Heavenly Creatures (1994) Review

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(More customer reviews)For those who wondered how the director of "Bad Taste" and "Brain Dead" got to direct "The Lord of the Rings," this 1994 film from director Peter Jackson supplies the answer. In 1954 two teenage girls brutally murdered one of the their mothers in what must be the most sensational murder in New Zealand history. "Heavenly Creatures" tells the strange story of these two girls and their unique relationship. If you think this is just a reality based splatter flick, then you are going to be much more than surprised and impressed by what Jackson has accomplished.
Pauline Rieper (Melanie Lynskey) is a simple and rather dull young girl who is totally dazzled when Juliet Hulme (Kate Winslet) enters her life. Juliet is impressed as well, because Pauline has a scar on her leg from an operation. Juliet declares that: "All the best people have had chest and bone disease! It's all frightfully romantic!" Eventually both the romance and the frightfullness of it all reaches a tragic conclusion. In their all consuming friendship Juliet and Pauline create a "Fourth World," better than heaven (because it has no Christians), inhabited by the clay figures they have fashioned to represents their friends and where the music of Mario Lanza, the greatest tenor on earth, is always in the air.
Jackson brings this fantasy world alive, which allows him to explore the pivotal theme of juxtaposition throughout the film. This comes into play most notably at the beginning and ending of "Heavenly Clouds." Jackson begins with a 1950s newsreel about Christchurch, New Zealand, which is interrupted by the appearance of the two screaming and bloodied girls, thereby symbolizing the way this sensational case shocked the nation. Even more effective is the film's conclusion, where the murder is inter-cut with what the girls think will happen if they do not find this way of saving themselves.
With any film based on historical events there are omissions, alterations, substitutions, and the like, and "Heavenly Creatures" is no different. On the plus side of the ledger Jackson attempted an almost morbid verisimilitude. Almost all of the locations used for filming were the real locations where events occurred, including the tea shop where Honora Parker ate her last meal, which was torn down a few days after the shooting ended. However, the cast and crew found the actual murder scene uncomfortable and moved further down the path. All of the journal voice-overs come directly from Pauline's diary, as are the characters in the girls' make-believe world. However, since the two filled up fifteen notebooks and hundreds of letters devoted to their fantasies, the movie actually underplays these elements.
However, having familiarized myself somewhat with the actual "facts" of the case, and the recollections of the woman one of the girls grew up to be, the key point of dispute is the motive. But if Jackson is guilty of becoming fixated on the idea that these two young girl committed a murder because they could not bear to be separated and have their fantasy world unravel, then he can be hardly faulted for finding that a fascinating interpretation of the evidence (the girls never testified or were examined in court, but Pauline's diary was seen as providing all the answers). More importantly, Jackson does not seem guilty of taking liberties, merely with offering a valid interpretation of the evidence. For example, the murder sequence greatly reduces the number of blows, but the effect is still horrific, so it seems trivial to complain about any inaccuracy.
From an artistic standpoint his interpretation is more than justified, especially at the end. In addition to the information we receive between the final scene and the closing credits that tells what happened to Pauline and Juliet, Marzio Lanza sings "You'll Never Walk Alone," which is as perfect a choice of a song to play at the end of a film as you will ever hear, forcefully underscoring the film's thesis. Jackson says this is "a murder story about love, a murder story with no villains," and it is hard to argue with this idea after watching his film.
"Heavenly Creatures" received an Oscar nomination for Best Writing, Screenplay Written Directly for the Screen for Jackson and Frances Walsh. The film won every award for which it was nominated in the New Zealand Film and TV Awards, including Best Actress for Lynskey and Best Foreign Performer for Winslet (both of whom were perfectly suited for those roles), and earned film festival awards in Venice and Toronto. This is a striking and unforgettable film, both creative and thoughtful. Those who are drawn to it because it was directed by Peter Jackson might be shocked by the subject matter, but they will not be disappointed with the results.

