Showing posts with label chinese. Show all posts
Showing posts with label chinese. Show all posts

Tuesday, November 6, 2012

Shaolin Soccer Review

Shaolin Soccer
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I had heard about Shaolin Soccer (2001) a couple of years ago from a friend, as he had recommended it to me, knowing the particular way some of my tastes ran, and I am glad he did, as it's a heady mix of the wacky, the absurd, and the just plain fun. The movie starts off with a flashback, showing an extremely popular Chinese soccer player named Golden Leg Fung accepting money to throw a game from a lackey, and the consequences of his actions, including a severely crippling beating by the crowd after purposely missing a rather easy goal scoring opportunity. Now, it's many years later, and Fung now works for the gangster organization that had originally paid him off, in a completely demeaning position. He dreams of coaching, but the once lackey who owns the current champion soccer team and is also chairman of the league, finds this notion completely humorous, and heap further degradations upon Fung. Despondent, Fung ends up meeting a vagabond/shaolin follower called Steel Leg, and formulates a plan to build a new soccer team around this exceptional martial artist. Fung also finds out Steel Leg has enough brothers, all once trained in martial arts, to make up a team. Each brother has their own, unique ability, and soon they begin to practice. During their first practice, the men suffer a fairly brutal beating (this whole pain, beating, and humiliation factor seems to be a constant theme throughout), but soon find their shaolin training coming back to them, and turn the tables on their opponents. They enter the tournament, sweeping through the ranks, until finally the meet with the current champions, the Evil Team (I'm not kidding, that's their name), and meet the ultimate challenge, as the chairman gives his team a decidedly unfair advantage. Will the shaolin players be victorious, or will they suffer the crushing defeat at the hands of the chairman and his evil team?
The special effects here are truly amazing and inventive, making for the most insane soccer playing I've ever seen. Imagine someone being able to kick a soccer ball with the same force of shooting it out of a cannon, and with pinpoint accuracy. There is not really a lot of actual soccer playing, in the traditional sense, as with the abilities of the players, the ball mainly zooms around in a very cartoonish manner. Mixing kung fu and soccer is certainly and interesting concept, and provides some really spectacular visuals. The English captioning is really bad, but certainly gave me much to laugh about, along with the seriously outlandish overacting.
Special features include an option to watch the film with the deleted scenes, the deleted scenes by themselves, a trailer, biographies, a featurette on the making of the film, a photo gallery, and behind the scenes featurette on how the special effects were made. All in all, Shaolin Soccer is an unsane, over the top comedy steeped in outrageous action and definitely worth a look if you care to expand your horizons.
Cookieman108

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With tons of action, eye-popping special effects, and nonstop laughs, here's a hilarious martial arts comedy about a team of misfits who take their best shot at winning a championship! Sing is a skilled Shaolin kung fu devotee whose amazing "leg of steel" catches the eye of a soccer coach! Together they assemble a squad of Sing's former Shaolin brothers inspired by the big-money prize in a national soccer competition! Using an unlikely mix of martial arts and newfound soccer skills, it seems an unbeatable combination ... until they must face the dreaded Team Evil in the ultimate battle for the title!

