Showing posts with label relationships. Show all posts
Showing posts with label relationships. Show all posts

Friday, December 21, 2012

All American Orgy Review

All American Orgy
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I happened to see this film in Louisiana, where they filmed it. First, let me unequivocally state that this film earned its R-rating; it is not the kind of film you want to watch with your family. Second, if you are a fan of comedy that goes way out into the inappropriate, where the characters say and do things that make you shake your head in disbelief and then burst out laughing, you will love this movie. It's a comedy that belongs on your shelf if you are a fan of David O. Russell, Wes Anderson, Noah Baumbach, Larry David and comedies that rely more on brilliant dialogue than pratfalls or sight gags.
The story is that three couples have decided to go out to a lake house on a strawberry farm where they will all mutually engage in their first orgy. It's not entirely clear how these three young couples are friends, or even why. Now imagine that scenario written by the neurotic, inappropriate characters on Curb Your Enthusiasm. The three men are completely different personalities and don't even like each other, so it makes for some hilarious exchanges, as they are now literally planning on having sex with the others' girlfriends. The women all have different motivations for wanting to participate in this orgy, and as the story unfolds, you find yourself laughing out loud at certain revelations. Yasmine's solution for not wanting to have to look at Gordon during sex had me convulsing, as did Todd's commentary on his preference for what type of sex with his wife, played by Laura Silverman (Sarah Silverman's sister).
Standout performances from the neophyte cast, including Ted Beck (who also wrote it) and Yasmine Kittles, who could be the next darlings of indie cinema. Also great performances from Jordan Kessler as an aloof, amoral sensualist who says exactly what is on his mind, and Adam Busch as a repressed nerd with secret feelings for someone else at the orgy. Almost forgot to mention the effervescent and charming Aimee-Lynn Chadwick, who lights up the screen in every scene she is in.
A very funny film and an astonishing debut from these young filmmakers.All American Orgy

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Nothing is more relaxing then a trip to cottage country with a group of friends. Enjoying the outdoors, beers by the lake, and a friendly orgy... Hoping to broaden their horizons and save there relationships see the mayhem that ensues when three couples mix sex, drugs and alcohol in a crazy weekend getaway to Cummings Farm.

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Thursday, November 29, 2012

Sex and the City: The Sixth Season, Part 1 (1998) Review

Sex and the City: The Sixth Season, Part 1 (1998)
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I am a die-hard S&TC fan. I absolutely LOVE the show - and will definitely buy the 6th season disks - but COME ON!!! Haven't we (S&TC fans) shelled out enough dough for this show. Not only do we have to pay just to watch the show, but we buy the merchandise as well. The fifth season was ok - but full price for an 8 episode season? And now they're breaking the 6th season in 2 releases and charging full price for both? HBO - thy greed runneth over - WAY over!

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They've experienced the pleasure of sex, the pain of heartbreak and the panacea of friendship. Now, Carrie Bradshaw and her three best friends-Miranda, Charlotte and Samantha- are headed into an exciting new chapter in their lives that's as unpredictable as the metropolis they live in. It's the last hurrah for Carrie and Co.

