Showing posts with label abigail breslin. Show all posts
Showing posts with label abigail breslin. Show all posts

Sunday, October 2, 2011

Definitely, Maybe (Widescreen) (2008) Review

Definitely, Maybe (Widescreen) (2008)
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The concept here is great: on the eve of his divorce, a father tells his daughter the story of how he fell in love with her mother by changing names so she has to guess who she is in the story. What's so amazing is how they were able to pull off this story with three female leads all interacting with the same man, and yet somehow make us cheer each of them on in their own way. Ryan Reynolds is great in the lead, easily flowing from the caring father of the present to the stricken college student of the past and beyond. As the story unfolds, you'll meet Emily, April, and Summer--three women who will have a dramatic impact on his life in various ways.
There are some genuinely funny moments in this film, and I honestly can say I never really got bored at any point. It was like watching three romances unfolds and ultimately fall apart for different reasons. No doubt you will find yourself choosing a favorite, and like Maya (the daughter), you'll be hoping your favorite will turn out to be her mother. Be prepared to be surprised though.
As the movie drew closer to the end, I honestly thought I was going to be disappointed in how it ended. But the movie managed to end perfectly. Reynolds is a great actor who can be flippant and cocky one moment, then broken-hearted and in love during the next. Isla Fisher does a great job as April, the outgoing copy girl who works with him during the Bill Clinton campaign.
If you're looking for a great romantic movie, this is the one.

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From the makers of Notting Hill and Love Actually comes the charming and irresistibly funny romantic comedy Definitely, Maybe. When Will (Ryan Reynolds) decides to tell his daughter (Abigail Breslin) the story of how he met her mother, he discovers that a second look at the past might also give him a second chance at the future. Co-starring Elizabeth Banks, Rachel Weisz and Isla Fisher, it's the heartwarming story that makes you realize it's definitely never too late to go back…and maybe find a happy ending.

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Sunday, September 11, 2011

No Reservations (2007) Review

No Reservations (2007)
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A lot of people seem to be saying, "Don't watch this awful remake! Go watch Mostly Martha, the original!" I say, by all means, watch Mostly Martha, but don't bypass this version.
It's true that if I had watched this without having seen the original version, Mostly Martha, I would probably have liked it even better. This American version is really too close to the original, right down to the appearance of several characters (Leah, the sous-chef, for instance). For this reason, if you try to compare the two, it comes off as a half-hearted reproduction, Mostly Martha's reheated leftovers.
In many ways, it does lack some of the heart and depth of Mostly Martha. The characters are not as deep and intense, so their relationships aren't as meaningful to the audience. Kate is not quite as tightly wound as Martha, not quite as isolated--so her sudden inheritance of a child and the infringement of a stranger in her kitchen are less difficult and less meaningful. Zoe is much happier and lively than Lina ever is, and is not as scarred by her mother's death, so her struggle to accept Kate is again less meaningful. Nick, I felt, was outstanding--he was different from Mario, but equally effective. I actually preferred Nick, in fact, as I found Mario bordered on annoying at times, while Nick was more appealing all the way through (and Aaron Eckhart is certainly better looking!).
So why did I give it four stars? Well, I'm a sucker for a good romance. I feel that if I hadn't seen Mostly Martha, I would have given it four stars as a good romantic comedy. That is what is, and that is, I think, all it tries to be. It is fun to watch, the characters are sympathetic, the acting is excellent, the chemistry between Zeta-Jones and Eckhart is wonderful, and the plot is engaging, if predictable.
I also don't mean to say that No Reservations loses all the heart of Mostly Martha. I think it retains it pretty well, while simply lightening up the plot a little. Overall, I actually prefer this version in many ways. I preferred the story without the presence of Lina's father, who to me interrupted the story considerably in Mostly Martha. And if the characters here are a little less intense, they were easier to relate to, for me at least. I found the romance between the leads more convincing here, and the ending considerably more satisfying than Mostly Martha's. Kate and Nick, by the end, actually seemed a little more human than Martha and Mario ever did, and if the ending is predictable...well, some of us like happy endings!
No Reservations may not fill you up with emotion like Mostly Martha, so don't coming looking for a full-course meal. This a essentially romantic comedy, the soufflés of the movie world: light and fluffy and delicious.

