Showing posts with label steven spielberg. Show all posts
Showing posts with label steven spielberg. Show all posts

Saturday, March 9, 2013

Against All Odds (1984) Review

Against All Odds  (1984)
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Director Taylor Hackford doesn't make a lot of mistakes. But he points out one in the deleted scenes area of this disc. When I saw it back in 1984, I didn't understand what the heck Jeff Bridges was doing flying around Mexico to throw James Woods off the train while Rachel Ward went to the Mayan ruins of Chichen Itza (an awesome spot I visited back in 1995, by the way). The deleted scene helps make this clear and really enhanced my enjoyment of the film.
Whether you like the movie or not, the chance to see the seaside ruins of Tulum and the astronomical temple of Chichen Itza is worth it. No one apparently had been allowed to film there before. And Jane Greer is great as the quietly wicked mother of Ms. Ward.

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Sunday, March 3, 2013

Freakazoid - The Complete First Season (2008) Review

Freakazoid - The Complete First Season (2008)
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If you're a fan of the spontaneous humor of the Animaniacs, then you'll love this show. Dexter Douglas uses the power of cyberspace to become the superhero Freakazoid (this was in the early days of the internet, so it seemed like a mysterious thing at the time). Unfortunately, Freakazoid isn't your normal superhero. Yes, he has superpowers (the funniest being when he flies by stretching his arms out and making wind noises as he runs around). Yes, he has supervillains. But he's not Batman by any means! He's fun and frantic and full of humor.
Each episode usually had one skit running throughout the show, with tiny sketches built into it like little commercial breaks. One of the best was "Frenching with Freakazoid", in which he would teach a French phrase. Most of them wouldn't be something you'd use in a normal conversation however ("Who cut the cheese?"). The frenetic pace of the show keeps it from being boring, and I'm so glad to see it finally make it to disc.
Superman has Lex Luthor, Batman has the Joker, and Freakazoid has Mo-Ron (yep, just like it sounds). Like I said earlier, if you're a fan of Animaniacs and Pinky & The Brain, this show will be a perfect fit for you. Never boring!

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Cyber nerd Dexter Douglas surfs the web one fateful night, gets swept into a digital techno-electro smash-up that bites him in the gigabytes and – ZAP! — goes from geek to freak. To Freakazoid!, that is, a smart- mouthing, butt-kicking, mega-voltage superhero with things to do (unless there’s something really good on TV). It’s Freaka-Me, Freaka-You fun!

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Tuesday, November 13, 2012

Jurassic Park Trilogy (2001) Review

Jurassic Park Trilogy (2001)
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Steven Spielberg's 1993 blockbuster is still the best of the Jurassic trilogy, and the film retains all the amazement and anticipation it had when it was first released.
Taken from Michael Crichton's thrilling novel, Jurassic Park is one Spielberg's most expertly-crafted films. The special effects are from FX maestro Stan Winston, who did the special effects for Aliens (1986) and Terminator 2 (1991). The seamless combination of CGI and robotic creatures creates some truly terrifying action set- pieces.
Despite what some critics thought when the film was released, I feel that all the principal actors give good performances, especially Sam Neill as Alan Grant and Jeff Goldblum as Dr. Ian Malcolm. But admittedly, the dinosaur creations are the main attraction, and Winston's monsters (which won him another Oscar after Terminator 2) are truly frightning. Great entertainment.
The Lost World is an exciting adventure starring Jeff Goldblum, Vince Vaughn, Julianne Moore and Pete Postlethwaite. The film picks up four years after the incident at Jurassic Park, where a corporate businessman Peter Ludlow (Arliss Howard) plans to take dinosaurs off the second island (Isla Sorna, where dinosaurs have been breeding) and bring them to a theme park in San Diego.
Spielberg knows what the audience wants; the film has more dinosaurs, even better CGI and impressive animatronic dinosaurs from the maestro Stan Winston. The action throughout the film is exciting and while not as astonishing as Jurassic, the effects are first-rate. Although the action is good, the story isn't one of Spielberg's best. That said, the principal cast are fine, especially Goldblum as Malcolm ("Ooh, aah, that's how it always starts, and then later the running and screaming") and Postewaite as Roland Tembo, a game hunter intent on shooting one of the Tyrannosaurs. Silly in parts, it's still an exciting adventure movie, with enough action and light humour to satisfy audiences.
Joe Johnston, taking over the reigns from Spielberg, has created an adventure that starts off quickly and hardly ever lets up. Sam Neill, returning to the role which made him famous in the original, is a stronger presence than in the first Jurassic, and the supporting cast of William H. Macy and Tea Leoni manage not to get lost amidst the barrage of CGI dinosaurs. The special effects are, of course the main stars, with Stan Winston's excellent dinosaurs surpass the ones for the original. And the plot (a bunch of people get stuck on an island with dangerous dinosaurs) provides plenty of great scares (a scene with nasty pterodactyls is the high-point) and fast-paced action to satisfy audiences. Great fun.
The trilogy DVD extras are first- rate, with superb picture and sound for all the discs. The special features are exceptional, with a 50 minute 'making of' of the film. Most interesting, however, is the footage of early pre-production meetings with Spielberg and the FX team discussing how certain shots and effects should be done. Also there are storyboards, production photos and web links.
The extras for The Lost Wolrd are fantastic, with a comprehensive 'making of', deleted scenes, trailers and ton of production info. The highlight on the JP3 Disc is the Commantary from the special effects team of Stan Winston, Michael Lantieri and some of the crew. Also, you get a series of 'making of's and trailers. Best of all is Disc 4 "Beyond Jurassic Park" featuring over two hours of never-before-available bonus material from all three films. Excellent entertainment that is a must-have for Jurassic fans.

