Showing posts with label african american drama. Show all posts
Showing posts with label african american drama. Show all posts

Monday, November 26, 2012

Constellation Review

Constellation
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"Constellation," which begins in 1940's Alabama, tells the tale of a secret, forbidden love between a black woman named Carmel and a white soldier named Bear, whose romance is cut short when he is shipped overseas to fight in the war. Flash forward fifty years to the funeral of Carmel - who never married after breaking up with Bear - which serves as the pretext for all the principal people in her life to gather together to air out their grievances and to thrash out the personal relationship problems that have haunted them all their lives. The participants include her emotionally distant brother and his two ex-wives; her two adult nieces and their respective men folk; and Bear himself, who, despite the fact that the two of them were kept apart all their lives by the restrictions of a racist society, has decided to pay not only for the services, but to put all these people up in one of the swankier hotels in Huntsville, Alabama.
Though there are a goodly number of insightful, touching moments in "Constellation," the movie probably would have been more effective had the screenplay (by director Jordan Walker-Pearlman) not tried to cram so many different characters into such a relatively short space of time (the movie runs barely over an hour and a half). Yes, I understand that the theme of the movie is all about how we form "constellations" with the people who are most important to us in life, but speaking strictly in narrative terms, much too often, the genuinely compelling travails of one character are shunted aside to make room for the far less interesting problems of another. Moreover, the romantic relationship between Carmel and Bear, which is supposed to function as the emotional cornerstone of the movie, is never made all that convincing. We are TOLD that these two people are in love with each other, but we aren't made to FEEL it. In addition, Aunt Carmel is portrayed as such a wise and ethereal earth-mother presence even after death that she is essentially robbed of her own individuality and humanity as a character.
Still, there is much that is good in the movie, starting with the performances of Billy Dee Williams, as a man incapable of making emotional connections with the people in his life, and Rae Dawn Chong, as the daughter who has the most trouble dealing with this reality. They are ably abetted by Lesley Ann Warren, Zoe Saldana, Melissa De Souza, and Hill Harper. The movie also boasts a flavorful soundtrack, filled with an eclectic mixture of musical styles, ranging from classical to hip hop to spiritual. The Huntsville setting also provides a refreshing change for audiences weary of seeing New York, Los Angeles and Chicago constantly being recycled in film after film, as if they were the only urban centers moviemakers had to choose from.
The movie does lay its message on a bit thickly towards the end, employing heavy-handed speech-making and rather obvious symbolism to get its points across. It really doesn't need to go to all that effort, since the viewers could probably figure the themes out on their own given half a chance.
Yet, although "Constellation" is a decidedly mixed bag as far as family and social dramas go, it has enough elements of quality to make it worth checking out.

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Item Name: Constellation; Studio:20th Century Fox

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Wednesday, September 12, 2012

How She Move (2008) Review

How She Move (2008)
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`How She Move' takes many plot steps we've seen before. Reminiscent of some of the dramatic moves taken in films like `Take the Lead,' and `Akeelah and the Bee,' the movie makes quite an impression when the characters are on stage ready to dance.
A second generation Jamaican, Rayanne (Raya) Green (Rutina Wesley) is a child prodigy, ready to go to prestigious colleges after an education at a private high school. The only thing keeping her from the best prospects are her family's finances. She has to drop out and enroll at a public school, where she is now an outsider to her former friend, Michelle (Tre' Armstrong), and her peer group. All the while she and her family are grieving over the loss of her elder sister, Pam, and all the fallout of her deadly drug use.
Trying to keep her head up, Raya is well-rounded. While she is an ace at academics, she is also sharp on the auto shop floor where all her friends gather to stomp out the latest moves. More interested in her romantically, Bishop (Dwain Murphy), who has known her since fifth grade, makes advances, but shuns the prospect of having her in his stomp "crew". Potentially, she must do the balancing act of many talented teenagers: She has to study for her exams, practice her dance moves with the boys, and come up with a way to pay for her tuition. Added to that is the reluctant misery she faces by becoming Michelle's tutor to avoid suspension after a physical fight.
`How She Move' is an enjoyable film experience. While the acting is second rate compared to what we`ve seen in `American Gangster (2-Disc Unrated Extended Edition)' and `The Great Debaters,' the characters are thoroughly lovable. Some suspension of disbelief is also necessary. (Are they all really allowed all this class time to practice their dance steps in the auto shop? Sometimes we actually see them working on their cars, and then we only see the adults when a fight breaks out in the shop.) Often times we get so dazzled, we don't even care.
The real answer lies with the entertainment. Some of the situations and tension we've experienced in similar films with praiseworthy themes, but the real star of the movie is the dancing. When that comes front and center, we get a real extravaganza. Sort of the 'American Idol - The Best of Seasons 1 - 4' of the stomp experience, the contest, `Step Monster' is a real spectrum of choreography and flair. And it is in this way that 'How She Move' is most effective: When it lets the dancing do the talking.
(***=Good movie)

