I'm Still Here (2010) Review

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(More customer reviews)Madness or high-concept performance art? "I'm Still Here," the faux documentary about actor Joaquin Phoenix, is likely to baffle and divide its audience. When Phoenix decided to quit acting, and seemingly hygiene, to pursue his passion of becoming a rap star--his friend and brother-in-law Casey Affleck was there to follow and film the inevitable fall from grace. There was rampant speculation from the get-go about the legitimacy of the endeavor (especially as it was all being filmed), but the longer the debacle played out--the less it seemed to matter. Fake or real, the damage was being done. Now, almost two years later, to have the entire experience and film declared a ruse seems the ultimate act of futility. Who, exactly, is the joke on? And to what purpose?
"I'm Still Here" covers all the trappings of a celebrity life in descent. Drug use, prostitutes, public intoxication, brawling and a "star" desperate to be taken seriously despite his best efforts to act a fool--we've seen the act before in countless narrative films and fictionalized biographies. We get a repeat of the infamous Letterman interview, the concert performance that became a YouTube sensation, and the incident where Phoenix attacked a concert goer. We also get to see moments of celebrity intervention--Edward James Olmos tries the spiritual approach while Ben Stiller tries to get Phoenix back to work. Much of the film is about a scramble to get into the music industry. Phoenix aggressively pursues P. Diddy, the film's most inspired performance, who is mainly just concerned about getting paid. Now that's real! And it all concludes on a rather ridiculous "arty" note which has got to be satirical.
Affleck has maintained that this is his brother-in-law's best performance. The problem is--I don't know if I believe him, I don't know that I care, and I don't know if it matters? At some point, you have to ask yourself "what's the point?" As near as I can figure, the only analysis has "I'm Still Here" as a discussion on the nature of reality and/or the nature of celebrity. On either account, is it relevant and necessary? When it was declared "I'm Still Here" was a hoax, that really doesn't change much of the on-screen content. Phoenix deconstructed his life on camera and those bad acts were put in the film. Even if some of the private incidents were staged (who knows? who cares?), the public behavior earned Phoenix notoriety as a drug addled buffoon. So whether he was living the life depicted or "acting" like he was living the life depicted, there isn't much real difference. What's that say about reality? Not so sure. And with celebrity meltdowns almost a monthly occurrence, does a "fake" one merit much interest? Not so sure.
The alternate option, and the one I tend to gravitate towards, is that it's all really quite meaningless in the long run. I think Affleck's "truthful" revelation while the film was in limited release was meant to fuel interest and debate. Duh? Fine, then, let's set a different set of standards. As a fictional experiment, I still think the film and its topic play out too often in real life to be particularly revelatory here. In terms of entertainment, I'd make the same argument. At best, I'd say that "I'm Still Here" is a fascinating excursion in self-indulgence both by Phoenix and Affleck. Whether that's enough will depend on your interest in the pair. I was mildly interested when all is said and done. KGHarris, 10/10.

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The directorial debut of Oscar nominated actor Casey Affleck, I'm Still Here is a striking portrayal of a tumultuous year in the life of internationally acclaimed actor Joaquin Phoenix. With remarkable access, I'm Still Here follows the Oscar nominee as he announces his retirement from a successful film career in the fall of 2008 and sets off to reinvent himself as a hip hop musicians. Sometimes funny, sometimes shocking, and always riveting; the film is a portrait of an artist at a crossroads. Defying expectations, it deftly explores notions of courage and creative reinvention, as well as the ramifications of a life spent in the public eye.