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Monday, November 26, 2012

Constellation Review

Constellation
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"Constellation," which begins in 1940's Alabama, tells the tale of a secret, forbidden love between a black woman named Carmel and a white soldier named Bear, whose romance is cut short when he is shipped overseas to fight in the war. Flash forward fifty years to the funeral of Carmel - who never married after breaking up with Bear - which serves as the pretext for all the principal people in her life to gather together to air out their grievances and to thrash out the personal relationship problems that have haunted them all their lives. The participants include her emotionally distant brother and his two ex-wives; her two adult nieces and their respective men folk; and Bear himself, who, despite the fact that the two of them were kept apart all their lives by the restrictions of a racist society, has decided to pay not only for the services, but to put all these people up in one of the swankier hotels in Huntsville, Alabama.
Though there are a goodly number of insightful, touching moments in "Constellation," the movie probably would have been more effective had the screenplay (by director Jordan Walker-Pearlman) not tried to cram so many different characters into such a relatively short space of time (the movie runs barely over an hour and a half). Yes, I understand that the theme of the movie is all about how we form "constellations" with the people who are most important to us in life, but speaking strictly in narrative terms, much too often, the genuinely compelling travails of one character are shunted aside to make room for the far less interesting problems of another. Moreover, the romantic relationship between Carmel and Bear, which is supposed to function as the emotional cornerstone of the movie, is never made all that convincing. We are TOLD that these two people are in love with each other, but we aren't made to FEEL it. In addition, Aunt Carmel is portrayed as such a wise and ethereal earth-mother presence even after death that she is essentially robbed of her own individuality and humanity as a character.
Still, there is much that is good in the movie, starting with the performances of Billy Dee Williams, as a man incapable of making emotional connections with the people in his life, and Rae Dawn Chong, as the daughter who has the most trouble dealing with this reality. They are ably abetted by Lesley Ann Warren, Zoe Saldana, Melissa De Souza, and Hill Harper. The movie also boasts a flavorful soundtrack, filled with an eclectic mixture of musical styles, ranging from classical to hip hop to spiritual. The Huntsville setting also provides a refreshing change for audiences weary of seeing New York, Los Angeles and Chicago constantly being recycled in film after film, as if they were the only urban centers moviemakers had to choose from.
The movie does lay its message on a bit thickly towards the end, employing heavy-handed speech-making and rather obvious symbolism to get its points across. It really doesn't need to go to all that effort, since the viewers could probably figure the themes out on their own given half a chance.
Yet, although "Constellation" is a decidedly mixed bag as far as family and social dramas go, it has enough elements of quality to make it worth checking out.

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Item Name: Constellation; Studio:20th Century Fox

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Monday, June 4, 2012

The Marriage Counselor Review

The Marriage Counselor
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Some coworkers and I went to see this in Dallas. Sadly, one of our own left us to be in it. :) I am a big fan of the Tyler Perry plays and this is definitely one of the best. It will definitely make you laugh and will probably make you cry. The singing is incredible! By the end, the entire audience was on their feet. You will not regret this purchase!
note: I definitely have to agree with the review left by Felicia Flagler. I have no idea who the actors/actresses are who Amazon listed and think it is definitely a big slap in the face to the real people who put on such an amazing performance!

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Tyler Perry's "The Marriage Counselor" transforms the art of marriage, life, and family with this fun and fulfilling onstage experience.

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Monday, May 21, 2012

Getting Played (2005) Review

Getting Played (2005)
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I thought this movie was so boring. It was so trying to be Two can play that game, but nowhere near as good. The practically going straight to video should've been my cue, but alas I gave it a try on account of Vivica. I am very thankful that I did not buy it and only rented it. In my opinion it wasn't funny, it wasn't sexy yet it seemed like it was attempting to be a romantic comedy. I kid you not, the only part in the movie that I did laugh at was Ticia Arnold and the man she was with and the bloopers at the end. That's pretty bad. Trust me, save your money and your time.

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Welcome to the new players club where everyone's in on the game! Vivica A. Fox, Carmen Electra, and Stacy Dash star as three smart and sexy friends fed up with being played by the men in their lives. To prove that all men are predictable and easily seduced, this hot trio decides to play by a new set of rules. They enter into a wild contest of seduction to convince one lucky man that he's living a dream... but what the girls don't realize is that their mark is in onto their game and he's got a few plays of his own.

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Saturday, March 31, 2012

Sunshine Cleaning (2009) Review

Sunshine Cleaning (2009)
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Every review I've read has been quasi-negative but not being one to listen to critics, I took a chance. I was very pleasantly surprised. Depending on why you go to a movie, you may not like this because it is not escapism. It deals with real life issues and things most of us can relate to. I found the movie to be very refreshing and all the characters real to life. The main character is a single mom trying to raise a precocious son. She has to deal with a dead-end relationship and an aging father, an irresponsible sister and a job she hates. How she copes and what she does is more believable than most of the "chick flick" films out today. I think this is one of the better movies in a sea of fluff to spend time and money on. Amy Adams is wonderful and it is always refreshing to see Alan Arkin. Please don't dismiss this film because of iffy reviews. It is worth going to see.

