Showing posts with label drug addiction. Show all posts
Showing posts with label drug addiction. Show all posts

Monday, September 10, 2012

Half Nelson (2006) Review

Half Nelson (2006)
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For several years now I have been waiting for Ryan Gosling to fulfill the promise that he exhibited in his revolutionary performance in "The Believer." Films have come and gone and in most of them he has been giving good performances ("Murder by Numbers") and problematic ones ("The Notebook") but always with a sense of who he is as an actor and more importantly how he can use his talent and his very being to bring the story of the character he is playing alive.
Now with his Dan Dunne, Gosling has finally fulfilled that promise and his Dunne is complicated (a terrific, human, enabling and encouraging high school teacher who is also a cocaine free-baser), sensitive to a fault, sexually aware...basically a talented, educated, addicted man from a loving family that can't help but fall victim to the baser parts of his nature. He is upright, strong, smart, loving but can't help but call on the appeal of drugs to douse the raging fire of indecision and self-hatred burning deep inside of him. A fire that director/writers Ryan Fleck and Anna Boden choose not to explicitly reveal, though after a Dunne family dinner we are perhaps given some hints into Dan Dunne's upbringing and politically committed family and therefore the genesis of his addiction.
Fleck and Boden give us expositional information in a very interesting way here particularly the juxtaposition, the flipping back and forth of the images between the Dunne family dinner (ex-hippie parents, socially and politically committed brother and his girlfriend... eating, drinking bottles and bottles of wine) and Dunne's student and friend Drey's evening home with family: filling small plastic bags with cocaine, chatting about her brother in jail...all polite and ordinary. But honestly: which family situation is best, which family situation is the most comforting for Dan and Drey. This masterful scene goes on for quite a long time and yet Fleck and Boden refuse to comment, refuse to put one family in a better light than the other.
Besides Gosling, there are a couple of actresses here that deserve special note. One, in a small role, though she appeared in both "Six Feet Under" and "Taken," Tina Holmes as Goslings ex and a former addict's very presence on the screen brings a certain weight and gravity to this film and of course to her role. Holmes is all sly, shy smiles, small gestures (she does more with an eye crinkle than do most with long involved scenes) and an inherent honesty and vulnerability that makes your heart hurt. She actually steals her very first scene with Gosling by under acting and the sheer luminosity of her performance.
Secondly, Shareeka Epps as Drey is amazing: she has an old soul, and like Holmes a gravity and a basic honesty that sets her apart from others in her family and the other students in this film. As her jailed brothers friend Frank (the excellent Anthony Mackie) says of Drey's friendship with Dunne: "It is inappropriate." But you know what, as presented and implemented in this film...it isn't. It's strange, it's rife with possible problems, it's audacious for sure but it's also the life preserver that saves both Dunne and Drey... it's their redemption.

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Dan Dunne (Ryan Gosling) is a young inner-city junior high school teacher whose ideals wither and die in the face of reality. Day after day in his shabby Brooklyn classroom, he somehow finds the energy to inspire his 13 and 14-year-olds to examine everything from civil rights to the Civil War with a new enthusiasm. Rejecting the standard curriculum in favor of an edgier approach, Dan teaches his students how change works ' on both a historical and personal scale ' and how to think for themselves.
Though Dan is brilliant, dynamic, and in control in the classroom, he spends his time outside school on the edge of consciousness. His disappointments and disillusionment have led to a serious drug habit. He juggles his hangovers and his homework, keeping his lives separated, until one of his troubled students, Drey (Shareeka Epps), catches him getting high after school.
From this awkward beginning, Dan and Drey stumble into an unexpected friendship. Despite the differences in their ages and situations, they are both at an important intersection. Depending on which way they turn ' and which choices they make ' their lives will change.

