators' backgrounds and nationalities. With each director telling the story of an unusual encounter in oe of the city's neighborhoods, the vignettes go beyond the 'postcard' view of Paris to portray aspects of the city rarely seen on the big screen. Racial tensions stand next to paranoid visions of the city seen from the perspective of an American tourist. A young foreign worker moves from her own domestic situation into her employer's bourgeois environs. An American starlet finds escape as she is shooting a movie. A man is torn between his wife and his lover. A young man working in a print shop sees and desires another young man. A father grapples with his complex relationship with his daughter. A couple tries to add spice to their sex life. These are but a few of the witty and serendipitous narratives that make up PARIS, JE T'AIME.

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