Showing posts with label morgan freeman. Show all posts
Showing posts with label morgan freeman. Show all posts

Friday, August 31, 2012

10 Items or Less (2006) Review

10 Items or Less (2006)
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Knowing when to end a movie is just as important as casting, directing and acting. And it's nice to see when a director/script get it right. Clocking in at just 82 minutes, 10 ITEMS OR LESS doesn't stretch the story, trying to grasp at inane topics. It stays focused, being funny, sad, and well thought out.
Morgan Freeman (Lucky Number Slevin) stars as "Him", an aging actor grasping at any roles presented to him. We're introduced to "Him" as he travels to a supermarket in an out-of-the-way section of town by The Kid (Jonah Hill, Click). Realizing he has a star in his car, The Kid pressures Him to talk about his absence in cinema over the past few years. Him isn't very forthcoming because, not only has he been out of it for while, he's also en route to a shooting location of an indie film he might act in ("I haven't decided if I'm going to accept the part."). The Kid is a relative of the director involved in this indie venture and soon drops him in the middle of nowheresville. Stuck, Him decides to check out the local market. He immediately runs into the beautiful Scarlet (Paz Vega, Spanglish) who operates the 10 items or less register. Not just strikingly pretty but intelligent, Him begins using her as his prime research subject for his upcoming independent film role. He learns how she figures out numbers so quickly and why she knows the quirks of every member of this isolated community.
But Him doesn't just use Scarlet, he helps her so he can see deeper into her life. They travel together to get her car back from a cheating husband, and he teaches her how to act to get a new job she's pining for, and how to dress for success even when confronted with Target as the epitome of local clothing. This is probably one of the funniest moments as we get a glimpse of Him, too, showing his complete lack of understanding of the chain-store retail world ("These shirts are only $12 bucks! How is this possible?!")
The ending, as stated at the beginning of this review, is abrupt but apropos. There's no way these two could ever remain friends even though they form a unique bond. They know when to say goodbye and what each garnered from the other. It's a quiet but riveting moment as Scarlet's clunker car sits idling outside Him's L.A. mansion.
This is a great independent production and one that wastes little time getting going. And it won't waste your time either.

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Once the center of Hollywood, an aging actor finds that his fear of failure has made his career dry up, and he’s now forced to consider a role in a small independent movie. While researching for the role, he stumbles into Scarlet, a spitfire check out clerk at a Latino community market. Soon abandoned by his driver, the world famous actor must rely on Scarlet to lead him back to his side of the tracks. This trek through Los Angeles features richly unexpected situations, chance encounters, and personal revelation that neither character could ever have anticipated.

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Saturday, July 28, 2012

Scared Straight (1978) Review

Scared Straight (1978)
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A film by Arnold Shapiro
Peter Falk narrates this documentary about criminally inclined youths visiting a prison and getting to talk to actual inmates who are trying to scare them straight. It is the Rahway State Prison in New Jersey. The year is 1978. It is called the "lifers program". The inmates get no special compensation for participating in the program, but they hope that this program will help keep some kids out of prison. 17 teenagers are sent to the program, it was a sort of a last stop for these kids before prison. These aren't good kids, they have committed theft, arson, armed robbery, assault, and more. The inmates are some of the worst convicts in the prison system, nasty men who have done nasty crimes.
Scared Straight is an uncensored look at this session in the prison. The inmates come in and they each take turns talking of their experiences, but rather than just a dry account of their prison time (and how they got there) this is highly emotional. The inmates yell at the kids, curse at them, and explicitly tell them exactly what will happen to them if they end up in prison and exactly what the prison culture is like. It is violent, always threatening, and every day is a risk of being the prisoner's last. The inmates gave every possible detail, more than you might want to know but everything you would need to know. Going to prison may seem like a game, a short easy ride, but these convicts set you straight. Some of the kids appeared to be near tears and visible intimidated by the convicts. The inmates explained what being intimidated would get them in prison, too.
This was a powerful documentary. It won the Academy Award for Best Documentary and it should be required viewing for any kid who starts getting in trouble with the law. Perhaps it should just be required viewing in high school. There is a follow-up with the kids 20 years later. Amazingly enough, 16 out of 17 of the original group have stayed out of prison. It was an incredibly successful program and the men (and women) said that if it wasn't for the lifer's program, they probably would have kept committing crimes. We also get to see some of the convicts 20 years later, the ones who are still alive. Some have been able to finish their sentence and stay clean, others had some problems and remain behind bars.
This is an incredible documentary and I don't think it lost any of its power 20 years after it first aired. This should be required viewing for any teenager and I highly recommend this documentary.