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Sunday, September 2, 2012

The Adventures of Indiana Jones (Raiders of the Lost Ark/ Temple of Doom/ Last Crusade) - Widescreen Edition (1984) Review

The Adventures of Indiana Jones (Raiders of the Lost Ark/ Temple of Doom/ Last Crusade) - Widescreen Edition (1984)
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George Lucas produced something other than Star Wars? The younger crowd may not be aware of this, but anyone like me growing up in the 70's -80's would. The answer: Absolutely! (We can forget & forgive his mid-80's mistake "Howard the Duck.")
This collaborative effort from Steven Spielberg & George Lucas brought new life into the action genre. It is equally important to remember that the films also propelled Harrison Ford from Star Wars's loveable "scoundrel" to a silver screen staple. Here is my take on the series so far (barring Indiana Jones 4 which is on & off...hopefully off due to Ford's age and the closure in "Last Crusade.")
Raiders of the Lost Ark:
From the intro Paramount logo shifting into a real mountain, to the mishaps in recovering the golden idol from the temple, "Raiders" pretty much set a tone for what was to come -action. What it brought in after the opening sequence is something not often seen in action movies -story. Not just story, mind you, but intelligent story (dispelling the myth that audiences are stupid.) It is an awkward sight to see Jones transformed from the adventurer to the lecturer, until he is told of The Ark of the Covenant -supposedly holding The Ten Commandments and a source of ultimate power -and chases after it. The rest & former are long embedded in film history. The Nazi's are after it as well and Jones has the fight of his life.
Interesting points:
The beautiful Karen Allen (Starman) portrays Marion (who I personally would like to have seen resurface in later films) and the rolling boulder (reminiscent of the asteroid thundering through a starship in 1979's B-movie "The Black Hole.")
Indiana Jones & the Temple of Doom:
For me, this was the oddball movie. Jones saves child-slaves from an evil cult. That's about as well as I can sum it up. It fails its predecessor and succumbs to mediocre "sequel fever." I don't expect everyone to share my view, nor do I want you to. All-in-all, it's a high action flick and will pass some time well, even with the miscast future Mrs. Spielberg -Kate Capshaw (Space Camp).
Interesting points:
The chase through the mine is an exciting thrill-ride and the tension of bridge scene afterwards makes up for the lower points of this movie.
Indiana Jones & the Last Crusade:
To place this movie alongside the first would be justice served. Here is the return of the intelligent story and type of action/drama mix that resurged the Jones Saga. It opens with young Indiana Jones (River Phoenix, "The Mosquito Coast") stealing a lost artifact from a band of robbers. Ultimately, he is too young to thwart them; however it reveals the character of Jones from an early age and introduces his father, Henry (Sean Connery). Now, fast forward to the Jones we have come to know and Jones is trying to find his father who went searching for the Holy Grail. The movie is a whirlwind trip through Biblical History and pure adrenaline pumped action. The chemistry between Ford & Connery shines throughout the exotic locations and explosions providing comic relief as much as back-story. I can't say enough about this film, so I will stop here.
Interesting points:
So much is revealed in this movie, from the origin of the name "Indiana," to the deepest parts of each character (something rarely seen in films -character depth.)
DVD Extras:
Fortunate enough to have seen it (and I admit I'm not that much of a fan of these DVD revelations on the making's of the movie because it oftentimes destroys the fantasy of it all) I have to bend and tell you it is worth it. The original trailers are laughable (they weren't at the time the movie came out and I mean that in no disrespectful way) and a trip down Nostalgia Lane. One thing that sets this apart is that the documentary is not boring. Most are in DVD Extra-discs (probably because new movies have no real history -save maybe for The Matrix.)
Final Note:
For the cost, quality (remastered, et al.,) this is one box set that I am happy to comment on and also, one that I believe was done right and released right. (Check out other trilogy box-sets, which I won't name here, and you'll find so many versions and "Director's Cuts" that you'll be baffled at what to buy. This set is complete...plain & simple. Enjoy

