Showing posts with label richard gere. Show all posts
Showing posts with label richard gere. Show all posts

Saturday, March 17, 2012

Amelia (2009) Review

Amelia (2009)
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I saw Amelia in a movie theater because I'm interested in aviation and wanted to see the Lockheed Electra in flight on a big screen.
This is not a terrible movie but it does suffer greatly from being a biopic and the producers' attempt to fit in as much of Amelia Earhart's life before she disappeared in 1937. I think they could have done a better job of portraying her and the era if they had concentrated more on her last flight. As it is, we are introduced to quite a few characters who never appear again and others, like Gene Vidal, who don't contribute much to the movie other than to make Earhart's husband jealous. Fred Noonan's portrayal is unflattering and with no historical reason.
Hillary Swank is plucky as the title character and she does a fine job of capturing Earhart's shyness before the camera but studied mannerisms are a poor substitute for acting. Richard Gere does well as G.P. Putnam. As Gere grows older he shows more range of emotion in his portrayals and I feel he adds quite a bit to the movie though his role is limited to second [and maybe third] banana to Swank. Ewan McGregor adds a bit of dash as Gene Vidal and a bit too much screen time is occupied by Vidal's young son, Gore. I liked Christopher Eccleston's Fred Noonan because the actor chose to portray Earhart's navigator as a gruff, but competent aviator - as befits Noonan's stature as one of the pioneers of aerial navigation. However, as I mentioned, the story chose to also depict certain characteristics of Noonan in the short time running up to the Electra's disappearence in a manner with no historical or factual proof. I suppose this is what happens when one lacks family or fan clubs 70+ years after one's disappearance and death.
All in all, despite any quibbles I may have, I feel that Amelia is worthy of viewing. The cinematography is excellent, the period costumes are gorgeous, and the story is inspiring. Those interested in following the continuing saga of the search for Earhart and Noonan's Lockheed Electra will be interested in The Institute for Aviation History [...].

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Two-time Academy Award® Winner Hilary Swank delivers an unforgettable performance as Amelia Earhart, the legendary American aviatrix who boldly flew into the annals of history. Richard Gere co-stars as her charismatic business partner and adoring husband George Putnam. Bound by ambition and love, their enduring marriage could not be broken by Amelia's determination to fly -- nor her passionate affair with Gene Vidal (Ewan McGregor). Equal parts gripping drama, stirring romance and epic adventure, Amelia will take your breath away and send your spirit soaring!
Audio: English: 5.1 Dolby Digital
Language: Dubbed: English / Subtitled: English, French & Spanish
Theatrical Aspect Ratio: Widescreen: 2.35:1


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Thursday, December 8, 2011

No Mercy (1986) Review

No Mercy (1986)
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A film that went unoticed in the 80's is a tight well acted thriller starring the incomparable Richard Gere as tough brash Chicago Cop who's on a revenge misson to the bayous of New Orleans to find his partner's killer and gets involved with a mobster's illerate mistress. Standard Script with a few good action sequences thrown in along with Gere's exceptional talent to hold the viewer's attention throughtout the entire film. Even though the viewer has been through familar territory with this type of script it is still a great movie. Memorable scene was when Gere & Bassinger are treding through the swamps handcuffed together Mouthing off to one another. First of two film this duo has done together the other film was released 6 years later in another steamy thriller "Final Analysis"

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No Description Available.Genre: Feature Film-Action/AdventureRating: RRelease Date: 23-MAR-2004Media Type: DVD

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Saturday, November 5, 2011

Primal Fear (1996) Review

Primal Fear (1996)
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The archbishop of Chicago has just been brutally murdered and 19-year old altar boy Aaron Stampler (Edward Norton) is found running from the scene, covered in the man's blood. It looks like an open and shut case against the simple, stuttering boy, until dashing Martin Vail (Richard Gere), a self-proclaimed "big-deal lawyer," offers to defend him - pro bono. The prosecutor he'll be facing in the courtroom is none other than his ex-girlfriend (Laura Linney), who is still bitter about their past. With the help of a psychologist (Frances McDormand), Vail discovers a shocking secret about young Aaron that may save his life.
This is a great movie; I've seen it many times and it never gets old. Gere is perfectly cast as the handsome and confident charmer, and Edward Norton surely had one of his best roles ever as Aaron - and this was his first movie role. He is so charismatic that you will not be able to take your eyes off him. The search for the killer's motive is intense and surprising, with lots of opportunities for Gere to showcase his tremendous appeal. Highly recommended for those who like character-driven mysteries.

