Showing posts with label great depression. Show all posts
Showing posts with label great depression. Show all posts

Saturday, March 17, 2012

Amelia (2009) Review

Amelia (2009)
Average Reviews:

(More customer reviews)
I saw Amelia in a movie theater because I'm interested in aviation and wanted to see the Lockheed Electra in flight on a big screen.
This is not a terrible movie but it does suffer greatly from being a biopic and the producers' attempt to fit in as much of Amelia Earhart's life before she disappeared in 1937. I think they could have done a better job of portraying her and the era if they had concentrated more on her last flight. As it is, we are introduced to quite a few characters who never appear again and others, like Gene Vidal, who don't contribute much to the movie other than to make Earhart's husband jealous. Fred Noonan's portrayal is unflattering and with no historical reason.
Hillary Swank is plucky as the title character and she does a fine job of capturing Earhart's shyness before the camera but studied mannerisms are a poor substitute for acting. Richard Gere does well as G.P. Putnam. As Gere grows older he shows more range of emotion in his portrayals and I feel he adds quite a bit to the movie though his role is limited to second [and maybe third] banana to Swank. Ewan McGregor adds a bit of dash as Gene Vidal and a bit too much screen time is occupied by Vidal's young son, Gore. I liked Christopher Eccleston's Fred Noonan because the actor chose to portray Earhart's navigator as a gruff, but competent aviator - as befits Noonan's stature as one of the pioneers of aerial navigation. However, as I mentioned, the story chose to also depict certain characteristics of Noonan in the short time running up to the Electra's disappearence in a manner with no historical or factual proof. I suppose this is what happens when one lacks family or fan clubs 70+ years after one's disappearance and death.
All in all, despite any quibbles I may have, I feel that Amelia is worthy of viewing. The cinematography is excellent, the period costumes are gorgeous, and the story is inspiring. Those interested in following the continuing saga of the search for Earhart and Noonan's Lockheed Electra will be interested in The Institute for Aviation History [...].

Click Here to see more reviews about: Amelia (2009)

Two-time Academy Award® Winner Hilary Swank delivers an unforgettable performance as Amelia Earhart, the legendary American aviatrix who boldly flew into the annals of history. Richard Gere co-stars as her charismatic business partner and adoring husband George Putnam. Bound by ambition and love, their enduring marriage could not be broken by Amelia's determination to fly -- nor her passionate affair with Gene Vidal (Ewan McGregor). Equal parts gripping drama, stirring romance and epic adventure, Amelia will take your breath away and send your spirit soaring!
Audio: English: 5.1 Dolby Digital
Language: Dubbed: English / Subtitled: English, French & Spanish
Theatrical Aspect Ratio: Widescreen: 2.35:1


Buy NowGet 62% OFF

Click here for more information about Amelia (2009)

Tuesday, October 4, 2011

Paper Moon (1973) Review

Paper Moon (1973)
Average Reviews:

(More customer reviews)
I can't think of a big enough cynic who can dismiss the charms of this movie. On my list, Paper Moon qualifies as one of the best comedies ever made, a mixture of childlike wonder and wry sarcasm, simultaneously detached in its narrative approach (thanks to amazing understated camerawork) and intimate.
The script has no faults. Scenes hurtle forward at a brisk but never hyper pace, every moment pregnant with character development and sharp dialogue. Ryan and Tatum O'Neal's exchanges are pristine in their comic timing, side-splitting and touching at the same time, effortlessly exploiting the chemistry between father and daughter. Their scenes in the car are so hilarious and endearing that you'd wish you could ride with them for hours longer. And the film is rich in period flavour, from the stark black-and-white photography to the music to every character, evoking a sense of longing for a more innocent age without ever lapsing into downright nostalgia. The themes -- the vagabond heart which can't stand still, growing up, identity, friendship -- ring as true today as they always did.
I saw this movie when I was quite young and it's never lost its magical hold on me. Watch it again even if you have already; you will discover something new every time.