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A perfectionist chef addicted to her work struggles to adjust when her sister passes away leaving her with a little girl to raise and a new soup-chef threatens to take over her kitchen with his high-spirited and free-wheeling ways.

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Monday, August 15, 2011

Kit Kittredge: An American Girl (2008) Review

Kit Kittredge: An American Girl (2008)
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"Kit Kittredge: An American Girl" is certainly heartwarming and innocent, but that doesn't mean it's shallow and cloying. I admit that I thought it would be, mostly because I was expecting a virtual clone of last year's awful "Nancy Drew." There are certain similarities: both feature plucky young girls who do a lot of investigating; both have an assortment of colorful side characters; both are based on a series of stories, both feature Max Theroit. Unlike "Nancy Drew," however, "Kit Kittredge" aims to tell a good story with real subtexts; taking place at the height of the Great Depression, we meet characters that are downtrodden and desperate, not only because their financial situations are bleak, but also because they face the scorn and rejection of ignorant people. This adaptation of stories drawn from the "American Girl" doll line mixes childish zeal with some very mature themes, and that alone made it worth seeing.
Abigail Breslin brings enthusiasm, charm, and heart to the title character, a ten-year-old girl from Cincinnati, Ohio who runs a tree house club and dreams of becoming a newspaper reporter. She wants to write stories with fresh angles so that she can finally get into print. A pair of hobos--a helpful teenager named Will (Max Theroit) and his young friend, Countee (Willow Smith)--inspire Kit to write an article on hobo life. The fresh angle is that it will be told entirely from a kid's perspective, which may be needed in this case since many adults feel hobos are good-for-nothing leeches that suck the government dry. Kit has heard this rhetoric from her neighbors and classmates--one especially snotty young boy says that selling eggs and wearing dresses made of chicken feed bags bring you one step closer to the poorhouse.
But Kit is beginning to understand the hobos' plight, not only because many of her neighbors have lost their homes to foreclosures, but also because her unemployed father (Chris O'Donnell) is forced to find work all the way in Chicago. Hoping to make ends meet, Kit's mother (Julia Ormond) turns their home into a boarding house. This is how we meet: Ms. Dooley (Jane Krakowski), a husband-seeking dance instructor; the disapproving Mrs. Howard (Glenne Headly) and her young son, Sterling (Zach Mills); Ms. Bond (Joan Cusack), a slightly goofball mobile librarian; and Jefferson Burke (Stanley Tucci), a magician. When the subject of hobo robberies comes up, Mrs. Kittredge has everyone put their valuables in her lockbox. When it's stolen, everyone suspects Will as the culprit, including the police. Kit takes it upon herself to investigate. Despite what the evidence suggests, she believes her hobo friend is innocent.
It fairly obvious that "Kit Kittredge" is a commentary on prejudice; at one point in the film, Kit tells a cantankerous newspaper editor (Wallace Shawn) that there are good hobos and there are bad hobos, much like good apples and bad apples. She then gets a hard lesson in office politics when it's revealed that newspapers print only what the public wants to read, and the unfortunate truth is that the public is intolerant of hobos. Naturally, those who say this haven't met the people living in a hobo jungle, as Kit has; they're some of the nicest people around, and they willingly let Kit photograph them and write about them for her article. Messages of acceptance and understanding are not new, certainly not for a family film. But unlike a lot of other such stories, "Kit Kittredge" doesn't condescend, and when we leave, we feel both entertained and emotionally rejuvenated.
Aside from Kit, one of the film's best characters is Sterling, who at such a young age has already been beaten down by life. Sterling's father, much like Kit's, also left Cincinnati to find work, and communication with his family has steadily decreased. You see nothing but hurt and sadness in this boy's eyes. He and Kit are practically in the same boat, which is why they form a special bond. Kit is now worried that her father will forget her and her mother completely, even after promising to write them every single week. I remember a scene when Kit types a letter to her father; the frustration and fear she pours into the first draft makes for a heartbreaking moment.
I can't guarantee that adults will be as receptive to "Kit Kittredge: An American Girl" as kids will, but I definitely recommend they give it a chance. The doll may be a hollow piece of plastic, but the character is something else entirely--she's kind, spirited, intelligent, and just plain wonderful. Some may criticize the film for being too sentimental, and indeed, it's light-hearted and optimistic, more than would be expected from a story set during the Depression. But it's more mature than it lets on. Even with a childish sense of humor, hopelessness and grief are not spared on the audience. It's always a pleasure to see a family film that was made with all audiences in mind, not just kids. "Kit Kittredge" is such a film, one of the most enjoyable I've seen all summer.

