Showing posts with label depression. Show all posts
Showing posts with label depression. Show all posts

Sunday, April 15, 2012

Revolutionary Road (2008) Review

Revolutionary Road (2008)
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Adapted from Richard Yates first novel, Revolutionary Road exposes the adversities of a young couple living in a Connecticut suburban neighborhood during the 1950's who simply realize too late that they were never meant to be.
Frank Wheeler (Dicaprio) and April Wheeler (Winslet) feel as though they must standout from all the other mundane and ordinary suburbanites in their neighborhood. Frank, a marketer who works for Knoxx business (equivalent to IBM in those days) machines, is profoundly miserable at his job as he diligently works in a cubicle and engages in secretarial affairs with the novice typist. April, a struggling actress, who apparently never received her big break in show biz does not like to talk about her failures.
During the beginning of the film, we are introduced to a quick flashback of how they met at a party while they were younger; Frank exhibits his witty, charming charisma as he gives April the impression of eventually leading a spontaneous life in Paris in the future. However, the viewer only begins to find out that this was merely a sales pitch or a common characteristic of a marketer. On the contrary, April falls for it no less. Fast forwarding to the present, April now lives in an ordinary life on Revolutionary Road with Frank and her two children and receives frequent visits from her inquisitive real estate agent (Kathy Bates) accompanied with her "mentally unstable" son. April feels as though she is leading a very unsatisfying and unfulfilled life. To add some excitement in their relationship, April broaches Frank's former idea of actually pursuing a career and settling in Paris as a secretary because it simply pays handsomely; meanwhile, it will beneficially fit Frank because he can finally figure out what he wants to do with his life. Frank refuses at first because according to him it is just "unrealistic" but eventually obliges because he too feels as though they need something new and spontaneous to reinvent their relationship. Despite the neighbors and Frank's fellow co-workers disbelief in this "childish" and radical decision, things seem to go very smoothly in the Wheeler family; the house they just bought is now on sale, their belongings are packed, the children are excited, life could not be any better.
It all seems too swell for this tragic couple, when suddenly Frank is offered a promotion at his redundant job with a higher paying position, heavier responsibilities, and more importantly a chance to be apart of something great, the computer. Frank refuses this handsome offer from his boss at first because it interferes with their big trip to Paris. On the other hand, Frank cannot resist the temptation and is drawn to stay at this job because of the attachment he has regarding his father. We learn that Frank's father has also worked at Knoxx Business Machines for 30 years. It suggests as though Frank has a yearning desire to fulfill this empty legacy. On a different note, it strongly expresses Frank's inability to change and triumph over his trepidation. This couple struggles to achieve any sort of compromise as their lays a serious conflict of interest regarding their futures. April wants a lifestyle change in Paris; meanwhile, Frank is satisfied working in a miserable occupation with a higher salary. This relationship portrays that conflict of interest incessantly; it also shows how it affects their lifestyle and how they grapple with the consequences. It is not pleasant I rest assure you. (You'll see what I mean)
The bigger picture here is the heavy social commentary implemented in this film at almost every other scene. It reflects and exposes the culture of the 1950's, the struggles of an unhappy relationship, and the fine line between insanity and simply pure genius. It also sheds light upon questions such as what is insanity and what is mean to be medically and mentally unstable? The reality is that the real estate agent's son who is "mentally unstable" by society is the only one that possesses a real intellectual and realistic perception on the wheeler's relationship.(Go figure) The Wheeler's relationship and decisions are constantly being influenced by other people and we see this through Frank's work environment, the neighbors, and the real estate agent. April is victimized as a prisoner of culture and her difficulty of coping with the dynamics of the role of a wife during the 1950's. Some might question her role in the film and ask, well, why doesn't she just get a divorce, or leave Frank? It just wasn't that simple during that time period as it was considered taboo or dishonorable to leave or separate from your husband. April wishes she could leave the house but is drawn back to it like a magnet because she has two children, a husband, and could not possibly earn a lucrative living in those days considering the job opportunities available at that time period. In that regard, April is prisoner of the house, living in an inescapable environment. She is a prisoner living in a prison within a prison. Frank is a mere coward that cannot confront the social obstacles of change. Like April, Frank too, is a prisoner as well. Hence, my conclusion, a couple that was never meant to be.
Personally, I enjoyed this film not because of the setting, or from the great performances, but the realism that is portrayed here in this relationship. It is quite unique in the sense that the film does not sugar coat anything. Not to be too clichéd or anything but it echoes the expression "it is what it is". In that regard it may turn some people off. I happen to cherish and embraced this message. If you like this film, check out "A Doll's House" with Anthony Hopkins. Both are excellent but sad films. They express a similar struggle of a couple resisting to conform to society.

