Showing posts with label true. Show all posts
Showing posts with label true. Show all posts

Monday, September 24, 2012

The Sisterhood of the Traveling Pants 2 (Widescreen Edition) (2008) Review

The Sisterhood of the Traveling Pants 2 (Widescreen Edition) (2008)
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The impression that "The Sisterhood of the Traveling Pants 2" gives is that it's a bubbly, bright, and--for all intents and purposes--meaningless sequel to the first film. To my relief, it follows the example set by its predecessor, a surprisingly levelheaded friendship story. Four years after discovering a magically fitting pair of jeans, best friends Tibby Tomko-Rollins (Amber Tamblyn), Carmen Lowell (America Ferrera), Lena Kaligaris (Alexis Bledel), and Bridget Vreeland (Blake Lively) have returned for a second chapter that remains on perfectly equal ground with the first, focusing on coming-of-age issues like maturity, self-discovery, family, and love. Unoriginal ideas? Maybe so, but that doesn't mean they're any less effective. If anything, they make the film's message that much clearer. It helps that many of the girls' problems are based in reality--high school issues, like being pretty and popular, are pushed aside in favor of adult issues, like pregnancy scares and family crises.
If there's anything we learned from the first film, it's that the magic of the titular jeans was symbolic; by in large, the girls worked through their own ups and downs on their own, with no miraculous intervention other than their friendship with one another. We learn pretty much the same thing in this film, which sees each character facing new, more mature challenges. Let's begin with Carmen, who doubles as the film's bookend narrator. She now attends Yale, working as a stagehand for the theatre department. Her mother (Rachel Ticotin) has since remarried and is now pregnant with her second child. When Carmen's hopes of spending the summer with her friends are dashed, she decides to join a Shakespearian theater company in Vermont with a prima donna named Julia (Rachel Nichols). Once there, a British actor named Ian (Tom Wisdom) coaxes Carmen into auditioning for "A Winter's Tale"; to her shock--and to Julia's horror--she's cast as Perdita. As rehearsals continue, she begins to fall in love with Ian.
Next, there's Bridget, who plays Soccer at Brown University. Lately, her interests have shifted to archeology. While on an expedition in Turkey, her instructor, Professor Nasrin Mehani (Shohreh Aghdashloo), opens her eyes to the fact that she's only running away from her past. Bridget, it seems, is still haunted by the suicide of her mother. And her relationship with her father (Ernie Lively) is worse than ever; before leaving for Turkey, she discovered a box full of letters her grandmother had written her, letters her father wanted to keep hidden. Returning to the United States, Bridget takes a bus to Alabama and finally meets her grandmother, Greta (Blythe Danner), an accommodating woman with a matter-of-fact outlook on everything, including her daughter's mental illness.
The next in line is Tibby, who continues to pursue her filmmaking dreams at NYU. Forced to stay in New York for the summer to rewrite her screenplay, she gets a job at a local video store. She's now dating Brian McBrian (Leonardo Nam), who was introduced in the first film as the "Dragon's Lair" champion. When their relationship is threatened (for reasons I won't reveal), Tibby begins to wonder if she was meant for happiness. She does put up a wall every time she gets close to someone, and that's because, deep down, she believes that those you love the most will eventually abandon you. Her attempts to get sympathy from Carmen are flatly rejected; she doesn't appreciate how uncommunicative Tibby has been all summer.
Finally, there's Lena, who attends an art college in Rhode Island on a scholarship. Heartbroken after breaking up with her Greek boyfriend, Kostos (Michael Rady), she reverts to her old timid ways. She then meets Leo (Jesse Williams), the male model hired to pose nude in her art classes. It isn't long before they fall in love, although we suspect it's for all the wrong reasons. All she really knows about Leo is that he's a nice guy, and he's incredibly handsome. But does she know what she wants out of life? Does she even know who she is? How can know she when she's torn between two men?
Naturally, the pants themselves have to play a part in this story, and indeed, they're continually FedEx-ed from friend to friend. The question is: Do any of them need the pants anymore? You'd think that, at this point, a pair of old jeans traveling the world would reveal itself as a big metaphor. They may realize that by the time the film ends. I'm not entirely sure, though.
Moments of this movie are perhaps a little too sentimental, and the general plot may be a little too formulaic. At times, the dialogue is a bit contrived. Consider this conversation: When Tibby says drearily, "I suck at relationships. I should have been a guy," Lena calmly responds, "A guy wouldn't care about sucking at relationships." Only best friends in a coming-of-age story could get away with lines like that. Then again, I never expected a reinvention of the wheel. Movies like "The Sisterhood of the Traveling Pants 2"--and its predecessor--are aimed at a very specific audience, namely teenage girls; if they can get something out of it other than the sight of four young women looking pretty, if they can leave the theater understanding the more complex aspects of the story, then the filmmakers can include all the predictable dialogue they want. I think this movie will get the job done, not merely for teenage girls, but for anyone open to the idea.

