Showing posts with label robert downey jr. Show all posts
Showing posts with label robert downey jr. Show all posts

Thursday, April 12, 2012

A Scanner Darkly (2006) Review

A Scanner Darkly (2006)
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This is a movie you definitely want on DVD - because you'll want to watch it first with just the movie playing, and then after that with the audio soundtrack that includes director Richard Linklater, actor Keanu Reeves and most importantly the daughter of Philip K Dick. The insights that she provides into the movie and the storyline are priceless.
It's important to realize that Philip K Dick usually wrote about characters, not action sequences - and specifically, he wrote about those in society who did not "fit in" well. If you look through his stories, you'll find they often feature people who are misfits, who society overlooks or forgets. In A Scanner Darkly, the featured 'oddballs' are druggies hooked on Substance D - a drug that is never really described, but apparently causes paranoia and hallucinations.
The key here is to sit down with a glass of wine, a big bowl of popcorn and settle back for a character-driven story. This isn't a Rambo or Dirty Dozen story - it's about how people relate to each other, in many subtle ways. It's a study of interactions.
I really appreciate that this was done in a combination of real life acting and animation. It floors me that in modern times anyone might look down on this because it is a "cartoon". Is a Renoir less worthy than an Ansel Adams because a Renoir was done by hand? Animation isn't inherently kiddie. Hand drawn works can contain quite mature topics. In this case it is *ideally* suited to the story - because a main aspect of the tale is that the characters never quite know what is real and what is imagination. Are the bugs really there? Can he trust what he sees? All signs point to NO. The viewer is caught up in this same confused world. If this had been live action, then 'odd things' would have instantly stood out. But the point of a drug haze is that everything seems 'unreal' - and so odd things fit into that flow much more smoothly.
If you don't know druggies, rest assured that characters like this are quite average - and this story is in essence an autobiography of Philip K Dick's life in the 70s. He lived in a house just like this with his two brothers after his divorce. He lost his wife and two young girls. He was very paranoid that one of his house-mates was a narc, spying on their druggie activities. One of his friends did think bugs were crawling on him. At the end of the movie is Dick's actual ending to the story - a list of his friends who were damaged or slain by drugs. Included on this list are his ex-wife and himself.
So what you have in the movie are the druggies at turns being nice to each other, being very cruel to each other, mistrusting each other, and turning to each other for help. One of the druggies - Bob - is actually a narc cop code-named Fred. He's gone undercover to figure out who is supplying Substance D to the area. Unfortunately, he's gotten himself hooked during his undercover work. Even worse, part of what Substance D does is to destroy your brain - so he's developed in essence split personalities. The Bob-Druggie part forgets most of the time he IS a narc. The narc half of him, when he's in the police station, knows he's spying on this group of druggies but forgets that he is one of them. So when the narc is told to specifically spy on "Bob", he literally doesn't realize that this is him.
Here's where the movie - trying to stuff a dense book into under 2 hours - has some problems. If you haven't read the book, it's not clear at all that Narc-Fred forgets who he is when he goes undercover as Bob. It's a big twist in the book, but in the movie it seems clear to the watcher that it's the same person, and it's not made clear in the story that he's forgetting his "other half".
Other than that, the story is really pretty straightforward, plot-wise. The druggies are paranoid about the world around them and plug on with their lives. The cops are trying to figure out who the supplier is, so they bug the house and try to get that information. Like most Dick stories, there's a twist, although to be honest I thought it would be a much larger twist. Also, like most Dick stories, there's little female presence and the ending is only slightly hopeful. These aren't happy-go-lucky romances that he writes - they are dark warnings about where society is heading when it marginalizes those who don't fit in perfectly.
If you're confused about the movie, I definitely recommend reading the novel. That might be easier to grasp and give you more insight into the characters. Then go back and watch the movie again - taking it slow. Pay attention to the nuances of what they say, and how the characters relate. See how they feel society is treating them - and then take a look what society actually does with these people. Maybe they aren't quite so paranoid after all - maybe there is some resaon for how they feel.

