Showing posts with label kate beckinsale. Show all posts
Showing posts with label kate beckinsale. Show all posts

Tuesday, September 18, 2012

Underworld (Unrated Extended Cut) (2003) Review

Underworld (Unrated Extended Cut) (2003)
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Boiled down to the fine little dish of steak tar-tar that it is, "Underworld" is the answer to the two horror flick questions you had as a kid:
1)If Dracula and the Wolfman went mano a mano and fang-to-claw, which one would do the thrashing?
2)If Dracula and the Wolfman checked into a cheap motel, got roaring drunk on a case of Night Train, and had a baby, what would it look like?
You get the answer to #1 early and often, which is pretty much what this Transylvania Station is all about. And by the end of "Underworld" you get #2 as well---and trust me, when it's hopping about like an ugly green Mini-Hulk (right down to its one-size-fits-all-monster trunks) you'll wish you hadn't.
You want to know what you're getting when you lace up your thigh-high attitude boots and strap on that trenchcoat for a little midnight fun in Len Wiseman's uber-stylish little monster mash "Underworld"?
Think West Side Story: only here, instead of the Jets and the Sharks angling for a rumble on the other side of the tracks, we have Vampires and Werewolves. Oh, and in "Underworld" nobody breaks into song. Both sides just want to rumble, and the girls just wanna have fun. In the meantime, while not the sharpest stake in the vamp-hunter kitbag, "Underworld" finds its groove, and serves up a bloody two hours of unabashed techno-cool that drinks you dry, trashes the apartment and howls at the moon.
We get dropped into the middle of a war that Celine (the impossibly tasty Kate Beckinsdale)---our supple full-body-suit clad vampiric Death Dealer and narrator---tells us has been "raging for centuries."
On one side of the tracks: the sneering, brutally hip Euro-trashy leather-trenchcoat & hip-sunglasses wearing uber-high-maintenance Vampires. They have posh high-rent neo-Victorian digs, drive around the streets in Jaguars and Maseratis, and have managed to switch up the silver bullets in their glocks and MP-5 submachine guns for something more lethal: liquid silver nitrate, which makes it tougher for their hairy buddies to pull the bullets out. Advantage: Vampires.
On the other side of the tracks: the Salvation Army surplus-wearing tear-your-scalp-off-and-wear-it Werewolves---erm, I mean Lycans, short for Lycanthropes. The Lycans are strictly low-rent, hang out together in what looks like an abandoned public lavatory, and take a bath once every full moon whether they need it or not. Whereas their blood-sucking cousins from the East Side look like they'd be hanging at crazy underground raves when they're not boring each other to tears talking like the Merovingian, the Lycans are strictly the mosh-pit set. Oh, and from what I could tell, there's not a single werewolf girl. C'mon guys---haven't ya heard of "Ginger Snaps"? Bummer. Advantage: Vampires.
That said, the boys have been pumping the rent money they've saved up into super-science research, giving them bullets that encase super-photoelectric magnesium charges (perfect for giving that oncoming vamp a little taste of Club Med sunlight). They also have the upper hand in figuring out how they can mix the bloodlines, bringing the war between Vamp and Lycan to an end. Advantage: Lycans.
And finally, mixing it up with our fanged-kissin' cousins, we have perplexed med student Michael Corvin (played by the annoying Scott Speedman who cashes a check) stalked by Lycan heavies and tagged by Selene, who wants to know why the werewolf army is so eager to get their hands on him.
And that, pretty much, is "Underworld": two hours of movie built around jaw-droppingly gorgeous set-pieces and bouts of total war between locked-and-loaded squads of Things that go Bump in the Night.
Just a note: you'll want to get the Unrated Extended DVD: it fleshes things out, beefs up some supporting characters, and ends with an extended battle sequence---and it's loaded down with plenty of extras you can sink your fangs into.
Plus, the sleeker transfer shows off Wiseman's technical mastery in spades. Wiseman uses sound-stages and CGI to anchor the film's look, and tethers all of it to the fog-shrouded cobbled streets and ancient alleys of Prague: the City itself takes on a bleak and brooding character. The movie looks gorgeous: whether it's the gloomy red-velvet and dark mahogany halls of the mansion, the sleek, sterile Underground, or the industrial ruins of the Lycans, Wiseman and cinematographer Tony Pierce-Roberts make every scene tell. The sequence where a locomotive full of vampire diplomats chugs into a deserted rail-station---with the baying of werewolves in the distance---is jaw dropping.
"Underworld" also gets the most out of its talented stable of actors. There are three centers of gravity in the film: Beckinsdale, who doesn't need her bodysuit to command her lines (though I'm glad she wore it). The Lycan overlord Lucien (the gifted Welsh actor Michael Sheen) steals every scene he's in, and brings complexity and command to a role that could have been a throwaway in lesser hands. Finally, there's the Vampire King Viktor, played by the great Bill Nighy (who also played Shaun's Jag-loving stepdad in "Shaun of the Dead"). Nighy is a kind of demonic embodiment of immortal Puritan rage, and acts like a champ through all that make-up.
Even the supporting actors turn in strong roles: Shane Brolly (Kraven) whines and pouts and lisps and turns in a convincing performance as a spineless worm; Sophia Myles (Erika) comes off as a naughty little vampire cat-girl; Kevin Grevioux owns this film and puts the smack down as Uber-Werewolf Raze; and Hungarian actress Zita Gorog rocked my world---without uttering a single line.
In the end, this batwinged black-lipstick wearing looker of a flick charged into the goth club of my choice, served me an extra-bloody steak tartar , smacked me around, bought me drinks, and talked Shakespeare after. Would a Lycan by any other name be just as hairy?