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How She Move is an energetic, gritty and ultimately inspiring coming of age tale about a gifted young woman who defies all the rules as she step dances her heart out to achieve her dreams. Featuring a fresh cast of new discoveries, this Sundance Film Festival hit marks the feature film debut of the electric RUTINA WESLEY, with street-style step sequences by top choreographer Hi Hat and special appearances by R&B singer-songwriter Keyshia Cole and comedian DeRay Davis. Bursting with raw talent and intelligence, Raya Green (WESLEY), the daughter of Jamaican immigrants, has always been the family’s one great hope. She won the rare chance to break out of their drug and crime-infested neighborhood when she was accepted into the exclusive Seaton Academy. But when her sister dies of an overdose, the family is shattered and Raya is forced to return to the place she tried so hard to escape.

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Sunday, May 27, 2012

Stomp the Yard (Widescreen Edition) (2007) Review

Stomp the Yard (Widescreen Edition) (2007)
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STOMP THE YARD comes as a pleasant surprise to those of us who have yet to be introduced to 'stepping' - a sport/dance form that is not break dancing, not hip-hop, not modern dance, not clogging, not ballet, but instead is an exhilarating display of rhythm, physical dexterity, and creative choreography that makes this little film well worth watching.
The story is minimal and hackneyed and serves basically as an outline for the dance performances. DJ (the enormously talented dancer/actor Columbus Short) is sent from Los Angeles to Atlanta's Truth University after his conviction for street brawling, a fight in which his brother (Chris Brown) was killed. Once on campus DJ is works for his uncle as a gardener and is soon courted for his step dance skills by two rival fraternities. One fraternity gains DJ's attention and he pledges. Of course there is the requisite love conflict (the beautiful Meagan Good as April), who just happens to be the girlfriend of the rival fraternity step leader (Darrin Henson), and the usual undercurrent of familial dichotomies between DJ's humble background and April's influential father bring the tension to the front: the result is DJ's triumphant performance in the annual stepping competition between the two fraternities. The ending is predictable but sensitive and with a message.
The real star of the film is the magnificently choreographed and executed dancing, performed by the actual cast members. Director Sylvain White and his choreographers center their attention on the big sequences and the result is very fine entertainment. In addition to the gifted Columbus Short and Darrin Henson the cast includes such fine actor/dancers as Brian J. White, Ne-Yo, Laz Alonzo, Oliver Ryan Best, Richmond Duain Martyn, Justin Hires, and many others. It is difficult to resist the excitement of the commitment of this fine cast to the introduction of step dancing to the public at large. So much talent! Grady Harp, May 07

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A young man from Los Angeles attends a historically black university in Atlanta to avoid a prison term and soon learns the history of Greek fraternities and step dancing, sought after by rival fraternities he joins the underdog group hoping to win the national step competition.ional step competition.Genre: Feature Film-DramaRating: PG13Release Date: 2-OCT-2007Media Type: DVD

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Saturday, July 23, 2011

Tyler Perry's Why Did I Get Married Too? (Widescreen Edition) (2010) Review

Tyler Perry's Why Did I Get Married Too (Widescreen Edition) (2010)
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Gathered together in the Bahamas for their annual one-week reunion, four close couples eagerly reconnect, sharing news about their lives and relationships. But their intimate week in paradise is disrupted by the unexpected arrival of Sheila's ex-husband, Mike, who hopes to break up her new marriage with Troy and win her back. The others soon realize they too are not immune to the challenges of commitment and fidelity. Angela doesn't believe her husband, Marcus, can be faithful now that he's a celebrity television newscaster. Dianne and Terry's relationship is feeling the strain of raising children. And Patricia, a successful self-help psychologist, must finally reveal the deep flaws in her seemingly perfect marriage to Gavin. With their relationships hanging in the balance when they return home, each couple must choose between blame and forgiveness, doubt and faith, with life-altering consequences.
The truth of the matter is that I have mixed feelings about this movie. Am I glad I saw it? Yes! This is one movie I wouldn't mind seeing again (if only to watch Shelia). Did I expect something different? Yes and no. Did I enjoy the movie? Yes, I'd have to say that I did. The truth is that it is just a different type of movie. The first movie examined how individuals dealt with the problems in their marriages; the good, the bad and the ugly. And in the first movie, they all had better relationships and a greater understanding of each other as people. Now, the second movie addresses what happens when a relationship breaks down (literally) and how we as human beings learn to cope with the change, hardships and difficulties. See, not bad, but different.
I feel the mark of a good movie is when you forget you are watching it, and you get drawn into the story. And let me assure you that this will happen. I will admit that this movie had a lot packed into it, but it gives you a fresh look on how these characters have changed, or not changed, over the three years since the first movie. It is a very emotional ride at times, but it all pays off when Shelia embarrasses Marcus, or when Troy stands up for his wife, and Janet's character really shows her other side.
The location for the reunion was absolutely beautiful, and get to see the conversations between the men and the women (in individual groups) and then see how the stories match up as the movie continues beyond the weekend get-a-way. There really is no need to describe the story any further because each person will experience it differently. Personally, I thought the movie began a bit slowly, however when it got to the end, I was happy for the slow parts it gave me time to catch up. Overall: if you like Tyler Perry movies, you should see this movie. It is worth the ride, very enjoyable.