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Monster (2004) Review

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(More customer reviews)I watched Monster without any expectations, save knowing that it was a movie about two women. At the end of the screening, i was totally blown away. One, Charlize Theron gives a spectacular performance as 'serial killer' Aileen Wuornos. Her facial expressions and bodily movements strongly resemble that of the actual person (based on what i read). Secondly, the 'human' aspect of Aileen was brought out in the film, and despite her brutal killings, one can symphatise with aspects of her life which brought her to this point of no return when she started killing her johns. Thirdly, although Monster is primarily about Aileen the killer, yet the viewer is treated to a love story between Aileen and her lesbian lover. This is in many aspects, the driving force of the film and which makes the film memorable. Some prison psychologists had diagnosed Aileen as having Borderline personality disorder, which explains her behaviour of wanting to keep Selby Wall, her girlfriend (in real life, the girl's name is Tyria Moore) at all costs, despite the fact that Selby was at times a selfish, immature person who ultimately betrayed Aileen. The final scene of the 'confession' phone call (which basically nailed it for Aileen) is heartbreaking. Aileen basically took the fall for everything and absolved Selby of any blame. Even though the audience may sense a taste of Hollywood drama here, one must remember that in real life, Aileen did take the blame for everything, and even went to the extent of sending Tyria money while she was on death row. Perhaps this is a glimpse into a rare aspect of her life (which traditional documentaries on her never cover), which shows us that at the end of the day, she is a human being like the rest of us and despite her heinous crimes, she too longed to be loved and feel love. The betrayal scene will stick in my mind for a long time to come. I welcome emails on this film as i am interested to know more about the film as well as Aileen and her lover.

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A SHOCKINGLY MOVING FILM THAT BURROWS DEEP BENEATH THETABLOID-SIZED HEADLINE STORIES OF AILEEN WUORNOS, THE MAN-HATING SERIAL KILLER EXECUTED LAST YEAR IN FLORIDA.

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The Tuskegee Airmen (1995) Review

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(More customer reviews)The story of the magnificent 332nd Fighter Group is woven into a dramatic tapestry of the horror of war and the disjointed approach of many Americans to a difficult time and a situation many would have preferred to ignore. The performance of the pilots who graduated the Tuskegee Training Program (they NEVER lost an escorted bomber to enemy action!) unfolds against the backdrop of misunderstanding, racism and political machinations that nearly destroyed the entire enterprise. This film does a magnificent job of telling the tale without being melodramatic, preachy or snide, but does full justice to the accomplishments of the pilots and their eventual victory against both German pilots and their own nation's refusal to recognize their talents. For the student of World War II, this is a well-known and much-respected story. For the student of African-American History, it is a tale of pride which shines as brightly as the stars on the American Flag these men so courageously defended. Fishburn and Cuba Gooding are superior as men caught between their own humanity and the de-humanizing effects of war. If ever a film deserve a 5-Star rating, this one does.

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Featuring an all-star cast headed by Laurence Fishburne, fireballs of high speed air action explode off the screen in this exciting story of the "Fighting 99th," the first squadron of black American pilots to be allowed to fight for their country. Based on the true story.

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Rabbit-Proof Fence (2002) Review

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(More customer reviews)Between 1905 and 1971, the Australian government had a horrible policy. They forcibly removed all half-caste Aboriginal children to special training schools. The grown daughter of one of these children wrote a book about her mother's experiences. This film is an adaptation of that book.
The story takes place in 1931, when Molly, then 14, her sister Daily, then 8, and her cousin Gracie, then 10, are literally torn from the arms of their mothers, put in a cage, and taken 1,200 miles away to a school which is actually a sort of prison. Here, they are forbidden to speak their own language, they have to attend a Christian church, and are taught the ways of the white Australian culture around them. Led by Molly, the girls run away. And most of the film is the odyssey of their trek back home, following the rabbit-proof fence that bisects Australia, constructed to keep rabbits out of the pastureland.
The villain is clearly the white director of the school. It is amazing, but he actually believes in the racial theories that were prevalent at the time. He believes he is helping them and plays his role well, coming across as stupid and misguided rather than evil. The Aboriginal girls are all unknowns, and terrific actresses, as are the women who play Molly and Daisy's mother and grandmother. The courage and determination of the girls during their three-month journey, the people they meet along the way, and their efforts to dodge the trackers who have been sent to retrieve them by the school, is truly inspiring. This is all set against the backdrop of the Australian outback; the cinematography certainly captures its beauty.
The film is 94 minutes long and moves quickly. I immediately identified with the girls and felt their fear as well as their bravery as they made their way across the Australian continent. In a postscript to the story, we learn more about their lives. It did not turn out to be pretty. But two of the girls have survived into their nineties, and we meet them briefly. They are strong women with weathered faces, one of them walking with a cane, but clearly at home in their Outback surroundings.
The film is a lesson in inspiration and courage as well as a geography and history lesson about Australia. I loved it and highly recommend it.

