Degrassi: The Next Generation - Season Three (2002) Review

Average Reviews:

(More customer reviews)The third season of the popular teen drama Degrassi The Next Generation is now available on DVD. The three disc box set features all twenty two episodes from the shows third season--including the two part episode "Accidents Will Happen." This episode did not air in the United States on The-N, the network which airs Degrassi The Next Generation.
Now that the shows fifth season episodes are airing, season three seems like it was a really long time ago. It was before the school shooting and Jimmy's paralysis, and light years before Jay & Silent Bob decided to pay a visit to Degrassi Community School.
At the beginning of season three Emma's mom was preparing to give birth to baby Jack. This new addition to the family and Emma's home life with Mr. Simpson now as her step-father sent Emma on a mission to find her birth father Shane. Emma finds her father and he isn't exactly in the greatest shape. Season three definitely started with a bang.
Whereas the new character Craig Manning was very integral to the season 2 storylines, Craig had to share the spotlight with several other characters who had major stories during the shows third season. Season three was the season in which Marco came out to his friends regarding his homosexuality. Of all of Marco's friends Spinner had the biggest problem with Marco's revelation but the two would overcome this obstacle.
Another important season three storyline would be the volatile relationship between Terri and Rick. Their story would end with violent consequences.
Interracial relationships are nothing new to Degrassi The Next Generation (Craig & Manny, Ashley and Jimmy), yet it appeared the show was about to embark on another interracial relationship between Emma and Chris. Well perhaps the writers decided to go in another direction because although it once seemed like Chris would be an important character on the show he soon faded into the background.
Probably the most talked about episode from season three is "Accidents Will Happen." This is the two part episode that didn't air in the states. The reason why? Most likely because this episode deals with that hot button topic of abortion. In this episode young Manny finds herself sick and throwing up quite often. What is initially thought to be a cold or virus turns out to be an unplanned pregnancy. Manny turns to Emma's mom Spike for guidance. Spike became pregnant at the age of 14 and soon after gave birth to Emma. Spike is a comforting ear for Manny. I don't want to spoil things too much for people who have never seen the episode but it's very well written. It's a well known fact that Emma (Manny's best friend) is strongly against abortion (remember she flipped when her mom considered having an abortion when she became pregnant with Jack before the wedding?) Craig wants to keep the baby, Manny initially isn't sure what she wants. It's a great episode and one of the best Degrassi The Next Generation episodes ever because watching the episode you will truly empathize with every characters point of view when it comes to this controversial topic. Outside of the unplanned pregnancy, there are some other important scenes in these episodes. We see Manny apologize to Ashley for being involved with Craig while they were dating. "Accidents Will Happen" part two also features the clip of Liberty dressed in leather trying to pick up Sean. The-N shows this clip quite often in promo's but fans of the show have been left wondering when this happened, mystery solved.
Overall, season 3 was a really great season. For the most part the adult storylines took a back seat to the kids this season but there were several on-going stories including Mr. Simpson's cancer and the ongoing love affair between Joey Jeremiah and Caitlin Ryan.
Funimation once again did a great job with the DVD box set. The box and inner casing design is similar to the previous season box set. As expected you can count on cool extras. Bonus features include:
Deleted Moments
-Karoke
-Episode Commentaries "Accidents Will Happen" & "Pride"
-Ultimate Season 3 Interactive Quiz
-CTV Degrassi Promo
-Degrassi Yearbook
-Character and Cast Bios
-Degrassi marathon feature on every disc

Click Here to see more reviews about: Degrassi: The Next Generation - Season Three (2002)

The intensity of Degrassi the Next Generation amps up in in season three. And it's all here for you - UNCUT - in the Director's Cut Season Three Ultimate Box Set. Contains the epsisode that everyone has been waiting for "Accidents Will Happen." This set is packed with deleted scenes, bloopers, profiles, pus a personality test, photo album, karaoke and an original series promo. Package that with commentary and you have a set that no Degrassi fan should be without!

Get 51% OFF

Click here for more information about Degrassi: The Next Generation - Season Three (2002)

Here on Earth (2000) Review

Average Reviews:

(More customer reviews)Here on Earth is a wonderful movie. This movie, while watching it makes you realize just how precious your life can be. The movie is about a girl who works at a diner, and her long time friend who is always there for her. Enter a high school boy who comes from a highly sophisticated world of money and likeliness. An accident forces the wealthy kid(played by Chris Klien) to stay and help repair the accident, along with Sams best friend Jasper(played by Josh Hartnett). Both are attracted to Sam(played by Leelee Sobieski), but during the halfway point of the movie, Sam realizes that her time on earth is but short. Her parents watch out for her, and Jasper does too. Sam has an instant attraction to Kelley(Chris Klien), and so does he for her. Drama ensues between the two boys and Sam is trying to cope with her illness she is facing while not giving up so easily as others do. She lives her life to the fullest and the line that can get to you is when she says "some people live their whole life and never fall in love. And i've lived my life, and I fell in love". In the end, when all is said and done, the viewer will realize just how precious life can be and just to enjoy your life, before your time on earth is gone forever. I recommend watching this movie because it is a sad look at the ultimate choices we make when we are faced with life altering choices and the strengths it takes to live each waking moment to the fullest and appreciate what life has to and can offer you. Thank you!

