Showing posts with label richard harris. Show all posts
Showing posts with label richard harris. Show all posts

Tuesday, November 27, 2012

Hawaii (1966) Review

Hawaii (1966)
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In the mid 1960's, Julie Andrews was the biggest movie star the world. Her success came on the strength of two block busters, 1964's "Mary Poppins" and 1965's "The Sound Of Music", the two films for which she will be forever identified. However, her body of film work in the 1960's, though only 7 films in all is impressive in it's scope and content. Of these films, one of the best and most successful was the epic "Hawaii".
The film tells the story of a zealous but misguided missionary, Abner Hale (Max von Sydow) and his loving, forthright wife Jerusha (Julie Andrews) who try to bring Christianity to the native Hawaiians. Both von Sydow and Andrews give magnificent performances, bringing humanity to two characters that could have been cardboard, stock figures in less talented hands. Indeed, these two characterisations work well because of each other with the unsympathetic Hale coming off as human after all due to being loved by his wife. Together, von Sydow and Andrews make an impressive team. The cast is rounded out beautifully by a raft of excellent players including Richard Harris, Gene Hackman, Carol O'Connor and even Bette Midler in her first film as an extra on the ship headed for Hawaii.
When the film was originally released, it was as a 189 minute roadshow production with overture, intermission, entr'acte and exit music. The film was later presented in an edited, 161 minute version. It is this version that has been released on DVD. This begs the question, what's missing from the DVD version?
The majority of cuts appear in the film's first half with entire scenes being removed. The second half is virtually intact with only some trimming of scenes. The deleted scenes in the films first half are as follows:
At 0:15:37Hale says goodbye to his family
At 0:27:06After her wedding to Hale, Jerusha says goodbye to her little sister prior to leaving for Hawaii
At 0:35:26On the voyage to Hawaii, Hale makes a convert in the crew
At 0:35:44The Captain charts the course and large bunches of bananas are brought on board
At 0:37:30Hale force feeds a seasick Jerusha bananas
At 0:38:30Hale condemns the convert he made among the crew because of drunkenness
At 0:39:21The Captain requests Hale's prayers prior to sailing through the Evangels
At 0:46:05The Captain throws his novels overboard (his part of a deal with Hale for praying in the ship's behalf) followed by Jerusha throwing the bananas overboard
At 1:16:12Sister Hewlett dies after giving birth
At 1:17:57Hale assures Jerusha that he can deliver her baby and that she will not die in childbirth
At 1:52:50Hale recovers in bed after a shark bite and Jerusha tells him that a wife needs to be loved not worshipped (final scene in the first half of the roadshow version)
There are also some trimmed scenes in the first half such as the farewell scene prior to Hale and Jerusha leaving for Hawaii as well as the elimination of the entr'acte.
It is Julie Andrews' Jerusha that suffers most at the hands of the editor. Some of her most powerful acting (the force feeding scene and her subsequent reaction to this in throwing the bananas overboard and calling her husband a bully, and again when she walks out on her husband's sermon when he condemns the incestuous marriage of the new Queen, for example) was removed. The result of this it to make one of Julie's most absorbing characterisation seem less moving and less three dimensional. In the full version, Jerusha is a devoted wife but is also capable of standing up to her husband and asserting her own personality and beliefs. The shorter version presents less of this side of her character and leaves Jerusha as a submissive wife with a bully of a husband. However, Julie Andrews is incapable of a bad or uncommitted performance and even in the edited version is at the top of her game matching von Sydow's Hale (a more flashy character) every step of the way.
Here's hoping that M-G-M will eventually release a fully restored DVD of the roadshow version to show what a fine film this really is and let us see the complete performances of two great actors, Andrews and von Sydow.
My recommendation: it's worth a look in its edited form but would have been better is presented complete.

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Two cultures collide in this vast, lavish and truly spectacular film starring Julie Andrews, Max Von Sydow, Richard Harris, Gene Hackman and Carroll O'Connor. Adapted from James A. Michener's Pulitzer Prize-winning novel and nominated* for seven OscarsÂ(r), this "majestic, gorgeously framedepic is adventuresome picture-making, a credit to the industry" (The Film Daily) and riveting entertainment! They came to bring God, but instead brought disease and destruction. The Rev. Abner Hale (Von Sydow) and his gentle wife Jerusha (Andrews) attempt to convert early 19th-century Hawaiian natives to Christianity but find themselves ill-equipped to endure the unexpected tribulations of paradise. Surging with the excitement of windstorms, firestorms, shark attacks and magnificent island scenery, Hawaii shines as passionately as the island paradise itself!*1966: Supporting Actress (Jocelyne LaGarde), CinematographyColor, Costume DesignColor, Special Visual Effects, Score, Song, Sound

