Nostradamus 2012 Review

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(More customer reviews)I watched this when it aired on History Channel in January. It looks great - you can see where they spent your cable subscription and ad dollars - and they interviewed some interesting people, many of who certainly deserve to be heard ... but then the producers use narration and fast cut editing to prevent them from expressing themselves accurately!
The experts are denied the chance to really go into any depth and the editor chose soundbites that are as sensational as possible. These people have much more to say and they say it fully and clearly in "2012: Science or Superstition" (recommended alternative or supplemental viewing).2012: Science Or Superstition

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It's a year that many have prophesized will bring a catastrophic end to life as we know it. Whatever is in store a massive cosmic collision, a global environmental disaster, an Armageddon-like religious showdown, or a more subtle transformation many believe that 2012 will mark a major shift in the history of our planet. But what is there to substantiate such fears? A detailed, historical investigation of this chilling prophecy is the mission of Nostradamus 2012 an exciting HISTORYTM special that casts the doomsday warning in a frighteningly modern context. December 21, 2012 is bearing down on us with alarming speed. Whether or not we are able to collectively heed the warnings and affect a course to avert disaster may be the defining moment of the modern age.THE UNIVERSE: THE COMPLETE SEASON THREE includes all 12 original episodes on 4 DVDs:11/11/08 Deep Space Disasters11/18/08 Parallel Universes11/25/08 Light Speed12/2/08 Sex in Space12/9/08 Alien Faces12/16/08 Deadly Comets and Meteors12/23/08 Living In Space1/6/09 Stopping Armageddon1/13/09 Another Earth1/27/09 Strangest Thingstbd/09 Cosmic Phenomenatbd/09 Edge of SpaceBONUS FEATURES: Additional FootageStills from Nostradamus 2012(Click for larger image)

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Doomsday 2012 DVD Review

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(More customer reviews)This film makes a worth-while addition to the series of films about ancient and recent prophecies regarding the alleged end of days on December 21, 2012. It certainly makes better viewing than the recent fictional film 2012. This one does not give much screen time to Nostradamus; that has been done in the History Channel film of that name. Since I have reviewed that DVD elsewhere on Amazon, I won't dwell on it here. This film DOOMSDAY 2012 stands on its own merits because it introduces information not touched upon in the former film -- e.g., the real Merlin called Myrddin in the Welsh, the sylbils from ancient Greece and Rome, and even a computer program called WEB BOT, which inadvertently made predictions about 9/11 and 2012 it was not originally created to make. This film also gives more attention to The Revelations of St. John in the Bible.
Of course, we have heard or read about the predictions of the star-gazing Mayans, the Hopis, the Egyptians, and the Masons. Persons we may not have heard about are such characters as Mother Shipton (Ursula Southill) and a real-life seer named Myrddin, perhaps the basis for the fictional Merlin in the King Arthur stories. It also gives needed attention to the ancient Chinese oracle the I Ching, a system of divination that pre-dates the others we have heard about. In fact, this film consults (no pun intended) just about every oracle except the Tarot and the Runes.
The filming of these programs is astonishingly well-done and credit should be given to the efforts of the producers and cinematographers. Credit should also be given to this program in particular for including the skeptics who want to share their "rational" perspectives on this topic. These are quality productions, not throwaway cheap-o commercial efforts like those we have seen, even theatrically, in the past. Footage from various quarters is well-chosen and skillfully included to aid the interviews with the experts on both side of the controversy.
When I showed this DVD to some Chinese students recently, I was aware of some wide-eyed reactions. One young lady, noted for her insightful comments in my classes, asked me if I believed that this could happen. I was hesitant to answer because I am aware of the impact that statements made by a professor can have. I told her that I thought the evidence was credible and well-presented -- convincing enough as an argument. As this and other programs have emphasized, we have choices. Being aware of these choices gives us the responsibility to try to influence actions that will benefit all mankind. What else can I say -- that I am totally convinced that the world will end on December 21, 2012? I am not. Do I think that significant changes may occur that may alter our existence as we know it? I think it is a distinct possibility. We have seen some of these events already -- earthquakes in Haiti and Chile, tidal waves, global warming indications, a sink hole opening up in Guatemala, a chunk of Antarctica the size of Rhode Island (exactly as predicted in the fictional film THE DAY AFTER TOMORROW) falling into the ocean. I grew up on the Mississippi River and saw what flood devastation could do. I saw what the waterfront of St. Louis looked like after it had been inundated. I have seen flooding in south Georgia (in the US), and the images of floating coffins after graveyards had been violated by torrents of water will also remain in my memory.
I cannot help but remember how frightened many people were about what would happen to worldwide computers at the end of 1999. I remember seeing people loading up their carts with water in the food markets. I also remember what a graduate professor once told me when I was writing about the lost continent of Atlantis and apocalyptic literature regarding the many times that the end of the world had been predicted in the past, which is also mentioned in this film. As she put it, many people don't want to consider the fact that the world might continue long after they are gone -- an interesting perspective, I thought.
However, it is apparent to many of us that to ignore the possibilities of future world-wide devastation is naive.
Then again, remaining naive is what we do best, isn't it? After all, it beats thinking every time.

