Showing posts with label jack nicholson. Show all posts
Showing posts with label jack nicholson. Show all posts

Friday, April 5, 2013

The Batman Legacy - All 4 Feature-Length Films (1997) Review

The Batman Legacy - All 4 Feature-Length Films (1997)
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This review is for the "Batman Anthology" set, where each movie is packaged in a new, 2-disc special edition. There is also an older, "Batman Legacy" set with the bare-bones editions, and Amazon seems to be grouping the two reviews together.
It's about time that Warner Home Video has finally given these superhero films the two disc, special-edition treatment they deserve. Each film comes with restored/enhanced video and audio, and all the special features one expects from a current dvd release these days; we get commentaries, archival music videos and trailers, making-of featurettes, interviews, retrospectives, and deleted scenes. The last bit will be of special interest to some fans, especially because the Batman Forever DVD finally includes those missing sequences we saw in the storybooks and trading cards (though they appear here in rough form). Also of interest to fans of the animated series is the abandoned "Robin sequence" from the original movie, where they got Kevin Conroy and Mark Hamil to bring the storyboards to life. Overall the special features are excellent, and these special editions are not a cheap double-dip.
The big question is if you should shell out for the box set, which includes the generally reviled "Batman and Robin." Personally I completely love the first three movies, and since the box set is about the price of buying them seperately or even cheaper, I'd say go for it. The Batman and Robin edition has enough special features to be worth the investment, and besides that the complete box set just looks nicer on my shelf. If you only like two of the four movies, it's a harder decision. If you can guarantee to yourself that you'll never be tempted to pick up more than two of the films, grab them individually. But if you're a collector who might eventually cave-in and get the others for completion's sake, the best bet is to buy the box set now.
Either way, it's nice to finally own these films with all the trimmings.

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This 4-title boxed-set contains all of the titles in the Batman series, including: Batman, Batman Returns, Batman Forever, and Batman & Robin.

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Tuesday, October 2, 2012

Batman (20th Anniversary Edition Blu-ray Book) (2009) Review

Batman (20th Anniversary Edition Blu-ray Book) (2009)
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The worldwide success of Christopher Nolan's "Batman Begins" has prompted Warner Bros. to finally release Tim Burton's 1989 "Batman" with an extra disc of special features...and this is an event worth cheering about!
A groundbreaking cinematic achievement (and one of the most expensive films ever produced, to that time), "Batman" was a tremendous gamble, and the story behind the ten-year struggle to bring it to the screen is fascinating! It is a tale of visionaries, beginning with Michael Uslan, a young student/Batman fan, who not only convinced his university to include comics in their curriculum, but, fired up by Richard Donner's "Superman", knew a Batman film could be just as powerful, and took the idea, with Batman creator Bob Kane's blessing, to Hollywood; of Peter Gruber and Jon Peters, who listened to Uslan, after every studio had passed on it, saw the potential, and decided to gamble; of Sam Hamm, who had a "Batman" script in his head, praying to get the chance to write it; and, most importantly, of Tim Burton, whose dark, quirky sensibilities made him THE director to film it, despite only two feature films to his credit.
This remarkable story, with archival footage and new interviews, is the highlight of disc two, but there is much, much more! Did you know that Robin was scripted to make an appearance in the first film? That Sean Young, not Kim Basinger, had been cast as Vicki Vale? That the Batmobile, designed by Oscar-winner Anton Furst, could actually do 95 mph (and that Tim Burton drove it, once?) That the room where disfigured Jack Nicholson received his unsuccessful plastic surgery was actually a studio prop room? Each chapter is a revelation!
Not that there aren't a few disappointments in the presentation; there is no chapter with deleted scenes (although a few moments are shown that never made it into the finished film...a little girl, seeing Batman, asks, in all seriousness, "Is it Halloween?", which causes him to pause, and grin); the 'History' of Batman, despite a wealth of photos and clips from the comics, serials, and graphic novels, does not offer a single visual from the campy 60s TV series (whether this was a refusal by 20th Century Fox, who produced the series, to permit their use, or an attempt to distance the movie from the "ZAP! BAM! POW!" silliness is not explained). Also, the brief appearance of screen legend Jack Palance, as 'Boss Grissom', is largely ignored, other than in Tim Burton's audio commentary, which is surprising. Still, many of the cast share their memories (Billy Dee Williams still expresses disappointment that he didn't get to play 'Two-Face'; Robert Wuhl, regret that after they rewrote his death scene to allow his character to survive, he never appeared in another film in the franchise).
I guess what I'm saying, is...chuck your old copy of "Batman", and replace it with THIS one!
You'll be glad you did!

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BATMAN 20TH ANNIVERSARY - Blu-Ray Movie

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Saturday, March 24, 2012

Mars Attacks (1996) Review

Mars Attacks (1996)
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Hollywood has made movies from books, TV shows, even other movies. However, "Mars Attacks" may be the first time a movie was made from a trading card.
Back in the late 1960s, Topps Cards created a line of Mars Attacks trading cards. However, these cards were pulled off the shelves after only a few months because the aliens depicted on them were considered to be too gruesome. My, how times have changed.
Director Tim Burton has taken those old trading cards and recreated them into this Sci-Fi B-movie throwback. In the process, he has created a movie that is pure, guiltless fun.
"Mars Attacks" also benefits from an all-star cast, including Jack Nicholson (in a dual-role), Michael J. Fox, Sarah Jessica Parker, Pierce Brosnan, Martin Short, Danny Devito, Glenn Close, Natalie Portman, Tom Jones, Annette Bening, Lukas Haas, Jim Brown, and many others. The fact that you get to watch the aliens disentegrate (and otherwise kill) many of these stars only adds to the fun. Unfortunately, Tom Jones wasn't one of those unlucky stars. Maybe someday a sequel will be made that will rectify that. :)
Oh yeah........ did I happen to mention that Congress gets vaporized? This proves that the Martians aren't all bad!
The DVD comes with many extras, including quite a few production notes that helps you to understand how the movie came to be. This is one movie that you will want to see over and over again (especially anytime that Congress is getting on your nerves).