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Thursday, August 16, 2012

Camelot (Special Edition) (1993) Review

Camelot (Special Edition) (1993)
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In the annals of musical theater, there are more than a few great scores. Among them is Lerner and Loewe's "Camelot" which has more than its share of great songs that shine away from the musical play.
In 1964, Jack Warner produced "My Fair Lady" at Warner Brothers. It was an excellent film, if a bit too cautious. The play was a phenomenon and Jack didn't want anyone mucking about with it. Going to see it was almost as exciting as going to church, even though the film itself was entertaining and beautiful to look at.
Four years later, Warner attempted to do the same thing with "Camelot." In many ways, he failed, but in a couple of others, he outshone "My Fair Lady" and many other fine movie musicals. First, but not foremost, he enlisted the talents of John Truscott to design the film. No medieval tale has ever benefitted from so fine a vision. His sets and costumes are among the finest -- yet most realistic -- ever created. Second, and this is the best part (for me) -- he acquired the services of the finest composer/conductor Hollywood has ever produced. Alfred Newman had already won 8 Academy Awards prior to scoring "Camelot." Newman was one of a handful of composers who invented film scoring in the 1930s and 1940s. As head of the Fox music department from 1940-1959, Newman had the best orchestrators, best musicians and best composers working for him at Fox than could be found anywhere else.
For "Camelot," Newman had a free hand, along with his associate Ken Darby who had worked with Newman for nearly 20 years, collaborating on such film musicals as "Carousel," "The King and I" and "South Pacific."
The reason I'm making such a fuss over this -- in addition to the fact that "Camelot" earned Newman his 9th Oscar -- is that "Camelot" rates as one of the best scored musicals in film history and on this DVD, you can hear the entire musical score, free of dialogue and solo vocals, in 5.1CH stereo!
What separates "Camelot" from "My Fair Lady" is that in the latter, Warner would not let conductor Andre Previn alter the basic orchestrations of the play. Previn had some leeway, and it really shows in the score when he cuts loose. By and large, though, this did not include songs....just musical underscore/transitions. Newman, on the other hand, virtually co-composed the entire score. Using the thematic material, he wrote a dynamic, Erich-Wolfgang-Korngoldian ("Robin Hood," "The Sea Hawk," etc.) underscore that rouses you, thrills you and makes you feel great even if the film drama itself can't quite live up to it.
Watching a film for this isolated score feature alone is something only die-hard music lovers could tolerate, but it's there and can be enjoyed by anyone. Think of it as a full-orchestra karaoke feature and you can sing your favortie songs backed by one of the finest Hollywood orchestras ever assembled!
I've always been partial to "Camelot" for the score, the sets and the luminous presence of Vanessa Redgrave.
In truth, however, "Camelot" never looked as good in its first-run roadshow performances as it does on this DVD. This movie shimmers and sparkles and glows. It looks absolutely NEW. The sound does show its age in spots.
If only Arthur didn't run around all the time calling Guinevere and Lancelot "Ginny" and "Lance." (Lance. Ginny. Ginny. Lance.). That almost ruins the film for me -- that and Arthur's eccentric blue eye shadow. And if only Hollywood had not entrusted another great musical into the musically uninspired hands of Joshua Logan (one of Broadway's greatest directors but whose heavy hand all but ruined the film versions of "South Pacific", "Camelot" and "Paint Your Wagon.")
It's a whale of a movie. And the score is one of the finest ever committed to film.

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LERNER AND LOEWE'S MOVING MUSICAL ABOUT KING ARTHUR, GUENEVERE, LANCELOT AND THE ROUND TABLE.

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Wednesday, February 1, 2012

Orca - The Killer Whale (1977) Review

Orca - The Killer Whale (1977)
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The angry mate of a slaughtered pregnant killer whale becomes so enraged, that he begins a reign of terror on a fishing village and their community. Even though this movie follows on the heels of Jaws, and while it's not golden filmmaking like the great white shark classic, it is better than you think and gives more creeps than you presumed. Also gives you a true impression that orca's are more intelligent than most whales or animals/mammals. Bo Derek, and Richard Harris give the film more than average acts, while poor Robert Carradine and others get whipped by the black sea wolf's tail or eaten by him. I vote Orca as a more dangerous and smarter animal than a killer shark-he's faster, smarter, and he's gota good reason to kill. The music, by Ennio Morricone is a little eerie and provokes your nerves that more terror is to come. So, although the film isn't a milestone, don't look at the poster of this movie and brush it off as a Jaws rip off. Better than it looks.

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ORCA: THE KILLER WHALE stars Richard Harris and Bo Derek in her screen debut in an epic struggle between a strong and determined fisherman and an equally determined whale.When the whale's pregnant mate is killed, it goes on a rampage, seeking revenge on the man by smashing boats, collapsing buildings and causing extreme destruction by fire.

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