Showing posts with label gay sex. Show all posts
Showing posts with label gay sex. Show all posts

Sunday, October 14, 2012

Noah's Arc - The Complete Second Season (2006) Review

Noah's Arc - The Complete Second Season (2006)
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A television series about a previously ignored group of people certainly deserves attention, and I applaud the creators of Noah's Arc for daring to present the first series about the lives of African-American Gay men. Even better, after watching both seasons on DVD, I found that Noah's Arc mostly lived up to its well-deserved accolades. The characters are quirky, the plot lines fast and furious, the laughs frequent and genuine and the drama quite effective.
I admit I was initially disappointed by the quality of the acting, until I realized that it took a few episodes for the cast to fully hit their stride, and I believe that the series perfectly fit its tag line, "A comedy about drama". After I relaxed into it, I came to care about the characters and their situations quite a bit. By the time I finished the DVD of Season One, I was so addicted to Noah and his friends that I had to purchase Season Two, even though it seemed the creators sometimes tried to squeeze just a little too much plot into a 22-minute format. But considering the constraints they had to work with, in the end I marveled at how skillfully the writers weaved in a myriad of subjects and plotlines, subtly handling many important issues without ever being heavy handed.
The lead character Noah is a case in point. I quickly caught on that his character is deliberately rather feminine, and I realized that the writers wanted viewers to get comfortable with the idea that this slight, delicate and very femme gay man managed in eight short episodes to attract the romantic attention of a half-dozen masculine, sexy co-stars and guest stars. The story of Noah's romance with his on-again off-again boyfriend Wade (played by the adorably dimpled hunk, Jensen Atwood) is the primary focus of the plot, although each episode also found time to explore the daily lives, loves and dramas of his three best friends, Alex, Ricky and Chance (for those who don't get it, Alex Ricky Chance = Noah's ARC, according to a comment by the series creator).
But at first I wasn't sure if Noah's wardrobe and femme manner were meant to be the biggest "in-joke" of the series. In an early episode, while his character is crying poverty and falls behind on his rent, he is dressed (as always) in an ever-changing ensemble of ultra-chic couture, much of which makes him look even more effeminate. Eventually, the effeminacy issue was tackled head-on quite satisfactorily, and one character's speech about "effemina-phobia" and his subtle but powerful comments on the anti-eroticism / ostracism of femme men in the gay male subculture was extremely thought provoking. This is the show's biggest strength; it manages to delve very subtly into issues that many members of the gay male community (and indeed, many gay films and novels) completely ignore, without spoiling the humor or getting too preachy. Before long, I realized that the creators were definitely making a statement with the fact that some of Noah's outfits bordered on cross-dressing, even while I could never be sure if his clothes were meant to be taken seriously or not. Noah's boyfriends were all extreme hunks (one thing this show does not lack for is eye candy) but all the while the disparity between Noah's feminine nature and the masculinity of his various suitors made me feel uncomfortable and definitely conscious of the looks-ism and anti-femme bigotry that permeate the gay male world today. Bravo!
In fact, the most satisfying aspect of the series was that it tackled a surprising number of real-life issues with humor and charm, and I was amazed that through the relatively short run of this show, Noah's Arc discussed a variety of important topics, like HIV testing and awareness, the "down-low" subculture, sero-discordant couples, gay dating, gay marriage, sexual compulsion, monogamy, gay bashing, and the previously mentioned delicate issue of "effemina-phobia" (and whichever writer on this show coined that word deserves a medal), all with a refreshing mix of light-hearted laugh-out-loud humor and (at times) dead serious drama. As often as I found myself laughing hysterically, I also found myself extremely touched by the dramatic situations and challenged by the serious, provocative subject matter.
There was one major disappointment - although I was aware even before I acquired the Season Two DVD set that the show had not been renewed for a third season, I was not prepared for the abrupt, unresolved cliffhanger ending of the final episode, which left the fate of one of the main characters completely up in the air. This was quite annoying, since there was no opportunity to resolve this plot point. For this reason alone, I must subtract one star from what would otherwise be a five star review.

Despite this shortcoming, Noah's Arc gets five stars for effort, ten stars for its genuinely funny moments, and a big thank you for discussing so many important topics without being preachy or trite. May it be a harbinger of things to come.

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Navigating life and love in L.A. isn't easy, and no one knows that better than Noah and his friends - Alex, Ricky & Chance. LOGO's ground-breaking, one-of-a-kind series Noah's Arc follows all four as they chart an uncertain course through the City of Angels, where laughter and drama are never in short supply.