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SELENE, A BEAUTIFUL VAMPIRE WARRIOR, IS ENTRENCHED IN A WAR BETWEEN THE VAMPIRE & WEREWOLF RACES. ALTHOUGH SHE IS ALIGNED WITH THE VAMPIRES, SHE FALLS IN LOVE WITH MICHAEL, A WEREWOLF WHO LONGS FOR THE WAR TO END.

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Tuesday, August 28, 2012

Nothing But the Truth (2008) Review

Nothing But the Truth (2008)
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"Nothing But the Truth" is based on the events surrounding the prison sentence of "New York Times" reporter Judith Miller after she refused to reveal the source who identified undercover CIA agent Valerie Plame.
Prompted by a failed assassination attempt on the President of the United States, investigative reporter Rachel Armstrong (Kate Beckinsale) discovers that a neighborhood woman is a CIA operative. Rachel believes she has happened upon the Big Story, and is backed by her editor (Angela Bassett), the newspaper's legal counsel (Noah Wyle), and her First Amendment lawyer (Alan Alda). Federal prosecutor Patton Dubois (Matt Dillon) wants her to name her sources. She refuses and is thrown in jail for contempt of court. She thinks she will soon be released, but as her incarceration lengthens, her relationship with husband (David Schwimmer) and son (Preston Bailey) starts to deteriorate.
Performances are first-rate in this tense political thriller. Beckinsale is sympathetic as the idealistic yet frightened reporter, but Dillon dazzles as the Javert-like Fed who will use anything and everything within his power to break the reporter's will. The changing relationship between Rachel and her family gives the film humanity and elevates it from a mere "ripped from the headlines" flick to one of depth.
Bonus extras include deleted scenes, a making-of featurette, and filmmakers' commentary.