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Academy Award® Nominee Amy Adams, Golden Globe® Winner Emily Blunt, and Academy Award Winner®Alan Arkin find an unexpected way to turn their lives around in this “colorful, refreshingly quirky comic drama” (Leah Rozen, People). Desperate to get her son into a better school, single mom Rose (Amy Adams) persuades her slacker sister Norah (Emily Blunt) to join her in the crime scene cleanup business to make some quick cash. With the help of their ill-fated salesman father (Alan Arkin), they climb the ranks in a very dirty job, finding themselves up to their elbows in murders, suicides, and… specialized situations. But underneath the dust and grime they also come to discover a true respect for one another, and create a brighter future for the entire Lorkowski family.

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Friday, March 2, 2012

Royal Pains: Season One (2009) Review

Royal Pains: Season One (2009)
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In some ways, the rich are no different from the rest of us: they get sick, get hurt, and need doctors to figure out what makes them ache. "Royal Pains: Season One" follows the misadventures of a doctor who finds himself at their beck and call, and it has the right mix of everything -- luxurious living in the Hamptons, weird medical crises, and a fair amount of humor.
Hank Lawson (Mark Feuerstein) is a successful young E.R. doctor in New York... until the day when a wealthy trustee dies because he focused on saving a dying teenager. Trying to distract him from his woes, his brother Evan (Paulo Costanzo) whisks him to an exclusive party in the Hamptons, at the palatial mansion of the reclusive, absurdly-wealthy Boris Rabanisch (Campbell Scott).
Then a woman nearly dies at the party, and Hank manages to save both her and Boris' treasured privacy. As a result, he soon finds himself drafted as the new concierge doctor for the wealthy Hamptons residents, along with Evan and a physician's assistant named Divya (Reshma Shetty). And his work often brings him to see Jill Casey (Jill Flint), the administrator of a local hospital.
Among the cases: breast implant disasters, an epidemic at a "bark mitzvah," a mystery shark bite, a hemophiliac teenager and his "cyberchondriac" girlfriend, and mystery ailments afflicting a senator's son, a ballerina, a horseback rider, a restauranteur, and a bestselling illustrator. Since Hank cares more about curing people than making money, he also provides care for people who can't afford the best -- but the person who needs his help the most may also be the wealthiest.
I normally can't watch medical shows -- every time I try, I develop a massive case of "medical students' disease" and end up having to go watch "Psych" instead. Fortunately, "Royal Pains" is relatively light on the medical gore (despite the "flail chest" episode) -- the biggest problem is that Hank's McGuyveresque medskills sometimes stretch credibility (he makes a microscope out of jeweler's loupes?).
Despite all the deadly medical stuff, the writers also include a lot of light humor (the hot tub disaster) and fun dialogue ("She is my right hand AND my left hand, and occasionally my brain!"). But there are some heavier currents woven into the story, such as Jill's struggles to open a free clinic for the poorer people of the Hamptons. And there's a running mystery about what Boris is doing, and what his motivations might be.
Feuerstein is quite likable and endearing as a kind doctor with a conscience, who cares more about curing people than for money or politics -- and the on-off romance he has with Flint is rather cute, if complicated by Jill's ex-hubby. Costanzo's bumbling Evan can be a bit annoying at times (especially in the season finale), but he does seem to be improving. And Shetty's Divya is awesome: a sharp-tongued, sharp-minded young woman who is trapped into an arranged engagement by her arrogant parents.
And there are some great supporting actors as well -- Scott's elegant and mysterious Boris, Christine Ebersole's kindly but eccentric socialite, and Ezra Miller's neglected teenager Tucker (who becomes a sort of little-brother/nephew figure to Hank).
"Royal Pains" has some areas that need polishing, but the mixture of medical drama and guilty pleasure is pretty addictive stuff. Just don't make Dr. Hank detox you.

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Hank is a rising star in the New York City medical community, until he loses everything fighting for the life of a patient. With his career stalled and his personal life in shambles, Hank is in need of a new beginning. That’s where his younger brother Evan (Paulo Costanzo) steps in. Fed up with Hank’s personal pity party, he convinces Hank to join him on a last-minute trip to the Hamptons for Memorial Day weekend. When the brothers crash a party at the home of a Hamptons billionaire and a guest falls critically ill, Hank saves the day. His dramatic medical rescue draws attention from the crowd.Inadvertently, Hank becomes the hot new “concierge doctor" in town. With encouragement from Evan and an ambitious young woman who volunteers to be his physician assistant he decides to stay in town solving medical crises and helping those in need. Hank is back to doing what he does best. And now he’s reinvented himself as the Hamptons’ hottest new “doctor-in-demand."

