Showing posts with label ethan hawke. Show all posts
Showing posts with label ethan hawke. Show all posts

Saturday, January 21, 2012

Gattaca (1997) Review

Gattaca (1997)
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Gattaca (1997) is a beautiful movie that takes place in the not-so-distant future where genetic manipulation prior to birth brings out the best qualities of the parents while eliminating the worst, specifically, predispositions to diseases, additions, poor eyesight, etc. That is, if your parents choose to do so...
The film tells the a story about Vincent Freeman (Ethan Hawke), a man born naturally, a 'God-child', one who didn't benefit from advanced technology during his development within the womb, and subsequently has various conditions many are familiar with like poor eyesight, heart problems, etc. Vincent has his sights set on the stars, wanting to travel to distant planets, visit far away places (I mean really far away) but due to advanced science, he has no chance as people can now determine the status of your health, your future health, by any number of ways, a strand of hair, a bit of spittle on a cup, a flake of skin, and while biases due to genetic profiling are illegal, the practice is common and widespread, resulting in Vincent relegated to working in less than desirable jobs like cleaning offices.
This practice of genetic stereotyping has lead to a new kind of crime, one where a person of impeccable genetic make-up but who has found themselves a victim of fate due to a permanent injury or such, can broker their identity to a natural born person, supplying that person with various blood and urine samples, strands of hair, flakes of skin, allowing that person to pose as a 'valid' individual, and garner a choice position in corporate society. Jude Law plays Jerome Eugene Morrow, a superior individual who suffered a crippling accident and has now agreed to sell his identity to Vincent Freeman, in exchange for Vincent supporting the lifestyle Jerome was accustom to prior the accident. This involves a very elaborate daily routine by Vincent, including a complete scrub down of his entire body to remove any 'loose' material that could possibly be found, analyzed, and give him away. In order for Vincent to pose as Jerome, he must carry on him samples of Jerome's blood, urine, and other identifiers at all times.
Vincent manages to pull off the sham, securing himself a position at Gattaca, a 'corporate' NASA, and is on the fast track to achieving his dream of space travel...but for one problem. A high-ranking official in Gattaca was recently murdered, and the police are thoroughly investigating all individuals. Will Vincent's shell of deception crack under close scrutiny of a murder investigation?
I really enjoyed this movie, watching for a second time last night. The picture has a very texturized feel, with the subdued lighting, immaculate sets and costumes giving the entire movie a very `noir' quality. The story was very well laid out, allowing for rich development of the main characters, creating a real interest and empathy for me for the proceedings on the screen. Ethan Hawke and Jude Law played their roles wonderfully, one as the struggling `inferior' with dreams that reach beyond his genetic make-up, and the other as the spoiled near-perfect specimen forced to deal with a physical infirmity due to fate, one that couldn't be corrected for with pre-natal DNA manipulation. Followed up with a strong supporting cast including Uma Thurman, Alan Arkin, and Elias Koteas, we are presented with a very plausible science fiction tale, one that may cause you to give some thought and provoke conversation on the concept of human messing around in Mother Nature's domain.
The picture here looks wonderful, and is available here in both full screen and wide screen anamorphic formats. Special features also include a trailer for the film, a featurette, deleted scenes, and production notes.
Cookieman108

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Tuesday, January 3, 2012

Before Sunrise (1995) Review

Before Sunrise (1995)
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When I heard the story line for Before Sunrise, a slacker American played by Ethan Hawke falls in love in Europe with Julie Delpy, I rolled my eyes. But this is a thoughftul and compelling movie that broke down my skeptical and cynical wall. First, the movie takes us through the awkward stages of two people going from being perfect strangers to removing their own walls and falling in love in a way that is never sappy. Using this falling-in-love motif, the director/writer Richard Linklater addresses several profound themes: the nature of time, the conflict between cynicism and romance, the obsession with death, the shortcomings of "adulthood." The dialogue between Hawke and Delpy is philosophical but never too abstract; it seems to stem from their well-drawn characters. I suppose there's a parallel between the breaking down of my own cynicism and the characters'. They have been hurt by life, have put up their walls, and, through their discussions, they have gradually removed those walls so that by the movie's end you think it's a crime if they don't fall in love and live happily ever after. But the movie is more complex than a happy ending. The movie forces you to ask if their love would survive if removed from the brief ecstasy of their single day (and night) together. Is the brevity the cause of their ecstasy? Would a life of marriage disintigrate into the mundane? The characters struggle with these questions in what is my favorite romantic movie.

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A heartbroken young Texas journalist meets a beautiful French student on a train bound for Paris, and invites her to share his last night in Vienna.Genre: Feature Film-DramaRating: RRelease Date: 6-NOV-2001Media Type: DVD

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Wednesday, March 23, 2011

Brooklyn's Finest (2010) Review

Brooklyn's Finest (2010)
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"Brooklyn's Finest" is a remarkably entertaining and well-acted police drama from director Antoine Fuqua, who also directed the also outstanding police drama, "Training Day."
The film focuses on three very different Brooklyn cops over the course of a week. Richard Gere plays Eddie, a hardened veteran just a week away from retirement. He has nightmares, he's separated from his wife, and he's just biding his time until his retirement. Ethan Hawke, the hero of "Training Day, plays a narcotics detective desperate to finance a new home to give a better life to his wife, children, and twins on the way. Don Cheadle plays Tango, an undercover cop, who is so deep undercover that he forgets who he really is, and to make matters worse, he now has to setup a high-level drug dealer who saved his life while he was undercover in prison.
These examples of Brooklyn's Finest are all living on the edge, and they all go over the edge one way or another. The acting from these three is superb. Their performances along with Wesley Snipes as the drug dealer, Brian F. O'Byrne as Hawkes' best friend and partner, Shannon Kane as Eddie's hooker with a heart of gold, and a number of others, make this a very enjoyable, but powerfully sad and tragic film.

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Something of a genre homecoming, Antoine Fuqua's latest film once again finds him delving into the gritty, brutal realm of cops and crooks—as he did in Training Day. Tango is an undercover officer on a narcotics detail that forces him to choose between duty and friendship. Having been to hell and back, he wants out, but the powers that be won't let him quit. Family-man Sal is a detective tempted by greed and corruption. He can barely make ends meet, and now his wife has an illness that threatens the life of their unborn twins. Eddie is nearing retirement age and has long since lost his dedication to his job as a cop. He wakes up every morning trying to come up with a reason to go on living...and he can't think of one. Fate brings the three men to the same Brooklyn housing project as each takes the law into his own hands. Crosscutting between multiple subplots, Brooklyn's Finest unfolds violently and passionately as coiled, constantly roving cinematography contributes a measure of unease to the underworld action.

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