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Thursday, March 29, 2012

Minority Report (2002) Review

Minority Report  (2002)
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I probably would have waited until Minority Report hit the rental stands if it weren't for all the five-star ratings critics have been giving this movie. After being digitally assaulted by the current crop of high-budget special effects films like Spiderman and Attack of the Clones, I was already weary of acting and storyline taking a backseat to gee-whiz computer graphics. I underestimated Spielberg's ability.
So what is the plot exactly? Well, dear reader, take comfort in knowing I will not spoil the movie for you. In the year 2054, Americans are subjected to Gap clothing stores (that scan your retina and hard-sell khakis by your name) as well as USA Today newspapers with animated front page covers that update in real-time. Tom Cruise is John Anderton, Washington D.C.'s top-cop in the experimental pre-crime unit that seeks out and eliminates would-be murderers through the use of precognitive beings that are able to sense murders shortly before they happen. The premise sounds wonderful until John discovers he's about to murder someone he has never met. This is the story on the surface yet it is not the story. I fear many will avoid this movie because this is all they will expect. I will stump for this movie because it's not just an action-thriller and it's not just a thinking-man's science-fiction movie. What lies beneath the story is much deeper and darker.
You see, even in knowing the future, Mr. Anderton is confronted with an awful dilemma. How can he prevent himself from killing the person he is supposed to murder if he has never seen the person he is supposed to kill or the location the murder is supposed to take place? Is the future preordained or does man create his own destiny? As Anderton uncovers the answers to these questions, viewers will find that this is not the underlying story either.
Minority Report is a dark and disturbing vision of the future made believable with Cruise's much more human characterization of Anderton than his previous Mission Impossible persona. Samantha Morton, Colin Farrell, and the incomparable Max von Sydow all serve to effectively help and hinder Anderton's quest. Are there flaws in the movie? Perhaps. The action scenes are impressive and appropriate, but one particular scene in the LEXUS factory contained so much eyeball-jarring camera manipulation that I felt I was hit by a "sick stick." And speaking of brand-names, reviewers complain of the blatant commercialization of the movie. Without question, an obscene amount of advertising permeates almost every frame. Did Spielberg sell out to the highest bidder or is he making a statement about the not-so-distant future, or even the present? I'll let you decide. Finally, the fact this movie received a PG-13 rating is a statement in itself. I remember all the controversy generated by parent-groups when Poltergeist received a PG rating. It seems so long ago...
Yet credit must go to Steven Spielberg as there was much of this movie that could've been done ineffectively. After the disappointing box-office numbers of A.I., many (including myself) were expecting a dumbed-down formulaic hack to swing alongside the rest of the massives. Instead, Spielberg shows he's master of the technology as the impressive display of visuals serve to add to, not overwhelm the story. By the time the movie ends, you may find yourself pondering the kind of questions only philosophers argued over.

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Based on a short story by the late Philip K. Dick, this science fiction-thriller reflects the writer's familiar preoccupation with themes of concealed identity and mind control. Tom Cruise stars as John Anderton, a Washington, D.C. detective in the year 2054. Anderton works for "Precrime," a special unit of the police department that arrests murderers before they have committed the actual crime. Precrime bases its work on the visions of three psychics or "precogs" whose prophecies of future events are never in error. When Anderton discovers that he has been identified as the future killer of a man he's never met, he is forced to become a fugitive from his own colleagues as he tries to uncover the mystery of the victim-to-be's identity. When he kidnaps Agatha (Samantha Morton), one of the precogs, he begins to formulate a theory about a possible frame-up from within his own department. Directed by Steven Spielberg, who hired a team of futurists to devise the film's numerous technologically advanced gadgets, Minority Report co-stars Colin Farrell, Max von Sydow, and Neal McDonough.