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Sunday, March 18, 2012

Jungle Fever (1991) Review

Jungle Fever (1991)
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One of Spike Lee's best films, "Jungle Fever" comments more on race relations in America, than on the subject of adultery. Spike is all over the place with his take on male/female relationships, the devastation wrought on a family and the Black community by crack cocaine, the "color line" in the Italian community and interracial relationships. But he seems to pull it all together to make a powerful film and one of the best of the '90s.
The acting is terrific with the standout performance being Samuel L. Jackson's as Gator, Wesley Snipes ill fated brother. He's charming, comical and evil all at once. And Wesley showed his range as an actor through his performance as Flipper, the "good son," who has a momentary lapse in character and has an affair with his secretary, Annabella Sciorra. All the performances are great and the actors get you to care about the characters they present. Wesley's performance came after the strong work he did as Nino Brown in "New Jack City" and I don't remember an actor "flippin' the script" on the movie going public like that, going from evil to good, in one year in a long time.
You could look at Flipper and Angie as symbols of Black and White America, trying to come together and the obstacles we face as a nation when we don't deal with the issue of race honestly. Something we're still going through. This film also deals with our dishonesty with dealing with the drug problem too, and this is where Spike deserves credit. No one is left unexamined by this tale of life and there are no happy endings either from Gator being murdered by his father, to Flipper and Angie breaking up.
I love how Spike begins and ends the movie. Spike shows in the beginning a couple, obviously in love, in Wesley and Lonnette Mc Kee, (in a strong, small supporting role as Drew) that leads you to believe nothing could tear them apart. When you get to the end, Wesley and Lonnette are trying to make a go at it, but through Lonnette's tears, you see she's just going through the motions, hoping to put away the pain through the lovemaking. When she tells him "he better leave now," you can tell the hurt she's experienced can't be "loved away" like he'd like.
Critics of this film usually state Spike should have stuck to telling one story. What must be said is that while Spike explores a range of contemporary issues in this film, he has made a film of power and emotion, that definitely draws an opinion out of you, one way or another. An underrated, overlooked masterpiece.

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This critically acclaimed film from Spike Lee explores the provocative consequences of interracial relationships. Black architect Flipper Purify (Wesley Snipes) begins an affair with his working-class Italian secretary (Annabella Sciorra) which causes them to be scrutinized by their friends cast out from their families and shunned by their neighbors in this moving view of inner-city life. Featuring an original soundtrack by Stevie Wonder Jungle Fever stars a talented cast including Spike Lee Ossie Davis Ruby Dee Samuel L. Jackson Lonette McKee John Turturro and two-time Academy Award winner Anthony Quinn.Starring: Wesley Snipes Annabella Sciorra Spike Lee Anthony Quinn Samuel L. Jackson John Turturro Ossie Davis Ruby Dee Lonette McKee Frank Vincent Halle Berry Tim Robbins Brad Dourif Queen LatifahDirected by: Spike Lee