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Monday, May 14, 2012

Red Cliff International Version - Part I & Part II (2009) Review

Red Cliff International Version - Part I and Part II (2009)
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This 'international version' of John Woo's RED CLIFF is the preferred edition over the previously released (and shorter) US theatrical version. Woo worked hard to shoot this epic adaption of a famous Chinese historical novel, and the final version of the movie was so long (closer to 5 hours than 4) that in Asian markets the film was released in two parts, each playing in cinemas at opposite ends of a near 12 month period. In the US, the UK and Australia, Woo tentatively gave approval for a cut-down version to play in cinemas, with both parts condensed by 50% down to a single movie. Australian critic David Stratton (a frequent reviewer for VARIETY) gave the condensed version a good, not great review, but then noted that he felt the full, uncut edition of RED CLIFF was one of the great cinema epics. And so it is.
Woo's career seemed to take a gradual downturn in the US after the peak of FACE/OFF, and it would be hard for fans of the director's earlier HARD-BOILED or BULLET IN THE HEAD (both great films) to share the same sense of enthusiasm for works like MISSION IMPOSSIBLE 2 or the aptly titled PAYCHECK. Woo reportedly wasn't that happy with things either, so when he announced he would return to Asia to shoot the biggest historical epic in Chinese film history, it was welcome news. (RED CLIFF is based on the same story that was adapted for THREE KINGDOMS, filmed not too long ago with Andy Lau and the lithe, hypnotically sexy Maggie Q). Woo regular Chow Yun Fat was in RED CLIFF, then out. Another Woo regular, Tony Leung, was in, then out, then back in (long story). Once the casting issues were resolved, Woo took his good time to shoot the movie that had apparently tantalized him for decades. The result is a real return to form and a consummate display of confidence from a director clearly passionate about the subject matter, and the movie.
RED CLIFF is epic from the get-go. In the first few minutes (of the long cut - this review deals with the 2-part extended cut listed here and will hereafter ignore the shorter version) the narrative puts events in motion for an army of thousands to commence a destructive attack across the kingdoms of China. We see thousands of soldiers (some realized digitally, others through enormous crowds of extras) and soon see a smaller band of heroes putting up a spirited defense. Characters escape the melee, seek shelter, join forces with others and prepare to make a stand against the attackers in a series of battles that escalate in size and complexity throughout the two movies. Tony Leung and Takeshi Kaneshiro are two of the main heroes. There are several other key characters fighting alongside them, and a villain of imposing stature fighting against them, determined to wipe out the heroes and consolidate his rule. Each side possesses an army, but the forces of good are outnumbered by their enemies. Interpersonal intrigue, moments of heroism and bravery, lyrical interludes where the characters philosophically ponder their situation and careful scenes where each side pragmatically plots their next movie against their opponent - these all flow forward in scenes of great beauty, warmth and power, preparing the ground for each skirmish, battle or stand-off. The opposing sides gather in numbers until, at the end of part 2, we witness a ferocious, climactic attack taking place on sea and land, with thousands determined to battle to the death.
I've generalized the story above, partly for my own sake but more specifically as I suggest you catch the various incidents of the movie fresh. The story as presented by Woo is elegant and satisfying. The devil is in the details, though, and its Woo's marshalling of texture and sound, his characteristically kinetic and mobile camerawork, and the sheer bravura of the films spectacle that make this a must-see movie. Scenes in RED CLIFF, particularly the epic destructive battles comprising much of the spectacular second part, match Jackson's LORD OF THE RINGS for effects, grandiose scale and visceral impact. (Actually, I'd clarify that statement by suggesting that the RED CLIFF films match those earlier movies visually, but surpass them viscerally, as Woo's staging of the action is more physically impactful than Jacksons). The US effects house The Orphanage provided the visual effects, and the enormous budget complements those with countless eye-opening scenes staged for real with crowds, stunt men and gargantuan sets. Woo (and his producer Terence Chang) have really pulled out all the stops. I viewed RED CLIFF on DVD but if you have the equipment and the interest, the Blu-Ray edition of this extended cut should be even more enticing. (The HK Blu-Ray of these movies received top marks for AV quality and I'd imagine the US release replicates those standards).
RED CLIFF - the full, uncensored, no-holds-barred two-part version - didn't really get the attention it deserved upon release, (at least here in the West), nor has it since. (Another fine film, Kim Je-Woon's big-budget, visionary Korean western THE GOOD, THE BAD AND THE WEIRD, suffered a similar fate). Even so, a few astute critics such as Glenn Kenny put the full RED CLIFF high in their top 10 for the year. I'd argue the same (it'd be in my top 5), and months after I originally acquired the DVD's of this movie, I still return to it in admiration, luxuriating in its many moments of grace, beauty and power.
As Amazon occasionally conflates its reviews of variant products into the same listing, let me repeat that the edition of this film you should purchase is the RED CLIFF INTERNATIONAL VERSION - PART I & PART II, on either Blu-Ray or DVD. The editions labeled as featuring the `theatrical' version are shorter, inferior, and not worth pursuing over this longer, more satisfying cut.

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RED CLIFF is the epic historical dramabased on a legendary 208 A.D. battle that heralded the end of the Han Dynasty. A power-hungry Prime Minister-turned-General Cao Cao seeks permission from the Han Dynasty Emperor to organize asouthward-bound mission designed to crush the two troublesome warlords who stand in his way, Liu Bei and Sun Quan. Vastly outnumbered by Cao Cao's brutal,fast-approaching army, the warlords band together to mount a heroic campaign - unrivaled in history - that changes the face of China forever.

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Sunday, April 22, 2012

Russell Peters - Outsourced (2006) Review

Russell Peters - Outsourced (2006)
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My colleagues and I went to see this show live. If you have seen the 45 mins video online that has been circulating for a while, you are going to love this one as well.
This is new material, and very funny. He talks about many ethnic groups, makes fun of them, and knows how to make fun of himself. His accents are impeccable and if you have been exposed to any Asian cultures - you are up for an awesome treat.
I have sent it to already 5 friends (oh yeah, buy the DVD..Support him)

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Outsourced is Russell Peters' major-label debut on CD and DVD which breaks into the US comedy consciousness by finding humor in all cultures. The DVD includes live footage of all of the tracks listed above, two behind-the-scenes featurettes, and audio commentary by Russell Peters.

