Derailed (Unrated Widescreen) (2005) Review

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(More customer reviews)They are the critics, especially those writing reviews collected online. Part of this is that they want Jennifer Aniston to be cast, as usual, as the wholesome girl next door.
The critics saw all the surprises ahead of time. I really didn't and I enjoyed them. (If you figured out the twists in A Beautiful Mind, you can guess this, too.)
Another possible reason for the tepid reviews is that it is an upsetting movie with several horrific scenes of violence. No doubt about it, it simply isn't a likable movie; if you were to take your kids --dont!-- they'd have nightmares.
Financial advisor Lucinda Harris (Jennifer Aniston) and ad guy Charlie Schine (Clive Owen) have an illict affair after a chance meeting on a commuter train. But it doesn't go smoothly and soon they are victims of an extortion plot.
As usual, the advertising agency scenes are off the mark. What is a "commercial executive?" Even though we see Charlie at work what exactly does he do? (Even What Women Want -- a much better film -- went wrong here.) Even worse, there is no there there to the financial advisor scenes. So both characters' jobs are Hollywood hooey.
Both the main chracters are in a complete bind between family conflicts -- Charlie has a sick child -- high-pressure jobs, their shared secret, and their shared victimhood.
As in all the Hitchcock films, the victims can't go the police. (Remember how threatening the police officer is to Marion Crane -- Janet Leigh -- in Psycho?)
Surely this is no Hitchcock masterpiece, but it is an entertaining and twisty thriller.
The screenwriter Stuart Beattie also wrote the far better Collateral. Maybe the more you liked Collateral, the less you will like Derailed?
Even with two well-known stars, there is zero anticipatory buzz about this movie. We all know Jennifer Aniston from Friends on TV, but Mr. Owen has been in many excellent films: Sin City, Closer, The Bourne Identity, Gosford Park, Croupier.
Rappers RZA and Xzibit are well-cast supporting players. Vincent Cassel captures the essence of the chameleon-like villain. You want to throttle him throughout the picture.
Did the studio that released this picture have little faith in it? The marketing budget and the short marketing time frame -- a few weeks in advance, not months -- suggest that's true. Maybe their dismissive attitude was conveyed to the critics.

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Shoot 'Em Up Review

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(More customer reviews)Whoah! If you're looking for mindless action, THIS is the movie for you.
It's over the top, totally unbelievable, physically impossible, but absolutely brilliant all at the same time.
2 minute version:
Clive Owen eats a lot of carrots, and values his privacy. There are many things that he absolutely hates, and he comes into contact with most of these things when he unwillingly gets involved in a plot to kill a very pregnant young woman. Suddenly faced with a nanny job, he shoots his way out of the frying pan and into the fire, each scenario more draw-dropping-ly impossible than the last. Paul Giamatti plays an unlikely criminal mastermind and Monica Bellucci is under-utilized as the proverbial professional with a heart of gold except she's also got a chest of milk to go with it. Things get political, and hopelessly complicated, and of course there's lots and lots (and lots) of shooting, during any (and I do mean ANY) situation.
Good stuff:
1.Clive Owen
2.Clive Owen's one-liners
3.Clive Owen's stunts
4.The hilariously bad but breathtaking, yet impossible scenarios
5.Paul Giamatti's cell phone calls
6.The body count
7.Clive Owen's nude scene
8.Clive Owen
Bad stuff:
1.Carrots are DEFINITELY not good for some people
2.Not enough Bellucci
3.Plot (nuff said) but then again, we don't need no steenkin' plotIf you can forget that this movie professes to have a plot, you're in for a rollicking good (but extremely violent) time. Definitely a must-see if you're looking for mindless adult entertainment, and don't mind looking at Clive Owen.
Rated: 4.5 stars
Amanda Richards, December 9, 2007

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Inside Man (Widescreen Edition) (2006) Review