Click Here to see more reviews about: Here on Earth (2000)

Chris Klein ("American Pie") and Leelee Sobieski ("Never Been Kissed") star in a "heartfelt story of romance, friendship and true love." (JUMP Magazine). Rich kid Kelley Morse (Klein) thought he had it all - money, good looks and a new Mercedes. But after

Click here for more information about Here on Earth (2000)

Powder Blue (2009) Review

Average Reviews:

(More customer reviews)Everyone has their problems. This we are constantly reminded of in Timothy Linh Bui's latest film, Powder Blue. Linh Bui, who both wrote and directed this film, is a newcomer to mainstream film, having previously directed one feature-length film, 2001's Green Dragon.
Powder Blue is the story of a pivotal week in the life of four individuals struggling to keep their lives together. Charlie (Forest Whitaker) is an ex-priest battling suicidal tendencies due to the anguish of losing his wife. Jack (Ray Liotta) is a recently released hit man who recently found out about the cancer in his body. Qwerty (Eddie Redmayne) is an awkward, twenty-something mortician whose asthma acts up when he tries to talk to women. And Rose Johnny (Jessica Biel) is a stripper trying to pay the medical bills of her comatose son. Each is hurting immensely. Each is looking for some glimmer of hope.
This is a strange film in terms of the press that it has been getting. The overwhelming majority of articles and news surrounding this project have narrowly focused on the fact that Jessica Biel has a small handful of topless scenes. In fact, one online site boldly proclaims, "this film is always going to be known for one thing -- Jessica Biel was topless in it." Many other sites which have written pieces on this movie have uniformly dubbed Powder Blue "the Jessica Biel Stripper Movie." Commentary on the hyper-sexualized yet stuck in a 15-year-old boy's body nature of American culture aside, this film is much more than a stripper movie and will hopefully be remembered as a good piece of art, rather than the fact that one of the actors shows some skin.
The core of this film is the nature of love. What is love? How do we find it? What happens when we lose it? Everyone has their problems, but no one should have to face them alone. The characters understand this and each has a deep sense of the need for relationships, they just don't quite know how to pursue real and lasting love. Instead, their pursuit is initially selfish, built on what they themselves can get out of feeling loved and fulfilled in hopes that their problems will all go away. So Qwerty attends functions in hopes of getting a date. Jack attempts to restore and build a relationship with his daughter out of the guilt of never being there for her. Rose Johnny throws herself at men looking for someone to not only financially provide for her and her son, but also to treat her and love her as a woman rather than a piece of meat on a stage. And Charlie, the most desperate of the lot, cries out for help to anyone he can find, propositioning them to end his life for him in exchange for $50,000.
Each must discover, however, that honest love can only be so if both parties give of themselves to each other. Each of these characters must be willing to be vulnerable, to let others see the hurt and struggles that they are going through, and then be willing to let others help them and love them in ways that they never imagined anyone could. But again, this is a two-way street, and they must also be willing to do the same for others, allowing them to be vulnerable as well and to work with them through the pains and trials of life. It's only after each of the characters realize this that they are able to see glimmers of hope and redemption in their otherwise shattered lives.
Powder Blue is a fascinating film. Linh Bui has captured something very real and true about life, a feat which most of Hollywood either avoids or fails miserably at. He shows that life isn't a fairytale, hope doesn't come easily, and, again, everyone has problems. However, he also shows that there is true love out there, that there is hope and redemption even if such comes through the pain and hardships that each of us face in life, if we will only allow others in and allow others to help us through whatever it is we are going through, and be willing to do the same when the chance presents itself.
It is this writer's hope that this is what Powder Blue will be remembered for.

