Showing posts with label great movies. Show all posts
Showing posts with label great movies. Show all posts

Sunday, October 21, 2012

The Sinbad Collection (7th Voyage / Golden Voyage / Eye of the Tiger) (1958) Review

The Sinbad Collection (7th Voyage / Golden Voyage / Eye of the Tiger) (1958)
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THE 7th VOYAGE OF SINBAD
By far the most "classic" of the three, this spectacular piece of cinematic adventure may very well be Ray Harryhausen's masterpiece. Legendary sailor Sinbad (Kerwin Matthews, in his signature role) is on the verge of marriage to Princess.....uh, I forget (a beautiful Kathryn Grant), and uniting their two countries. But not before the evil magician Sokurah (Torin Thatcher, in an extremely amusing performance) can shrink the princess to a doll's size in order to get Sinbad to return him to the Island of Colossa. There, Sinbad battles a giant Rok, a fire-spewing dragon, and (my personal favorite), the Cyclops...all brilliantly achieved by the greatest FX pioneer of all time, Ray Harryhausen. Oh, and there is the classic duel with the skeleton. Now I constantly hear people say, "Oh, like in 'Jason & the Argonauts'?", and it drives me crazy! Though the battle was far more elaborate and, well, better in that film, this is the original, people, the one that started it all! Indeed, this type of fight would appear again, and again, and again in subsequent Harryhausen films, ever improving (which really showed the true ingenuity of the man). "The 7th Voyage of Sinbad" is most likely, THE fantasy-adventure classic of all time, though some people say the same for the original "The Thief of Baghdad". But, I haven't seen that film, so I couldn't say. Plus, it doesn't have special-effects wizard Ray Harryhausen behind the camera to provide dazzling creatures right out of a dreamworld! A rousing, witty score by Bernard Herman, too!
Rating: 5/5
THE GOLDEN VOYAGE OF SINBAD
My favorite of all three films, even if it doesn't really deserve the title "classic" as much as "7th Voyage" did. John Phillip Law replaced Kerwin Matthews in the title role, and proves to be less impressive, but only by a little. And, hey, he actually has an accent! This time 'round, Sinbad discovers a strange map disguised as a golden treasure of sorts, and with it sets off to the magical isle of Lemuria, where legend has it that if you place the map/trasure in the Fountain of Destiny, you will be granted all-powerful, all-knowledgable, and eternal youth. But he'll have to reach the isle before the black sorceror, Koura (played to perfection by the sinister Tom Baker), who has more than a few tricks up his sleeves to stop Sinbad and his crew! This is a much different film than the first; the swashbuckling attitude is replaced by a darker, but more mystical atmosphere, which I find very cool! The score by Miklos Rozsa perfectly matches it, too (just check out the music during the scene with the Oracle; it's awesome!). The story is very inventive, with more twists-n-turns than you would guess. There is lots of suspense, too! And there is also Caroline Munro as the love interest for all you teenage boys out there! Ray Harryhausen once again provides a massive array of imaginative and expertly constructed creatures, including a flying homunculus (a spy of koura), and a six-armed statue of the goddess Kali, which is the showcase for a masterfully-choreographed sword fight sequence. As well, there is an exciting battle between a one-eyed centaur and a griffin! A first-rate fantasy-adventure.
Rating: 4.5/5
SINBAD & THE EYE OF THE TIGER
By far the least of the three, it's still enjoyable, nonetheless, though not for all the same reasons as the first two. First off, the acting is atrocious, but it is in a bad way; rarely do you feel the need to laugh out loud at its campiness. Second, the plot is pretty lame, and recycles quite a bit from the preceeding voyages. Sinbad is now played by Patrick Wayne, the son of John Wayne, though it really doesn't show. He has none of his father's prescense on screen, nor does he possess any acting abilities whatsoever! He is now on a quest to the land of *it's a really long, utterly forgetable name*, in order to return the Prince Kassim back to his human form. You see, he has been transformed into a baboon (?!) by the evil sorceress Zenobia (Margaret Whiting), but Sinbad must have the prince's permission to wed the Princess...once again, I forget her name, but it's a really hot Jane Seymour. They are joined by the wize man Melanthius (Patrick Troughton, I think) and his lovely daughter (Taryn Power). Like I said, the story is weak, so it's up to the craftsmanship of Ray Harryhausen to save the day, and he does it very effectively! The giant walrus isn't menacing in the least, but the fight between the Troglodyte and Saber-toothed Tiger is suspenseful and exciting. Indeed, the creatures (such as Kassim the Baboon) produce more emotion than the actors themselves! All except for the Minaton...I mean, he's supposed to be this unstoppable colossus, right? Well, all he does in the entire picture is row a friggin' boat! That we are deprived of seeing this brute giant in action is all but devastating. The music is overall mediocre, but the backgrounds are beautiful and mystical. In fact, the production crew shot the film in places that had never been used in any film before it, and it shows! (P.S. Why the hell is it called "The Eye of the Tiger"? It has nothing to do with any tiger, nor any eye...at least, not enough to put in the title.)
Rating: 3.5/5
CONCLUSION: This a great trilogy to add to your Ray Harryhausen collection. All three films are digitally remastered, and they're all beautiful (especially "The Golden Voyage"). They all feature the excellent documentary "The Harryhausen Chronicles", too. On a little side note, the DVD covers and great production notes inside are awesome!