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There Will Be Blood (Two-Disc Special Collector's Edition) (2008) Review

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(More customer reviews)Upton Sinclair's epic novel OIL! has been successfully transformed to a film by screen writer/director Paul Thomas Anderson ('Magnolia','Boogie Nights', etc). The film is a long song (158 minutes), covering a fascinating span of time in turn of the century California when oil gained the lure of gold and transformed the land and the people into creatures of capitalism and greed and lust, and were it not for the presence of Daniel Day-Lewis' powerful performance as the man who makes it all happen, the story itself would become tiresome. It doesn't.
Daniel Plainview (Daniel Day-Lewis) is a silver miner in 1898, but soon discovers oil and begins on a mission to become wealthy, owning most of the oil fields from the mountains of central California to the Pacific Ocean. With his medicine man manner of getting people to do what he wants he pursues his greed relentlessly, disrupting small sleepy towns like Little Boston as he gains access to the wealth of the black gold. There are odd characters along the way, such as the evangelist Eli Sunday (Paul Dano) who become crushable clods beneath Plainview's boots. The progress of the story is well known to most: it is the telling of the tale in the hands of wholly credible, completely physically immersed Daniel Day-Lewis that makes the story seem new.
The film's grimy atmosphere is well presented in Robert Elswit's cinematography and the odd musical score by Jonny Greenwood is as ominous as the vantage of Plainview. Greenwood elects to weave classical works into the fabric of the film: when young HW falls deaf after an explosion the silence is partnered by one of Arvö Pärt's 'Fratres', and the film's credits are displayed over the Anne-Sophie Mutter/von Karajan recording of Brahms' Violin Concerto. Strange bedfellows, yes, but entirely appropriate to the overall mood of the film. The journey is long and depressing, but the power of Day-Lewis' performance is magic. Grady Harp, April 08

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A sprawling epic of family, faith, power and oil, THERE WILL BE BLOOD is set on the incendiary frontier of California’s turn-of-the-century petroleum boom. The story chronicles the life and times of one Daniel Plainview (Daniel Day-Lewis), who transforms himself from a down-and-out silver miner raising a son on his own into a self-made oil tycoon. When Plainview gets a mysterious tip-off that there’s a little town out West where an ocean of oil is oozing out of the ground, he heads with his son, H.W. (Dillon Freasier), to take their chances in dust-worn Little Boston. In this hardscrabble town, where the main excitement centers around the holy roller church of charismatic preacher Eli Sunday (Paul Dano), Plainview and H.W. make their lucky strike. But even as the well raises all of their fortunes, nothing will remain the same as conflicts escalate and every human value – love, hope, community, belief, ambition and even the bond between father and son – is imperiled by corruption, deception and the flow of oil.

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The Killer Inside Me (2010) Review

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(More customer reviews)Bringing pulp novelist Jim Thompson to screen has always been a tricky proposition. His dark stories are easy to push over the edge of sanity. With their undercurrent of brutality, they can walk the line of comedy and/or surrealism but still maintain a realistic punch to the jaw. Getting that tone has been hit or miss in cinema--personal favorites are the sublime "The Grifters," "Coup de Torchon" and the underrated "After Dark, My Sweet." I was stoked to hear director Michael Winterbottom had taken on "The Killer Inside Me" which had been covered poorly in an earlier production featuring Stacy Keach.
Winterbottom has assembled an impressive cast including Casey Affleck, Jessica Alba, Ned Beatty, and Kate Hudson for this neo-noir piece. Affleck stars as a low-keyed and likable law enforcement officer who gets involved with a local prostitute and enmeshed in a murderous scheme. But to cover his tracks, further bad deeds need to be done--and Affeck seems to relish this new evil! It's best not to go into the specifics of the plot and to let the film unfold, but Winterbottom does not shy away from some explicit and surprising violence. It's unsettling, to say the least, but helps to establish an effective "anything can happen" feel!
Ultimately the success of "The Killer Inside Me" rests on Casey Affleck's shoulders. He is not the conventional actor one would picture for this role. Small in stature, relaxed in delivery (and enunciation)--his offbeat presence actually makes "The Killer Inside Me" even more intriguing. As he is not a predictable "leading man" or a particularly menacing presence, you're never quite sure what he's going to do. I found this lack of expectation to be quite invigorating and led me to accept and appreciate the twists of the film to a greater degree. To be fair, the film does get loopier and loopier--but I was happy to follow this sordid tale through to the completely over-the-top finale! KGHarris, 8/10.