Click Here to see more reviews about: Powder Blue (2009)

On the gritty streets of LA, the destinies of four people desperate for connection and redemption are about to collide. Jessica Biel, Ray Liotta, Forest Whitaker and Eddie Redmayne lead a top-notch cast in this powerful thriller about an overwhelmed erotic dancer, a grieving husband who has lost his will to live, a terminally ill ex-con and a pathologically shy mortician. With Kris Kristofferson, Lisa Kudrow and Patrick Swayze in unforgettable supporting roles, this film movingly chronicles the imperfect lives of people teetering on the edge of despair and the miracles that bring them back.Stills from Powder Blue (Click for larger image)

Get 43% OFF

Click here for more information about Powder Blue (2009)

Please Give (2010) Review

Average Reviews:

(More customer reviews)Eternally bitter, cynical but never toxic and always with a hint of beautiful humanity, Nicole Holofcener is always a distaff alternative to Woody Allen's neurotic obsessions. Her works, deemed as 'vagina movies', are no less assured, and even surpass the works of her male counterparts; whereas, Allen's works nowadays are consistent in their inconsistency, Holofcener's works organically evolve to correspond to the reality that we live in, and, as response, the people that we become. Her first film, "Walking and Talking" back in 1996 is a thoroughly charming and affable film, with concepts of loneliness, abandonment and feeling lost explored, but the pervading anxiety and bitter humour that have long since been her staple from her second film thereafter, are kept at bay, for most of the time. Her characters continually grow. Now, circa 21st century, and being caustic seems to be a natural trait. Still, Holofcener uses that to great effect; bitterness never overshadows, but merely used as a launching pad to explore the quiet beauty hidden amidst the toxic and the unpleasant.
In her fourth film, "Please Give", she tackles capitalism, displaced guilt, physical appearances, infidelity and death amidst a chaotic, arbitrary world that is rather nihilistic, but only in a gentle, breezy, free-wheeling meaninglessness that does not feel like a discourse on an Ingmar Bergman's nothingness, but more akin to Eric Rohmer's affable meandering that is no less understatingly hurtful and quietly emotional.
Set in rumbling New York City, Kathy (Catherine Keener) and Alex (Oliver Platt) own a furniture store, set by the couple's practice of buying furnitures at very low prices and put them up with high markups. They are also waiting for the next door neighbour, a bitter, ungrateful old hag, Andra (Ann Guilbert), to die so that they could expand the size of their apartment. In the meantime, Andra's two nieces, Rebecca (Rebecca hall) and Mary (Amanda Peet) are dealing with their own problems: Rebecca is a busybody, working as a mammogram technician, keeping romance and personal life at bay; and Mary, a skin consultant, who continually stalks her ex-boyfriend's new girlfriend, and at some point, ends up having an affair with Alex. Amidst all this, Kathy and Alex's daughter, is dealing with her bodily appearance: her weight and acne problems.
"Please Give" sets up this multi-strand storylines via Holofcener's typical free floating, stream-of-conscious fashion that negates the structural device of storytelling, and opts for a presentation of a slice-of-life. The camera adopts an objective point of view, even revelling in arbitrary scenes that seem to never amount to anything, but somehow feel organic to the whole film. And even with this objectivity, it is never unsympathetic, even if most of these characters are unlikeable and even bordering on being nasty.
Indeed, sometimes it's better to start off with the negative to accentuate the positive. With this, Holofcener is able to explore the moral implications of living in a capitalistic society. To what extent does one go to successfully carve out a comfortable life for one's self? Kate's obsession with giving out a lot money to the poor seems irrational, but really an ascetic ideal that she churns out for herself, to get rid of her guilt for her wrong choices in life. It is an inherently self-destructive act, prompted by shame, insecurities, selfishness and self-absorption, that is merely offset by the outer appearance of the act: it is an ostentatiously kind and generous act of giving. Kate's asceticism mirrors Mary's affinity for stalking an unsuspecting woman and having an illicit affair with Alex: the lengths to which one goes to, just to find a name for an undefinable feeling of loneliness and pain. At least, with the daughter, it is called being chubby, and acne-ridden. Wait until she gets older.
All of these characters, just like in any other Holofcener films, feel insignificant; they struggle living in a hostile, unlovable world, and they respond to themselves and to each other in equally hostile, unlovable manner; but there is quiet beauty that is transcendental when one watches Holofcener deviates further more into seemingly random scenes; like seeing an anonymous couple looking for the right furniture in Kathy's store, or Rebecca walking the dog with Kathy's daughter. Like watching an unexpected petal falling off a dying flower, Holofcener's images are delicately evocative, and revelatory in their quietness.
"Please Give" is a very sharp, brutally honest work that is all at once, hilarious, acidic, and always strangely moving, without any need for emotional manipulation or ostentatious dramatic histrionics. See this, not merely as an entertainment, but as an opportunity to bask in its many quiet moments of emotional insights that neither praise nor condemn its characters. Besides, there is Catherine Keener, Holofcener's beloved muse, one of the very few actresses nowadays who can effectively kill someone with merely delivering a cutting remark, and simultaneously still break a heart with pathos for her character.