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Inspired by true events. Kate Beckinsale and Academy Award® nominee Matt Dillon (Best Performance by an Actor in a Supporting Role for Crash, 2004) lead an all-star cast in this explosive story about a Washington, D.C. reporter who faces a possible jail sentence for outing a CIA agent and refusing to out her source. The all-star cast includes Academy Award® nominees Alan Alda (Best Performance by an Actor in a Supporting Role for The Aviator, 2004), Angela Bassett (Best Actress in a Leading Role for What's Love Got to Do with It, 1993); Emmy® Award nominee David Schwimmer (Outstanding Supporting Actor in a Comedy Series for Friends, 1994), Golden Globe® nominee Noah Wyle (Best Performance by an Actor in a Supporting Role in a Series, Mini-Series or Motion Picture for ER, 1997-99) and Vera Farmiga (The Departed).

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Friday, June 15, 2012

Vacancy (2007) Review

Vacancy (2007)
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If you've seen every horror movie out there, maybe this one won't do anything for you. It definitely kept me watching for these reasons:
1. The couple, Luke Wilson and Kate Beckinsale, are having marital troubles. This is a nice twist on the formulaic "couple is in love, has sex, gets killed" theme. You won't find that here.
2. They end up in a really run-down motel run by a truly whacky guy.
3. Things get very frightening and it isn't the usual slasher flick. There are some nice twists and turns here...well, maybe not nice..but definitely riveting.
4. I was surprised several times and screamed my head off. You don't really want me to reveal much more, do you? If you're looking for a horror film, I assume you want to know if you're likely to get scared silly. Based on my reaction, I'd say yes. I also wanted to know how this was going to affect this couple's marriage. I mean, stick two estranged people in a motel with a psycho and see how that changes their perspective...
I do have to add that this isn't the BEST horror movie I've ever seen but it does the job.

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When David (Luke Wilson) and Amy Fox's (Kate Beckinsale) car breaks down in the middle of nowhere, they are forced to spend the night at the only motel around, with only the TV to entertain them... until they discover that the low-budget slasher videos they find in their room were all filmed in the very room they're sitting in. With hidden cameras now aimed at them... trapping them in rooms, crawlspaces, underground tunnels... and filming their every move, David and Amy must struggle to get out alive before they end up the next victims on tape.

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Saturday, July 30, 2011

Pearl Harbor (Two-Disc 60th Anniversary Commemorative Edition) (2001) Review

Pearl Harbor (Two-Disc 60th Anniversary Commemorative Edition) (2001)
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Why does Hollywood have to make a three hour movie about a terrible day in US history and turn it into 'As The World Turns'? I could not believe that I sat through this piece of junk. It was 2 1/2 hours of 'General Hospital' and 1/2 hour of reality. It's a shame that Hollywood feels that 99% of the films that come out today must contain some kind of soap opera setting to satisfy what they think the lady folks wish to see. I find that to be rather insulting to women and I am not a female. There is nothing romantic about December 7,1941. It gets 1 star for the actual attack sequence. I must mention that I highly doubt that while they flew over head, the Japanese pilots were signaling to the American children to take cover. Silliness. If you wish to see a great film on Pearl Harbor, seek out 'Tora! Tora! Tora!' and let this one rot.

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History comes alive in the unforgettable epic motion picture PEARL HARBOR, the spectacular blockbuster brought to the screen by Jerry Bruckheimer and Michael Bay. Astounding visual and audio effects put you at the center of the event that changed the world -- that early Sunday morning in paradise when warplanes screamed across the peaceful skies of Pearl Harbor and jolted America into World War II. This real-life tale of catastrophic defeat, heroic victory, and personal courage focuses on the war's devastating impact on two daring young pilots, Ben Affleck (ARMAGEDDON) and Josh Hartnet (BLACK HAWK DOWN), and a beautiful, dedicated nurse, Kate Beckinsale (SERENDIPITY). PEARL HARBOR is extraordinary moviemaking -- a breathtaking reenactment of the "date which will live in infamy" and a heartfelt tribute to the men and women who lived it.