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Item Name: Scared Straight!; Studio:New Video Group

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Thursday, May 17, 2012

Million Dollar Baby (Two-Disc Widescreen Edition) (2005) Review

Million Dollar Baby (Two-Disc Widescreen Edition) (2005)
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Hillary Swank (Margaret Fitzgerald), who proved her athleticism in her first major role, The Next Karate Kid, demonstrated it again, pummeling a heavy bag with a power left on which I wouldn't want to be on the receiving end. She's very convincing in this movie - both as a young woman from humble beginnings who wants to make a better life for herself, and as a boxer. In Million Dollar Baby, she returns to the visceral emotional range that left us so deeply moved in Boy's Don't Cry.
Clint Eastwood (Frankie Dunn), who has proved himself repeatedly, has perhaps turned in the best performance of his career. At times irascible, intellectual, mournful, instructive, reflective, passionate - in every manifestation, he reaches you. He was brilliant.
And Morgan Freeman is, well, Morgan Freeman. As the narrator of the story, and an actor within it, he lends a soft-spoken touch that ameliorates some of the film's darker elements. He also lent the film a certain amount of boxing sagacity, as he spoke in non-technical and sometimes quasi-technical terms of the basics of boxing.
This film ain't no Rocky. It has an intelligence and compassion that Rocky (and virtually every boxing film ever made, save perhaps Raging Bull) couldn't think to have. Beyond that, it actually has better fight sequences. More often than in most boxing films - certainly the very poor choreography of the Rocky fight sequences - the punches looked and felt real, or as real as "fake" can make them.
Margaret introduces herself to Frankie after a fight and asks him to train her. He turns her down flat, saying that he doesn't train girls. Given her pluckiness, she appears at his gym the next day, punching a heavy bag with all of the skill, style and fluidity of Pinocchio. Finally he agrees to train her ("finally" takes a while, and watching it come to fruition, the subtle changes in Eastwood's character, is a real treat to watch), and soon she is ready for her first fight.
Here's the only similarity to Rocky: she turns out to be a natural, with a wicked left hook and overhand right (at least that I could see) and is knocking out all of her opponents in the first round. Some might think that this is, perhaps, a bit much. However, in the sport of women's boxing, such a thing isn't uncommon. PLEASE don't think that I'm saying women are not good boxers or don't have the same abilities that men do. It's simply that the increasing popularity of the sport hasn't quite yet led to the kind of talent that exists in men's boxing (although, frankly, talent on that side isn't exactly at it's apex). Her superiority over lesser opponents isn't unheard of.
There's so much more I want to say about this film, because from this point forward it moved from being one of the best films of the year - purely on the strength of the writing, and the performances of Swank and Eastwood in particular - to one of the best films I've seen in several years. I'm so grateful that reviewers didn't give away the ending. I'll just say that the ending is layered with surprises, and that it's been a very, very long time that I haven't seen a single cell phone being used (how annoying is that, even with all of the polite requests and warnings?), and also seen so many in the theater remain in their seats long after the movie ended.
It's a brilliant, brilliant film, the kind that makes me want to go back and change the number of stars I've given most movies that I've reviewed, simply so that this 5 star review means more. I recently gave Sideways, Closer, and Finding Neverland 5 stars, and while they are all very, very worthy films - I'd like to give this one six.