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Saturday, February 18, 2012

Rachel Getting Married (2008) Review

Rachel Getting Married (2008)
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Sitting through a movie about sibling rivalry at a wedding, especially one starring the doe-eyed and normally facile Anne Hathaway, sounds like a potentially painful way to spend an evening. However, as directed by Jonathan Demme and written by Jenny Lumet (daughter of master filmmaker Sidney Lumet), this 2008 drama is not a lightweight star vehicle à la Julia Roberts circa 1997 but a darkly realistic look at the dysfunction within a family thrown into disarray. Using an almost cinéma vérité style, Demme explores how a wedding reopens old wounds within a family in a naturalistic way made all the more palpable by the emotional acuity in Lumet's screenplay.
The focus is on Kym, a chain-smoking former model who has spent the last several months in rehab. As a substance abuser whose only armor is cutting sarcasm, she is absurdly hopeful that her sister Rachel's wedding will be a harbinger for unconditional love from her upscale Connecticut family. Therein lies the problem as her narcissism provides the catalyst for long-simmering tensions that uncork during the preparations for a lavish, Indian-themed wedding weekend (the movie's working title was "Dancing with Shiva"). It soon becomes clear that Kym's link to a past tragedy is at the core of the unpredictable dynamics that force confrontations and regrettable actions among the four principal family members. Rachel appears to be Kym's sensible opposite, but their alternately close and contentious relationship shows how they have not fully recovered from past resentments. Their remarried father Paul is a bundle of loving support to the point of unctuous for both his girls, while their absentee mother Abby is the exact opposite - guarded and emotionally isolated until she is forced to face both her accountability and anger in one shocking moment.
Anne Hathaway is nothing short of a revelation as Kym. Instead of playing the role against the grain of her screen persona, she really shows what would happen if one of her previous characters - say, Andy Sachs in The Devil Wears Prada - went another route entirely. The actress' studiousness and persistence are still very much in evidence, but the story allows her to use these traits under the guise of a self-destructive, often unlikable addict who gains attention through her outrageous self-absorption. As the put-upon title character, Rosemarie DeWitt realistically shows Rachel's sense of pain and resentment as the attention veers to Kym during plans for the most important day of her life. Bill Irwin is winning as the unapologetically grateful Paul, but it's really Debra Winger who steals her all-too-brief scenes by bringing the remote character of Abby to life. Now in her early fifties, the famously tempestuous actress seems to rein in her innate fieriness to play a woman who consciously disconnects herself from the family she raised. What remains is a crumbling façade of propriety masking this obvious gap. It's similar to Mary Tyler Moore's turn as the cold mother in Ordinary People, but casting the normally vibrant Winger (who probably would have played Kym a quarter century ago) is a masterstroke.
The film is not perfect. Demme's home-video approach, while novel at first, proves wearing over the 114-minute running time. Pacing is also a problem, especially when the focus turns to the minutiae of the wedding ceremony and reception. I wish Demme could have cut this part of the film, so we could get to the icy, unfinished resolution sooner. As a filmmaker who obviously enjoys making music concert films (Stop Making Sense, Neil Young - Heart of Gold), there are quite a few musical performances presented in total. However, for non-aficionados, it may prove too much over time. While it's refreshing to see interracial marriages treated so casually (Lumet's grandmother is legend Lena Horne), Demme makes almost too big a point in presenting a global community though the diverse music and the wedding's multi-cultural themes. The movie starts to feel like a Putumayo collection of third-world performances. Still, Demme's intentions can't be faulted, and neither can the piercing work of Hathaway and Winger.

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When Kym (Anne Hathaway - Golden Globe Nominee, Best Actress, Motion Picture (Drama)), returns to the Buchman family home for the wedding of her sister Rachel (Rosemarie DeWitt), she brings a long history of personal crises, family conflict and tragedy along with her. The wedding couple's abundant party of friends and relations have gathered for a joyful weekend of feasting, music and love, but Kym - with her biting one-liners and flair for bombshell drama - is a catalyst for long-simmering tensions in the family dynamic. Filled with the rich and eclectic characters that remain a hallmark of Jonathan Demme's films, Rachel Getting Married paints a heartfelt, perceptive and sometimes hilarious family portrait.

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Tuesday, December 27, 2011

Less Than Zero (1987) Review

Less Than Zero (1987)
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Though most reviewers commented on their disppointment that this movie missed the mark 1000% when it came to adapting the novel by Ellis to the big screen, I believe if you view this film as a message movie for the ages where drugs and excess are concerned, then you will be quite impressed. If not for Robert Downey Jr. and James Spaders' performances, however, the other actors could not have carried the message with such brutal force. Julian is a wreck of an addict, distraught over family issues, wild eyed with crazy drug induced moods, not really making it in school, and his circle of friends, male and female, are his only salvation. At the same time, they are his downfall, for Julian slides effortlessly into the glamorous world of sex, clubs and drugs with his friends right by his side. This picture came out in the eighties, when JUST SAY NO was on everyone's lips, and the dangers of "recreational" drug use were not exposed as vividly. Watching Julian's descent into hell feels like a punch in your chest, and the ending, though some may have seen it coming, shook me up considerably, having known a person with a similar fate back in my '80's high school days.Of course this film is not classic filmmaking or even original storytelling, but I think showing it to impressionable teens at an early age might not be a bad idea. And how accurately did art mirror life when, in the 1990's, Downey Jr. nearly killed himself getting high on everything under the sun.This film was not a far stretch for him.

