Showing posts with label marriage. Show all posts
Showing posts with label marriage. Show all posts

Wednesday, October 31, 2012

Noah's Arc: Jumping the Broom (2008) Review

Noah's Arc: Jumping the Broom (2008)
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I just finished watching the movie and it was FABULOUS. I would recommend getting the video at soon as it releases. I will be doing just that. Jumping the Broom was a great love story. It had all elements of a great movie. It was heart-warming, and funny, sad and a feel good movie. I have but two negative comments, the first being it was way to short and I would have loved more. Story lines could have developed into more but as it was it was GREAT. My next negative is where was WILSON CRUZ. Not having this final and important member to the movie was extremely DISAPPOINTING and would not have destroyed the story line. I will purchase this movie and I am going again to see it.

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Friday, August 24, 2012

According to Greta (2009) Review

According to Greta (2009)
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Just saw this film at its Santa Monica, California, premiere. It is truly a shame that the movie is not being distributed in theatres and instead is going direct to DVD & Blu-Ray. I hope the DVD contains some extras, especially a commentary, all of which were sadly lacking on the DVDs for Hilary Duff's earlier small, independent films of "War, Inc." and "What Goes Up."
For those who have doubted Hilary Duff's dramatic talent up until now, "According to Greta" should put those fears to rest. Duff turns in an unquestionably strong performance of a complicated character that will come as a surprise to those primarily familiar with her more tween/teen-oriented work such as the "Lizzie McGuire" TV series, "A Cinderella Story," and the "Cheaper by the Dozen" films. What the audience has borne witness to here is her genuine maturity as an actress and the possible paradigm shift in her career to more serious dramatic fare in the future.
Duff plays the title character of Greta, a 17 year old girl who has been "exiled" to her grandparents' home in New Jersey for the summer, given her mother's own inability to control her daughter and preference for saving her troubled marriage. Greta has decided to end her life once she turns 18, currently reflecting upon which method of death would be most desirable. Simultaneously, she has created a "bucket list" of sorts of things to experience in the final year of her life. The news of Greta's plans come as a surprise to her grandparents, especially her grandmother, played by veteran actress Ellen Burstyn. The Golden Globe- and Oscar-nominated Burstyn turns in a fine performance as Greta's "Grammy" Katherine, who is determined to give her granddaughter structure and discipline, and perhaps even aide in finding value in life.
Another surprise performance is given by actor Evan Ross, who plays Julie, a restaurant line cook with a shady past, who is committed to living as responsible and ethical a life as possible. Next to Duff's substantive performance, Ross' own poised and balanced performance will likely be a highlight of the film for viewers. In the movie, Greta and Julie become co-workers and eventually strike up a romance, one that comes off naturally, even in scenes of interpersonal character unease. But Greta's hardened attitude about life, her sharp hurtful words, and manipulative actions towards Julie, as well as her grandparents, threaten to drive those closest to Greta away, even as they all labor to help her see life's gifts.
Standing behind inter-relational tensions, is a haunting secret from the past. Will the recognition of this painful experience finally push Greta to take her life? Or can her grandparents and Julie -- or more pointedly, can she herself -- help transform her great pains into a realization for the sanctity of life? Check out the movie and find out for yourself.

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Hilary Duff delivers the most unexpected performance of her career as Greta, a rebellious 17 year old ‘exiled’ for the summer to a sleepy Jersey shore community where she immediately informs her grandparents of her plans to kill herself by the time she turns 18. But before Greta can cross suicide off her ‘to-do’ list, she’ll begin an interracial romance with a young cook from a troubled background confront a tragic family secret and maybe even discover the promising young woman beneath her sarcastic shell. Just when Greta’s looking for a way out, will life find a way back in?