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SINBAD COLLECTION - DVD Movie

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Thursday, January 19, 2012

Coach Carter (Widescreen Edition) (2005) Review

Coach Carter (Widescreen Edition) (2005)
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My daughter came over to visit this weekend, and she suggested that we rent this film. Since it stars Samuel L. Jackson and is about a high school basketball coach, I thought that it sounded promising. Well, it turned to be more than just promising. It is a movie that held me riveted to the screen the entire time it was on. Samuel L. Jackson is simply outstanding in the role of a high school coach who sees basketball as the means to an end and not the end itself.
Based upon a true story that took place in Richmond, California, it centers on a man named Ken Carter. He was asked by the retiring basketball coach of Richmond High School to return as a part-time basketball coach to the school from which Ken had graduated and left his mark many years earlier. The school is one of those schools in which people barely graduate and, of those that do, most do not go on to college. The basketball team was no great shakes either, having won only four games in the entire previous year.
Finally, Carter is prevailed upon to take over as coach. He has, however, decided that he wants to make a difference. He starts off by letting the team know who is boss and by trying to instill discipline and respect. He wants to go back to fundamentals. He wants to put the emphasis on being a student athlete. To this end, he makes it clear just what his expectations are. He drafts a contract that those who wish to remain on the team, as well as their parent, must sign. Some of the conditions are that the players must attend class, do their schoolwork, and pass their classes. Those who signed the contract ended up making the best move of their lives.
Coach Carter keeps his side of the bargain, turning the team into a formidable one on the court. Suddenly, basketball at Richmond High School begins commanding attention. Notwithstanding this, he still emphasizes that they are to be just as committed to their studies. While one might expect some resistance from the student athletes to such a change, one would expect support from the educators themselves. What is amazing is the resistance that he experiences from the teaching community who are reluctant to give him progress reports on how his players were doing academically.
When Coach Carter finally gets his long awaited progress reports and discovers that some of his student athletes are not holding up their end of the contract, all hell breaks loose. Even though they have had an undefeated season so far, he basically locks the gym and tells his players that there will be no more basketball, until he sees some academic improvement. To his surprise, the school board, as well as the parents, does not support him in this matter, and the situation becomes a media sensation on the West Coast. Support comes from an unexpected source, the student athletes themselves.
This is a heartwarming story about a coach who cared and dared to make a difference in the lives of kids that had little or no future. What he did for those students was incomparable, as he basically gave them a chance for a better life. Samuel L. Jackson is sensational as Coach Carter, dynamic and totally believable in the role. The young men who play his student athletes likewise give excellent performances. Ashanti also gives a surprisingly well nuanced performance as the girlfriend of one of the student athletes. Moreover, for those who enjoy great basketball, the on court scenes are extremely well done.
At the end of the film, there is a summary of what happened to these young men. When the viewer sees what happened to them, the viewer cannot help be but touched by the turn of events. Moreover, the DVD has a featurette on the real Coach Carter and the real student athletes for whom the appointment of Ken Carter was literally a life saving measure. This is a very well acted, deftly directed, inspirational film and one that is worthy of being in one's personal collection.

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COACH CARTER tells the inspiring true story of controversial high school basketball coach Ken Carter (Jackson).Making headlines for his emphasis on the importance of academics over athletics, Carter requests all the members of the team to sign contracts, promising to maintain a certain grade point average.When the players fail to live up to this agreement, Carter benches the entire team, locking the gym and forfeiting games to prove his point.This infuriates the community who sees this as a hindrance to the future professional athletic careers of the players.Through hard work and dedication, Carter eventually gets his point across to his team and the community, going above and beyond to ensure a solid academic future for his team.

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Wednesday, April 20, 2011

The Warriors (The Ultimate Director's Cut) (1979) Review

The Warriors (The Ultimate Director's Cut) (1979)
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I'm David Shaber's daughter, Sam, (Samantha.) My father wrote the screenplay for The Warriors, and I'm hoping this "review" gets printed because he just passed away on Thursday morning, November 4th, of a sudden burst anneurism. With so many "Warriors" fans out there, I thought you would want to know. I'm incredibly warmed by these wonderful comments about this film and I know that if he read them (although he had barely learned how to search the internet before he died) he would chuckle in his lighthearted way and say something like "Oh, well isn't that nice," all-the-while refusing to take credit for any of it. But I know he deserved that credit, having taken a dark, psychological study of gang warfare and infusing it with a classic but clever and topical, good vs. evil story. (And maybe I shouldn't admit it, but my dad didn't really like the baseball face-paint idea which I believe was one of Walter Hill's additions - he thought that was too unrealistic and "Hollywood"...) Anyway, I do hope the movie is re-issued with the extra scenes at some point, and for those real "followers" I just discovered that you can find a complete list of his produced titles on the Internet Movie Database (IMDb.com) if you want to check it out. The Warriors is indeed an AFFECTING picture, whether you love it or hate it. So thanks for your comments and take care, -Sam.

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A battle of gigantic proportions is looming in the neon underground of New York City. The armies of the night number 100,000; they outnumber the police 5 to 1; and tonight they're after the Warriors - a street gang blamed unfairly for a rival gang leader's death. This contemporary action-adventure story takes place at night, underground, in the sub-culture of gang warfare that rages from Coney Island to Manhattan to the Bronx. Members of the Warriors fight for their lives, seek to survive in the urban jungle and learn the meaning of loyalty. This intense and stylized film is a dazzling achievement for cinematographer Andrew Laszlo.

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