Click Here to see more reviews about: Paper Moon (1973)

Adapted from the novel "Addie Pray" by Joe David Brown, PAPER MOON is set in the Midwest during the Great Depression, and follows the story of Moses Pray (Ryan O’Neal), a happy-go-lucky con artist who travels through the Midwest on a mission to swindle money out of innocent widows.While attending a friend’s funeral, Pray is called upon by two elderly ladies to deliver the daughter of the deceased, Addie (Tatum O’Neal), to her aunt in Missouri.Soon learning that the 9-year-old is almost as mischievous and manipulative as he is, Pray and Addie develop a father and daughter routine that increases their credibility as well as their income.Now, the devious duo set out on a series of misadventures involving crooked cops, bootleggers, grieving widows and a Carney dancer named Miss Trixie Delight (Kahn) who adds a little spice to their routine.

Buy NowGet 19% OFF

Click here for more information about Paper Moon (1973)

Monday, August 15, 2011

Kit Kittredge: An American Girl (2008) Review

Kit Kittredge: An American Girl (2008)
Average Reviews:

(More customer reviews)
"Kit Kittredge: An American Girl" is certainly heartwarming and innocent, but that doesn't mean it's shallow and cloying. I admit that I thought it would be, mostly because I was expecting a virtual clone of last year's awful "Nancy Drew." There are certain similarities: both feature plucky young girls who do a lot of investigating; both have an assortment of colorful side characters; both are based on a series of stories, both feature Max Theroit. Unlike "Nancy Drew," however, "Kit Kittredge" aims to tell a good story with real subtexts; taking place at the height of the Great Depression, we meet characters that are downtrodden and desperate, not only because their financial situations are bleak, but also because they face the scorn and rejection of ignorant people. This adaptation of stories drawn from the "American Girl" doll line mixes childish zeal with some very mature themes, and that alone made it worth seeing.
Abigail Breslin brings enthusiasm, charm, and heart to the title character, a ten-year-old girl from Cincinnati, Ohio who runs a tree house club and dreams of becoming a newspaper reporter. She wants to write stories with fresh angles so that she can finally get into print. A pair of hobos--a helpful teenager named Will (Max Theroit) and his young friend, Countee (Willow Smith)--inspire Kit to write an article on hobo life. The fresh angle is that it will be told entirely from a kid's perspective, which may be needed in this case since many adults feel hobos are good-for-nothing leeches that suck the government dry. Kit has heard this rhetoric from her neighbors and classmates--one especially snotty young boy says that selling eggs and wearing dresses made of chicken feed bags bring you one step closer to the poorhouse.
But Kit is beginning to understand the hobos' plight, not only because many of her neighbors have lost their homes to foreclosures, but also because her unemployed father (Chris O'Donnell) is forced to find work all the way in Chicago. Hoping to make ends meet, Kit's mother (Julia Ormond) turns their home into a boarding house. This is how we meet: Ms. Dooley (Jane Krakowski), a husband-seeking dance instructor; the disapproving Mrs. Howard (Glenne Headly) and her young son, Sterling (Zach Mills); Ms. Bond (Joan Cusack), a slightly goofball mobile librarian; and Jefferson Burke (Stanley Tucci), a magician. When the subject of hobo robberies comes up, Mrs. Kittredge has everyone put their valuables in her lockbox. When it's stolen, everyone suspects Will as the culprit, including the police. Kit takes it upon herself to investigate. Despite what the evidence suggests, she believes her hobo friend is innocent.
It fairly obvious that "Kit Kittredge" is a commentary on prejudice; at one point in the film, Kit tells a cantankerous newspaper editor (Wallace Shawn) that there are good hobos and there are bad hobos, much like good apples and bad apples. She then gets a hard lesson in office politics when it's revealed that newspapers print only what the public wants to read, and the unfortunate truth is that the public is intolerant of hobos. Naturally, those who say this haven't met the people living in a hobo jungle, as Kit has; they're some of the nicest people around, and they willingly let Kit photograph them and write about them for her article. Messages of acceptance and understanding are not new, certainly not for a family film. But unlike a lot of other such stories, "Kit Kittredge" doesn't condescend, and when we leave, we feel both entertained and emotionally rejuvenated.
Aside from Kit, one of the film's best characters is Sterling, who at such a young age has already been beaten down by life. Sterling's father, much like Kit's, also left Cincinnati to find work, and communication with his family has steadily decreased. You see nothing but hurt and sadness in this boy's eyes. He and Kit are practically in the same boat, which is why they form a special bond. Kit is now worried that her father will forget her and her mother completely, even after promising to write them every single week. I remember a scene when Kit types a letter to her father; the frustration and fear she pours into the first draft makes for a heartbreaking moment.
I can't guarantee that adults will be as receptive to "Kit Kittredge: An American Girl" as kids will, but I definitely recommend they give it a chance. The doll may be a hollow piece of plastic, but the character is something else entirely--she's kind, spirited, intelligent, and just plain wonderful. Some may criticize the film for being too sentimental, and indeed, it's light-hearted and optimistic, more than would be expected from a story set during the Depression. But it's more mature than it lets on. Even with a childish sense of humor, hopelessness and grief are not spared on the audience. It's always a pleasure to see a family film that was made with all audiences in mind, not just kids. "Kit Kittredge" is such a film, one of the most enjoyable I've seen all summer.

