Showing posts with label dark. Show all posts
Showing posts with label dark. Show all posts

Friday, February 22, 2013

Moral Orel, Vol. 1, The Unholy Edition (2005) Review

Moral Orel, Vol. 1, The Unholy Edition (2005)
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It's from Common Sense Media:
"Created by Dino Stamatopoulos, a writer known for his regular contributions to adult comedy shows like Late Night with Conan O'Brien and TV Funhouse, this sinfully clever stop-motion series packs a wallop of a message in a short amount of time -- and, in essence, that's part of the problem. In fact, so much controversial humor peppers the show's 15-minute run that the shock value of the humor could overshadow the program's subtle message.
So while adults are more likely to see MORAL OREL for what it is -- a biting social satire mocking religious fundamentalism and hypocrisy within the Christian church -- kids (even some older teens) probably won't be able to appreciate the true sophistication of the humor. (And in case you were wondering, young children definitely won't get the joke.)
Borrowing its distinctive animation style from classic Rankin-Bass shows like Davey and Goliath, Moral Orel follows the often-shocking misadventures of 11-year-old Orel Puppington (voiced by Carolyn Lawrence), a devoutly Christian boy who tries his best to live life by "the book" but often misinterprets God's teachings. Week after week, Orel's good intentions lead to disaster.
But instead of learning from his mistakes, Orel is usually led astray by his pseudo-reflective father, Clay (Scott Adsit), whose advice is rarely helpful and always misses the mark. For example, at the end of an episode chronicling Orel's brief addiction to crack cocaine, Mr. Puppington cautions Orel that crack "is a gateway to slang," prompting the boy to solemnly vow: "When I do drugs, I'm going to speak properly." Parents should be aware that those are the types of "lessons" kids could inadvertently learn from watching this show.
Fans of Moral Orel will undoubtedly enjoy South Park and will probably also get a kick out of revisiting old episodes of Davey and Goliath for some pointed comparisons. Other recommendations include Strangers with Candy, King of the Hill, and The Simpsons."
And a Common Sense Note states:
Common Sense Note
Parents need to know that while this satirical Cartoon Network comedy is animated, it's part of the Adult Swim line-up for a reason: It's rife with graphic humor and isn't appropriate for young children. (For example, when the 11-year-old Orel takes a drag from his very first crack pipe, he snaps at his talking Jesus figurine and tells him to shut up.) Troubling content aside, however, the show can serve as a way for parents and older teens to talk about the pitfalls of religious fanaticism -- although families who are deeply religious may find the program offensive.
Families can discuss the ways in which religious dogma can be misinterpreted by those with good intentions. Does a person who is considered to be religious always act morally? What statement are the creators of this series making about the state of modern-day Christianity? How does this cartoon compare with Davey and Goliath, the early 1960s animated series it gently parodies?

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In Moral Orel, a 15-minute stop-motion, animated series created by Dino Stamatopoulos, Orel, an 11-year-old boy who loves church, just wants to do God's work. His unbridled enthusiasm for piousness and his misinterpretations of religious morals, however, often lead to disastrous results - including self-mutilation and crack addiction. But no matter how much trouble he gets into, his reverence and faith keep him cheery to the bitter end. The DVD contains 15 uncensored episodes from the first and second seasons, along with all-new uncensored bonus materials! DVD Features:Additional ScenesFeaturette:Behind-the-scenes FeaturetteOther:God's Chef - Director's Cut Unedited Version Original Opening Credit animation End Credit Animation


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Wednesday, February 6, 2013

House of Dark Shadows (1970) Review

House of Dark Shadows  (1970)
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To those of you spending your days bewitched by the misadventures of Tabitha and Timmy on "Passions," there are those of us who are here to remind you of "Dark Shadows," the cult soap opera hit that ran from 1966-71. The Gothic soap was floundering in the ratings when the character of vampire Barnabas Collins (Jonathan Frid) was introduced. Producer/Director Dan Curtis provided this 1970 introduction to the wonderful world of "Dark Shadows," so late comers could get up to speed. Barnabas is freed from his crypt after nearly 200 years by a thief stealing treasure and returns to the family home Collinwood pretending to be a distant English cousin who just happens to be named for the infamous "ancestor." Barnabas discovers that the family governess, Maggie Evans (Kathryn Leigh Scott) is the spitting image of his former love Josette, who killed herself when she learned he had become a vampire. Meanwhile, the family physician Dr. Julia Hoffman (Grayson Hall) learns of Barnabas' true identity and develops a treatment that will reverse the curse. Able to walk in daylight again, Barnabas plans on marrying Maggie. Unfortunately, Dr. Hoffman has fallen in love with Barnabas and sabotges the treatments, which results in quite a bloodbath.
"House of Dark Shadows" certainly stands on its own if you have never seen the soap opera, although the effort to give everyone in the cast some screen time does get in the way from time to time. For those who remember the show, it is nice to see Louis Edmonds, Nancy Barrett, Joan Benett and the others again. The script by Sam Hall and Gordon Russell is actually quite innovative, coming up with some new twists for the love triangle while working in notions of reincarnation and scientific approaches to curing vampirism. At the heart of the film is Frid's portrayal of Barnabas Collins, which offers considerably more depth to the character than we were getting at the time from Christopher Lee's Dracula in all those Hammer films.