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Set in a not-too-distant future where America has lost its "war" on drugs, Fred, an undercover cop, is one of many people hooked on the popular drug, Substance D, which causes its users to develop split personalities. Fred is obsessed with taking down Bob, a notorious drug dealer, but due to his Substance D addiction, he does not know that he is also Bob. Based on a classic novel by Philip K. Dick. Starring Keanu Reeves ("Constantine," "The Matrix" trilogy), Academy Award-nominee and Golden Globe-winner Winona Ryder ("Girl, Interupted," "Mr. Deeds"), Academy Award and Emmy-nominee and Golden Globe-winner Robert Downey Jr. ("Good Night, And Good Luck" "Kiss Kiss, Bang Bang"), and Academy Award and Golden Globe-nominee and Emmy-winner Woody Harrelson ("North Country," "The People vs. Larry Flynt"). Directed by Academy Award-nominee Richard Linklater ("Before Sunset," "Dazed and Confused"). Filmed in live-action, and then animated using the same critically acclaimed process that Linklater used in his previous film, "Waking Life."

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Tuesday, January 3, 2012

The Soloist (2009) Review

The Soloist (2009)
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This movie is primarily about the relationship between the weary journalist and the homeless artist, and Downey and Foxx give great performances. It sensitively deals with issues of charity and friendship in ways that challenge conventional ideals, and I liked the fact that in the end, Downey's character seems content to stop playing the role of "rescuer" and instead lets events play out to their natural conclusion. In fact, Foxx's character, for all the mental distress he faces, seems more grounded at times than Downey's character, and you might wonder whether the soloist refers to the cello virtuoso or the journalist who seems to learn what it means to be a friend rather than going solo through life. In that respect, it's a show that operates effectively on more than a superficial level.
Now if they could just have spent a little more time coaching Foxx on his fake cello-playing skills...alas.

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Academy Award® nominee Robert Downey Jr. and Academy Award® winner Jamie Foxx star in an extraordinary and inspiring true story of how a chance meeting can change a life. The Soloist tells the poignant and ultimately soaring tale of a Los Angeles newspaper reporter who discovers a brilliant and distracted street musician, with unsinkable passion, and the unique friendship and bond that transforms both their lives. The remarkable performances make for an unforgettable experience in what is hailed as “a courageous and uncompromising film” (Gene Shalit, TODAY).

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Tuesday, December 27, 2011

Less Than Zero (1987) Review

Less Than Zero (1987)
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Though most reviewers commented on their disppointment that this movie missed the mark 1000% when it came to adapting the novel by Ellis to the big screen, I believe if you view this film as a message movie for the ages where drugs and excess are concerned, then you will be quite impressed. If not for Robert Downey Jr. and James Spaders' performances, however, the other actors could not have carried the message with such brutal force. Julian is a wreck of an addict, distraught over family issues, wild eyed with crazy drug induced moods, not really making it in school, and his circle of friends, male and female, are his only salvation. At the same time, they are his downfall, for Julian slides effortlessly into the glamorous world of sex, clubs and drugs with his friends right by his side. This picture came out in the eighties, when JUST SAY NO was on everyone's lips, and the dangers of "recreational" drug use were not exposed as vividly. Watching Julian's descent into hell feels like a punch in your chest, and the ending, though some may have seen it coming, shook me up considerably, having known a person with a similar fate back in my '80's high school days.Of course this film is not classic filmmaking or even original storytelling, but I think showing it to impressionable teens at an early age might not be a bad idea. And how accurately did art mirror life when, in the 1990's, Downey Jr. nearly killed himself getting high on everything under the sun.This film was not a far stretch for him.