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Wednesday, July 13, 2011

Serendipity (2001) Review

Serendipity (2001)
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Put the depressing world news aside for a bit, and relish this delightful romantic comedy. John Cusack and Kate Beckinsale shine as Jonathan and Sara, two people brought together while fighting over the last pair of black cashmere gloves at Bloomingdale's a few days before Christmas. This leads to a falling-in-love conversation at a coffee shop, ice skating amidst the Christmas decorations of New York, and finally a parting where she won't reveal her name because she believes in fate. Now, if you can accept that a girl can fall totally in love and decide not to share her name and number but choose to leave it all up to fate to bring them back together, you will love this movie. And I did! A name on a five-dollar bill and another name in a book called "Love in the Time of Cholera" are pivotal to the plot as Jonathan and his best friend race to find one, while Sara and her best friend stumble onto the other. But this is all several years later when both are about to marry other people. Will the two would-be lovers find each other in time? Will there be a happy-ever-after ending? Suffice it to say, you will see the glove counter at Bloomingdale's one more time.
John Cusack is adorable as always in this ultimate chick flick, and Kate Beckinsale excels as the slightly off-beat girl he can't forget. But it is Jeremy Piven as his best friend and Eugene Levy as the Bloomingdale's clerk who have some scene-stealing moments.
Treat yourself to this totally romantic escape into a world where all is well and your fondest dreams can come true.

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Irresistible stars John Cusack (AMERICA'S SWEETHEARTS, HIGH FIDELITY) and Kate Beckinsale (PEARL HARBOR, BROKEDOWN PALACE) are drawn together and take a chance on love in this critically acclaimed romantic comedy! In the course of one magical evening, Jonathan (Cusack) and Sara (Beckinsale) meet unexpectedly ... then part without expectation when she decides they must let fate determine if they are meant to be together. Years later, they are both engaged to others but cannot give up the dream that -- despite time, distance, and the obstacles that conspire to keep them apart -- they will one day meet again. Also starring Jeremy Piven (THE FAMILY MAN, VERY BAD THINGS) and Molly Shannon (SUPERSTAR, NEVER BEEN KISSED) in a stellar supporting cast -- you're destined to agree with audiences everywhere who fell for the surprising charms of this delightful big-screen romance!