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Wednesday, February 22, 2012

Happy-Go-Lucky (2008) Review

Happy-Go-Lucky (2008)
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This is all about Poppy, played by Sally Hawkins. Single in London. Positive, cheerful, and generally embodies the title of the movie. Every situation is to be faced with good spirit, a light attitude, and cheer.
At the beginning it seems that she will overrun a challenge like a tank running over a building in a WW II flick. Smiles. Banter. Humor. Irrepressible. Even when alone.
The challenges grow. A problem student. A vagrant in a deserted part of town. A doctor visit. A dance instructor with issues.
And then the new champion for Driving Instructor From Satan, played by Eddie Marsan. These scenes are classics. As in many movies confrontation is important to good comedy or drama. The theater I saw this in was laughing its collective heads off. The driving lessons make me smile even as I type this.
How Poppy reacts to each challenge - and how others react to Poppy - is the core of this movie. The plot is mostly a string of episodes. Mike Leigh does an outstanding job directing, finding a second level to each situation. Funny and happy. But also thoughtful and a little gritty.
Sally Hawkins should be up for an Oscar in 2009, but that is a whole other discussion.

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Academy Award nominee Mike Leigh (Best Director and Best Original Screenplay, Vera Drake, 2004), delivers the delightfully fresh and cheerful comedy Happy-Go-Lucky. Free-spirited and effervescent, Poppy is a schoolteacher whose unstoppable optimism guides her life. Bubbling forth with giggles, laughter and jokes, life's a bowl of cherries even when she comes across a few pits. Whether it's a cranky driving teacher or a fiery flamenco instructor, Poppy embraces life on the sunny side of the street. It's a joyous, feel-good film you'll find irresistible. Bonus features include: Behind the Wheel of Happy-Go-Lucky, Happy-In-Character, audio commentary by Director Mike Leigh

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Saturday, February 18, 2012

Rachel Getting Married (2008) Review

Rachel Getting Married (2008)
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Sitting through a movie about sibling rivalry at a wedding, especially one starring the doe-eyed and normally facile Anne Hathaway, sounds like a potentially painful way to spend an evening. However, as directed by Jonathan Demme and written by Jenny Lumet (daughter of master filmmaker Sidney Lumet), this 2008 drama is not a lightweight star vehicle à la Julia Roberts circa 1997 but a darkly realistic look at the dysfunction within a family thrown into disarray. Using an almost cinéma vérité style, Demme explores how a wedding reopens old wounds within a family in a naturalistic way made all the more palpable by the emotional acuity in Lumet's screenplay.
The focus is on Kym, a chain-smoking former model who has spent the last several months in rehab. As a substance abuser whose only armor is cutting sarcasm, she is absurdly hopeful that her sister Rachel's wedding will be a harbinger for unconditional love from her upscale Connecticut family. Therein lies the problem as her narcissism provides the catalyst for long-simmering tensions that uncork during the preparations for a lavish, Indian-themed wedding weekend (the movie's working title was "Dancing with Shiva"). It soon becomes clear that Kym's link to a past tragedy is at the core of the unpredictable dynamics that force confrontations and regrettable actions among the four principal family members. Rachel appears to be Kym's sensible opposite, but their alternately close and contentious relationship shows how they have not fully recovered from past resentments. Their remarried father Paul is a bundle of loving support to the point of unctuous for both his girls, while their absentee mother Abby is the exact opposite - guarded and emotionally isolated until she is forced to face both her accountability and anger in one shocking moment.
Anne Hathaway is nothing short of a revelation as Kym. Instead of playing the role against the grain of her screen persona, she really shows what would happen if one of her previous characters - say, Andy Sachs in The Devil Wears Prada - went another route entirely. The actress' studiousness and persistence are still very much in evidence, but the story allows her to use these traits under the guise of a self-destructive, often unlikable addict who gains attention through her outrageous self-absorption. As the put-upon title character, Rosemarie DeWitt realistically shows Rachel's sense of pain and resentment as the attention veers to Kym during plans for the most important day of her life. Bill Irwin is winning as the unapologetically grateful Paul, but it's really Debra Winger who steals her all-too-brief scenes by bringing the remote character of Abby to life. Now in her early fifties, the famously tempestuous actress seems to rein in her innate fieriness to play a woman who consciously disconnects herself from the family she raised. What remains is a crumbling façade of propriety masking this obvious gap. It's similar to Mary Tyler Moore's turn as the cold mother in Ordinary People, but casting the normally vibrant Winger (who probably would have played Kym a quarter century ago) is a masterstroke.
The film is not perfect. Demme's home-video approach, while novel at first, proves wearing over the 114-minute running time. Pacing is also a problem, especially when the focus turns to the minutiae of the wedding ceremony and reception. I wish Demme could have cut this part of the film, so we could get to the icy, unfinished resolution sooner. As a filmmaker who obviously enjoys making music concert films (Stop Making Sense, Neil Young - Heart of Gold), there are quite a few musical performances presented in total. However, for non-aficionados, it may prove too much over time. While it's refreshing to see interracial marriages treated so casually (Lumet's grandmother is legend Lena Horne), Demme makes almost too big a point in presenting a global community though the diverse music and the wedding's multi-cultural themes. The movie starts to feel like a Putumayo collection of third-world performances. Still, Demme's intentions can't be faulted, and neither can the piercing work of Hathaway and Winger.