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"I DON'T TRAIN GIRLS", trainer Frankie Dunn growls. But something's different about the spirited boxing hopeful who shows up daily at Dunn's gym. All she wants is a fighting chance. Clint Eastwood plays Dunn and directs, produces and composes music for this acclaimed, multi-award-winning tale of heart, hope and family. Hilary Swank plays resilient Maggie, determined not to abandon her one dream. And Morgan Freeman is Scrap, gym caretaker and counterpoint to Dunn's crustiness. Grab your dreams and come out swinging.DVD Features:DocumentariesFeaturetteInterviews


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Monday, March 19, 2012

The Maiden Heist Review

The Maiden Heist
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The prior reviews of The Maiden Heist have given a good idea of the story of this film. To those I have some non-spoiler comments.

The Maiden Heist, to judge from the clapboards, was originally titled The Maiden Lady from the painting that Christopher Walken is obsessed with. This film answers the question if museum guards actually like the art they protect. The three guards of the story - Christopher Walken, Morgan Freeman and William H. Macey - are all obsessed with different pieces of art. They feel very protective about their art so when they learn that the entire exhibit will be moved to a museum in Denmark and replaced by some avant-guard art, they decide to save their favorites.
Morgan Freeman plays a soft-spoken affable man who enjoys drawing and painting; William H. Macey's character claims he was a Marine but changes his combat stories and Christopher Walken is a quiet homebody who daydreams about protecting his Maiden Lady from ant harm. Marcia Gay Harden has a marvelous supporting role as Christopher Walken's wife who-must-be-obeyed.
The fun of the film is that the three guards fumble their way through the heist. There are many funny scenes in the film but also some that stretch the imagination. The conclusion of the film is one of real charm and understanding. The DVD comes with bonus features that include a making of the film, deleted scenes and bloopers. The many scenes that were deleted struck me as wise decisions. The performances are what make this film and are excellent even when the material is lacking.

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Their plan wasn't exactly a work of art. It was a stroke of genius. But now the perfect crime is turning into a perfect disaster in this madcap comedy featuring Academy Award winners Morgan Freeman, Christopher Walken, Marcia Gay Harden and Academy Award nominee William H. Macy. Charles, Roger and George are the very picture of honest security guards. But when they learn their favorite artworks are being sent to another museum, they concoct a plan to switch the real masterpieces with fakes. All goes well until a mistake forces these first-time thieves into a last-minute escapade in the comedy caper that proves you're never too old to have some new fun.

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Monday, February 20, 2012

Slavery and the Making of America Review

Slavery and the Making of America
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I have watched and re-watched this series on PBS, and with each episode I always go away having learned something. The researchers and writers were thorough, the re-enactments are well-played*, and the tempo of each segment is appropriate. Morgan Freeman is the perfect choice for a narrator (even better than Whoopie Goldberg in Unchained Memories); he speaks like a wise, maturing uncle versed in the intricacies of a long, unpleasant family history.
My favorite segments are those on David Walker's call to resistance; a certain Miss Freeman, who successfully sued for her freedom; and Col. Tye's band of 18th century guerilla warriors.
*Such re-enactments, when accurately presented, are essential to helping viewers understand the realities of the era, as there are so few photographs and no moving pictures in existence from this lengthy period in American history. (As the narrator says, "America was a slave-holding society longer than it has been a 'free' society.")

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SLAVERY AND THE MAKING OF AMERICA is a landmark, four-part series that examines the history of slavery in the United States and the integral role it played in shaping the new country's development.
Breaking with conventional documentary production approaches, the series producers, PBS's Thirteen/WNET New York, have used dramatic re-enactments to take viewers back in time and deep into the slave experience. Much of the story is presented from a unique vantage point - through the eyes of the enslaved.
As factually represented in this series, American slavery evolved from a loosely defined labor system which provided some protection under the law, into the tightly regulated enslavement without recourse, based solely on race.
Underscoring how slavery impacted the growth of this country's Southern and Northern states; the series examines issues still relevant today. The variety of cultures from which the slaves originated provided the budding states with a multitude of skills that had a dramatic effect on the diverse communities. From joining the British in the Revolutionary War, to fleeing to Canada, to joining rebel communities in the U.S., the slaves sought freedom in many ways, ultimately having a far-reaching effect on the new hemisphere they were forced to inhabit.
Acclaimed actor Morgan Freeman narrates the series, which features a score by Michael Whalen.
Programs in this series:Program 1: The Downward SpiralProgram 2: Liberty in the AirProgram 3: Seeds of DestructionProgram 4: The Challenge of Freedom
Features:English Subtitles for the Hearing Impaired,Spanish Subtitles

