Adventureland (2009) Review

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(More customer reviews)I got to see this film at a sneak preview. I got free tickets at an 80's club I frequent. I only had a mild interest in seeing this film when I saw the trailers. In other words, this one was going to be one to wait for on dvd. Free is free, and I went with a tribe of folks on a Wednesday night.
To my surprise, this was a really sweet, funny, well-acted, and truly great film. Yes, this is a film, not some flash-in-the-pan, cash in on the youth market, gross out comedy. Sure, it has elements of that too, but they're more subdued and the humor is less broad and more sublte. It's basically about characters you already know or have met in your life. It takes place in the 80's and it's basica plot involves the horror any 20-something would face during a recession, getting a really crappy summer job!
The real revelation I found with this film came in the form of Kristen Stewart. She's the real deal. I had seen her in Twilight recently and found everything anyone did in that film to be hollow. Here, she really shows her acting chops playing a confused youth afraid of the unknown. Jesse Eisenberg is the main character in the film, and I expected nothing but greatness from him, I previously saw him in the brilliant The Squid and the Whale. He is a very talented young actor who I expect to see a lot more from in the future.
The film has all the details of a youth summer job that sucks pegged. Everything from the one hot-chick that everyone wants, the low-rent customers, the over-zealous and possibly dellusional bosses, and on-job romance. It's all done with genuine emotion and situations. Nothing feels contrived or forced. Characters make mistaks and things go wrong, but there are no moments of the characters becoming overwrought and giving prefunctory speeches regarding the film's main themes. This is really well written.
I must warn all the video game obsessed, vapid, youth drones about what they're getting with this film. It has real characters, and a believable situation. It's a hang-out picture. You just spend time getting to know a particular group of characters who share the same crappy theme park summer job. There is no contrived plot devices, like switched or confused identities, no one is masquarading as one of the opposite sex, no plot devices to keep a false narrative going, and no gags just stuck in the film like an overlong action sequence to get yucks. Yes, the kids get wasted and high, but it has more to do with them coping with their boredom, and it also helps lead to their bonding.
The film manages to be honestly touching as well, something I really didn't expect from this piece. It was made by the same director of Super Bad, a really brilliant and funny youth comedy, but it is nothing like it. It's not as great, but its not going for the same thing. The humor comes from character and honest situations and not from over-blown comic situations just set up for the yucks.
If this film would've been advertised differently, I would've paid to see it.

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ADVENTURELAND - DVD Movie

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The Messengers (2007) Review

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(More customer reviews)Most people have probably heard of the idea that babies and young children can see and hear things that older people can't, or have lost the ability to. That a baby in a crib gurgling and laughing at the ceiling, for example, is actually talking to a spirit there. It's a fascinating premise, whose application to a horror movie is a stroke of genius.
In "The Messengers" a family moves into an old farmhouse where something very bad once happened. Only Ben, the little toddler of the family, can see the supernatural prescences in the house, and he appears more delighted with them than afraid. When his teenage sister Jess also starts encountering unusual occurences - this time of an apparantly non-benevolent nature - she also begins noticing Ben's unusual behavior as well and realizes that he too is experiencing something out of the ordinary; the hard part after that is getting anybody else to take her seriously. The movie utilizes much more atmosphere than action, and the cast has to carry off a lot the show by reacting to very subtle (Most of the time), slow-paced, occurences, in a way that makes it feel real and frightening. The actors and actresses were well picked for their parts, and Kristen Stewart as Jess and twins Evan and Theodore Turner as Ben, playing the characters who experience most of the strangeness in the movie's early, slower-going, parts, are especially impressive. All the production values necessary to make this kind of atmosphere work - the light and shadows, the subtle use of sounds, the camerawork, etc. - are all handled very well too.
In the last one third or so of the movie, as things start to speed up and secrets come to light, I guess you could say that there were too broad directions it could have gone in, that it had to choose from. Myself, I would have chosen the route the movie didn't take, but it handles the path it chooses so well that it avoids slumping into a letdown. (I am still curious, though, what it would have been like if they had gone that other way) It's worth noting that when it ended I was rather taken aback that it was over so quick. Its running time is something like 85 minutes, but it felt like it came it at under an hour - and that's even in light of the slowly building pace it maintained. It must have been doing something pretty right to make time fly like that (on the other hand, I've seen other movies of about the same length that seem to drag on for hours). "Messengers" could have actually been quite a bit longer without hurting itself one bit; and as good as the ending turned out to be it may have been even better if it had gone on that different turn, but there's no point in complaining with something this good. Highly, highly recommended for fans of "Dark Water", "The Eye", "Haunted", "The Sixth Sense", "Pan's Labyrinth" and other atmospheric horror movies. "Red Rover" is another, far less known, movie that also fits great in this vein that you might want to check out.

