Showing posts with label taliban. Show all posts
Showing posts with label taliban. Show all posts

Wednesday, April 18, 2012

Osama Review

Osama
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This 2004 Golden Globe award winner for Best Foreign Language film, directed by Afghani Siddiq Barmak, is a stunning indictment of the repressive, fundamentalist Taliban regime and its treatment of women. Filmed on a shoestring budget, the film is a composite of a number of true stories, coalescing into one. It is harrowing look at a feudal sort of government that equated women with little more than chattel. Forced to be totally dependent on men, the question arises as to what would be their fate, if all the men in their world were to no longer be there for them.
This is the issue that confronts one particular woman, a widowed doctor, who treats patients in secret. Unfortunately, the hospital, if one can call it that, has not paid her for some time, and she can no longer work there. Moreover, it has become too dangerous for her to travel the streets, as she is a lone woman forbidden to travel the streets without the accompaniment of a member of the male sex. As her household consists solely of three generation of women, having lost her husband and her brother, circumstances are dire indeed.
She must devise some plan of getting or earning their daily bread, if they are to survive. She turns to her young timid daughter, a girl on the cusp of womanhood. She decides that her beautiful daughter must disguise herself as a boy and go out into the world to help earn some food for the family, or they will die. Thus, the daughter is transformed into a boy called Osama. The mother then takes Osama to see a kindly former comrade of Osama's late father, who now runs a small dusty shop. There, Osama is left to work, stirring cauldrons of steaming milk, scenes that are positively medieval.
Passing as a boy, Osama is obliged to do those things that a male is expected to do. So, when the Taliban police come to the shop looking for boys for indoctrination at a mullah run school, Osama has no choice but to go. Thus, begins the downfall of Osama. Despite the best efforts of Espandi, an enterprising street urchin who has befriended Osama and knows her secret, Osama is to continue a harrowing journey that only one of her sex may travel.
This is an intriguing film that, despite being somewhat choppy and disjointed in the telling, provides a birds-eye view at what life was like for women under the Taliban. The beautiful imagery of the film is a strong counterpoint to the harshness of Taliban rule. It is a mercy for women that the Taliban is no longer in power. This film certainly brings home the absolute cruelty of that regime towards women.
Though the director uses non-actors for the roles in the film, each one of them does a yeoman's job with the given role. Arif Herati, who plays the role of Espandi, has a great deal of screen presence. Marina Gobahan, who has the starring role of Osama, is excellent as the timid and shy girl who reluctantly cross dresses as a male in order to help her family. Her terror of being killed and her fear of the Taliban is palpable throughout the film. Her eyes are most expressive, world weary and infinitely sad. It were those very eyes that drew the director to cast her in the role of Osama. This is a film that will leave its imprint on the viewer.
The DVD offers little by way of special features, though it does offer a moderately interesting interview with the director that runs about twenty minutes in length.

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Inspired by a true story, this Golden GlobeÂ(r)-winning* drama is the first film made in Afghanistan after the fall of the Taliban. Hailed by critics as 'stunning(Entertainment Weekly),breathtaking(Slant) and 'emotionally charged(Screen International), Osama isa striking work of cinematic art(L.A. Weekly).After the brutal Taliban regime bans women from working and forbids them to leave their homes without a male escort, a 12-year old girland her mother find themselves on the brink of starvation. With nowhere left to turn, the mother disguises her daughter as a boy. Now calledOsama,the young girl embarks on a terrifying and confusing journey as she tries to keep the Taliban from discovering her true identity.*2003: Foreign Language Film

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Wednesday, August 10, 2011

The Kite Runner (2007) Review

The Kite Runner (2007)
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Khaled Hosseini's THE KITE RUNNER was one of those first novels that captured both public interest and the hearts of the many who read this story of childhood unconditional love and redemption set against three stormy decades in Afghanistan. Though Hosseini was approached about the story's adaptation to the screen soon after the novel was published, there seems to have been a rush to get the visual form of the poetic novel before the audience, a journey besieged by unsuspected political intervention and criticism by the Afghan government. But after seeing the film, this intrigue heightens the intent of those involved in translating the book to film - writer David Benioff and director Marc Forster.
People may argue both sides of whether or not the dialog be in Afghan languages (Dari, Pashtu,Urdu) with English subtitles or be in English throughout: the choice of using both languages is severely hampered by the decision to place the Afghan translations in an overlay on the screen while the English subtitles are place off the viewing field. A small point, perhaps, but one that makes the first viewing of the film difficult to follow visually. As far as the actors are concerned, the two young lads who were chosen to portray Amir (Zekeria Ebrahimi) and Hassan (Ahmad Khan Mahmidzada) are perfect: closest of friends living in a household where one (Amir) is the son of the master of the house and the other (Hassan) is the son of the grounds and house keeper - a factor that serves to underline class differences that will later become increasingly poignant. The boys are inseparable, reading stories together and flying kites in competitions - each lad specializing in one of those pastimes. But disaster crumbles the boys' victory in the kite flying contest when Hassan is beaten and raped by the town bullies while Amir cowardly runs for safety, deserting his friend. Suddenly the Russians invade and that change factors into the need for Amir and his father to move to America where Amir is educated and becomes a writer. Twenty years pass. After the fall of Afghanistan to the Russians and subsequently to the Taliban, Amir (now actor Khalid Abdalla) receives a telephone plea from Hassan's father to return to Kabul. Amir, now married and a successful writer, feels the need to return to amend for his past omission as well as to assuage Amir's fears. When he arrives in Kabul he encounters a war torn country he no longer recognizes, discovers past secrets as to his and Hassan's true identities, and sets out on a journey to bring closure to a childhood love and promise. It is a touching tale of redemption and the strongest echo of the magic of the novel.
THE KITE RUNNER as both novel and film will appeal to all audiences sensitive to scars that wars leave on children and adults alike. For this viewer the film lacks the intensity of the book in that the time spent with the childhood of the two boys feels secondary to the personal journey of the adult Amir. But that is not to say the film is less powerful in the end: the story is one that leaves an imprint on the audience that last long past the ending credits. Grady Harp, March 08

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Amir is a young Afghani from a well-to-do Kabul family; his best friend Hassan is the son of a family servant. Together the two boys form a bond of friendship that breaks tragically on one fateful day, when Amir fails to save his friend from brutal neighborhood bullies. Amir and Hassan become separated, and as first the Soviets and then the Taliban seize control of Afghanistan, Amir and his father escape to the United States to pursue a new life. Years later, Amir – now an accomplished author living in San Francisco – is called back to Kabul to right the wrongs he and his father committed years ago.

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Tuesday, April 26, 2011

Brothers (2008) Review

Brothers (2008)
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This ensemble cast delivered the goods and nailed each of their performances.
Tobey and Jake are very believable as brothers and Natalie was the true heart of this story as her beloved husband played by Tobey goes to a very dark place as a result of his experience in the war. All of the cast members were strong and made you really care about what happened to them.
I felt their happiness,pain and sadness.
Jim Sheridan the director is true to his style and storytelling theme about war and its effects on a marriage,family and forgiveness.
There was one scene with he and Natalie that reduced me to tears and that is not an easy thing to do, thus the five star rating which is well earned and deserved!

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Captain Sam Cahill (Maguire) is embarking on his fourth tour of duty, leaving behind his beloved wife (Portman) and two daughters. When Sam’s Blackhawk helicopter is shot down in the mountains of Afghanistan, the worst is presumed, leaving an enormous void in the family. Despite a dark history, Sam’s charismatic younger brother Tommy (Gyllenhaal) steps in to fill the family void.

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