Spartacus (2004) Review

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(More customer reviews)The rationale for turning Stanley Kubrick's 1960 film "Spartacus" into a two-part television mini-series was that this time the production would be more faithful to Howard Fast's novel. Given that the Spartacus revolt is a part of Roman history it would make more sense to try and be more faithful to that actual history than a fictional novel, but that is going to have to wait for another day and it just might take a while for Hollywood to want to revisit this story. The chief attraction of Fast's novel, in contrast to the historical record, would seem to be the happy ending that is provided by virtue of Spartacus having a child who survives his death and is raised free.
What we believe we know about the real Spartacus is that he was born free in Thrace and may have served as an auxiliary in the Roman army in Macedonia. However, he deserted, lived as an outlaw, was captured, sold into slavery, and ended up being trained at the gladiatorial school of Batiatus in Capua. In 73 B.C.E. Spartacus escaped with 70-80 other gladiators and camped on Vesuvius, where they were joined by other slaves who ran away from their masters and began plundering and pillaging the region. Spartacus wanted to escape Italy by crossing the Alpus, but the slaves from Gaul and Germany wanted to stay in southern Italy and continuing the plundering and pillaging.That first year Spartacus and his men defeated a force of 3,000 raw recruits led by Cladius Glaber and then two forces of legionary cohorts. In 72 B.C.E. Spartacus had an army of approximately 70,000 slaves and the Roman Senate sent two consuls, Publicola and Lentulus, with two legions each against the rebels. Publicola defeated the Gauls and Germans, and Crixus was killed. At Picenum in central Italy, Spartacus then defeated first Lentulus and then Publicola, having 300 prisoners from the battles fight in pairs to the death. The slave army then moved north and defeated the proconsul of Cisalpine Gual at Mutina. With the Alps open as a way out of Italy, the Gauls and Germans refused to go, and Spartacus returned to southern Italy intended to try and cross to Sicily.
At the height of the revolt Spartacus had about 120,000 followers and the Senate sent Marcus Licinius Crassus with six new legions in addition to the four consular legions to defeat Spartacus in 71 B.C.E. Exactly how Spartacus died is not known, although it is believed he died in the battle near the headwaters of the Siler River. Six thousand of the slaves that were taken prisoner by Crassus were crucified along the Appian Way from Capua, where the gladiators had been trained, to Rome. Another five thousand slaves escaped and fled north, but they were captured by Pompey's army and the following year Pompey and Crassus were elected consuls.
Enough of the history lesson. The point is that the slave revolt was not as unified or as simplistic as it appears in either version of "Spartacus." Following the lead of Fast's novel, it is not the conflict between Spartacus (Goran Visnjic) and Crixus (Paul Kynman) that is at the center of the drama but the collision course between Spartacus and Crassus (Angus Macfadyen), who are such mirror opposites. You have the former slave who is uncomfortable with being declared the leader of the slave revolt and the rich Roman who is just begging to be put in command of troops. Then there is Varinia (Rhona Mitra), the wife of Spartacus, created by Fast from a reference in Plutarch to Spartacus having a wife who was a former slave.
I wondered about the casting of this version of "Spartacus" in terms of the ages of the actors playing the historic figures. Overall, they are slightly younger. The year the slave revolt was crushed Spartacus was 38 (Visnjic is 32), Marcus Licinius Crassus was 45 (Macfadyen is 41, but looks much younger), and Pompey the Great was 36 (George Calil is 31). Although Pompey actually enjoyed a triumph when he was 24, he was the exception and not the rule. Yet in this production it is like the junior executives are fighting over who gets to run the firm. No wonder a giant slave army is running around the Italian countryside for a couple of years and no wonder after watching this remake you will be more impressed with the performance of Kirk Douglas in the original.
Visnjic's Spartacus comes across as bored rather than brooding. Before a big battle his idea of strategy and tactics is to hope that maybe they will get a break and be able to win. I can appreciate the idea that it is better to die free than to live as a slave, but you should try to avoid rushing off to die. Macfadyen's Crassus is rather petulant. He wants to rise to power in Rome but is thwarted by the machination of Agrippa (Alan Bates), and he sees Spartacus as the key to every thing he wants. That explains why he postures like he really believes he can defeat the gladiator in one-on-one combat on the field of battles, and why he is fixated on Varinia. This guy cannot be in charge of himself, so how can he run the Roman Republic? Bates and Mitra turn in the two best performances in "Spartacus," which makes their supporting characters the two most interesting ones. Spartacus has been an idealized champion of the masses because he stood up to the Romans at a time when they were carving out their empire, but the idea that he was a sensitive guy who accepted gender equality is just a bit too much. Hopefully, the next time the story of Spartacus is filmed they will just go with getting the history right instead of being concerned with political correctness.