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The Great Depression hits home for nine-year-old Kit Kittredge when her dad loses his business and leaves to find work. Oscar nominee* Abigail Breslin stars as Kit, leading a splendid cast in the first-ever American Girl theatrical movie. In order to keep their home, Kit and her mother must take in boarders paying houseguests who turn out to be full of fascinating stories. When mothers lockbox containing all their money is stolen, Kits new hobo friend Will is the prime suspect. Kit refuses to believe that Will would steal, and her efforts to sniff out the real news get her and her friends into big trouble. The police say the robbery was an inside job, committed by someone they knew. So if it wasnt Will, then who did it?

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Sunday, August 14, 2011

An American Girl: Chrissa Stands Strong (2008) Review

An American Girl: Chrissa Stands Strong (2008)
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Last night on HBO I watched the premiere of this American Girl movie. I enjoyed the Kit movie from last year, they are really on a roll now I have to say!! This movie is a MUST see for students from 3rd or 4th grade and up. The movie is about a 5th grade girl who is new to a school and is soon bullied by a click of 3 girls, one in particular named Tara. This is not a sugar coated movie and you see Chrissa's situation go from bad to worse as she struggles to handle it by herself.
I figured this movie would be like every other typical Disney-style movie where Chrissa will eventually get revenge on the "bad guy", you know with some plot where say she makes some elaborate contraption which will embarrass the heck out of Tara and spill green paint on her or whatever and everyone will laugh at Tara and Chrissa will be the hero. That is NOT how this story goes at all, and I am very impressed American Girl (who is in the DOLL business) did not fantasy candy-coat the story. Rather, as you will see, it is shown with much more realism and makes you think about what you would do if you were in Chrissa's (or her parents') situation.
I actually have someone who has been bullying my 10 year old daughter over the past few months and ironically I got a few pointers from this movie last night, it made me think a little different about how to approach the situation. It also reinforced some of my beliefs on what makes someone a bully as well as providing some tips on ways to keep Chrissa staying strong.
Like other viewers, I bet you will be curious to see what bully Tara's parents look like - in every other movie (e.g. Camp Rock) the snobby/mean girl's mother is usually some self-centered witch who is nasty with her daughter and thus the chain continues....in this movie, you never get to see her parents. I think that is a good thing because it really let me focus on the rest of the story. I am seriously considering buying a copy for my local school and/or library to donate it, it was that good. The acting was fantastic and Chrissa is absolutely charming, I would love to have a friend like her for myself or my daughter!

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Meet Chrissa Maxwell. She and her family have just moved, and she has to start at a new school mid-year. Will she fit in? Can she find new friends? On her very first day, Chrissa is seated with three girls who greet her with teasing and tricks. The Mean Bees really know how to stingthey bully her in class, on the bus, online, and even at swim club. Chrissa cant seem to make any new friends; not even with the girl who seems to need a friend the most. When the biggest bully becomes Chrissa's swimming rival, the taunting finally goes too far. Now its up to Chrissa. Will she find a way to stand strong and stop the bullying?

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