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IN THIS SCI FI EPIC MARTIAN SPACESHIPS ARE APPROACHING EARTH. SHOULD THE PRESIDENT BOMB THEM OR EMBRACE THEM? FROM THE OPENING SCENE IN A TOWN CALLED LOCKJAW, WHERE A BLAZING FIRE SPRINTS THE ROAD, TO THE APOCALYPTIC FINALE YOULL NEVER KNOW WHAT TO EXPECT SOPHOMORIC FUNNINESS, BLACK HUMOR, OR A GENUINE FRIGHT.

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Friday, February 3, 2012

Wolf (1994) Review

Wolf (1994)
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For those who had never seen Jack Nicholson play it meek in a movie, this may be as meek as dude gets (and then it only lasts for about half an hour). In WOLF, Nicholson plays middle-aged softie Will Randall, a mild-mannered hubbie locked in a marriage of indifference. Will is also the editor-in-chief of a respected New York publishing agency - that is, until he gets demoted, at which point he assumes this indignant but resigned look. As it turns out, this would only be the first in a series of betrayals, and Will Randall looks to be just another in a long line of easily dismissed victims. Except...
WOLF starts out in a snowy, moonlit scene in which Will Randall, motoring from Vermont to Manhattan, is bitten by a wolf he had accidentally run over. And soon the shocking changes begin to manifest. Will feels strangely rejuvenated, even as he develops extremely heightened senses. Suddenly he's able to eavesdrop from across the atrium, sniff out morning liquor on a co-worker's breath, and hurdle tall walls in slow motion. His newly gained confidence allows him to take charge of his life and even revenge himself on those what done him wrong. And then, one day, a disconcerted Will Randall wakes up, soaked in blood.
Once in a blue full moon, a schlock genre spits out a gem. I happen to think that WOLF is one of the better, smarter entries in werewolf cinema, and I'd even put it up there with An American Werewolf in London, The Howling (Special Edition) and The Company of Wolves. I dig WOLF for the various elements which come correct. For a contemporary film, it wallows in this marvelous gothic atmosphere. There are wicked, unexpected flourishes of humor, and even a smattering of social satire, if one presumes that Will Randall's gradual descent from reserved refinement to uninhibited wolfishness is a metaphor for the predatory, in-the-trenches facet of the New York publishing world.
It's weird seeing Jack Nicholson in an underdog role, but it's very neat seeing his docile, dumped-on character - whose traits of "taste and individuality" suddenly become liabilities in his job - gaining a huge pair and constructing such a ruthless yet elegant get-back. Nicholson submits a layered interpretation, delivering a fascinating study of a cultured man's growing horror as he succumbs to his baser instincts. The fascinating bits all have to do with that part of him which revels in this turn to savagery. While Nicholson does get moments to chew up scenery, for a good part we're treated to a restrained performance, although, having said that, there's a whiff of that devilish Jack just underneath most of the scenes. Casting dude as a lycanthrope is a no-brainer; there's always been something feral about Jack. And, when he chooses, who else can apply a more baleful, wolfish glare?
Nicholson is supported by sharp performances by Michelle Pfeiffer (still very much in her babedom, in 1994) as surly heiress and wounded soul Laura Alden, in whom Will Randall finds a kindred spirit, and Christopher Plummer who, as Randall's boss and Laura's father, flaunts just enough equal doses of sophistication, despicability and worldly understanding that he invites this ambivalent, just-on-principles form of dislike. And James Spader rocks. James Spader for a while had cornered the market on those oily backstabbling yuppie parts. This is never more exemplified than in his role of Stewart Swinton, Randall's friend and underling, whose calculated smarm and brand of "heat and gossip" contrive to betray Randall in all ways.
Having recently reseen WOLF, I'm again startled that the violence is so low-key. The werewolf scenes are understated, the werewolf make-up not as dynamic or viscerally rendered as, say, that in THE HOWLING or AN AMERICAN WEREWOLF IN LONDON. WOLF instead relies more on suspense and the sense of horror being evoked thru effective use of lighting and score, thru adroit character study and spot-on acting. The disappointing thing is that WOLF, in its climactic scenes, resorts to a typical werewolf fighty fight. And I'm still not quite sure whether I like the ending or not, although the closing shots certainly smack of the darkly poetic. In the final tally, WOLF is overwhelmingly a terrific horror movie, dark and subtle and literate, romantic and wicked funny. So, er, go ahead... take a bite of this (sorry, I groaned too).

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Tuesday, July 19, 2011

Something's Gotta Give (2003) Review

Something's Gotta Give (2003)
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Something's Gotta Give is one of the year's best films and best comedies as it teams up Jack Nicholson and Diane Keaton, who seemed to love every minute they shared onscreen. Nicholson plays a man who only dates girls under 30 and is shocked to find he can fall in love with a woman his own age, played by Diane Keaton, who has never looked better. She gives her best performance since she won an Oscar for Annie Hall and should be on her way to another as a very career sucessful woman who has no confidence with men. It is great to see her reaction to both Nicholson's and Keanu Reeves' character. Nicholson and Keaton light up the screen with every scene they are in and Amanada Peet and Reeves do very well in their supporting role, as does the underused Frances McDormand as Keaton's sister. Nancy Meyers, who had a huge hit with What Women Want, does a much better job here and makes for a great adult romantic comedy featuring actors over 50. A great film that will be remembered.

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