Showing posts with label science fiction films. Show all posts
Showing posts with label science fiction films. Show all posts

Tuesday, January 31, 2012

Westworld (1973) Review

Westworld (1973)
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I picked this film up about a week ago. I hadn't seen it since it premiered back in the 1970's. It made no impression on me whatsoever on that first viewing. Boy has time and its simplicity improved it, the second time around! This is a very timely film and I think people of all ages should take a look at it.
This film moves from humour to fantasy to horror almost seamlessly. And the funny thing is- the fact that Crichton didn't get caught up in atmosphere or look; he concentrated on two characters simply going to a future resort, however fantastic the idea seems, to release and experience what in fact become examples of some of the darkest pleasures or most violent impulses inside of all of us. It really presses the right buttons and asks questions about what we find fun or entertaining.
I don't want any review I write to spoil the films for the people yet to see the work so, let's just say- when the tables turn and 'we're on the receiving end ', there's a real numbing truth to what this film drives home. More so today then when it was released. Think of some of the 'reality based darkness' that now litters our airwaves and the unfortunate numbers who seem to be tuning in to watch it.
James Brolin really nails the 'who cares' feel his character needs. Richard Benjamin has to be the one who feels silly at first, then joins in with a sort of reckless abandon. And Yul Brynner is an example to everybody today (in acting, directing, effects and make-up ), of how you can scare the hell out of someone with a look, a smile and two small silver contact lens. (You'll know what I mean when you get to the scene). Benjamin really balances him from that point, having to portray the fear the new reality hits him with.
I won't do the Jurassic comparisons. I thought it when Jurassic came out but Jurassic was a rollercoaster ride. Westworld is the tale with the real bite.
I highly recommend this movie. It's an entertainment that quickly turns to a truth I think we all need to keep thinking about. What do we really find entertaining? Or more to the point... why?

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Westworld is a futuristic theme park where robots are programmed to fulfill guests' lustful and sometimes violent fantasies-- until something goes wrong with their circuitry.Genre: Science FictionRating: PGRelease Date: 3-JUL-2001Media Type: DVD

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Friday, July 8, 2011

Soylent Green Review

Soylent Green
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Soylent Green (Richard Fleischer, 1973)

So what's the difference between schlock and one of the 100 best films ever made? Sometimes, I'll admit, it's a pretty blurry line. That's the case with this gem from the Richard Fleischer stable, a tale of a New York City with a population of forty million and a food supply that comes in little squares of red, yellow, and green.

Thorn (Heston) chews scenery. Roth (Edward G. Robinson) spends his life moaning about how things were better in the seventies. (If only they knew.) The two of them try to get through their lives scavenging from the rich, like everyone else in New York. They have an edge, with Thorn being a cop who treats corruption like a confortable pair of undershorts. A high society murder tips Thorn off that all may not be well with Soylent, the company that makes the majority of the world's food supply, and Thorn and Roth start digging deeper deapite warnings from the victim's old bodyguard (Stephen Young) and Thorn's lieutanant (Brock Peters). The production values are strictly seventies, and it's great to poke fun at various things in the film ("my god, it's 2022 and they're still listening to bad lounge music?"). And yet there's something undefinable about this film that propels it from the realm of bad seventies science-fiction exploitation into the realm of true genius. What that thing is, I don't know; when I figure it out, I'll tell you. But something clicked. Heston's patented god-guns-and-guts character is perfect for the role. Robinson actually looks convincing salivating over a stick of celery. And somehow the movie's last lines are delivered convincingly. It's incredible. Whatever magic they managed to make with this one, Hollywood needs to make more of it. **** 1/2

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The is the year 2022. Overcrowding, pollution, and resource depletion have reduced society's leaders to finding food for the teeming masses. The answer is Soylent Green - an artificial nourishment whose actual ingredients are not known by the public. Thorn is the tough homicide detective who stumbles onto the secret so terrifying no one would dare believe him.

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