Lonesome Dove (1989) Review

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(More customer reviews)I've seen LONESOME DOVE so many times I've practically got the six hours of dialogue memorized. Yet I'll keep watching this excellent adaptation of Larry McMurtry's epic novel, over and over again. Why? Two words: compelling story.
The friendship of Augustus McCrae and Woodrow F. Call is the underlying theme of LONESOME DOVE; it's the motor that drives the story. When these two weathered former lawmen steal a herd of cattle from Mexico and set off for Montana for one last grand adventure ("I wanna see that country," says Call to Gus, "before the lawyers and bankers get it."), the stage is set for a Western with plenty of humor, action, violence...tragedy.
This production makes McMurtry's unforgettable characters literally leap off the page. Robert Duvall IS Gus McCrae...Tommy Lee Jones IS Woodrow Call. Both performances are so vivid and on target the viewer is transported seamlessly to McMurtry's story, a story centering around the undying loyalty and friendship of these two men.
LONESOME DOVE is a film that will entertain you, take you over the full gambit of human emotions, then after six hours leave you begging for more. Jones and Duvall lead a stellar cast in a remarkable film that has but one weakness: it has to end. And McMurtry's story is told--told so well that no other Western even comes close.

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Robert Duvall and Tommy Lee Jones star as Gus McCrae and Woodrow Call, aging cowboys and former Texas rangers and who organize a 2,500 mile cattle drive for one last great adventure in this excellent 1989 miniseries adaptation of Larry McMurtry's novel. The best friends, who steal the herd from a gang of Mexican cattle rustlers, drive their herd from Texas to Montana, battling horse thieves, angry Indian tribes, and a renegade half-breed killer named Blue Duck (Frederic Forrest) on a mission of revenge. The excellent cast also includes Robert Urich as cardsharp and former Ranger Jake Spoon, Anjelica Huston as McCrae's old flame Clara Allen, Danny Glover, Ricky Schroder, Diane Lane, Chris Cooper, D.B. Sweeney, Steve Buscemi, and even a small role for author Larry McMurtry. Australian director Simon Wincer shows a tremendous capacity for balancing sweeping drama and intimacy against the gorgeous landscape of the American Southwest, giving a grandly epic feel to the film despite its small-screen target and limited budget, and for forging memorable characters of even the smallest supporting parts. The heart of the drama belongs to McCrae and Call, memorably etched by Duvall and Jones as the last of the range romantics. In the age of revisionist Westerns, this excellent cattle-drive drama nicely maintains an old-fashioned feeling while still showing the dark side of the American West. Winner of seven Emmy Awards and responsible for two miniseries sequels ("Return to Lonesome Dove" and "Dead Man's Walk") and a TV series. "--Sean Axmaker"

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25th Hour (2003) Review

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(More customer reviews)One of the many things that make 25th hour such a special film to me is how Benioff and Lee didn't attempt to cram too many events into this plot. This film does take place in just one day, and it's a perfect snapshot of the lead protagonist Monty Brogan's thoughts and actions in that final day before he begins a 7 year jail sentence for dealing heroin, expertly put together by David Benioff and Spike Lee. We see Brogan (superbly played by Edward Norton) walking his dog, talking to his girlfriend, having a meal with his father, going out to a club with his friends, preparing to go to jail and being driven there. It's not over the top, it isn't brash, but it does do what is necessary.
Brogan is clearly worried and regretful. This is faultlessly portrayed by the mirror scene, in which he rants incessantly about the variety of people populating New York, and then realizes that he only has himself to blame for the situation he is in. It's such a human moment, since how many people can honestly say that they have never chosen to blame others, and take their anger out in a vicious way, even if it is just personal thoughts? But it isn't just Monty who feels regret, virtually every other character we focus on does, Monty's father is weighed down by his former alcoholism, and he partly holds himself responsible for Monty's fate. And so do Monty's friends, not preventing him from his choice to deal drugs.
Monty Brogan is not really shown in a 'good' or 'bad' light. Norton plays him as a normal person. He's easy to relate to, and it's a reminder of how anyone can turn out depending on what choices they make. His choice of drug dealing is looked down upon, the interrogators ridicule him, but that is only in the context of drug dealing, not as a normal person. Benioff and Lee were keen to show his actions like this.
The film is skillfully made, from the very tasteful opening credit scene acknowledging 9/11 (another honest feature about the film, which is an important theme throughout), where we see the lights at ground zero dropping from the sky, to the fantasy scene with Monty and his father in the car near the end, where they think about the family he could have had, all surreally dressed in while. Terence Blanchard's score too is one of the most beautiful I've heard in a recent film along with Michael Andrews score for Donnie Darko - The Director's Cut (Two-Disc Special Edition). The film tells it like it is. It's about decision making, it's about responsibility and it's about real friendship. It's realistic on an emotional level and is now one of my favorite Spike Lee Joints.