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Friday, June 17, 2011

Much Ado About Nothing (1993) Review

Much Ado About Nothing (1993)
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Since his Oscar-nominated "Henry V" adaptation, Kenneth Branagh has come up with a simple, effective recipe: Blend 3 parts English actors well-versed in all things "Bard" with 1 or 2 parts Hollywood, sprinkle the mixture liberally over one of Shakespeare's plays, lift the material out of its original temporal and local context to provide an updated meaning, and garnish it by casting yourself and, until the mid-1990s, (then-)wife Emma Thompson in opposite starring roles.
In "Much Ado About Nothing," that formula works to near-perfection. A comedy of errors possibly written in one of the Bard's busiest years (1599) - although as usual, dating is a minor guessing game - "Much Ado" lives primarily from its timeless characters, making it an ideal object for transformation a la Branagh. Thus, renaissance Sicily becomes 19th century Tuscany (although the location's name, Messina, remains unchanged); and the intrigues centering around the battle of the sexes between Signor Benedick of Padua (Branagh) and Lady Beatrice (Thompson), the niece of Messina's governor Don Leonato (Richard Briers), and their love's labors won - initially the play's intended title; Benedick and Beatrice are a more liberated version of the earlier "Love's Labor's Lost"'s Biron and Rosaline - as well as the schemes surrounding the play's other couple, Benedick's friend Claudio (Robert Sean Leonard) and Beatrice's cousin Hero (Kate Beckinsale) become a light-hearted counterpoint to the more serious, politically charged intrigues of novels such as Stendhal's "Charterhouse of Parma:" Indeed, the military campaign from which Benedick and Claudio are returning with Don Pedro, Prince of Aragon (Denzel Washington) at the story's beginning could easily be one associated with Italy's 19th century struggle for nationhood.
While according to the play's conception it is ostensibly the relationship between Hero and Claudio that drives the plot - as well as the plotting by Don Pedro's illegitimate brother, Don John (Keanu Reeves) - Beatrice and Benedick are the more interesting couple; both sworn enemies of love, they are not kept apart by a scheming villain but by their own conceit, and are brought *together* by a ruse of Don Pedro's (although even that wouldn't have worked against their will: "Thou and I are too wise to woo peaceably," Benedick tells Beatrice.) And while Don John's machinations create much heartbreak and drama once they have come into fruition, the story's highlights are Benedick's and Beatrice's battles of wits; the sparks flying between them from their first scene to their last: even in front of the chapel, they still - although now primarily for their audience's benefit - respond to each other's question "Do not you love me?" with "No, no more than reason," and when Benedick finally tells Beatrice he will have her, but only "for pity," she tartly answers, "I would not deny you; - but ... I yield upon great persuasion; and partly to save your life, for I was told you were in a consumption" - whereupon Benedick, most uncharacteristically, stops her with a kiss.
Branagh's and Thompson's chemistry works to optimum effect here; and while every Kenneth Branagh movie is as much star vehicle for its creator as it is about the project itself, Benedick's conversion from a man determined not to let love "transform [him] into an oyster" into a married man (because after all, "the world must be peopled. When I said I would die a bachelor I did not think I should live - till I were married"!) is a pure joy to watch. Emma Thompson's Beatrice, similarly, is an incredibly modern, independent young woman; and scenes like her advice to Hero not to blindly follow her father's (Don Leonato's) wishes in marrying but, if necessary, "make another courtesy and say, Father, as it please *me*" only enhance the play's and her character's timeless quality.
Yet, while the leading couple's performances are the movie's shining anchor pieces, there is much to enjoy in the remaining cast as well: Richard Briers's Don Leonato, albeit more English country squire than Italian nobleman, is the kind of doting father that many a daughter would surely wish for; and what he may lack in Italian flavor is more than made up for in Brian Blessed's Don Antonio, Leonato's brother. Kate Beckinsale is a charming, innocent Hero and well-matched with Robert Sean Leonard's Claudio (who after "Dead Poets Society" seemed virtually guaranteed to show up in a Shakespeare adaptation sooner or later); as generally, leaving aside the appropriateness of American accents in a movie like this, the Hollywood contingent acquits itself well. Washington's, Leonard's and Brier's "Cupid" plot particularly is a delight (even if the former might occasionally have gained extra mileage enunciation-wise). Keanu Reeves, cast against stereotype as Don John, is a bit too busy looking sullen to realize the role's full sardonic potential: "melancholy," in Shakespeare's times, after all was a generic term encompassing everything from madness to various saner forms of ill humor; and I wonder what - but for the generational difference - someone like Sir Ian McKellen might have done with that role. But as a self-described "plain-dealing villain" Reeves is certainly appropriately menacing. Michael Keaton's Dogberry, finally, is partly brother-in-spirit to Beetlejuice, partly simply the eternal stupid officer; the play's boorish comic relief and as such spot-on, delivering his many malaproprisms with his tongue firmly planted in his cheek.
The cast is rounded out by several actors who might well have demanded larger roles but nevertheless look ideally matched for the parts they play, including Imelda Staunton and Phyllida Law as Hero's gentlewomen Margaret and Ursula, Gerard Horan and Richard Clifford as Don John's associates Borachio and Conrade, and Ben Elton as Dogberry's "neighbor" Verges. (In addition, score composer Patrick Doyle stands in as minstrel Balthazar.) With minimal editing of the play's original language, a set design making full use of the movie's Tuscan setting, and lavish production values overall, this is a feast for the senses and, on the whole, an adaptation of which even the Bard himself, I think, would have approved.
Also recommended:
The Oxford Shakespeare: The Complete Works 2nd Edition
Love's Labour's Lost
Henry V
William Shakespeare's Hamlet (Two-Disc Special Edition)
BBC Shakespeare Comedies DVD Giftbox
BBC Shakespeare Tragedies DVD Giftbox
Olivier's Shakespeare - Criterion Collection (Hamlet / Henry V / Richard III)
William Shakespeare's The Merchant of Venice
Richard III
The Complete Arkangel Shakespeare: 38 Fully-Dramatized Plays