Click Here to see more reviews about: Kit Kittredge: An American Girl (2008)

The Great Depression hits home for nine-year-old Kit Kittredge when her dad loses his business and leaves to find work. Oscar nominee* Abigail Breslin stars as Kit, leading a splendid cast in the first-ever American Girl theatrical movie. In order to keep their home, Kit and her mother must take in boarders paying houseguests who turn out to be full of fascinating stories. When mothers lockbox containing all their money is stolen, Kits new hobo friend Will is the prime suspect. Kit refuses to believe that Will would steal, and her efforts to sniff out the real news get her and her friends into big trouble. The police say the robbery was an inside job, committed by someone they knew. So if it wasnt Will, then who did it?

Buy NowGet 50% OFF

Click here for more information about Kit Kittredge: An American Girl (2008)

Saturday, February 26, 2011

Get Low (2010) Review

Get Low (2010)
Average Reviews:

(More customer reviews)
Aaron Schneider's "Get Low" is a slight, unpretentious film that would blow away in the wind if it weren't anchored by some truly wonderful performances. Based on a true story, "Get Low" is set during the Great Depression, in the Appalachian hills of Georgia. Felix Bush (Robert Duvall) an old hermit feared and despised by his neighbors, hires the local funeral director (Bill Murray) to organize a "funeral party" so he can hear what the locals have to say about him before he's actually dead. That climactic event proves the occasion for Felix to make a full confession to his neighbors about the horrific event, forty years before, that cost him his reputation and has haunted him ever since.
Frankly, not much happens in "Get Low" before that climax, but it's mostly a pleasure to watch, thanks to Schneider's deft, low-key direction and the extremely fine acting, especially by Duvall and Murray. Duvall has made a career specialty of backwoods eccentrics, and his Felix Bush is one of the more memorable of them. The pain in Duvall's eyes blasts away any suggestion of mawkish sentimentality that might be inherent in the film. Murray is equally fine as a man who has more than a little con man in him, but who also has seen enough sorrow in life to spark his essential decency. The earnest Duvall and the roguish Murray play beautifully off each other, as fellow travelers on the Train of Sadness.
Sissy Spacek, as an old flame of Felix's, doesn't have much to do, but it's nice to see her anyway. Bill Cobbs is tartly amusing an a preacher who knows Felix's secret, and Lucas Black is extremely likable as Murray's assistant. "Get Low" is a gentle, poignant film, memorable for the acting.

Click Here to see more reviews about: Get Low (2010)



Buy NowGet 41% OFF

Click here for more information about Get Low (2010)