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Returning home from college for Christmas vacation, Clay (Andrew McCarthy) is eager to resume his long-time romantic relationship with Blair (Jami Gertz) and his old friendship with the irresponsible Julian (Robert Downey, Jr.). But he finds the two have started a relationship of their own and developed a fondness for clubs, wild parties and endless amounts of cocaine. Clay's determination and love for Blair enables him to win her back, but Julian is a different story. Increasingly hopeless, addicted and deeply in debt to his dealer (James Spader), he puts Clay and Blair through the ultimate test of friendship, loyalty and love.

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Monday, December 19, 2011

Home for the Holidays (1995) Review

Home for the Holidays (1995)
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"Home for the Holidays" is a quiet, fun little film that I dust off once or twice a year (usually around Thanksgiving!) and sit back and absolutely enjoy. It's become a comfort film for me, one of honesty, predictability, and enjoyment. It's a wonder more people haven't discovered this mini-classic.
Holly Hunter plays Claudia, a forty year old woman forced to endure calamity after calamity on her way to her parent's house for the Thanksgiving holiday. Hunter has her role sewn up from the moment we see her; she encapsulates Claudia and makes her very real as she is conforted with mini-nightmares. These problems plague her, only to define her life as unrealized, possibly misdirected. That Hunter refuses to play her as a sack sad, or someone pitiful, is a testament to her understanding of Claudia.
The script avoids usual the "family cliches" by showing us a dysfunctional family that functions quite well. Gay brother Tommy, so perfectly mastered by Robert Downey Jr., always the family clown, removes his "make-up" and shows incredible sensitivity when he rescues his sister from her holiday horror. Dylan McDermott charms his way quietly as Leo Fish, and you believe his sincerity towards Claudia. Cynthnia Stevenson and Steve Guttenberg rock as the high strung power couple so insistent on perfection in their imperfect lives. And the wonderful Charles Durning and Anne Bancroft as the parents, so beleaguered, so joyful, so real.
While the performances shine, the script shines even brighter, offering little solutions with much insight. You understand Claudia's trauams, but know that none of them are resolvable within a two hour film, and that's ok. Even the ending, which suggests that even daring to dream is enough, is absolutely perfect for this film. A less experienced screenwriter would have fallen into the cliche trap and wrapped everything up in a neat bow, which this film suggests, is simply not possible.
"Home for the Holidays" is a signature piece by Jodie Foster, one that people who enjoy a truly good film won't be there to pass up. I hope Foster follows up by directing more classics such as this; American cinema would be better for it.

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Tuesday, July 19, 2011

Heart and Souls (1993) Review

Heart and Souls (1993)
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This movie revolves around one question "What one thing, if you did it, would've made a difference in your life?"
It is a good question for all of us to consider in the course of our daily lives. In this movie, four people die prematurely in a bus accident - OK, four people plus the bus driver whose mind was preoccupied with sex and instead of watching where he was driving, he swerved off the bridge. All of these four people had some unfinished business, so they remain earthbound. They find themselves attached to a body of a kid and stick around until he's all grown up. Not knowing at first what to do, or the reason for them being earthbound, they are attempting to be of help to the kid, but seeing that they are causing him more problems than help, they stop interfering with his life and mind their own business, still wondering why are they stuck.
Eventually, it is revealed to them that they were still earthbound so that they could resolve one thing that would've made a difference in their lives. Now, the challenge begins, because it is not just a matter of doing the thing, but about overcoming inner obstacle, and having guts to follow one's heart. After all, that is what life is about, that is what every day is about - having the courage to follow one's heart, having the courage to listen to one's soul - and in this movie it is a team-spirit of one individual helping another to do that one thing that would've given meaning to his life, that would have left him enriched and empowered in some way, that would've justified the reason he had the body in the first place. One may here also developed a new appreciation for one's body and one's life on earth because there are some things that just can't be done without it.
The characters and the cast in this movie are utterly delightful and as you watch the movie, it's not only that you may enjoy the movie, but perhaps it helps you to look at your life in a different way and consider what it is that you would like your life to stand for and to just go for it.
The movie is not only heartwarming but also full of humorous tidbits and at the end of the movie there's a part with B.B. King playing that sent thrills and shivers of delight throughout my body.

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