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Gathered together in the Bahamas for their annual one-week reunion, four close couples eagerly reconnect, sharing news about their lives and relationships. But their intimate week in paradise is disrupted by the unexpected arrival of Sheila’s ex-husband, Mike, who hopes to break up her new marriage with Troy and win her back. The others soon realize they too are not immune to the challenges of commitment and fidelity. Angela doesn’t believe her husband, Marcus, can be faithful now that he’s a celebrity television newscaster. Dianne and Terry’s relationship is feeling the strain of raising children. And Patricia, a successful self-help psychologist, must finally reveal the deep flaws in her seemingly perfect marriage to Gavin. With their relationships hanging in the balance when they return home, each couple must choose between blame and forgiveness, doubt and faith, with life-altering consequences.

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Wednesday, July 20, 2011

Just Wright (2010) Review

Just Wright (2010)
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JUST WRIGHT

STARRING: Queen Latifah, Common, Paula Patton, Pam Grier, James Pickens Jr. and Phylicia Rashad
WRITTEN BY: Michael Elliot
DIRECTED BY: Sanaa Hamri
Rated: PG
Genre: Romantic Comedy
Release Date: 14 May 2010
Review Date: 25 May 2010It's been refreshing seeing so many romantic comedies as of late, that were not only good, but clean as well. Leap Year, Letters to Juliet and now Just Wright, have all been very tasty films and were all rated PG.
The adorable Queen Latifah who is one of the few people in Hollywood you can tell has a good soul just by looking at her; stars as Leslie Wright. All of Leslie's life, she has been the `friend' to charming and available guys. No one has ever wanted to be more than that with her in the end, and to add insult to injury, guys tend to fall for her best friend Morgan (Paula Patton).
Morgan is indeed beautiful, but then so is Leslie, and only an idiot wouldn't be able to smell Morgan's BS from a mile away. But then again there are a lot of idiots in the world, so this makes it easier for those of us with two or more brain cells watching, to accept this in the film.
To call Morgan high maintenance would be the understatement of the century. At least she is honest with Leslie about her intentions however, which was one of two small problems I had with this great film.
The first being that I just can't buy that Leslie would after all these years be friends with someone so manipulative and deceitful. Morgan has made it her mission in life, to wed a cash flow. Whereas Leslie you see, is basically every bit as sweet as the real Queen Latifah.
After Morgan fills Leslie in on her plan to snag an NBA player as her ATM of a husband, Leslie just so happens to run into such a man at a gas station following a game. His name is Scott McKnight and he plays for the Nets; which coincidentally is the team that Leslie is nuts about.
Common plays Scott, and the enthrallment is there from the get-go between both the actors and the characters they portray and lasts all the way till the credits. Taken aback by Leslie's unique charm, Scott invites her to a party.
Naturally, Leslie brings Morgan along with her, and Scott finds her intriguing. Morgan plays Scott like a fiddle and soon enough they are dating. Being such a sweetheart, Leslie is happy for Morgan and allows this to go on when Morgan expresses that she is truly developing feelings for Scott.
Leslie is a physical therapist and when Scott gets injured on the court, he hires her to move in and take care of him. Based on the description of Morgan's character and the necessary formula of romantic comedies, you can guess where it goes from there.
And it does go there, but we really enjoy the ride it takes us on along the way. The film doesn't force the inevitable down our throats, but slowly and innovatively leads us to the romance of Scott and Leslie.
I mentioned earlier that there were only two small problems I had with the film. The second one takes place in the third act and involves a ridiculous decision made by Scott. It took my like for the character down a notch or two, but those are tiny notches and both of these problems I had were minuscule to the overall effect the film had.