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Returning home from college for Christmas vacation, Clay (Andrew McCarthy) is eager to resume his long-time romantic relationship with Blair (Jami Gertz) and his old friendship with the irresponsible Julian (Robert Downey, Jr.). But he finds the two have started a relationship of their own and developed a fondness for clubs, wild parties and endless amounts of cocaine. Clay's determination and love for Blair enables him to win her back, but Julian is a different story. Increasingly hopeless, addicted and deeply in debt to his dealer (James Spader), he puts Clay and Blair through the ultimate test of friendship, loyalty and love.

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Friday, May 20, 2011

Postcards from the Edge (1990) Review

Postcards from the Edge (1990)
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4.5 stars. The best thing about this DVD, besides the great script and fantastic cast of fine actors, is the price. Brand new, this DVD is under ten dollars?! I should write this review emphasizing that fact alone. As for the writing, it is excellent and witty and cerebral and dramatic, and it is all the more evident with all the incredible actors making the words their own. This exceptional cast includes former Oscar-winners Meryl Streep, Shirley MacLaine, Gene Hackman, and Richard Dreyfuss. Dennis Quaid, Rob Reiner, and Annette Bening also have good performances here and are worth mentioning. But the finest actor in this film is Meryl Streep, with yet another Oscar-nominated performance, this time showing great comedic timing with hilarious expressions and delivering her dialogue with impeccable precision. I'll stop now, before I wax rhapsodic. The script is sharp and intelligent, the acting is superb all around, and the price for this DVD is amazing! Thank you.

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POSTCARDS FROM THE EDGE - DVD Movie

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Sunday, March 6, 2011

Out for Justice (1991) Review

Out for Justice (1991)
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Director John Flynn followed up Stallone's "Lock Up" with "Out for Justice", Steven Seagal's 4th film. This is another in a succession of guilty pleasure ass kicking films that Seagal started with his debut, '88's Above the Law. You either appreciate this kind of movie or you don't. Anyone expecting Eastwood acting out of Seagal at this point, hasn't been watching his movies. Now, if you know what you're in for: A real psycho is on the loose and Seagal goes after him, kicking the crap out of anyone in his way, then you won't be disappointed. I consider this to be one of Seagal's most entertaining. Plenty of wonderful violence abound, not to mention plenty of outrageously articulated fight scenes (in butcher shops & pool halls!)where Seagal gains little more than a scratch, if that. The plot! - Seagal is cop (surprise!) Gino Felino who "investigates" (aka violently kicks the butts of) all the slime balls who may know the where abouts of Richie Madano (William Forsythe looking fat and sloppy), the fat crack head who killed his childhood friend. Bottom line: Richie is out of control and on that stuff, going around shooting people willy nilly so Seagal sets out to stop him. Does he? What do you think, cool breeze? You'll love that classic intro where Seagal throws a violent pimp through a windshield. What a way to display the film title huh? Besides, any movie where Seagal confronts an animal abuser, kicks him between the legs, then lets his dog pee on him, can't be that bad right?!
*Look for Jerry Orbach, Gina Gershon, Julianna Margulies, Shannon Whirry, & John Leguizamo in small roles.
Also recommended with Seagal:
Above the Law
Under Siege
and for some real fun...
On Deadly Ground
Fire Down Below
Ticker
(these three are priceless in humor alone!)

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No description available for this title.Item Type: DVD MovieItem Rating: RStreet Date: 02/08/05Wide Screen: yesDirector Cut: noSpecial Edition: noLanguage: ENGLISHForeign Film: noSubtitles: noDubbed: noFull Frame: yesRe-Release: noPackaging: Sleeve

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