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When Kym (Anne Hathaway - Golden Globe Nominee, Best Actress, Motion Picture (Drama)), returns to the Buchman family home for the wedding of her sister Rachel (Rosemarie DeWitt), she brings a long history of personal crises, family conflict and tragedy along with her. The wedding couple's abundant party of friends and relations have gathered for a joyful weekend of feasting, music and love, but Kym - with her biting one-liners and flair for bombshell drama - is a catalyst for long-simmering tensions in the family dynamic. Filled with the rich and eclectic characters that remain a hallmark of Jonathan Demme's films, Rachel Getting Married paints a heartfelt, perceptive and sometimes hilarious family portrait.

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Thursday, July 21, 2011

The Other Sister (1999) Review

The Other Sister (1999)
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THE OTHER SISTER is one of those films that becomes a staple in the home library. With every viewing the tenderness and good qualities just improve. Though the film industry is dealing more often with the mentally challenged these days (I AM SAM, RADIO, etc) few can equal the tender love story that is created by Juliet Lewis and Giovanni Ribisi. The family setup is well paced with the skills of Diane Keaton and Tom Skerritt et al and other issues confronting the modern traditional family are certainly touched upon - obsession with public appearances, coping with a challenged child, teaching sex education, the presence of a gay sibling, to mention only a few. But it is the overwhelmingly fine performances by Lewis and Ribisi that are of the quality of commitment that seeing them on repeated viewings just fortifies the brilliance of their acting. These two people are people we readily love and grow to feel their fears, pain, frustration, and dreams. If ever there was a film that was able to read from the inside of the minds of the mentally challenged and find the mysteries and honest simplicities there, then this is the film. An outstanding cast and a very fine director in Garry Marshall make this movie a keeper.

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This funny and uplifting romantic comedy features outstanding performances from Juliette Lewis (ENOUGH), Diane Keaton (HANGING UP, THE FIRST WIVES CLUB), and Tom Skerritt (CONTACT) in a great star-packed cast! Even though Carla (Lewis) has grown into a very capable young woman, her nervous mother (Keaton) still has a major meltdown when Carla announces she's in love for the first time! So as Carla and her new boyfriend (Giovanni Ribisi, GONE IN 60 SECONDS, SAVING PRIVATE RYAN) set out to experience all of life's great adventures, they're also out to prove that Carla has earned her independence! The latest big-screen favorite from Garry Marshall, the acclaimed director of PRETTY WOMAN and RUNAWAY BRIDE -- you're sure to cheer this feel-good treat!