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Desperate for a fresh start after a tough two years in Chicago, the Solomon family retreats to a desolate sunflower farm in North Dakota. But the calm of farm life is shattered when 16-year-old Jess (Kristen Stewart) and her 3-year-old brother Ben begin to see nightmarish apparitions throughout their new home – visions that nobody else can see. As the visions grow darker, they become fear-inspiring experiences and Jess’ parents (Dylan McDermott and Penelope Ann Miller) start to question their daughter’s sanity. Now, Jess must find a way to save her family and win

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The Runaways (2010) Review

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(More customer reviews)It seems movies about punk rock seem to get the experience right, like, Sid and Nancy, and The Runaways. The bio-pics of the 60's era musician's either focus on the addictions or the music, but punk era bio-pics of the band seem to get both right. Not only does The Runaways manage to tell the story of the band, but also manages to translate the existential experience of the times and the music.
The Runaways follows the myth of the band, The Runaways. Created by Kim Fowley (Michael Shannon) a long time Sunset Strip dissipate/denizen with record producer cards in his pocket he meets the teenaged Joan Jett (Kristen Stewart) who wanted to start an all girl band. Fowley accommodates her by her introducing her to drummer Sandy West (Stella Maeve) and they go prowling L.A. clubs to find a Bridget Bardot type to front the band and discover the 15 year old Cherie Curry (Dakota Fanning). Fowley soon has them in a an abandoned trailer to practice as he whips them into shape with his "Rock `n' Roll boot camp." The irony in The Runaways was that the band was the creation of the band (like the Sex Pistols owing their existence to Malcom McLaren) both of whom understood the style over substance philosophy of self-promotion and controversy. When The Runaways started discovering themselves as artists they had to fight Fowley who treated them as a product and that he owned them, and they owed their success to him.
As the band climbs to rock stardom, the movie captures at first the freedom and victory the first flash that success provides. But in the story of Runaways front woman Cherie Currie, who truly lived up to the band's name in trying to escape and avoid her father's alcohol problems, the sins of the father are visited upon the daughter and Currie finds herself wrapped up in drugs and alcohol. Much has been made about Fanning playing a role that is so "adult," but she is the same age Currie was as she lived it. The Who sung of "girls of 15 and sexually knowing" life can add years of experience to a teenagers life and Rock 'n' Roll can accelerate that; you can see it on Fannings face towards the end of the movie washed up at 17 Currie could have been well on her way to making Jim Morrison's death seem that of an old man.
Stewart and Fanning both disappear into their roles. Stewart seems to inhabit Joan Jett, she has the look down, she sounds like Jett, she even has the "hunch" over the microphone that Jett has when singing and playing. Michael Shannon is decadently creepy as Fowley. The other members of The Runaways are set in the background, Sandy West is there so The Runaways can form, and Lita Ford (Scout Taylor-Compton) when they need a little internal dissent in the band, but the movie is based on Cherie Currie's autobiogrpahy Neon Angel, and focuses on hers and Jett's story.
I read some of the previous reviews of the movie and I found the movie much better than the reviews, it's a story that rocks!
DVD Bonus Features: The Runaways DVD has a couple of nice bonus features. A commentary with Joan Jett, Kristen Stewart and Dakota Fanning. Some times the commentary sounds like three girls sitting in the row in front of you talking, but during key scenes of the movie Jett adds a few remembrances' or tidbits on how close to reality the scene is to make it worthwhile. There's also a nice little making of documentary "Plugged In" that talks with all the principals and key members of the crew.