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Sunday, July 1, 2012

The History Boys (2006) Review

The History Boys (2006)
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I did the "Oxbridge term" at exactly the same time as "The History Boys," the fall of 1983. I chose instead to accept a scholarship to an American university that I won halfway through the Oxbridge term. I've lived in America ever since, but my first 19 years was in England, and I can relate to this movie.
Some explanations are in order, because some cultural things are hard on American audiences. Someone once famously observed that we're two nations divided by a common language.
"The History Boys" is not set at a boarding school; it's a grammar school, and it's a second-tier grammar school. In the pecking order back then, you'd have had your British public (but actually private) schools, then your grammar schools led (as the movie mentions) by the likes of Manchester Grammar. Then you'd have the grammar schools like the one in the movie and it would, for these boys, have been a heck of an opportunity (if you buy into the whole Oxford & Cambridge thing, which obviously I didn't) and a bit of a reach. They'd be at a disadvantage for some of the reasons given in the movie (fewer opportunities than kids at more high-falutin' schools) and for the reason of simple English snobbery and the class system at the time.
Second, the class represented here is not, as one reviewer suggested, a mythical place where students care, teachers care and debate thrives. This is an actual place, very much how good English schools were, especially in the last year of 'A'-Levels and the Oxbridge term. It's very well-portrayed here. When I came to the USA, where I attended a fine public university, I never recovered from my disappointment that there wasn't the same level of debate and class discussion. Frankly -- and I love this country, but this was my experience -- no class I took in six years at a good university here ever challenged me as the 'A'-Level and Oxbridge classes had. I think maybe Britain's a little like Japan in having very high standards at the end of high school (and corresponding student stress) that then fades in university.
A clarification on the lives the boys go on to lead. They would end up, for the most part, in fine houses (see reviews below). That's the whole point. Attending either Oxford or Cambridge (while there are no guarantees) did pretty much set people for life if they approached it aiming for that. I've seen that from afar in the lives of my contemporaries who went there. That's why the stakes are so high in the story and success so desirable.
And a final clarification on the aspect of the movie one reviewer called "morally suspect." Maybe so, but the culture of sexuality in Britain is different from the culture of sexuality here in the States. Britain legalized gay marriage, after all, more than a year ago, with minimal fuss, and even The Times of London now lists same-sex unions without fanfare along with the heterosexual ones. The whole issue of homosexuality is different, including the assumption over there that sexual orientation is not necessarily consistent for life. And same-sex experimentation is famous in largely male or all-male British schools. So that aspect of the movie ought to be judged as much as possible in the context of the movie and probably not in an American context which -- no offense intended -- seems more inclined to censure and prudishness.
All that said, and picture quality aside, this is an outstanding movie and a great portrayal of 1983 in England, down to the cars and the music. The only thing I remember that's completely missing here is furious political debate. Britain was four years into Margaret Thatcher in 1983, and politics and social clashes were very much on people's minds, including students like these, and Alan Bennett completely omits that.
But that's my only criticism. Richard Griffiths, who is a veteran British actor whose face would be instantly recognisable to any Brit seeing the movie, is wonderful, on a "Goodbye Mr. Chips" level and better than "Dead Poets Society." Indeed, "History Boys" beats "Dead Poets" simply because it's not Hollywood-ized, it's a much more real movie.
It's got great bullseye detail, too, like the church service at the beginning where the robed priest ministers to a congregation of three, which is the state of the Church of England, Britain almost completely lacking American-style religion at this point, a very secular place despite the lack of division between church and state.
Dominic Cooper as Dakin, Samuel Barnett as Posner and Russell Tovey as Rudge stood out for me, but all the boys are great, and all of the types felt very much familiar to my memories.
The movie is often funny, the dialog wonderful, the way the boys are and the classroom scenes perfectly pitched. The essential scene is the one where Griffiths tutors Barnett one-on-one, and it's essential because it tells us exactly why Griffiths' character is a great teacher, which has to be established.
The ending doesn't bother me. This is Alan Bennett: This is about ideas. The ending furthers the ideas.
This is the same playwright who brought us "40 Years On," yet a much different play and a much different view of a much changed Britain -- and that's why Bennett has endured, because he's changed with the culture.
This is a great movie if you're not offended by frank discussion (and ambiguity) about late-teen and adult sexuality, if you're a bit of an Anglophile, and if you're willing to sit back for something that's really a long conversation rather than an action movie. All of which is why it'll have limited success this side of the big pond.

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From award-winning playwright Alan Bennett (The Madness of King George) comes this delightfully witty comedy of eight boisterous-yet-talented schoolboys hoping to gain admittance to England's most prestigious universities. They're aided on their quest by two teachers, a shrewd young upstart and an inspiring old eccentric, whose opposing philosophies challenge the boys to confront the true meaning of education and the relative values of happiness and success.Adapted from the original Tony Award winning play and starring the original Tony Award winning cast, The History Boys is an engaging, thought-provoking, and wickedly funny look at history, the pursuit of knowledge, and the utter randomness of life.

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Thursday, October 27, 2011

Shortbus (Unrated Edition) Review

Shortbus (Unrated Edition)
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I will admit, One of the main reasons I wanted to see this movie was because of the buzz about it being one of the most sexually explicit movies ever made in the non-porn industry. I didn't really expect to find the movie interesting, I just wanted to see what everyone was talking about.
The first minute or so was nothing but explicit sex and I almost turned the movie off thinking it was going to be pointless, that this was all there was to the movie, but I had nothing better to do so I kept watching.
This movie is not porn, nor is it erotica. This movie IS an uncensored look at the truth about love and sex, and is probably one of the best movies I have ever seen. It is brutally honest, thought provoking, intense at times, and funny at others. These are characters that we can relate to, because they are real.
I can not say enough positive things about this movie, it is art, it is truth, it is exceptional.
It will definitely be a part of my DVD collection.

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From the director of ‘Hedwig and the Angry Inch’ comes SHORTBUS, an exploration into the lives of several characters living in present-day New York as they navigate the comic and tragic intersections between love and sex. Male and female, straight and gay, the characters find one another – and eventually find themselves – when they all converge at a weekly underground salon called "Shortbus," a mad world of art, music, politics, and polysexual carnality.One of the true sensations of this year’s Cannes Film Festival, presents sex and sexuality as never before seen in mainstream entertainment, and promises to be one of the most talked-about films for months – and years – to come.

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