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Wednesday, December 21, 2011

Wanted (2008) Review

Wanted   (2008)
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"Wanted" is a mile-a-second action picture that never lets up. Wesley Gibson (James McAvoy) suddenly finds that his life as an ordinary office worker is over. A beautiful woman, Fox (Angelina Jolie), crashes into his life and introduces him to the Fraternity, a secret society of assassins led by the mysterious Sloan (Morgan Freeman). Wesley is informed that his long-lost father was murdered while working for the Fraternity and Wes has been chosen to target the rogue member who did it. Before he can complete his assignment, he must first uncover the dark secrets behind the Fraternity to understand why he was selected and how he figures in its plans.
The main attraction of "Wanted" is the amazing use of CGI special effects, from glass panes shattering as bodies fly through them to bullets redirecting their trajectory in mid-propulsion. Jolie manages to look as comfortable in action flicks as in serious dramas like the recent "Changeling." She is quite the action babe and easy on the eye. McAvoy, who showed his acting chops in "The Last King of Scotland" and "Atonement" seems an odd fit for "Wanted." He looks as if he's doing this one to pay for the new swimming pool. He's fine in the early scenes as a drone-like worker lost in a huge company, but his transformation into this almost-indestructible super assassin is harder to accept. Bonus extras on this two-disc DVD include an extended scene; behind-the-scenes featurettes on the film's stunts, visual effects, and origins in the graphic novel; and a making-of documentary.

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WANTED - Blu-Ray Movie

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Saturday, September 17, 2011

March of the Penguins (Widescreen Edition) (2005) Review

March of the Penguins (Widescreen Edition) (2005)
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I chose to see "March of the Penguins" as a diversion to a 100+ degree day, and saw that cold weather is worse than hot weather. Now, in the brisk part of autumn, it still holds up.
Penguins from several areas of Antarctica converge on land, safe from predators and the ebbing ice shelf. They are there to mate, birth, and care for their chick.
Monogamous for that year, penguins pair up and the mother lays an egg.
The mother dashes off back to the sea, which, thanks to the winter and new ice, is as far as 70 miles. She's starving, having lost one-third of her weight in laying the egg. The trip is long, and she's not fast. Hungry seals await them, some penguins lose their way, and some are too exhausted to continue.
Well-fed, full of food for her chick, she returns, and the father makes the same trip so he can eat. The father stayed behind to incubate the egg, and protect the new chick. He has lost one half of his weight.
The pair trade places a few more times as winter plods on. With temperatures 80 below zero, and winds up to 125, I felt cold just watching. The penguins huddle to keep warm, rotating which must do outside duty.
Morgan Freeman narrates. His voice does not overcome the story. Better written than any documentary I have ever seen, Freeman respects the script. Having never seen a documentary in a theater before, I was impressed at how well it worked on the big screen.
There is no plot, even though there is a beginning and an end. Unlike many documentaries, it does not detail the intricacies of eating, mate choosing, or science of penguin living. It is more about watching the arduous life cycle, with some explaining what we are watching.
The camera works captures the cold -- the shivering penguins, the snow blowing like dust over the long line of marching penguins. It reminded me of movies about Siberia, showing Soviets living in a frozen, cold natural prison.
This isn't a cute animal movie. Tender children might be saddened to see the eggs and chicks freezing, and could be quite frightened when the vicious seals overtake swimming penguins.
Now, with the ever-funny Bugs Bunny in "8 Ball Bunny," the kid-factor increases. Still, even as Bugs graces your home viewing experience, be careful with more impressionable children and the feature documentary.
Another DVD feature: Rodney the Penguin assists in "Crittercam: Emperor Penguins," as we learn how some of the complex videography was really shot.
I fully recommend "March of the Penguins."
Anthony Trendl
editor, HungarianBookstore.com