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“I love Rock n Roll and I love this Movie!" - Jan Wahl, KCBS AM/FM and KRON-TV, San Francisco"Rock ‘n' roll fans of every gender and generation will identify with this." - A.O. Scott, THE NEW YORK TIMES“Stewart and Fanning have never been stronger." –Michael Phillips, CHICAGO TRIBUNE

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Welcome to the Rileys (2010) Review

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(More customer reviews)WELCOME TO THE RILEYS is a little sign on the garage doors of Doug and Lois Riley in Indianapolis, Indiana. It also serves as the title of this fine little film written by Ken Hixon and directed by Jake Scott that examines how the loss of a 15-year-old daughter Emily in an automobile accident has resulted in the crumbling of the parent's marriage and relationship. Doug (James Gandolfini) has an affair with younger waitress Vivian (Eisa Davis) while Lois (Melissa Leo) becomes so isolated in her agoraphobic state and psychotropic mediations that she is no longer available to Doug. A crisis occurs when Vivian dies in cardiac arrest and in Doug's honest grief he visits her grave only to find that Lois has unilaterally purchased a headstone with Doug's and Lois' names on it beside the grave of their departed Emily, a fact that enrages Doug.
Doug goes to New Orleans on a convention and there encounters stripper/prostitute Mallory (Kristen Stewart), a 16 year old unkempt, foul mouthed runaway from Florida: Mallory sees the kind Doug as a john but Doug's interest is in her plight, not her business offerings. Doug obviously responds to Mallory as though she were his lost daughter, moving into her filthy apartment, trying to improve her view of life. Doug phones Lois that he is going to stay in New Orleans a while, a message that gives Lois the courage to actually leave her home and drive to New Orleans: during Lois' somewhat comedic trip she stops for food and a strange man comes on to her - something that awakens her self esteem before she reaches New Orleans. Once Lois arrives at her destination she is proud of overcoming her agoraphobia and Doug is happy to see the healing Lois. Together they stay with Mallory, facing the fact that for both of them Mallory represents the chance to restore their love for the daughter they've lost. How the three cope is the remaining of the film.
The three leads offer polished performances - some of the finest work we have seen from both Gandolfini and Leo who together make this film better than the sum of its parts. Kristen Stewart immerses herself in Mallory and though she still remains a rather monochromatic actress, this role offers her the ability to stretch her acting chops: she is convincing as the victim of the dregs of society and makes us care about a character who seems to have few redeeming qualities. This trio of actors plays well as a small ensemble and the result is a film that has been far too overlooked by the general public. Recommended. Grady Harp, February 11

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Studio: Sony Pictures Home EntRelease Date: 02/01/2011Run time: 110 minutesRating: R

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The Haunted Airman (2006) Review

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(More customer reviews)I'm sure that most of the renewed interest in this film is because it stars Robert Pattinson. If that's your motivation you won't be disappointed with his performance specifically. He was brooding, handsome, and believable in the title role.
That being said, this movie doesn't have a lot to offer otherwise. At the end of the movie I felt like I had missed something important. Maybe I'd have to read the book to fully understand what was going on, but this movie didn't give me a lot of incentive to want to do that either. Throughout the entire story it was hard to see the motivation behind the characters actions. I don't believe it was that the actors failed to effectively portray the story, I think that the script (or maybe the book itself?) was fundamentally flawed somehow. There just wasn't enough backstory to understand how the characters became the way they are emotionally. Additionally, the movie did a very poor job explaining how the characters' relationships with each other came to be, instead expecting the audience to just accept those relationships as a given. Without the proper development between the characters, it was very hard to care about what happened to them.
The music was also terrible. It had that cheesy, old, horror movie vibe and didn't add to the movie overall.