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Wednesday, March 7, 2012

Gremlins Review

Gremlins
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Inventor Randy Peltzer (Hoyt Axton) has bought a special gift for his son Billy (Zack Gallaghan) and it's a furry Chinese creature called a Mogwai (voiced by Howie Mandall). But there are three important rules that must be followed if he wants to keep the creature such as number 1 which means to keep him away from bright light especially sunlight cause it will kill him, number 2 is to never get him wet and number 3 which is the most important rule of them all which is never feed them after midnight. But Billy does what he can but he accidently gets him wet one day and it makes him mutiply other Mogwaii like him and he accidently feed the Mogwaii except Gizmo after midnight as it makes them into ghastly reptilian ghouls that cause havok in the town of Kingston Falls.
Brilliant and highly original Horror fantasy comedy from executive producer Steven Spielburg, director Joe Dante ("The Howling") and writer Chris Columbus. This movie became one of the biggest box-office hits of 1984 and of all time, this movie has a great sense of charm and of course black humor thrown into it with gruesomeness. The film co-stars Corey Feldman, Phoebe Cates and Dick Miller and special appearences by Robby the Robot and Chuck Jones, this movie did caused some controversy when it came out because parents thought it was too violent for small children even around the same time "Indiana Jones and the Temple of Doom" came out. So the MPAA created the "PG-13" rating was created that year, i love how make-up artist Chris Walas did the lovable furballs and the hideous beasts and made them some of the most memorable creatures to hit the screen. The film has often been imitated much with films like "Critters 1 & 2" (Which are great movies in their own rights), "Ghoulies", "Munchies", "Beasites", "Elves", "Evil Toons", "Troll" and the worst one of them all "Hobgoblins", this one is a true must see even around the holidays.
This special edition DVD has excellent sound and picture with nice extras like deleted scenes, Trailers, 2 audio commentaries, behind the scenes featurette, photo and storyboard gallery and filmmaker and cast highlights.
Also recommended: "Gremlins 2 : The New Batch", "Black Christmas (1974)", "Small Soldiers", "Critters", "Critters 2", "C.H.U.D.", "The Pit", "Evil Dead II", "It's a Wonderful Life", "Grindhouse", "Silent Night Deadly Night", "E.T.", "Troll", "Dead Alive (a.k.a. Braindead)", "The Witches of Eastwick", "Cat's Eye" and "Monsters Inc."

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Friday, December 16, 2011

The Terminal (Widescreen Edition) (2004) Review

The Terminal (Widescreen Edition) (2004)
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"The Terminal" has a lot going for it.
It has the crowd-drawing director, actor, actress, and a plot that would make anyone say, "how in the world?"
And for the most part, it lives up to it. Hanks is absolutely amazing in his role. I forgot it was him for the majority of the film, and though that should be par for the acting course, it's not for many actors. He loses himself as Victor, and he's not afraid to lay it out for his character. He changed his walk, stance, everything for Victor. It's the complete package, and Hanks never misses a beat.
Spielberg delivers what you expect: excellent directing. There are so many little touches in the background during the entire film that you sit and smile when you catch it, and when a scene comes off as completely coherent, you realize there was so much reinforcing what had occurred. The typical (of recent films anyway) Spielberg lighting comes into play frequently, and it makes for a lovely film. He got such a marvelous performance from Hanks and the rest of the cast...must be a really famous director, eh?
Catherine Zeta-Jones had a smaller role than I expected, but she still pulled a decent performance. I believed her, for the most part. A couple scenes, no, but for the most part.
The supporting cast of Victor's airport friends is marvelous. The chemistry between them and Hanks is great, even with Hanks not speaking English very well. I really like those characters, and the actors pulled it off brilliantly.
The script is good, dialogue believable, and story followable and lovable.
My only complaint with the film is that it seemed a little drawn out at points. It's about 2 hours, and I thought it could've been shorter. But the subplots keep you entertained, and you really grow to appreciate the characters. There are some fascinating character developments and studies in this one. You'll want to think when it's over, though you may not know what about.
"The Terminal" may not be what you expect; but it is a good film, with comedy throughout and some nice dramatic moments too. I recommend it. Enjoy Hanks' brilliant work!