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No Description Available.Genre: TelevisionRating: NRRelease Date: 26-OCT-2004Media Type: DVD

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The Punisher (1990) Review

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(More customer reviews)Let's face it, before Blade (1998), X-Men (2000) and Spider-Man (2002), Marvel Comics really didn't have much luck in getting successful films made based on their characters. The reason? Because they would often sell the movie rights to anyone who had two coins to rub together, releasing cinematic flops like Dr. Strange (1978), Howard the Duck (1986), Captain America (1989), and even a Fantastic Four movie that was so bad it never saw the light of day, as it was too bad to even release on video. And then there was The Punisher (1989), a character introduced in the 70's within the pages of The Amazing Spider-Man, issue 129, circa February 1974, a former police detective, now vigilante, taking revenge on criminals, motivated by the death of his family. Most people I know who've seen the film have pretty distinctive feelings about it, ranging from dislike to severe hate, but I always thought it was pretty good, considering...
The film, directed by Mark Goldblatt, whose primary credits include editing films like The Howling (1981), The Terminator (1984), and True Lies (1994), stars Dolph Lundgren, Louis Gossett, Jr., and Jerome Krabbé. Yeah, I know what you're thinking...Dolph Lundgren? I think a number of people had instant reservations when hearing Dolph, certainly an interminable dweller of the B movie circuit, pre-judging the film unfairly. Lou Gossett, Jr. brings a little star power to the table, but he also is no stranger to B movie fans appearing in films like Jaws 3-D (1983), Firewalker (1986), and any of the four or so Iron Eagle films.
The film opens with a television news report, giving us some expository background with regards to a mafia type recently acquitted of the crime of killing detective Frank Castle (Lungren) and his family five years prior. The report also speaks of an elusive character named the Punisher, who has been busy killing members of the mafia over the last five years, racking up an impressive body count. Any connection? Probably...anyway, the mafia guy, returns home to celebrate, and guess who crashes the party? Killing and explosions ensue. Enter Detective Jake Berkowitz (Gossett). Seems Detective Berkowitz has been leading the investigation of the Punisher for the last five years, and believes the Punisher is actually Frank Castle, despite his superior's beliefs that Castle is dead, as the thought of a rogue cop going around killing people would be unpopular. With the recent death of this mafia boss, there's a void of real leadership in the organization, one filled with the return of Gianni Franco (Krabbé) from Europe, who intends to unite the remains of the various mob families whose ranks have been severely depleted by you know who...
Turns out the decimation of the mafia families hasn't gone unnoticed, as the Yakuza (Japanese mafia) has decided to move in and take a controlling interest in criminal activities within the city, a hostile takeover, to say the least. Sounds pretty to the Punisher, as if the criminals are killing themselves off, less work for him...until the Yakuza kidnaps children of the remaining mafia families in an effort to extort control and pressure them under the Yakuza's thumb. So Castle, feeling somewhat responsible as his five-year vendetta has left the families unable to protect even their own children, begins dealing with the Yakuza, which eventually leads to an unlikely alliance with Franco, who's son is one of the kidnapped children.
Guns, knives, throwing stars, explosions, it's all here (well, as far as the explosions, at one point the Punisher is firing a grenade launcher, and the explosions seem less than spectacular, more flashy than boom boomy). Not only that but there's a good amount of karate. Lundgren, a former karate champion himself, performs most all of his own stunts, and there is almost no choreography within the marital arts scenes, as real artists were used, and training in stunt techniques. Does the film stay true to the original character portrayed in the comics? For the most part...some minor changes, along with a few major ones (he never dons a shirt emblazoned with a white skull on it). I think one of the main reasons this film was ill received is because comic fans are a particular picky lot, as they spend a lot of time getting to know these characters, and tend to have high expectations when someone adapts one of their favorite characters to the silver screen. I read comics from the age of 9 until I was 23, so I have intimate knowledge, or at least I did, of many characters, and I thought this particular rendition of this character retained most of the important elements. The main element I didn't care for was his living in the sewers. I brought to mind teenage mutant ninja turtles, which is an altogether different film. I did think Lundgren face makeup was overdone. I understand why it was done the way it was, to present the visage of a skull when the light hit his face just right, and it succeeded, but other times he sort of looked like a drag queen. The most painful element of the film was the dialog. I rolled my eyes more than a few times as the delineation between Frank Castle and the Punisher was examined, unsuccessfully. Some of it was extremely corny, more so combined with Lundgren's deadpan delivery. The direction was pretty good in most areas, given that this was Goldblatt's second film, his first being the Joe Piscopo/Treat Williams cop flick Dead Heat (1988). Goldblatt has since returned to editing, which seems a much better fit for him. Gossett is fun to watch, but again, given the dialog, he is given some completely rotten lines, but he does seem to try to make the best of it, earning whatever he got for appearing in this film.
A nice wide screen anamorphic print here and good audio, with special features including production notes and a theatrical trailer.
Cookieman108

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"The Punisher" details the abuse of the comic book antihero in his first and only screen outing. After the mafia murders his wife and children, New York cop Frank Castle disappears into the bowels of the city sewer system, planning his revenge. He spends the next couple of years stepping out of and back into the urban shadows as he picks off Gotham's big-shot Italian gangsters. Then Lady Tanaka, a fiery Japanese crime-lord, enters this grim scene and heads begin to roll. Castle initially gets a kick out of her bloody antics and the newly cannibalistic underworld. But when Tanaka and her cronies kidnap a rival's kids, Castle decides to intercede and show her exactly how killing is done in the Big Apple.

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Into the Blue 2: The Reef Review

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(More customer reviews)First of all, it's been a while since I've seen the first, so I'm
judging this based on this movie alone. Over all, this is a decent
movie. The acting is decent by most of the cast and it seems to be well
cast. The storyline is surprisingly good. It's easy to follow and after
the first 30 minutes it will keep you watching. But you have to give it
those 30 minutes to get into it.
No, contrary to popular belief Audrina does not have a big part in the
movie. She's on screen all of 5 minutes (and that's generous). I have
no idea how that rumor came about.
If you want a movie just to watch to kill time, this is that movie. It
won't wow you but it will keep you entertained as the story really is a
good one. I was surprised that it was as good as it is.

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