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(More customer reviews)The one note about Spike Lee films is that you're never sure what you're going to get. I'm not really a fan, I find that his films are too convoluted with extraneous detail and somewhat over produced. Inside Man retains all the elements of a solid bank robbery/caper film, whilst also giving us Spike Lee's trademark of gritty, street-wise irreverence.
The problem with Inside Man is that it's impossibly unbelievable with a plot that strains the realms of credibility; combine this with it's over-long running time and you have a film that features some great performances by it's cast - Denzel Washington, Clive Owen, Christopher Plummer and Jodie Foster - but ultimately sags a bit in the middle and ends up becoming rather ponderous.
Lee manages to pull off a handful of effective scenes, but he doesn't have the flair to bring the whole movie off with real conviction. An enigmatic master criminal (Owen) - who spends most of the movie wearing a mask - plans and executes a "genius plan" in which he and several masked companions take over a Lower Manhattan bank and brutally seize several dozen of its customers as hostages.
The NYPD negotiator given the task of dealing with these crooks is an affable junior detective, Detective Keith Frazier (Washington) - under a cloud of suspicion from a previous case - he soon surmises that the perpetrators don't actually want the bank's money. Enter smarmy and elegant New York political insider Madeline White (Foster) who knows everybody and even has the ear of the Mayor.
Madeline is hired by the chairman of the bank's board of directors (Plummer) to oversee the crisis and make sure that certain secrets he has in his safe-deposit box stay secret. The bulk of the film involves the standoff between the bank robbers and the NYPD as they try frantically to ensure that the hostages remain safe.
Of course we know the hostages survive because Lee inserts interview footage of them after the heist is over, this device, however, tips off the outcome, dissipates suspense and quickly becomes tiresome. This is just one of the many techniques Lee uses to clutter the movie's structure and prevent the plot from unfolding as quickly as it should.
Obviously, everyone has something to hide, particularly the bank president, but when his past is revealed, it finally appears with a bit of a thud, with the movie going through to much difficulty to arrive at very little. In all fairness, Inside Man has some interesting things to say about race, money, power and the ethics of urban living, particularly in New York and the performances are wonderfully cynical and gritty.
Washington is sexy and strong, Foster is skillfully odious as the icy, sophisticated and amoral Madeline who cares for nothing but chasing big bucks, Owen is morbidly compelling as the determined heavy and Plummer is letter-perfect as the guilt-ridden bank honcho.
Lee, however, just doesn't seem able to bring all the disparate elements of a heist film into a convincing and gratifying whole and in the end; the movie is vaguely unsatisfying and impossibly far-fetched. Mike Leonard August 06.

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Academy Award winner Denzel Washington, Academy Award nominee Clive Owen and Academy Award winner Jodie Foster star in this intense and explosive crime thriller. The perfect bank robbery quickly spirals into an unstable and deadly game of cat-and-mouse between a criminal mastermind (Owen), a determined detective (Washington), and a power broker with a hidden agenda (Foster). As the minutes tick by and the situation becomes increasingly tense, one wrong move could mean disaster for any one of them. From acclaimed director Spike Lee comes the edge-of-your-seat, action-packed thriller that The Wall Street Journal calls "a heist film that’s right on the money."

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The Boys Are Back (2009) Review

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(More customer reviews)The essence of THE BOYS ARE BACK is "fatherhood", i.e. what it means to be a Dad. It's an absolutely lovely film absolutely worth seeing.
Joe Warr (Clive Owen) suddenly finds himself a single father when his young wife Katy (Laura Fraser) precipitously dies of intestinal cancer. Joe, the lead and oft-on-the-road sportswriter for Melbourne's major newspaper, must now connect with his six-year old son Artie (Nicholas McAnulty). Coming to visit from England is his 14-year old son from a previous marriage, Harry (George MacKay), whom Joe pretty much abandoned to his first wife years before on their divorce.
THE BOYS ARE BACK is about male bonding - father with motherless son, father with fatherless son, brother with half-brother. In this clubhouse, the women, whether it be Joe's mother-in-law Barbara (Julia Blake) or potential new significant-other Laura (Emma Booth), are almost intruders.
Filmed mostly on Australia's striking south coast and with a soundtrack featuring haunting songs by Iceland's Sigur Rós, this film contains what is perhaps Clive Owen's finest and most nuanced performance to date. I wouldn't be surprised if Owen is nominated for an Oscar for this role, which is the best by a male actor I've seen in 2009.
Too often, I think, the societal presumption is that children of marriages broken by death or divorce are better off with mothers, that fathers are somehow less loving and less skilled at parenting. At least in this must-see film, that is emphatically not the case.
I left the screening keen on THE BOYS ARE BACK more than I can adequately express.
P.S. 1/21/2010 Now that 2009 is finished, I must say that Owen's performance, while not THE best of 2009, is one of three best, joining Morgan Freeman of INVICTUS and Jeff Bridges of CRAZY HEART. Good company, that.