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Clever twists and a bona fide surprise ending make this an above-average courtroom thriller, tapping into the post-O.J. scrutiny of our legal system in the case of a hotshot Chicago defense attorney (Richard Gere) whose latest client is an altar boy (Edward Norton) accused of murdering a Catholic archbishop. The film uses its own manipulation to tell a story about manipulation, and when we finally discover who's been pulling the strings, the payoff is both convincing and pertinent to the ongoing debate over what constitutes truth in the American system of justice. Making an impressive screen debut that has since led to a stellar career, Norton gives a performance that rides on a razor's edge of schizophrenic pathology--his role is an actor's showcase, and without crossing over the line of credibility, Norton milks it for all it's worth. Gere is equally effective in a role that capitalizes on his shifty screen persona, and Laura Linney and Frances McDormand give memorable performances in their intelligently written supporting roles. "--Jeff Shannon"

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Thursday, June 2, 2011

Nights in Rodanthe (2008) Review

Nights in Rodanthe (2008)
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This is a real tear-jerker. The acting is fantastic and the emotions seem very real. The story line is well-considered, but it is definitely not the typical love story. The best way to describe this film is that it just feels real. You could imagine the characters being pulled off the screen and placed in the "real world" without any problem. I would definitely recommend Nights in Rodanthe to those who like a good love story with plenty of drama.

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The stars of Unfaithful rekindle their screen chemistry in this rich tale of hearts awakenings based on a bestseller by Nicholas Sparks (The Notebook, Message in a Bottle). Richard Gere is Paul, a surgeon who long ago unwittingly traded career for family. Diane Lane is Adrienne, a devoted mother trying to move on after her husbands infidelity and struggling with his desire to return to their marriage. At a remote inn on the Outer Banks, Paul and Adrienne expect to do some serious soul-searching. But an approaching storm forces each to turn to the other for strength, setting the stage for a life-resonating romance.

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Wednesday, March 23, 2011

Brooklyn's Finest (2010) Review

Brooklyn's Finest (2010)
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"Brooklyn's Finest" is a remarkably entertaining and well-acted police drama from director Antoine Fuqua, who also directed the also outstanding police drama, "Training Day."
The film focuses on three very different Brooklyn cops over the course of a week. Richard Gere plays Eddie, a hardened veteran just a week away from retirement. He has nightmares, he's separated from his wife, and he's just biding his time until his retirement. Ethan Hawke, the hero of "Training Day, plays a narcotics detective desperate to finance a new home to give a better life to his wife, children, and twins on the way. Don Cheadle plays Tango, an undercover cop, who is so deep undercover that he forgets who he really is, and to make matters worse, he now has to setup a high-level drug dealer who saved his life while he was undercover in prison.
These examples of Brooklyn's Finest are all living on the edge, and they all go over the edge one way or another. The acting from these three is superb. Their performances along with Wesley Snipes as the drug dealer, Brian F. O'Byrne as Hawkes' best friend and partner, Shannon Kane as Eddie's hooker with a heart of gold, and a number of others, make this a very enjoyable, but powerfully sad and tragic film.

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Something of a genre homecoming, Antoine Fuqua's latest film once again finds him delving into the gritty, brutal realm of cops and crooks—as he did in Training Day. Tango is an undercover officer on a narcotics detail that forces him to choose between duty and friendship. Having been to hell and back, he wants out, but the powers that be won't let him quit. Family-man Sal is a detective tempted by greed and corruption. He can barely make ends meet, and now his wife has an illness that threatens the life of their unborn twins. Eddie is nearing retirement age and has long since lost his dedication to his job as a cop. He wakes up every morning trying to come up with a reason to go on living...and he can't think of one. Fate brings the three men to the same Brooklyn housing project as each takes the law into his own hands. Crosscutting between multiple subplots, Brooklyn's Finest unfolds violently and passionately as coiled, constantly roving cinematography contributes a measure of unease to the underworld action.

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