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Full of "sparkling merriment" (The Hollywood Reporter), this sexy, sunny comedy positively sizzles as one set of lovers battles against a dirty trick, and another set simply battleseach other! Adapted by Oscar® nominee* Kenneth Branagh and featuring an all-star cast, this charming romp "casts the battle of the sexes in the form of an elegant dance" (The New York Times).A military war has just ended, but the "merry war" between Beatrice (Emma Thompson) and Benedick (Branagh) rages on! Can their friends trick them into making love instead? For that matter, can another couple's devotion survive the evil Don John's (Keanu Reeves) vicious lies? It's up to the blundering constable (Michael Keaton) to save the day so that the course of true love may yet run smooth!*1989: Director, Actor, Henry V; 1992: Short Film-Live Action, Swan Song; 1996: Adapted Screenplay, Hamlet

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Monday, June 13, 2011

Everybody's Fine (2009) Review

Everybody's Fine (2009)
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I went by myself, a 62 year-old with 4 grown sons. I sat in my old hunting coat and sniffled and cried for however long it was. I think De Niro wears his role with both an ease and a genius few possess. I'll get the DVD as soon as it's released. I know De Niro's own real-life dad passed shortly before his "Bronx Tales" was released, and perhaps, in some zen-like chi, this kinda closes a circle on the dad-stuff there. I met De Niro once, and was extremely impressed with his character (as in 'integrity', not as in an acting role).

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Robert DeNiro leads an acclaimed all-star cast Drew Barrymore, Kate Beckinsale and Sam Rockwell in Everybody s Fine, the heartwarming film that will move you to laughter and tears. When Frank Goode's (DeNiro) grown children cancel a family reunion, the recent widower sets off on a cross-country journey to reconnect with each of them. Expecting to share in the joys of their happy, successful lives, his surprise visits reveal a picture that's far from perfect. A family separated by physical and emotional distance finds a way to come together in a story that will touch your heart.Bonus Features include The Making Of Paul McCartney's (I Want To) Come Home, Deleted & Extended Scenes

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Tuesday, March 15, 2011

Whiteout (2009) Review

Whiteout (2009)
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I didn't quite know what to expect when I sat down in the theater today to watch Whiteout. The trailers led me to believe it would be some sort of supernatural type film set in Antarctica, but I wasn't really sure if it was just the weather that would be the evil force or some sort of creature. It was none of the above. Whiteout is really just a typical thriller/mystery that happens to occur on the coldest land mass in the world. It involves some murders back in 1957 and few more in present day that Kate's character investigates. Within the first ten minutes you get the gorgeous Kate Beckinsale stripping down to her undies (always a good thing), but I didn't expect that to be the films only true highlight. Other than her obvious use in that particular scene, I can't believe they casted a good looking woman only to cover her up from head to toe and in multiple layers for the last 90 minutes. Not to mention a giant snow hat on her head. Anyways, most of the acting was okay I guess. Kind of bland, but nothing noticeably bad.
Whiteout is actually pretty darn entertaining if you take it for what it is and don't expect anything special. It deserves better than all the negative reviews it is receiving from the critics, but I have to admit that without the early gratuitous scene or the atmospheric location, I probably wouldn't give this thing more that two stars. You might get a couple of shivers from this one, but those looking for some true frostbite should stick with John Carpenter's The Thing.

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Lone u.S. Marshal the only one assigned to antarctica must investigate a murder and track down a serial killer on the frozen continent within three days before the dark winter begins.Studio: Warner Home VideoRelease Date: 01/19/2010Starring: Kate Beckinsale

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