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Join the four best friends as they finish their first year of college and dive into a summer of excitement. Bridget (Blake Lively) journeys to Turkey on an archeological dig. Carmen (America Ferrera) plunges into the hectic, creative world of summer theater in Vermont. Lena (Alexis Bledel) discovers new love and old heartbreak at the Rhode Island School of Design. And in the Big Apple, Tibby (Amber Tamblyn) takes a big step in her relationship with Brian. Romance, laughs, tears and that magical pair of jeans that keeps the girls together even when theyre far apart all here in a heart-lifting second film based on Ann Brashares bestsellers. Its a perfect fit.

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Tuesday, July 12, 2011

Amazing Grace (2007) Review

Amazing Grace (2007)
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Anyone who has seen AMISTAD or ROOTS needs to see the Michael Apted directed AMAZING GRACE which predates and fills in so much of the political and humanistic tug of war that existed concerning the awful dirty business of the African Slave Trade.Hollywood could not have conjectured a more true film than the actual true and inspiring life of William Wilberforce,a revered heroic figure in England,who,with the help of other abolitionists and political sympathizers,takes on the English Parliament and wins legislation to finally end the Slave Trade in 1807.This movie is SO significant because it is this piece of history that leads other European nations to follow suit in subsequent years and eventually to abolish the trade worldwide.Michael Apted has skillfully rescued this story from being another biopic,and has turned it into a sweeping epic that rings historically true.
No finer actor could have been chosen to play Wilberforce than the Emmy Award winning Welsh marvel Ioan Gruffudd,pronounced YO-an Griffith( HORATIO HORNBLOWER,SOLOMON AND GAENOR,VERY ANNIE MARY).Gruffudd positively understands the heart and soul of Wilberforce,and delivers a tender yet dynamic knockout performance of this absolutely giant among men whose inner convictions and powerful and persuasive rhetoric eventually win over Parliament in a nearly twenty year life-and-death struggle.
This film brings tremendously true and historical understanding of the political machine that was (and frankly still is) in place from 1785 to 1807.Historical figures argue and debate their opposing views while the lives of millions of innocent Africans and the fortunes and supremacies of national pride hang in the balance.The film moves swiftly and is not preachy or at all heavyhanded in any direction.It simply tells and honest and riveting true-to-life story.Some characters and events are combined together to compact the screenplay,but no truth is lost in the outcome.
The film takes it's name from the famous 18th-century renowned hymn AMAZING GRACE,written by the Anglican minister John Newton,who had,years earlier,himself been an active and ardent participant in the selling of African flesh.John Newton is portrayed (a bit much like a crazy old celibate monk) by veteran actor Albert Finney in one of the smaller supporting supporting roles.Though much of what Newton says in the film is directly from his own memoirs,he was a married man,who,historically,valued his wife as his best friend.Now in his declining years,Newton,who has in later years been Rector of a London Church,is sought out by Wilberforce,who sat under Newton's pulpit as a child,to have the old minister help him in the cause of exposing the Slave Trade in all of it's ugliness.As was true in Newton's real life,Finney shows that this is the singlemost painful event in Newton's life thus making it next to impossible to discuss.The film directs Newton and Wilberforce over the course of the twenty years in order for the awful truth to come forth.Proof was necessary to persuade Parliament, and Newton was a key piece to passing the abolitionist legislation.
Up and coming actor Benedict Cumberbatch accurately conveys William Pitt The Younger,in his boyhood friendship with Wilberforce and his subsequent rise to Prime Minister of England.What is inspiring about their relationship is that all of their political idealism comes to fruition showing the power and perseverance that these two young men had in fighting an age old institution that threatened to destabilize all of England.Other historical figures in this film such as Lord Tarlton (the ever amazing Ciaran Hinds)and Equiano (Youssou N'dour),Toby Jones as Lord Clarence (this actor seems to be able to play EVERYTHING!!!) and actors Michael Gambon as Sir Charles Fox do the utmost to bring this film to the heart and consciences of the world today.
This film is simply NOT just another period piece drama or an "inspirational" film;rather it is an artfully scripted,deftly acted and directed and compelling piece of historical drama that all will benefit from viewing.Again,5 *****'s is not sufficient.May there be more films of such quality and substance made like this!
Excellent companion films would be A RESPECTABLE TRADE,THE MIDDLE PASSAGE,AMISTAD,THE VOYAGE OF LA AMISTAD, MANSFIELD PARK (1999) and somewhat ROOTS.