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Friday, July 20, 2012

Night Watch (2006) Review

Night Watch (2006)
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Others are those wizards, sorcerers, witches and shapechangers among us, locked in combat between those dedictaed to the Light and Dark. Generals Gesen and Zavulon command the forces of Others dedicated to Light and Darkness, respectively. On a bridge, the two armies meet, and a truce is struck to prevent to annihilation of all Others in that combat. Both sides wait for the birth of an Other whose choice of sides will decide the end to their struggle.
In 1992, Anton, a mild mannered man, meets a modern witch in her apartment to have her cast a spell to retun his lost love to him. She warns him that his love is now pregnant with another man's child, and that this child will constantly draw Anton's love back to the other man, unless it is also destroyed. However, the witch will only attempt to destroy the child if Anton agrees to accept the responsibility of that act. In the botched process of casting the spell to destroy the unborn child, he awakes to the uneeen world around him, becoming an Other.
In 2004, Anton has chosen the Light side, and is hunting vampires and other Dark siders in Moscow, using his special Gift as a Seer. Ironically, he lives next door to a vampire, and they share a wary but friendly relationship. Interestingly, the Light is in the habit of providing special licenses to Dark siders, allowing them to kill/feed/convert/etc., but each side polices the activities of the other to make certain that the Truce is never broken. During an intervention, Anton kills the vampire lover of a young girl, recently "turned", saving a young boy in the process, but effectively violating the peace. He also encounters Svetlana, something "much worse than a vampire", but who is wholly unaware of her role in apocalyptic events about to unfold.
This unique film brings a Russian artistic and cultural approach to a story that seems straight out of a graphic novel. While the story itself may not be unique, seeming pretty much standard Gaiman or Vertigo fare, the production is stunning. The director uses camera angles, and incorporates photographic and artistic elements I've never seen, and the effect is enthralling. It's not a film based on big pyrotechnic explosions and gunfire, and the Special Effects aren't totally up to Dreamworks standards, but the film is a lush portrait of the struggle between good and evil, as well as the tendency of each walking those paths to cross over to the others point of view, that puts recent films of similar theme (Underworld 1/2, Constantine, Van Helsing) in 2nd place.

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Among normal humans live the "Others" possessing various supernatural powers. They are divided up into the forces of light and the forces of the dark, who signed a truce several centuries ago to end a devastating battle. Ever since, the forces of light govern the day while the night belongs to their dark opponents. In modern day, the dark Others actually roam the night as vampires while a "Night Watch" of light forces, among them Anton, try to control them and limit their outrage.

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Tuesday, June 19, 2012

Superjail: Season One Review

Superjail: Season One
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SuperJail is by far one of the greatest pieces of animation to hit TV in the last ten years.
Clearly it's not for younger viewers as it was developed for the AdultSwim programming block on Cartoon Network.
As I mentioned before this is not a review of the Show, but of AdiultSwim's DVD product.
While the show is great in and of itself, this DVD is not.
Once again Adultswim is releasing a DVD with an "UNCENSORED" sticker on the package (Like they did with the Metyalocalypse DVDs) when this content is still COMPLETELY CENSORED as it was on the original Cablecasts and "air dates".
This is ridiculous.
I bought this DVD to see this amazing show without the silly BLACK BARS over images and without loud BEEPS over language.
Instead only the animatics, -the auxiliary extra content- is free of censor beeps etc.
I hope Adultswim smartens up and eventually releases these shows uncut, uncensored as they are currently advertising -falsely.
I doubt I'll be buying more Adultswim DVDs outside of the Venture Bros. releases (which actually are UNCENSORED as advertised)
I received this DVD in the mail on Thursday, and I just sold it this morning.
I'm waiting for the real uncensored version if it ever comes out.
-SJ

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Superjail is the largest and most brutal prison in the world. Built in an active volcano, this complex routinely has riots and murders, though nobody is ever able to escape. The Warden, who is in charge of the prison, has gone insane over the years and has decided to make his prison unlike any other in the world. Superjail! will focus on the crazy antics that occur inside the prison.