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Wednesday, February 22, 2012

Spread (2009) Review

Spread (2009)
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"Spread" is basically a grifter movie with Ashton Kutcher playing (rather credibly I might add) Nikki, an over-confident hustler who lacks both a home and a car, and thus resorts to preying on older, successful (yet attractive) women. One of these is Anne Heche, who plays a successful attorney, Samantha, and finding Nikki's brash overtures rather charming, takes him home to her posh pad in the Hollywood Hills. Both Samantha and Nikki have hot sex all over Sam's luxurious property, and the sex scenes are pretty explicit and creative. Nikki should be happy in this arrangement, yet the viewer senses Nikki's restlessness. Instead of cementing the 'deal', Nikki inexplicably resorts to reckless acts, like having sex with another woman in Sam's bed whilst he thinks she's out of town...well, the Nikki-Samantha coupling continues, even as Nikki finds himself increasingly attracted to a waitress, Heather (Margarita Levieva) who is also hustling for money and stuff.
This is where the movie sort of veers off tangent and weakens - I found Anne Heche to be an interesting character. She is outwardly confident and controlling in the relationship with Nikki, but then she reveals her own set of insecurities by some of her actions. Unfortunately, when Heather comes into the picture, Heche's Samantha recedes into the background. The Nikki-Heather relationship doesn't altogether add up - Heather reveals certain character deficits which makes one wonder why Nikki is so smitten with her (empathy perhaps?). There are other facets of their relationship that is presented as is with no credible explanation. Ultimately, it's this lack on character development and in-depth exploration that lets this movie down, though it still makes for an interesting and engaging viewing experience.

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Fresh, funny and racy, Spread is a look at the trials and tribulations of sleeping your way to a life of privilege in Los Angeles.Nikki (Ashton Kutcher) is a fun-loving, freeloading hipster who understands his greatestassets are his looks and sexual prowess. His latest conquest, Samantha (Anne Heche), a stunning middle-aged lawyer, gives Nikki more than he’s ever had before. But when Heather (Margarita Levieva), a gorgeous waitress playing the same game, catches his eye, their lifestyles force a choice between love and money.Nikki has to decide whether he can live on his own once and for all in the hopes of finding something real.

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Saturday, July 23, 2011

Tyler Perry's Why Did I Get Married Too? (Widescreen Edition) (2010) Review

Tyler Perry's Why Did I Get Married Too (Widescreen Edition) (2010)
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Gathered together in the Bahamas for their annual one-week reunion, four close couples eagerly reconnect, sharing news about their lives and relationships. But their intimate week in paradise is disrupted by the unexpected arrival of Sheila's ex-husband, Mike, who hopes to break up her new marriage with Troy and win her back. The others soon realize they too are not immune to the challenges of commitment and fidelity. Angela doesn't believe her husband, Marcus, can be faithful now that he's a celebrity television newscaster. Dianne and Terry's relationship is feeling the strain of raising children. And Patricia, a successful self-help psychologist, must finally reveal the deep flaws in her seemingly perfect marriage to Gavin. With their relationships hanging in the balance when they return home, each couple must choose between blame and forgiveness, doubt and faith, with life-altering consequences.
The truth of the matter is that I have mixed feelings about this movie. Am I glad I saw it? Yes! This is one movie I wouldn't mind seeing again (if only to watch Shelia). Did I expect something different? Yes and no. Did I enjoy the movie? Yes, I'd have to say that I did. The truth is that it is just a different type of movie. The first movie examined how individuals dealt with the problems in their marriages; the good, the bad and the ugly. And in the first movie, they all had better relationships and a greater understanding of each other as people. Now, the second movie addresses what happens when a relationship breaks down (literally) and how we as human beings learn to cope with the change, hardships and difficulties. See, not bad, but different.
I feel the mark of a good movie is when you forget you are watching it, and you get drawn into the story. And let me assure you that this will happen. I will admit that this movie had a lot packed into it, but it gives you a fresh look on how these characters have changed, or not changed, over the three years since the first movie. It is a very emotional ride at times, but it all pays off when Shelia embarrasses Marcus, or when Troy stands up for his wife, and Janet's character really shows her other side.
The location for the reunion was absolutely beautiful, and get to see the conversations between the men and the women (in individual groups) and then see how the stories match up as the movie continues beyond the weekend get-a-way. There really is no need to describe the story any further because each person will experience it differently. Personally, I thought the movie began a bit slowly, however when it got to the end, I was happy for the slow parts it gave me time to catch up. Overall: if you like Tyler Perry movies, you should see this movie. It is worth the ride, very enjoyable.