Click Here to see more reviews about: Please Give (2010)

PLEASE GIVE - DVD Movie

Get 43% OFF

Click here for more information about Please Give (2010)

Life as a House (New Line Platinum Series) (2001) Review

Average Reviews:

(More customer reviews)Somebody once said that "life" is what happens when you're not looking. And it's so true. Too often we let the years slip by, and the important things slip right along with them; and it's only when something happens that we start to pay attention, and by then it's too late to do anything about it. The good news, however, is that as long as you're still breathing there's still a chance to make amends, or at least try to. You can try, not to make up for past mistakes (and we've all made them), but to make "today" count, which is what a man at a particular juncture in his life discovers and sets out to do, in "Life As A House," directed by Irwin Winkler, and starring Kevin Kline.
George Monroe (Kline) is an architect, a man who can design anything, with the exception of that which is the most important: His own life. He has a failed marriage-- now divorced for ten years from Robin (Kristin Scott Thomas)-- a failed relationship with his now sixteen-year-old son, Sam (Hayden Christensen), he's getting on in years and he's unhappy, which is driven home by circumstances involving his job and his health that make him abruptly sit up and take notice. His "house," literally and figuratively, in not in order. And he decides to do something about it. He's determined to tear down his old house and rebuild a new one, and he begins by arranging for Sam to come and live with him for the summer. And it will be a summer that will affect, not only George and Sam, but Robin, and a number of others, as well; a summer in which the trivial things of life are put on hold; and for once, the important things are embraced.
Working from a well written and insightful screenplay (by Mark Andrus), Winkler delivers a drama that is thoughtful and poignant (at times, even poetic), wonderfully acted and beautifully filmed by cinematographer Vilmos Zsigmond. Rich in metaphor, it's an engrossing film that works on a number of levels, and will appeal to a wide audience-- many of whom will relate to George and his situation, others who will identify with Sam; and for some, it may hit strikingly too close to home. Whatever your personal situation is, it will fall somewhere within the emotional arc Winkler creates here; and if it doesn't now, it will eventually. Because, as this film so trenchantly points out, "life" happens. And the most important thing is knowing what to do with it-- if not the first time around, then at least before it's too late.
He received an Oscar for his portrayal of Otto in the comedy "A Fish Called Wanda," but Kevin Kline decidedly hits his stride in dramatic roles: As Nathan in "Sophie's Choice," Mack in "Grand Canyon" or Ben in "The Ice Storm," for example; and now here, as George Monroe. Kline brings George believably to life, with a performance that hints at who George was, but most importantly tells us who he is now. With understated subtly, he conveys his inner-most feelings in a way that enables the audience to make that all-important emotional connection with the character. He makes you feel as though you know him; and once you do, and once you meet Robin, it's hard to understand what went wrong between them all those years ago. One can only assume that somewhere along the line youth and a lack of focus took it's toll-- understandable in a world that bombards us daily with endless stimuli. And it's one of the subtle perspectives that makes this film so effective.
Kristin Scott Thomas gives a convincing performance, as well, as Robin, a woman who has moved on with her life, but in whom you can discern a certain dissatisfaction with her current situation. On the surface, her life seems agreeable, but we see through her portrayal that it is still lacking in some regard. She seems happy to some extent, but it's more like the unfulfilled happiness that comes when one has "settled" for something. You get the sense that what she has with her current husband, Peter (Jamey Sheridan), is somehow less than what she had with George, at least at some point or other. Thomas does a good job of indicating the complexities of her character, dipping beneath the surface to make what could have been a one-note character alive and interesting.
One of the real rewards of this film, however, is found in the wonderfully affecting performance of young Hayden Christensen, as Sam. With but a few TV appearances and a handful of unremarkable films to his credit (the exception being a part in Sophia Coppola's "The Virgin Suicides"), Christensen is virtually an unknown, but comes through with some extremely impressive work here. He not only finds, but manages to convey, that turmoil of confusion and need for personal identity that every teenager experiences, and he presents it quite naturally and effectively. There's nothing feigned or pretentious about him; the Sam he delivers comes from somewhere deep down inside, and working from the inside out makes him very real and believable. It's a performance that should jump-start his career, which is about to be catapulted into high gear/high profile status when "Star Wars: Episode 2, Attack of the Clones" hits the screen, in which he plays the role of Anakin Skywalker. And because of the magnitude of that film and all that goes along with it, he will never receive the acclaim he deserves, no matter how good a job he does in it; so it's important that he has this film under his belt, which demonstrates what a truly gifted young actor he really is, a fact that may be overlooked once "Clones" hits (which is what happened to Leonardo DiCaprio after "Titanic"). And Christensen's performance here is a big part of what makes "Life As A House" a winner.

Click Here to see more reviews about: Life as a House (New Line Platinum Series) (2001)

LIFE AS A HOUSE - DVD Movie

Click here for more information about Life as a House (New Line Platinum Series) (2001)