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Wednesday, December 28, 2011

Ip Man (Collector's Edition) Review

Ip Man (Collector's Edition)
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In the tradition of Jet Li's "Fearless" and "Fist of Legend", comes the fourth collaboration between the Wilson Yip-Donnie Yen tag team who also brought us the phenomenal "Shah Po Lang" in 2005. "IP MAN" is based on the life of the man responsible for making the Chinese kung fu style of "Wing Chun" (invented by a woman), which is up to this day, is among China's most revered style. Yes, Ip Man is also the man who has a huge number of talented disciples--most notably, the late great Bruce Lee.
In the 1930's, the Chinese province of Fo Shan is a thriving place of martial arts schools, with various sects of different styles. Fo Shan is said to be the place where the famous Wong Fei Hung learned his art and therefore this place has a reputation. Ip Man (Donnie Yen) is a very accomplished martial artist but he keeps to himself, maintains a low profile and quietly spars with friends at home. But after an acknowledged victory over a fighter from the Northern quarter, Master Jin (Fan Siu Wong), Ip Man becomes an instant hero in Fo Shan.
Time passes and in the late 1930's, following the Japanese invasion, Ip Man's property was confiscated by the Japanese army and his family is forced to live an abject existence. One day, general Miura (Hiroyuki Ikeuchi), a fanatical practitioner in Karate, witnesses the skills of this Wing Chun master. The general becomes obsessed with Ip man, and demands that the Chinese style of Wing Chun be taught to the Japanese army. But Ip man refuses and instead challenges Miura to a duel. Ip Man has to uphold the benevolence of his art and protect Chinese dignity. The battle for national pride is about to begin....
The one thing I know for sure is that Ip Man is indeed Bruce Lee's first teacher in Hong Kong for many years, and that Ip man was indeed asked to teach the Japanese; the rest of the significant historical details in this biopic is a little questionable. Yip and screenwriter Edmond Wong does get some details right, but please keep in mind that this is an action film first and foremost--it is hardly a historical drama. The action direction by Hong Kong legend Sammo Hung is indeed amazing, and it is the film's main draw. The story has the usual elements of honor, family, loyalty and pride and offers very little that is fresh--but this doesn't mean that it made the film any less exciting.
There is very minor characterization involved. The film has three acts, and the first has Ip Man's status in the Fo Shan province. He is a business man and he doesn't teach his art, there are hints that he used to compete, but he decided to keep a low profile because of his wife, Cheng (played by Lynn Hung). His relationship with his wife and son is somewhat estranged at times because of his love for sparring--she throws a tantrum whenever he fights; Ip Man is a humble man, and shows his wife the respect due her. The second act portrays the effect of the Japanese invasion on the people of China, and on the life of Master Ip and his family--which leads to the film's min encounters. While Donnie Yen may indeed lack the necessary acting ability to portray him dramatically--he sure has the presence of a highly trained martial artist. Director Yip did the right thing in focusing more on fights than dramatic impact. There are also some touches of social commentary seeing as how some Chinese prey on their countrymen and they only look out for themselves.
As I've said, Sammo Hung's action choreography is indeed phenomenal and it sure helps when you have a cast of real-life martial arts practitioners and action-honed actors such as Yen, Louis Fan and Hiroyuki Ikeuchi, who holds a Kuro Obi in Judo in real life. Sammo Hung maintains a nice balance between finesse, realism and downright brutality--the fights are very intense and very focused. It is a mix of the usual wire-fu and occasional acrobatics. Highlights include, Ip Man taking on 10 Japanese fighters in one time, the fight between Fan Siu Wong and Yen is quick but exciting, complemented with some subtle doses of humorous cracks. The fights are exquisitely shot, with multiple camera angles in a perspective view to close ups, so you can see all the hard-hitting action. There are also times when an opponent is thrown in the camera's view and I thought this added a lot of style and intense attitude. Wilson Yip and company knows how to shoot fight sequences and their skill proves the film's showstopper.
The action encounters are nicely placed and Wilson Yip needs to be credited for maintaining an excellent pace with its balance between action and drama. While this film is historically inaccurate, for the most part, it does succeed as an action film--a very well done at that. The film does ultimately fail as a character-driven, true-to-life biopic. Donnie Yen's "Ip Man" is more about his capabilities as a fighter than who he really was as a man, which is no doubt due to fact that it wanted to maintain a China-friendly film. The film's structure more of a popcorn action film than an emotional biopic of a man who made his mark in using his fists to unite the Chinese people. It plays too fast and free to fully realize the film's potential as a "based on true events" type of deal.
Despite some flaws in the script, and the filmmakers relying too much on the audiences' good beliefs rather than developing Ip Man as a man than as a caricature of a folk hero; (no doubt an attempt to match Wong Fei Hung in "Once upon a Time in China" and Huo Yuan Jia in "Fearless") to portray him as an inspirational role model/saint. "IP MAN" is a truly exciting film which is just full of action and the energy it exudes is just so much fun to watch. I am rather very interested in seeing as to what Wilson Yip and Donnie Yen would bring "IP MAN 2", which would hopefully show more of his experiences in Hong Kong (which may include his time with Bruce Lee). Of course, by that time, I've read that Wong Kar-Wai's version of "IP MAN" will be released and will hopefully have more historical significance as well as action thrills.
Still, this film comes with a "Highly Recommended" rating from me, it does rule as martial arts action film. [4 ½ Stars]
Note: The original language in the film carries is Bi-Lingual with both Cantonese and Japanese Languages.