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Academy Award(R)-nominee Edward Norton (Best Actor, 1999, AMERICAN HISTORY X) heads an amazing all-star cast in the critically acclaimed Spike Lee (SUMMER OF SAM, DO THE RIGHT THING) film 25th HOUR. In 24 short hours Monty Brogan (Norton) goes to prison for seven long years. Once a king of Manhattan, Monty is about to say good-bye to the life he knew -- a life that opened doors to New York's swankest clubs but also alienated him from the people closest to him. In his last day on the outside, Monty tries to reconnect with his father (Brian Cox, THE BOURNE IDENTITY), and gets together with two old friends, Jacob (Philip Seymour Hoffman, ALMOST FAMOUS) and Slaughtery (Barry Pepper, THE GREEN MILE). And then there's his girlfriend, Naturelle (Rosario Dawson, MEN IN BLACK 2), who might (or might not) have been the one who tipped off the cops. Monty's not sure of much these days, but with time running out, there are choices to be made as he struggles to redeem himself in the 25th hour.

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Rabbit-Proof Fence (2002) Review

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(More customer reviews)Between 1905 and 1971, the Australian government had a horrible policy. They forcibly removed all half-caste Aboriginal children to special training schools. The grown daughter of one of these children wrote a book about her mother's experiences. This film is an adaptation of that book.
The story takes place in 1931, when Molly, then 14, her sister Daily, then 8, and her cousin Gracie, then 10, are literally torn from the arms of their mothers, put in a cage, and taken 1,200 miles away to a school which is actually a sort of prison. Here, they are forbidden to speak their own language, they have to attend a Christian church, and are taught the ways of the white Australian culture around them. Led by Molly, the girls run away. And most of the film is the odyssey of their trek back home, following the rabbit-proof fence that bisects Australia, constructed to keep rabbits out of the pastureland.
The villain is clearly the white director of the school. It is amazing, but he actually believes in the racial theories that were prevalent at the time. He believes he is helping them and plays his role well, coming across as stupid and misguided rather than evil. The Aboriginal girls are all unknowns, and terrific actresses, as are the women who play Molly and Daisy's mother and grandmother. The courage and determination of the girls during their three-month journey, the people they meet along the way, and their efforts to dodge the trackers who have been sent to retrieve them by the school, is truly inspiring. This is all set against the backdrop of the Australian outback; the cinematography certainly captures its beauty.
The film is 94 minutes long and moves quickly. I immediately identified with the girls and felt their fear as well as their bravery as they made their way across the Australian continent. In a postscript to the story, we learn more about their lives. It did not turn out to be pretty. But two of the girls have survived into their nineties, and we meet them briefly. They are strong women with weathered faces, one of them walking with a cane, but clearly at home in their Outback surroundings.
The film is a lesson in inspiration and courage as well as a geography and history lesson about Australia. I loved it and highly recommend it.

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RABBIT-PROOF Fence -- featuring the Golden Globe-nominated score by Peter Gabriel -– is a powerful true story of hope and survival and has been met with international acclaim! At a time when it was Australian government policy to train aboriginal children as domestic workers and integrate them into white society, young Molly Craig decides to lead her little sister and cousin in a daring escape from their internment camp. Molly and the girls, part of what would become known as Australia's "Stolen Generations," must then elude the authorities on a dangerous 1,500-mile adventure along the rabbit-proof fence that bisects the continent and will lead them home. As shown by this outstanding motion picture, their universally touching plight and unparalleled courage are a beautiful testament to the undying strength of the human spirit!

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