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Gathered together in the Bahamas for their annual one-week reunion, four close couples eagerly reconnect, sharing news about their lives and relationships. But their intimate week in paradise is disrupted by the unexpected arrival of Sheila’s ex-husband, Mike, who hopes to break up her new marriage with Troy and win her back. The others soon realize they too are not immune to the challenges of commitment and fidelity. Angela doesn’t believe her husband, Marcus, can be faithful now that he’s a celebrity television newscaster. Dianne and Terry’s relationship is feeling the strain of raising children. And Patricia, a successful self-help psychologist, must finally reveal the deep flaws in her seemingly perfect marriage to Gavin. With their relationships hanging in the balance when they return home, each couple must choose between blame and forgiveness, doubt and faith, with life-altering consequences.

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Monday, April 4, 2011

Starting Out in the Evening Review

Starting Out in the Evening
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STARTING OUT IN THE EVENING is a quietly moving work of art, a film adapted from Brian Morton's novel by screenwriters Fred Parnes and and Andrew Wagner (who also directs) that dares to take us to the wall with decisions we make about how we conduct our lives and negotiate the changes that can either be stumbling blocks or stimuli for creative awareness, It has much to say about the creative process of writing, a theme upon which it first appears to be based, but it more importantly urges us to examine how we live - how we make use of this moment of time in which we inhabit a body in the universe.
Leonard Schiller (in an extraordinarily understated performance by Frank Langella) is an aging author, a man whose first two novels seem to set the literary world on fire, but whose next two novels languished on the shelves and slipped into the same plane of obscurity Schiller finds his life since the death of his wife. He has a daughter Ariel (Lili Taylor in another richly hued performance) who is nearing age forty and is unable to bond permanently with a man because of her obsession with having children before her biological clock ticks past fertility. Into their lives comes Heather Wolfe (Lauren Ambrose), a bright young graduate student who has elected to write her master's thesis on the works of Leonard Schiller. Schiller is absorbed in writing what may be his last novel and can't be bothered with Heather's plea for a series of interviews. But curiosity intervenes and soon Heather and Leonard are involved in the process of interviewing, a process which gradually builds into overtones of Heather's physical as well as intellectual attraction to Leonard. Meanwhile Ariel observes the process that seems to be infusing life into her father and encourages her to exit her current relationship with Victor (Michael Cumpsty) and re-connect with the true love of her life Casey (Adrian Lester), a man she loves but who refuses to give her the children she so desperately wants. The manner in which these characters interact and learn from each other the importance of sharing Life instead of obsessing with selfish goals brings the drama to a rather open-ended close, another factor that makes this story significantly better than most themes of May-December romance and unilateral coping with self-centered directions.
The pleasures of this film are many, but among the finest is the quality of acting by Langella, Taylor, Ambrose, and Lester. In many ways the story is a parallax of views of life as art that subtly intertwine like a fine string quartet. Why this film was ignored by the Oscars only suggests that movies for the mind take second place to movies for the merriment of entertainment. For people who enjoy the challenge of a meaty story, this film is a must. Grady Harp, April 08

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Battling illness and unable to finish a novel that has taken him ten years to write, aging novelist Leonard Schiller is slipping into literary obscurity. Formerly a famous author, Schiller has been all but forgotten by the readers, colleagues and critics who once praised him. But when Heather Wolfe, an ambitious graduate student, convinces Schiller that her thesis could reintroduce his writing to the world, the reclusive writer is forced to confront his past regrets. Frank Langella delivers a career-capping performance as a man who must redefine his work - and his perceptions - in the twilight of his life.

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