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Thursday, May 19, 2011

Fireproof (2008) Review

Fireproof (2008)
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Reading the reviews here and seeing the variety of reactions to Fireproof is almost as interesting as the movie itself.
Most of the positive reviews focus on the message. Most of the negative reviews focus on the technical quality of the movie, and/or the reviewers' feelings about Christianity. Accordingly, I'd like to chime in on these three topics.
Technical Quality: Although I did like the movie, I have to admit the negative reviewers have a point here. The cinematography and special effects are more in line with what you'd expect on a TV show than a feature film. There's nothing glaringly awful, but the viewer is definitely aware this film was not financed like a big-budget Hollywood movie.
The acting performances are about the same. Cameron puts in a solid professional job, but nothing that's going to go down in history as one of the great performances of all time. The rest of the cast is pretty spotty, and most of them have at least one line or one scene that comes off a bit lame. Again, not so bad as to be unwatchable, but definitely below average for feature films.
The Message: This is why people like the film, and why I liked it too. There are actually two messages here - one about marriage and one about Christianity. Most of the negative reviewers can't seem to separate these two issues, which is understandable since there' entwined. Let me take a stab at dealing with them separately.
The marriage-related messages portrayed in this movie are:
1) Married people who are predominantly focused on their own feelings and their own needs are not likely to succeed. Marriage takes a lot of work, and a predominantly selfless attitude.
2) In order for a marriage to work, both partners have to be willing to admit that they are flawed human beings, that they make mistakes, that they are sometimes selfish and hurtful, and that they sometimes have to ask humbly to be forgiven. Christians certainly recognize this message, but it applies equally to non-Christians (except for those who are perfect, many of whom apparently have written reviews of Fireproof here).
3) There will be conflicts and hard times during a marriage, and when this happens, both partners must be committed to making it work and ensuring the survival of the marriage - even when this seems like a lot of work and doesn't seem to be rewarded or recognized.
4) For a marriage to really work, both partners will have to continually grow and improve themselves - often in ways that are not comfortable and entail sacrifices.
Anyone who has actually been married for a while and worked through problems will recognize the above themes as true to life - and, most emphatically, true to life in a way that Hollywood movie portrayals of love and romance are definitely not true to life.
I believe that most of the people who liked this movie - certainly me and my wife - are resonating with FINALLY a movie that seems to understand what enduring marriage and love that grows over the years are really all about. Most movies portray love as a state of blissful happiness - which it sometimes is - but miss the larger picture of love as an ongoing project that two people work on, working hard and selflessly, for many years.
The Christian Message: People who are just flat-out offended by Christianity, or those who have past traumas, grudges, or anger toward Christians, simply are not going to like this movie. If you're in this group, just don't go.
The people in this movie express and embody their work on their marriage and their personal growth through their faith. If you're a Christian, you will very likely identify with this and see it is a positive.
If you're a non-Christian who has a generally benign, friendly attitude toward Christianity and Christians, this movie might be worth a try for you. The challenges these folks face and the things they have to overcome are not limited only to Christians, and may be familiar to you. They do frame their solutions and their personal work in Christian terms. If you're interested in Christianity, or how Christains frame and work through personal problems, then this movie might have some interest for you.

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Lt. Caleb Holt lives by the old firefighter's adage: Never leave your partner behind. Inside burning buildings, it's his natural instinct. In the cooling embers of his marriage, it's another story. After a decade of marriage, Caleb and Catherine Holt have drifted so far apart that they are ready to move on without each other. Yet as they prepare to enter divorce proceedings, Caleb's dad asks his son to try an experiment: The Love Dare. While hoping The Love Dare has nothing to do with his parents' newfound faith, Caleb commits to the challenge. But can he attempt to love his wife while avoiding God's love for him? Will he be able to demonstrate love over and over again to a person that's no longer receptive to his love? Or is this just another marriage destined to go up in smoke?

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Tuesday, May 10, 2011

What's Love Got To Do With It? (1993) Review

What's Love Got To Do With It (1993)
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I never really listened to Tina Turner except on the radio but one day I decided to watch What's Love Got To Do With It and I was absolutly blown away. The power and feeling Angela Bassett put into her character as Tina Turner was so convincing I actually started to believe it was the true superstar, not just an actress. Laurence Fishburne is an incrediable actor and he did a wonderful job portraying Ike Turner, to the point where I wanted to reach inside the television screen and hurt him as much as he was hurting Tina. He was so good being bad I can't believe he never won an Oscar for this incrediable role. I would recommend this movie to anyone who is a big Tina Turner fan or anyone who just want's to watch a very powerful and emotional film, full of extremly talented actors and actresses. May God always be with Tina Turner after the Hell on Earth she went through, thanks to Ike Turner.

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Experience for yourself the powerful true-life story of Tina Turner -- rock 'n' roll's remarkable and talented superstar. Laurence Fishburne (THE MATRIX) and Angela Bassett (HOW STELLA GOT HER GROVE BACK) deliver winning performances as Ike and Tina Turner -- whose turbulent relationship eventually forces Tina to leave and face the fear, pay the price, and find the courage to believe in herself. Don't miss WHAT'S LOVE GOT TO DO WITH IT -- the amazing and uplifting story of one of the world's most exciting, high-energy entertainers!

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