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It is a doomsday that is foretold in the Mayan calendar, the Chinese oracle of the I Ching...even in an Internet-based prophetic software program: December 21st, 2012. Is there any truth to the prophecy that the world will end on that specific date? And why do so many oracles throughout history seem to point to that same dreaded doomsday? This fascinating special cuts through the myths and offers a fact-based examination of the Doomsday prophecy. Also included is a bonus documentary: MAYAN DOOMSDAY PROPHECY which delves even deeper into meaning behind the Mayans and their apocalyptic calendar.

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Mel Gibson's Apocalypto (Widescreen Edition) (2006) Review

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(More customer reviews)Even with all the controversy surrounding Mel Gibson last year (and doesn't it seem as if each new week brings another celebrity meltdown?), I still looked forward to seeing "Apocalypto." Why? If for no other reason--the subject matter, subtitles, and lack of star power made it a bold choice for a major studio release. Films of this nature generally go into limited distribution to develop an audience and critical word of mouth before expanding, if they ever do. But with Gibson at the helm, "Apocalypto" debuted with much fanfare and backing just in time to be considered for 2006's Academy Awards. For some reason, though, I still missed "Apocalypto" at the theaters. I have heard every description imaginable from those that have seen the film--from the "best movie ever" to "excessively violent and disturbing." And while I wouldn't go to either of those extremes, "Apocalypto" is certainly an accomplished adventure picture.

Set in ancient Mayan times, "Apocalypto" is essentially the harrowing journey of one man, a youth named Jaguar Paw (a convincing Rudy Youngblood). Living a simple and isolated existence, his tribe are very at home within the forest. One day, the unthinkable happens. They are attacked by another group with apparent intentions of enslaving whomever they don't kill. Youngblood's wife and son are stranded in an underground well, many others are murdered, and Youngblood is among a dozen or so who are rounded up and marched out in bondage. The subsequent journey leads to a fantastical temple sequence, where it becomes clear that the prisoners are not to become slaves--but sacrifices. The remainder of the film deals with how Youngblood can escape this situation. The temple scenes feature a cast of thousands, ritualistic and brutal slayings, and a mob mania that is terrifying and believable. Racing against the clock to save his wife, Youngblood must escape back through the jungle--where all he has to help him are his cunning and an almost spiritual connection to his surroundings. The action is practically nonstop, it's inventive, and it is beautifully staged. Much of "Apocalypto," therefore, is absolutely riveting and wildly entertaining.

For the purists who will debate the film's historical accuracy, I will neither deny or confirm the legitimacy of the events that transpire within "Apocalypto." While there do seem to be some liberties taken with the historical timeline (as evidenced by a surprise in the ending--which I enjoyed despite its implausibility), I really don't think that this film aspires to be a "historical document." Gibson has made an adventure story using a Mayan backdrop. The feel and look of his picture stay as valid as possible to the timeframe, however, I never interpreted this picture as a "true" story. Guess what? Fictional liberties are taken in every motion picture. Otherwise every motion picture would be a documentary--and even documentaries have an angle or slant which make them less than "true" in many cases. "Apocalypto," at heart, is an effective action picture that makes interesting use of its Mayan setting.

I guess "Apocalypto" is not for the squeamish--however, the violence depicted is by no means unusual by modern film standards. You can see much worse in today's "torture" cinema, those films that pass for horror with current audiences. I suppose what makes "Apocalypto" more vivid is that the violence is in a believable context. There are some beheadings and some hunting scenes, but the brutality is intrinsic to the story "Apocalypto" is telling. I don't believe serious minded filmgoers will be put off by seeing some savagery depicted in a film about ancient Mayan cultures--it's not as if this is a Merchant/Ivory production with tea parties and witty banter.

I do recommend "Apocalypto." Beautifully filmed, the technical merits of the film are beyond reproach. The cinematography, score, and editing all enhance this exciting tale. I imagine these elements really shone bright for those who saw this on the big screen. A great action picture that is for adults--check it out. KGHarris, 03/07.

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From Mel Gibson, director of THE PASSION OF THE CHRIST and the Academy Award®-winning BRAVEHEART (Best Director, Best Picture, 1995) comes the thrilling historical epic APOCALYPTO. This intense, nonstop action-adventure transports you to an ancient South American civilization, for an experience unlike anything you’ve ever known. In the twilight of the mysterious Mayan culture, young Jaguar Paw is captured and taken to the great Mayan city where he faces a harrowing end. Driven by the power of his love for his wife and son, he makes an adrenaline-soaked, heart-racing escape to rescue them and ultimately save his way of life. Filled with unrelenting action and stunning cinematography, APOCALYPTO is an enthralling and unforgettable film experience.'

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