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In the Antarctic, every March since the beginning of time, the quest begins to find the perfect mate and start a family. This courtship will begin with a long journey - a journey that will take them hundreds of miles across the continent by foot, in freezing cold temperatures, in brittle, icy winds and through deep, treacherous waters. They will risk starvation and attack by dangerous predators, under the harshest conditions on earth, all to find true love. DVD Features:Documentaries:CRITTERCAM : EMPEROR PENGUINS: penguin diving and feedingDocumentary:OF MEN AND PENGUINS: The incredible filmmaking process of the movieOther:8 BALL BUNNY: A classic WB animated short with Bugs Bunny and a penguin


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Saturday, July 2, 2011

Gone Baby Gone (2007) Review

Gone Baby Gone (2007)
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Ben Affleck has written (with Aaron Stockard) a superb screenplay adaptation of Dennis Lahane's novel GONE BABY GONE and has proceeded to direct this tough tale with an ensemble cast of both well-known actors and unknown actors and walk-ons from the streets of the Boston area where they grisly story takes place. The result is a film so well tuned and realistic with a perfect sense of pacing and character development that it becomes a remarkable calling card for Ben Affleck's career as a director. That it is going unnoticed (with the exception of Amy Ryan's nomination for Best Supporting Actress) by the Oscars is a grave oversight !
The time is contemporary Dorchester, Massachusetts and Patrick Kenzie (Casey Affleck) and his girlfriend/partner Angie Gennaro (Michelle Monaghan), become aware of a missing child Amanda (Madeline O'Brien) in their own neighborhood. The child's aunt Bea (Amy Madigan) and uncle Lionel (Titus Welliver), unable to cope with Amanda's drugged out mother Helene (Amy Ryan), knock on Patrick and Angie's door, pleading with them to help find Amanda: Patrick and Angie are private detectives who just happen to be an integral part of the neighborhood. Reluctant at first to become involved in the now 3-day police hunt for the child, a hunt headed by the respected Captain Jack Doyle (Morgan Freeman) who his lost his own daughter in similar circumstances and detectives Remy Bressant (Ed Harris) and Nick Poole (John Ashton) and who as a triad feel they are competent to handle the case without the 'immature experience' of the young couple. But Patrick and Angie do become involved, uncover leads within the neighborhood that lead to the clues behind the missing child incident and in doing so, unravel a lot of corruption within the police force, and also discover differences between themselves that threaten their otherwise close relationship. To say more would remove the incredible tension this story maintains all the way to the fadeout credits.
The cast is uniformly excellent, from the smallest roles to the most major ones. It is difficult to single out any performer for praise as this is truly an ensemble piece. The flavor of the film is honest, unflinching, and refuses to ignore the grotesque incidents that must be shown for the movie to maintain its impact. Writer Dennis Lahane ('Mystic River', 'Shutter Island') is a master of detailing the spectrum of responses that ugly matters induce: even the most noble of intentions have their shadowy side. Affleck finds all of this in this excellent film, a film so strong that it easily bears repeated viewings. Highly recommended...but not for the squeamish. Grady Harp, February 08

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Gone Baby Gone is Ben Affleck s directorial debut, adapted by Affleck from the novel by Dennis Lehane "Mystic River".It is an intense look inside an ongoing investigation about the mysterious disappearance of a little girl. As two young private detectives (Casey Affleck and Michelle Monaghan) hired to take the case get closer to finding her, they discover that nothing is as it seems and more dangerous than they ever thought possible. Also starring Academy Award® winners Morgan Freeman (Million Dollar Baby) and Ed Harris (Pollack).

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Thursday, April 21, 2011

Outbreak (Snap Case) (1995) Review

Outbreak (Snap Case) (1995)
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This movie is one of the best and most underated movies I seen. The basic storyline is a virus starts off like many others. The main character (Dustin Hoffman) has a hunch that this virus can be very serious, and turns out being so. From here the movie took off and just got better and better. During the last 40 minutes of the movie, I was so stuck in it, I don't think I moved the entire time. This movie is a rare must see. One reason I liked it so much is that the concept of the movie just got you thinking. Can't say it enough, it's a great movie!

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Catch the fever of "one of the great scare stories of our time" (Roger Ebert) as Dustin Hoffman, Rene Russo and Morgan Freeman race to save life on earth when an unstoppable killer virus hits our shores.

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