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Ip Man Collector's Edition (containing over 2 hours of bonus footage) is an award winning adaptation based on the life of Ip Man (Donnie Yen), the grandmaster of Wing Chun and later teacher and mentor to widely influential and legendary martial artist, Bruce Lee. Ip Man is set in the 1930s in Foshan, a hub of southern Chinese martial arts just as the Second Sino-Japan war breaks out. During the war, China is nearly ripped to pieces by racial hatred, nationalistic strife and warfare. Ip Man rose like a phoenix above these ashes as he defied an empire bringing hope to China. Winner of Best Picture and Actor, Ip Man ranks as one of the best martial arts movies of all time!



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Sunday, November 20, 2011

To Live (1994) Review

To Live (1994)
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I won't go into the details of this movie, one because it really should be enjoyed without any preface, and two because it has been described elsewhere. I rented the movie purely to see Gong Li, who is one of the most beautiful actresses out there. I was absolutely blown away by this film. The story, the acting, the flow; everything about it was masterful. I am a big fan of Zhang Yimou, but this film far outshines any other work he's done before or after. Gong's acting is superb, matched entirely by You Ge. The scene with the "tea" revenge caught me so offhand, in both the touching portral of Chinese family life mixed with the wonderful quirky humor, that I laughed out loud and nearly choked on some ice tea I was drinking at the time. 10 minutes later I was crying my eyes out. This movie left me shaking at the end, and I kept reliving scenes over and over days after I returned the rental. "To Live" is one of the best all-time films ever made, period.

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TO LIVE - DVD Movie

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Monday, May 30, 2011

Crouching Tiger, Hidden Dragon (2000) Review

Crouching Tiger, Hidden Dragon (2000)
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Crouching Tiger, Hidden Dragon is simply a masterpiece. A brilliant film with great performances by its stars, Michelle Yeoh, Chow yun fat, and especially Zhang Ziyi. Director Ang Lee along with his choreographer tell this epic story in a stunning and creative visual way that makes this film one of the greatest ever made. The action scenes in this film are jaw dropping, and are unmatched by any action film ever made. Along with the action, is a great story and great characters that reflect influences from Lord of the Rings, and parallel the Jedi of the Star Wars trilogy, but remain consistent with the eastern culture and philosophy which permeates throughout the story. In fact, the main characters, especially Jen, portrayed by the talented Zhang Ziyi , seem to question that philosophy and culture throughout the film, almost rebelling against it. This is foreshadowed in the beginning of the film when Yun-fat's character describes how his meditation leads him to a place of sorrow instead of enlightenment. In a later scene, Yeoh 's character questions the buddhist teaching of Fat's character in relation to their suppressed love, pointing out the touch of her hand is real,not an illusion, even though it is of this world. However it is also the discipline of this eastern spirituality that gives these knights their power. the main character Jen, abuses this power, along with the power given to her when she posesses the Green Destiny, a magical and powerful sword, owned by the wizard -like, or jedi- like, character portrayed by Chow Yun-Fat. The Green Destiny, much like the ring of power in lord of the rings, or the force in Star Wars, becomes a power that threatens to consume Jen. Throughout the film , Jen rebels against the traditions of the easten culture and philosophy. Even during the action scenes, as Chow Yun-Fat's character scolds her, she responds by telling him to stop talking like a monk and fight. Her rebellion is also reflected in her love for a barbarian that lives in the desert. Jen's rebellion is an extreme one, however, that leads to such deep despair, that it leaves the viewer to question if even the true love she found in the desert can save her. This movie has everything one wants in an epic, great story, acting, cinematography, directing, score. This film should win an Oscar for Best Picture... Crouching Tiger Hidden Dragon is truly a great film.

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An epic set against the breathtaking landscapes of ancient China, Crouching Tiger, Hidden Dragon, combines the exhilarating martial arts choreography by Yuen Wo-Pind (The Matrix) with the sensitivity and classical storytelling ofan Ang Lee film. The result is something truly unexpected: romantic, emotionally powerful entertainment.

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