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Saturday, March 24, 2012

Blood - The Last Vampire (2001) Review

Blood - The Last Vampire (2001)
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In 1966, the Yokota Air Force Base in Japan is busy with the tense job of supporting the U.S. war effort in Viet Nam. Suddenly, in the surrounding town, several suspicious suicides have been reported and students at the base school are behaving strangely. Enter Saya, a mysterious swordswoman who works for a secret organization dedicated to hunting down Chiropterans - demons who subsist on human blood and are the basis for our legends of vampires. All we know is that Saya is 'The Last Remaining Original' and that her powers are considerable.
Disguised as a schoolgirl, Saya investigates the school and discovers the presence of three of the horrific creatures. In the middle of the school Halloween party, Saya desperately tries to hunt them down and kill them before they can escape or enter hibernation. If unchecked, the creatures could endanger not only those at the base, but the entire war effort.
'Blood' is beautifully made, with a careful blend of three-dimensional CGI work and classical anime illustration. This is an experimental approach that, for the most part, works quite well, heightening the viewer's sense of realism. The film gains its noir effect from very skilled use of light and shadow, and has surprising color range for having very little direct light.
Both plot and characters are minimalist in style. Nothing is allowed to interfere with the steady increase in tension and pace of action. Thus, the feature length film seems to run by like a single episode of other anime. Even so, the work is so atmospheric, and Saya so strong a character that it develops surprising levels of meaning. I picked this up expecting a pleasant vampire concoction, and I feel I got much more than that. Worth looking for.

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BLOOD:LAST VAMPIRE - DVD Movie

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Saturday, January 21, 2012

Gattaca (1997) Review

Gattaca (1997)
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Gattaca (1997) is a beautiful movie that takes place in the not-so-distant future where genetic manipulation prior to birth brings out the best qualities of the parents while eliminating the worst, specifically, predispositions to diseases, additions, poor eyesight, etc. That is, if your parents choose to do so...
The film tells the a story about Vincent Freeman (Ethan Hawke), a man born naturally, a 'God-child', one who didn't benefit from advanced technology during his development within the womb, and subsequently has various conditions many are familiar with like poor eyesight, heart problems, etc. Vincent has his sights set on the stars, wanting to travel to distant planets, visit far away places (I mean really far away) but due to advanced science, he has no chance as people can now determine the status of your health, your future health, by any number of ways, a strand of hair, a bit of spittle on a cup, a flake of skin, and while biases due to genetic profiling are illegal, the practice is common and widespread, resulting in Vincent relegated to working in less than desirable jobs like cleaning offices.
This practice of genetic stereotyping has lead to a new kind of crime, one where a person of impeccable genetic make-up but who has found themselves a victim of fate due to a permanent injury or such, can broker their identity to a natural born person, supplying that person with various blood and urine samples, strands of hair, flakes of skin, allowing that person to pose as a 'valid' individual, and garner a choice position in corporate society. Jude Law plays Jerome Eugene Morrow, a superior individual who suffered a crippling accident and has now agreed to sell his identity to Vincent Freeman, in exchange for Vincent supporting the lifestyle Jerome was accustom to prior the accident. This involves a very elaborate daily routine by Vincent, including a complete scrub down of his entire body to remove any 'loose' material that could possibly be found, analyzed, and give him away. In order for Vincent to pose as Jerome, he must carry on him samples of Jerome's blood, urine, and other identifiers at all times.
Vincent manages to pull off the sham, securing himself a position at Gattaca, a 'corporate' NASA, and is on the fast track to achieving his dream of space travel...but for one problem. A high-ranking official in Gattaca was recently murdered, and the police are thoroughly investigating all individuals. Will Vincent's shell of deception crack under close scrutiny of a murder investigation?
I really enjoyed this movie, watching for a second time last night. The picture has a very texturized feel, with the subdued lighting, immaculate sets and costumes giving the entire movie a very `noir' quality. The story was very well laid out, allowing for rich development of the main characters, creating a real interest and empathy for me for the proceedings on the screen. Ethan Hawke and Jude Law played their roles wonderfully, one as the struggling `inferior' with dreams that reach beyond his genetic make-up, and the other as the spoiled near-perfect specimen forced to deal with a physical infirmity due to fate, one that couldn't be corrected for with pre-natal DNA manipulation. Followed up with a strong supporting cast including Uma Thurman, Alan Arkin, and Elias Koteas, we are presented with a very plausible science fiction tale, one that may cause you to give some thought and provoke conversation on the concept of human messing around in Mother Nature's domain.
The picture here looks wonderful, and is available here in both full screen and wide screen anamorphic formats. Special features also include a trailer for the film, a featurette, deleted scenes, and production notes.
Cookieman108

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