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Clive Owen delivers a critically acclaimed performance in THE BOYS ARE BACK, the heartwarming and uplifting drama about a man who is suddenly thrust into the role of single parent. Successful sportswriter Joe Warr (Owen) finds himself completely unprepared to raise his rambunctious 6-year-old son Artie and juggle the challenges of a demanding job, running a household and the possibility of romance. Determined to bring joy back into their lives, he develops a revolutionary approach to parenting no rules, no chores. It's a home filled with love and chaos and then Joe's estranged teenage son comes for a visit. Inspired by a true story and filled with emotional honesty, this poignant film will touch your heart and lift your spirits.Bonus Features include: THE BOYS ARE BACK: A Photographic Journey With Optional Commentary By Director Scott Hicks, A Father And Two Sons, On Set

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King Arthur - The Director's Cut (Widescreen Edition) (2004) Review

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(More customer reviews)I have read the negative and positive reviews of this film, especially noting the numerous complaints about historical accuracy. But considering the era from which this story is created, and the various possibilities regarding exact time and place of events, (if they ever occurred at all), I think the film is a truly magnificent, thought-provoking piece about King Arthur.
Bringing in the aspect of the Sarmatians was long overdue in the Arthurian arena. Although various historians may argue the point, much evidence does point to the use of stirrups by about 8000 Sarmatian cavalry in the Roman army as early as 175 AD. With the commonly held belief that the stirrup was not introduced until many centuries later, I thought it a bold move for the movie makers to incorporate this into the film as well. It seemed to be one of the most commonly noted 'discrepancies' by reviewers, but I disagree - it is very accurate.
If you have watched only the PG13 version of this film, by all means, please watch not only the Director's Cut version, but take the time to also watch/listen to Antoine Fuqua's narrative over the film. His narration explains a lot, especially about how they had to change things drastically to make the mandated PG 13 rating. His explanation regarding his version of Lancelot and Guinevere is quite a statement as well.
The alternate ending was quite dark, or perhaps even depressing, in a way. I don't know which ending is more suitable, and actually would have liked to have seen perhaps a different ending altogether, just don't know what that would have been.
I thought the actors were incredible; the battle scenes (director cut) some of the only such scenes I've ever watched that let you identify the main characters' roles during the fighting; the photography was the best I have ever seen; the music illustrated and enhanced; and this movie left you wanting to see more when it was over.
There was no dwelling on use of special effects for blood and gore, or rediculous feats of super-power athletics, or campy remarks that would bring you immediately back to your own century. The horses were not constantly being tripped during battle scenes, either. All these were a welcome change from so many movies of today.
Above all, it passed the real test of a great movie - it left you with 'a feeling' after it was over.
In short, I loved it. Antoine Fuqua, you are a genius.

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King Arthur the Extended Unrated Director's Cut contains fourteen minutes of never-before-seen footage, including more intense battle sequences and the scenes "Rain and Snow" and "Saxons Surrounded." Bonus Features • Alternate Ending "Badon Hill" With Optional Director Commentary • Blood On The Land: Forging King Arthur • Cast And Filmmaker Round Table • Director Commentary • "Knight Vision" Trivia Track • Producer's Photo Gallery • Konami's King Arthur Playable Xbox Demo

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