I've had my eye on Paula Patton for quite some time now; ever since I saw her in Déjà vu. She has a rare quality to her and I think she will do big things in the world of movies. In the small handful of mainstream films she has done, you can see a vast variety of talent. She is enduring and the fact that she makes us absolutely hate her as Morgan in this film, shows how truly talented she is.
Director Sanaa Hamri has gone from Something New; to Sisterhood of the Traveling Pants 2; to Just Wright; and each of them compliments her well. Insert offensively cheesy Just Wright one-liner here:

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Monday, May 9, 2011

Our Family Wedding (2010) Review

Our Family Wedding (2010)
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Our Family Wedding is a good movie, just know in advance that it's not a flat-out comedy. Shot by the same director as 1999's "The Wood", it's mostly a warm movie about love and marriage, with a few funny scenes thrown in.
The best part about the film is its cast. A gorgeous America Ferrera shines as Lucia, wife-to-be of future doctor Marcus Boyd (Lance Gross of House of Payne). Great acting and chemistry between the two offer warm scenes that will make viewers both laugh and cry. As a long time fan of Forest Whitaker, it was refreshing to see him in a comedy. And is it just me, or does Regina King get even more lovely with each film?
While Chappelle Show veteran Charlie Murphy has limited screen time in the movie, he steals every scene that he's in. Warren Sapp, Noel Gugliemi and Taye Diggs also make for funny moments, though all three get "blink and you missed them" roles (Diggs oddly isn't credited).
My biggest complaint with the movie is that the story has been done before. Boy meets girl, parents get involved, culture clash ensues, all leading up to a predictable ending. It's more Meet the Parents than Hangover, with only a few laugh out loud moments (though the reception seating montage is funny and clever). What's interesting is that they really don't milk the ethnic differences as much as you'd assume that they would.
It isn't a comedy blockbuster, but it's still a good film, especially if you enjoyed movies like The Wood. A good cast and some feel-good moments make it worth watching at least once before you decide on buying the DVD.

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Monday, April 25, 2011

STOMP Live (2008) Review

STOMP Live (2008)
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It is rare for stage shows to get a video release. You can count the DVD releases of still-active Broadway shows on one hand and have a few fingers left over. STOMP, thank goodness, is tossing that rule into one of their oft-used and abused trash bins.
This DVD features a full performance of the wonderfully entertaining stage show, filmed in the UK on the same stage where many of the show's segments were created.
Even after a decade and a half, STOMP still defies easy description. Part concert, part theatre.... Impossible to pigeonhole. But it is 100% entertaining and fun. In STOMP, the world is your drum kit.
I've attended ten performances of this show since 1995 and I never grow tired of it. This DVD is a perfect souvenir of the performance.
There are quite a few bonus features on the disc, including a peek at some new bits being developed for future versions of the show. You also get performer bios, interviews with STOMP creators and directors, an alternate take of one show segment, and a few other bells and whistles.
A few years back saw the release of "STOMP Out Loud" on home video. It featured bits from the stage show and new material created especially for the pay-cable program, but it wasn't the complete show. Not even close. I liked "STOMP Out Loud", but I was a little disappointed that I wasn't getting the full stage show.
But now it's here!!
I cannot recommend this DVD enough. Fun, fun show. Even my fuddy-duddy friends who don't like theatre love this show.
Great disc, good crisp picture and sound.
I've only had it 24 hours and I've already watched it twice.
My personal favorite segment is "Hands and Feet", perhaps the most rhythmically complex and interesting part of the show. It is carefully structured and choreographed but also allows room for quite a bit of improvisation, like a jazz routine.In a perfect world, someone would figure out how to mesh the magic of STOMP with the zany and creative juggling of The Flying Karamazov Brothers......

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Eight performers take the audience on a journey through sound and music, where rhythm is the only language...STOMP has grown from its beginnings on the streets of Europe into an international sensation, with touring productions all over the world, and long running shows in London, Las Vegas and Broadway. This special performance brings together performers from the West End, New York and Vegas for the very first time, to Stomp's home town and the theatre where many of the routines were originated: Brighton Dome.Instantly recognizable household objects take on new life as percussive instruments in the hands of each of the Stompers: brooms, cigarette lighters, water bottles, basketballs and more are each explored for their sonic potential. Dance meets rhythm in "Hands and Feet" and Stomp takes to the air in "Suspension", where the entire set becomes a musical instrument. The show climaxes with the "Bins" routine: a ten minute rhythm extravaganza in itself, using trash-cans, oil drums and plastic drums with trash-can lid combat sequences...Combining physical comedy and athleticism, it's a highly charged performance from an idiosyncratic group who could only come from the world of STOMP.

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