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From the makers of Ray, AMAZING GRACE tells the inspiring story of William Wilberforce and his passion and perseverance to pass a law ending the slave trade in the late 18th century. Several friends, including Wilberforce's minister, a reformed slave ship captain who penned the beloved hymn Amazing Grace, urge him to see the cause through.

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Thursday, May 19, 2011

No One Would Tell (True Stories Collection TV Movie) (1996) Review

No One Would Tell (True Stories Collection TV Movie) (1996)
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Candace Cameron and Fred Savage shake off the goody-goody images associated with the roles that brought them teen stardom on Full House and The Wonder Years. Cameron plays Stacy Collins, a normal high school girl full of insecurities who happens to land the class hunk. Savage is Bobby Tennyson, high school wrestler and all-around popular guy. When these two get together, Stacy finally knows what it feels like to be a part of the in-crowd and is so grateful she's willing to look past Bobby's numerous faults.
Their relationship starts off normal enough with Bobby wooing Stacy with flowers and love poems, but he gets progressively more possessive and jealous. Stacy initially thinks it's cute that Bobby is so protective until it gets to the point where he becomes overbearing and irrational. Even when he starts hitting her, she defends him to her friends telling them that you stick by the people you love. "Everything's fine" becomes her mantra even though those closest to her can plainly see that it's not the case.
This relationship closely mirrors the one in which Stacy's mother is involved. Her mother is too absorbed in her own dating situation to understand and acknowledge what's going on with Stacy. Stacy assumes the maternal role, in fact, berating her mother for allowing her boyfriend to treat her badly though she's willing to overlook Bobby's abusive nature. In fact, when her mother confronts her about the abuse, Stacy says "That's your story, not mine." That Stacy's mother backs off at this point is a disgrace and this film strives to point out that in any situation no one should let abuse slide.
This film came out in the early 1990's and was one of those Sunday Night movies aimed at letting teenagers know the ills that will befall them if they're not careful. It's stuck with me all these years because the message is delivered without a scolding undertone, but instead as a reminder of what can go horribly wrong if you let things spiral out of hand. Sally Jessy Raphael has a guest role as the judge in Bobby's trial and she reminds those present who witnessed Stacy's abuse that we have a responsibility to the people who we care about. It's a foolish and dangerous practice to simply shake off abuse with the adage "Love Hurts." It shouldn't.

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NO ONE WOULD TELL - DVD Movie

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