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Oscar-nominated actor Casey Affleck (Gone Baby Gone) gives his most chilling performance yet in the controversial crime drama The Killer Inside Me. Co-starring Jessica Alba (Fantastic Four), Oscar nominee Kate Hudson (Almost Famous), Emmy nominee Simon Baker (TV s The Mentalist) and Bill Pullman (Independence Day), this modern-day film noir shows a small town sheriff up to his neck in murders: his own. When Affleck s sheriff is asked to railroad a talkative prostitute out of town before she makes trouble, he realizes it s easier to just get rid of her for good. Unfortunately, covering up that murder means eliminating more and more people as his problems and complications spiral out of control. Even worse, he s starting to enjoy committing the crimes a lot more than he ever enjoyed dishing out the punishment. Based on the pulp fiction classic by Jim Thompson (The Grifters), The Killer Inside Me is an assured, stylish film [Guardian UK] that reveals the danger when a lawman s badge is hiding a cold, cold heart.

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Gone Baby Gone (2007) Review

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(More customer reviews)Ben Affleck has written (with Aaron Stockard) a superb screenplay adaptation of Dennis Lahane's novel GONE BABY GONE and has proceeded to direct this tough tale with an ensemble cast of both well-known actors and unknown actors and walk-ons from the streets of the Boston area where they grisly story takes place. The result is a film so well tuned and realistic with a perfect sense of pacing and character development that it becomes a remarkable calling card for Ben Affleck's career as a director. That it is going unnoticed (with the exception of Amy Ryan's nomination for Best Supporting Actress) by the Oscars is a grave oversight !
The time is contemporary Dorchester, Massachusetts and Patrick Kenzie (Casey Affleck) and his girlfriend/partner Angie Gennaro (Michelle Monaghan), become aware of a missing child Amanda (Madeline O'Brien) in their own neighborhood. The child's aunt Bea (Amy Madigan) and uncle Lionel (Titus Welliver), unable to cope with Amanda's drugged out mother Helene (Amy Ryan), knock on Patrick and Angie's door, pleading with them to help find Amanda: Patrick and Angie are private detectives who just happen to be an integral part of the neighborhood. Reluctant at first to become involved in the now 3-day police hunt for the child, a hunt headed by the respected Captain Jack Doyle (Morgan Freeman) who his lost his own daughter in similar circumstances and detectives Remy Bressant (Ed Harris) and Nick Poole (John Ashton) and who as a triad feel they are competent to handle the case without the 'immature experience' of the young couple. But Patrick and Angie do become involved, uncover leads within the neighborhood that lead to the clues behind the missing child incident and in doing so, unravel a lot of corruption within the police force, and also discover differences between themselves that threaten their otherwise close relationship. To say more would remove the incredible tension this story maintains all the way to the fadeout credits.
The cast is uniformly excellent, from the smallest roles to the most major ones. It is difficult to single out any performer for praise as this is truly an ensemble piece. The flavor of the film is honest, unflinching, and refuses to ignore the grotesque incidents that must be shown for the movie to maintain its impact. Writer Dennis Lahane ('Mystic River', 'Shutter Island') is a master of detailing the spectrum of responses that ugly matters induce: even the most noble of intentions have their shadowy side. Affleck finds all of this in this excellent film, a film so strong that it easily bears repeated viewings. Highly recommended...but not for the squeamish. Grady Harp, February 08

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Gone Baby Gone is Ben Affleck s directorial debut, adapted by Affleck from the novel by Dennis Lehane "Mystic River".It is an intense look inside an ongoing investigation about the mysterious disappearance of a little girl. As two young private detectives (Casey Affleck and Michelle Monaghan) hired to take the case get closer to finding her, they discover that nothing is as it seems and more dangerous than they ever thought possible. Also starring Academy Award® winners Morgan Freeman (Million Dollar Baby) and Ed Harris (Pollack).

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