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Genre: DramaRating: RRelease Date: 2-JUN-2009Media Type: DVD

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Saturday, November 26, 2011

Mary and Max (2009) Review

Mary and Max (2009)
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Mary and Max is an independent claymation flick from Australia, with a darkly comic theme about a lonely and misunderstood 8-year-old girl who strikes up an unlikely and disturbing correspondence and friendship with a 48-year-old overweight depressive male diagnosed with Asperger's syndrome. While that sounds unlikely enough as a topic for an animated film, what was truly unexpected was the moving power of its simple message, achieved without resorting to sentimentalism or cliche.
The film, apparently based on a true story, plays like Wallace and Gromit conceived by Oliver Sacks and imagined by David Lynch and Robert Crumb. The animated characters, who tend to be overweight with exaggerated melancholy expressions, are nevertheless enormously expressive - and the film seamlessly shifts from the muted colors of the rundown Australian suburb where Mary lives to the expressive black and white of Max's New York City.
Mary (Toni Collette) is a curious and lonely girl, whose father is unavailable and whose mother is an alcoholic kleptomaniac and whose neighbors are each in their own way inscrutable. Confronted by questions the adults around her are unwilling to answer, she selects Max's name at random from an American phonebook and writes an inquisitive letter to a complete stranger. Initially thrown for a loop by this unexpected query, Max detects a kindred spirit and responds to her letter with complete sincerity. So begins a peculiar correspondence, fraught throughout with misunderstanding but culminating in a lifelong friendship that is able to carry them both through a great deal of personal misfortune and tragedy.
The voice of Phillip Seymour Hoffman invests the character of Max with a deeply sincere confusion about the peculiar games that people play. A card carrying communist and atheist, he nevertheless wears the skullcap he wore as a child, when his mother taught him babies came from egg-laying rabbis. He is honest to a fault, incapable of saying the kinds of things people like to hear; his imaginary friend, a psychiatrist by the name of Mr. Ravioli, stopped speaking to him after his real psychiatrist convinced him he was no longer necessary.
Mary and Max was dark and tender and strange and disconcerting and lovely. Its simple theme, conveyed lightly and through dark circumstance, is captured in a concluding quotation by Ethel Mumford: "God gave us relatives. Thank God we can choose our friends."

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From Academy Award® winning writer/director Adam Elliot and producer Melanie Coombs (HARVEY KRUMPET) comes the hilarious and moving new claymated feature film about the pen-pal relationship between two very different people: Mary Daisy Dinkle (voiced by Oscar® nominee Toni Collette) is a lonely 8-year-old in the suburbs of Melbourne, Australia. Max Jerry Horovitz (Oscar® winner Phillip Seymour Hoffman) is an obese 44-year-old with Asperger s Syndrome living in the chaos of New York City. Over the course of 20 years and 2 continents, their unusual journey of friendship will explore autism, taxidermy, alcoholism, where babies come from, kleptomania, sexual differences, trust, copulating dogs, religious differences, agoraphobia and more of life s big and little surprises.

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Saturday, April 23, 2011

Speak (2005) Review

Speak (2005)
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"Speak" tells the story of a girl, Melinda Sordino (Kristen Stewart), who made it through the end of the difficult middle school years as one of the popular girls. She does not appear to be conceited or stuck up; she's only just a girl who enjoys the fact that she and her girlfriends are well thought of and the center of the social scene. That all changes for Melinda at a summer party thrown at a friends house where she gets friendly with a popular high school jock only to be shockingly date raped by him. In her shock after the rape, Melinda tries to call the police from the party house, but that just leads to the cops showing up and breaking up the party and getting a lot of Melinda's friends in trouble. Not knowing why Melinda really called the police leads her group of friends, especially her best friend Rachel (Hallee Hirsch) to ostracize her in the way that kids that age lash out at anything that they don't understand and challenges their socially accepted norms. Melinda is also hindered by the fact that her parents, despite clearly loving her, are too caught up in their own issues to recognize that their daughter just underwent a tremendous trauma.
When high school begins that fall, Melinda selectively chooses to remain a mute while enduring the hateful behaviors of her former friends (including Rachel, who is now dating the guy that raped Melinda). Yet, slowly, through finding herself through an art class with and an art teacher (Steve Zahn) that truly inspire her, Melinda manages to recover and find a new sense of self and confidence and even resolution to the events that have plagued her.
"Speak" has all the makings of a typical after school special that is rife with pretentiousness and pat resolutions. Yet, it manages to transcend that genre and make for a truly moving film. The performance of Kristen Stewart and, to a lesser extent, Steve Zahn, is truly remarkable. Zahn is a known quantity in Hollywood and his performance as art teacher, Mr. Freeman, is full of the pathos we've come to expect from him. Stewart, who was only 13 when she filmed this role, is simply stunning. She took a role that actress three times her would find daunting and, not only fulfilled it, but so thoroughly mastered it, that she made it her own.
It's ironic that Stewart played Jodie Foster's daughter in the hit thriller "Panic Room", because she evokes memories of a Jodie Foster from 30 years ago. Stewart has the same physical look and mannerisms and definitely shows the potential to have the same acting talent. I look forward to seeing more films starring Kristen Stewart. I think she will turn out to be a real Hollywood gem and, anyone who has seen "Speak", will remember the exact moment when Kristen Stewart gave notice that she had arrived.

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Based on the award winning novel by Laurie Halse Anderson, "Speak" unfolds a story about Melinda (Kristen Stewart), a smart and spirited high school freshman who retreats into self-imposed silence after she is raped one night at a party. Feeling isolated from her classmates and from her preoccupied mother Joyce Sardnino (Elizabeth Perkins), Melinda retreats further in an attempt to escape the torments of high school. It is only through her work in art class with the help of her compassionate art teacher Mr. Freeman (Steve Zahn) that she begins to reach out to others and eventually finds her own voice and inner strength. A feature debut of director/co-writer Jessica Sharzer, "Speak" resonates with stubborn honesty and sardonic humor as we follow Melinda on her journey from traumatized isolation to a brave and final triumphant disclosure.

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