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Flight Lieutenant Jugg (Twilight's Robert Pattinson), confined to a wheelchair after being wounded in action, arrives at a remote mansion in Wales to recuperate. Suffering from terrible nightmares and visions, he suspects the methods of his psychiatrist, Dr. Hal Burns (Julian Sands). His beautiful aunt, Julia (Rachael Stirling) seems to be the only person he can trust – until circumstances make him doubt even her intentions. Based on the novel “The Haunting of Toby Jugg” by Dennis Wheatley.

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Speak (2005) Review

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(More customer reviews)"Speak" tells the story of a girl, Melinda Sordino (Kristen Stewart), who made it through the end of the difficult middle school years as one of the popular girls. She does not appear to be conceited or stuck up; she's only just a girl who enjoys the fact that she and her girlfriends are well thought of and the center of the social scene. That all changes for Melinda at a summer party thrown at a friends house where she gets friendly with a popular high school jock only to be shockingly date raped by him. In her shock after the rape, Melinda tries to call the police from the party house, but that just leads to the cops showing up and breaking up the party and getting a lot of Melinda's friends in trouble. Not knowing why Melinda really called the police leads her group of friends, especially her best friend Rachel (Hallee Hirsch) to ostracize her in the way that kids that age lash out at anything that they don't understand and challenges their socially accepted norms. Melinda is also hindered by the fact that her parents, despite clearly loving her, are too caught up in their own issues to recognize that their daughter just underwent a tremendous trauma.
When high school begins that fall, Melinda selectively chooses to remain a mute while enduring the hateful behaviors of her former friends (including Rachel, who is now dating the guy that raped Melinda). Yet, slowly, through finding herself through an art class with and an art teacher (Steve Zahn) that truly inspire her, Melinda manages to recover and find a new sense of self and confidence and even resolution to the events that have plagued her.
"Speak" has all the makings of a typical after school special that is rife with pretentiousness and pat resolutions. Yet, it manages to transcend that genre and make for a truly moving film. The performance of Kristen Stewart and, to a lesser extent, Steve Zahn, is truly remarkable. Zahn is a known quantity in Hollywood and his performance as art teacher, Mr. Freeman, is full of the pathos we've come to expect from him. Stewart, who was only 13 when she filmed this role, is simply stunning. She took a role that actress three times her would find daunting and, not only fulfilled it, but so thoroughly mastered it, that she made it her own.
It's ironic that Stewart played Jodie Foster's daughter in the hit thriller "Panic Room", because she evokes memories of a Jodie Foster from 30 years ago. Stewart has the same physical look and mannerisms and definitely shows the potential to have the same acting talent. I look forward to seeing more films starring Kristen Stewart. I think she will turn out to be a real Hollywood gem and, anyone who has seen "Speak", will remember the exact moment when Kristen Stewart gave notice that she had arrived.

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Based on the award winning novel by Laurie Halse Anderson, "Speak" unfolds a story about Melinda (Kristen Stewart), a smart and spirited high school freshman who retreats into self-imposed silence after she is raped one night at a party. Feeling isolated from her classmates and from her preoccupied mother Joyce Sardnino (Elizabeth Perkins), Melinda retreats further in an attempt to escape the torments of high school. It is only through her work in art class with the help of her compassionate art teacher Mr. Freeman (Steve Zahn) that she begins to reach out to others and eventually finds her own voice and inner strength. A feature debut of director/co-writer Jessica Sharzer, "Speak" resonates with stubborn honesty and sardonic humor as we follow Melinda on her journey from traumatized isolation to a brave and final triumphant disclosure.

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