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Saturday, September 10, 2011

Indiana Jones - The Complete Adventure Collection (Raiders of the Lost Ark/ Temple of Doom/ Last Crusade/ Kingdom of the Crystal Skull) Review

Indiana Jones - The Complete Adventure Collection (Raiders of the Lost Ark/ Temple of Doom/ Last Crusade/ Kingdom of the Crystal Skull)
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Okay, I believe we all know who Indiana Jones, is, right? I grew up with Indy and my kids will be the same. This new box-set is the definitive Indy box-set. This set features the original classic trilogy plus the newest addition, "The Kingdom of the Crystal Skull". Just like the set that came out in May for the 4th movie, this set comes with the new special editions of the original 3 movies. The best part about this set is that the 4th movie is the 2-Disc special edition and not the lame 1-disc version. My only complaints with this set are 1) that the DVD cases are those really lame slim cases and not regular sized DVD cases and 2) the bonus disc from the original trilogy boxset is missing (although the special features makeup for that is most respects) and 3) while the cover is cool, the order of each movie cover is weird; you start from the top right and work your way around. All in all, this is the best Indy box-set out there and it's worth getting. Here's my ratings for each movie:
Raiders of the Lost Ark: 5/5
The Temple of Doom: 4/5
The Last Crusade: 5/5
The Kingdom of the Crystal Skull: 3.5/5

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Item Name: Indiana Jones - The Complete Adventure Collection (Raiders of the Lost Ark/ Temple of Doom/ Last Crusade/ Kingdom of the Crystal Skull); Studio:Paramount

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Catch Me If You Can (Widescreen Two-Disc Special Edition) (2002) Review

Catch Me If You Can (Widescreen Two-Disc Special Edition) (2002)
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"Catch Me If You Can" is the story of real-life con artist Frank Abagnale, Jr. who, in the late 1960's and early 1970's, when he was between the ages of 16 and 21, wrote $2.5 million dollars in bad checks and became one of the most notorious con men in American history. The film follows Frank (Leonardo DiCaprio) from his early high school pranks to his check-printing operation and eventual capture in France five years later. FBI agent Carl Hanratty (Tom Hanks) doggedly pursues Frank as he successfully impersonates an air line pilot, a doctor, and a lawyer, living the life of a playboy and cashing ingeniously forged checks all along the way.
"Catch Me If You Can" was directed by Stephen Spielberg and, along with Minority Report, signifies a revival of Spielberg's directing talent after fifteen years of mediocre-at-best filmmaking. This film is fairly light fare, but it is immensely entertaining, funny, touching, and impeccably cast. Frank Abagnale, Jr. is a perfect fit for Leonardo DiCaprio, and is probably his best role since "What's Eating Gilbert Grape". Tom Hanks seems to have abandoned his typically saccharine roles this year -much to his credit- and puts in a wonderful performance as sympathetic geeky G-man Carl Hanratty (along with a terrific showing in "Road to Perdition"). Christopher Walken was the only actor to receive an Oscar nomination for "Catch Me If You Can". His performance as Frank Abagnale, Sr., our protagonist's down-and-out father, deserved the honor. Frank Jr.'s awkward combination of admiration and pity for his father seems to have been a key motivator in his illustrious life of crime, and Christopher Walken really helps us understand that.
The real Frank Abagnale, Jr. is a successful security consultant these days, protecting businesses from white collar crime. He cooperated with and bascially likes the film, but is quick to point out that "Catch Me If You Can" is based on his biography of the same name that was written about 25 years ago. Mr. Abagnale says that some aspects of his experiences were exaggerated in that book and some have been altered for the movie as well. Whatever the inaccuracies, Frank Abagnale, Jr.'s immense intelligence, ambition, and guts are the most striking elements of the film. It's the rarity of finding all of these qualities in such abundance in one person that make Frank's character so fascinating, and make him one of cinema's most lovable antiheroes.
I highly recommend "Catch Me If You Can" for its great performances and its extremely entertaining story of an ingenious con man and his noble pursuer...made all the more interesting because the story is largely true.

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