Showing posts with label simon pegg. Show all posts
Showing posts with label simon pegg. Show all posts

Wednesday, January 4, 2012

Shaun of the Dead Review

Shaun of the Dead
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It is a very hard line to cross in today's cinema to make a film that part comedy and horror film. Normally, when this happens we end up with something like the Chucky series. It began serious, but after seeing the new preview, I know they have given up serious horror and invaded into the world of campy horror. I was afraid at first that this film was going to go into that direction, but then I remembered ... this film wasn't made in America, it was made in Britain where the humor is actually intellectually funny. As I was sitting and enjoying this film from beginning to end, I couldn't help but wonder why America has not been able to master this style of film yet. Why is our comedies still heavily based in the sex humor or bathroom jokes? While there were some in this film, I felt the majority of the humor was logic and intelligence based. "If you listen to the words, you will laugh at the jokes" style of comedy instead of waiting to see who will fall over what first.
With its firm grasp on the comedy aspect, Shaun of the Dead delivers an exceptional grade for its creativity. It takes a lot of brain work to be able to think of a story about zombies where our main characters are oblivious to the fact that anything horrible is happening in the world until the second act. That was actually some of my favorite parts of this film. I was there, sitting in the theater, knowing that it was a zombie film (still, can I call it that?), and nearly missing the entire zombie clues going on in the background. My eyes were focused directly on our star and scene-stealer duo, Shaun and Ed. One of my favorite scenes of this film is when Shaun is going to work after the dead have risen and goes through the motions as if nothing strange is happening while there is chaos and destruction all around. How many of us have gone to work and not even noticed anything-different happening in our daily routine. Sometimes we get so caught up in the motion that we miss any different actions. I couldn't stop laughing.
What also made this film work on every level was the cast. Director Edgar Wright has done a fantastic job of placing the right actors with the right characters. They were each believable in their own part, and I loved every scene with Bill Nighy. He was perfectly cased and you could just tell that he loved being in this film. That is another great aspect of this film. It was a fun film and you could tell that the cast was having fun with their roles and were comfortable in their environment. So many times we watch these style of films and we see miscasting and uncontrolled actors doing anything to ensure that they stay at the top of people's minds. This wasn't happening in this film. I wasn't familiar with many of the actors, so I couldn't play favorites. All I could do was sit back and enjoy everyone and everything.
I would like to end with the comment that this is still a zombie film. It is a love story surrounding a zombie film where the director has chosen to emphasize the love story instead of blowing everything up. I know that sounds strange, but you will get used to it American viewers. I mention that it is still a zombie film because I do not want people going thinking that this is a spoof. While it does pay homage to several of the classic horror films, this film stands on its own two feet. It had blood, it has violence, and it has those infamous scenes of people's heads being blown apart. That is why we see zombie films.
Overall, if you love zombie films and you are a fan of The Office or any Hugh Grant film, than Shaun of the Dead will appeal to you. I don't remember the last time I witnessed such a creative film.
Grade: ***** out of *****

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Monday, December 5, 2011

Hot Fuzz (Widescreen Edition) (2007) Review

Hot Fuzz (Widescreen Edition) (2007)
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We are very nearly through the first half of 2007 and I'm happy to report that HOT FUZZ is easily the funniest movie that I have seen so far this year. I loved Edgar Wright and Simon Pegg's previous film, SHAUN OF THE DEAD, and am delighted to report that this is every bit as funny at that one, if not funnier.
The film concerns a highly decorated London police officer who is so good at his job that he is shunted off to an assignment in the country because he is so good he makes the rest of the force look bad. Sanford would seem to be an impossibly idyllic place, winner several times of the top village in England award. But it is a town that houses mysteries, which our hero Nick Angel gradually uncovers. Most of the film should be predictable, but it is a credit to Wright and Pegg that it isn't. Even the big ending, the week point in most such movies, is a delight. Despite a lot of action and special effects and explosions it is never taken over by them. It remains fresh and surprising to the very end. Although the plot is surprisingly interesting for a comic romp, this would be a fun film without it. The gags are consistently brilliant throughout and every one is executed marvelously. This is a much slicker film than SHAUN OF THE DEAD was, though that wasn't in any way unpolished.
The cast is a large one and they manage to bring the village of Sandford to life in convincing fashion. Pegg is paired with Nick Frost, his costar in SHAUN OF THE DEAD. The cast is littered with well-known actors such as Jim Broadbent, Timothy Dalton, Edward Woodward, Billie Whitelaw, Bill Nighy, Stephen Merchant, and Martin Freeman as well as a rich and varied cast of lesser-known performers. The great thing about this is that the actors really enhance the film. What I mean is that the success of SHAUN OF THE DEAD meant that they could hire a cast of better-known performers. Sometimes this can lead to a decline in the quality of projects (watch Robert Rodriguez's EL MARIACHI and DESPERADO back to back and you'll see how a no name cast can free up a director while a big name cast can inhibit one), but that absolutely didn't happen here.
The film is littered with in jokes and cultural references. There are also a number of references to SHAUN OF THE DEAD, but it isn't important to get any of these to enjoy the movie. There are also, according to Edgar Wright, a couple of nice cameos, though we have to take his word for it since neither is recognizable. The crazed Santa that stabs Angel near the beginning of the film is, says Wright, Peter Jackson, while his ex-girlfriend Jeanine is Cate Blanchett. Again, we have to take his word for it because her entire scene is played with a surgical mask over her face so that all we see are a pair of eyes that do indeed look like they could belong to Cate Blanchett.
As anyone can tell, I loved this movie. I enthusiastically recommend it to anyone.

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Sunday, September 25, 2011

Run, Fatboy, Run (2008) Review

Run, Fatboy, Run (2008)
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I too think, that the title "Run Fat Boy Run" is quite amusing and very apropriate for the film. Let me, in response to another reviewers question "who would pay money to see a fat boy run?" ask: who wouldn't?
The story is neither original nor complicated. At their wedding, Simon Pegg's character gets cold feet and takes off without explanation, leaving his pregnant girlfriend behind. 5 years down the line he, now a fat, pathtic looser without the mone to pay the rent, realises that he actually left the love of his life behind that day. She has found a rich, handsome, athletic American played very well by Hank Azaria, and has no need for her former fiance. So to win her back, Pegg must compete against his American competitor in a marathon race. Chaos and hilarity ensues.
Simon Pegg, who is nothing short of a comic genius, plays the gormless loser so joyously well, and adds to it his incredible sense of physical comedy. His American rival is in turn played expertly by Mr. Azaria, who somehow manages to portray a character that at the same time is absolutely charming, wonderful, and thoroughly unlikeable. The always funny Dylan Moran adds his own interesting personae to the character Gordon, the best friend of Peggs character. Also a guest visit from Little Britains David Walliams, makes for a nice little surprise.
I'm not the biggest fan of director David Schwimmer, but I must admit that he's done a decent job with this one. The score, scenery, production, and all the rest of it is also done quite well.
So in conclusion I'll say, that while "Run Fat Boy Run" is not in any way original or spellbinding, it does provide some solid laughs and is never boring. Definitely recommendable.

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