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RABBIT-PROOF Fence -- featuring the Golden Globe-nominated score by Peter Gabriel -– is a powerful true story of hope and survival and has been met with international acclaim! At a time when it was Australian government policy to train aboriginal children as domestic workers and integrate them into white society, young Molly Craig decides to lead her little sister and cousin in a daring escape from their internment camp. Molly and the girls, part of what would become known as Australia's "Stolen Generations," must then elude the authorities on a dangerous 1,500-mile adventure along the rabbit-proof fence that bisects the continent and will lead them home. As shown by this outstanding motion picture, their universally touching plight and unparalleled courage are a beautiful testament to the undying strength of the human spirit!

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No One Would Tell (True Stories Collection TV Movie) (1996) Review

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(More customer reviews)Candace Cameron and Fred Savage shake off the goody-goody images associated with the roles that brought them teen stardom on Full House and The Wonder Years. Cameron plays Stacy Collins, a normal high school girl full of insecurities who happens to land the class hunk. Savage is Bobby Tennyson, high school wrestler and all-around popular guy. When these two get together, Stacy finally knows what it feels like to be a part of the in-crowd and is so grateful she's willing to look past Bobby's numerous faults.
Their relationship starts off normal enough with Bobby wooing Stacy with flowers and love poems, but he gets progressively more possessive and jealous. Stacy initially thinks it's cute that Bobby is so protective until it gets to the point where he becomes overbearing and irrational. Even when he starts hitting her, she defends him to her friends telling them that you stick by the people you love. "Everything's fine" becomes her mantra even though those closest to her can plainly see that it's not the case.
This relationship closely mirrors the one in which Stacy's mother is involved. Her mother is too absorbed in her own dating situation to understand and acknowledge what's going on with Stacy. Stacy assumes the maternal role, in fact, berating her mother for allowing her boyfriend to treat her badly though she's willing to overlook Bobby's abusive nature. In fact, when her mother confronts her about the abuse, Stacy says "That's your story, not mine." That Stacy's mother backs off at this point is a disgrace and this film strives to point out that in any situation no one should let abuse slide.
This film came out in the early 1990's and was one of those Sunday Night movies aimed at letting teenagers know the ills that will befall them if they're not careful. It's stuck with me all these years because the message is delivered without a scolding undertone, but instead as a reminder of what can go horribly wrong if you let things spiral out of hand. Sally Jessy Raphael has a guest role as the judge in Bobby's trial and she reminds those present who witnessed Stacy's abuse that we have a responsibility to the people who we care about. It's a foolish and dangerous practice to simply shake off abuse with the adage "Love Hurts." It shouldn't.

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Out of the Blue (2006) Review

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(More customer reviews)For someone who grew up only a couple of hundred kilometres from the scene of the Aromoana shootings, it is difficult to write an unbiased review. Factually, "Out of the Blue" is as accurate an account as it is possible to bring to the big screen, and the acting, scenery, and atmosphere are flawless. The movie's relevance for a U.S. audience is as a societal lens that focuses on the many equivalent shooting tragedies that beset the United States year after year. That such alienation and hatred can be felt in a small town in a land far, far away amidst backdrops like those seen in "The Lord of the Rings," rather than at a U.S. university campus or a McDonald's is a reflection on the ubiquity of selfishness, sickness, and guns.
No one wants to see a hyper-accurate account of Cho Seung-hui in the days preceding the Virginia Tech massacre, but viewing a similar downward spiral and the resulting tragedy may be easier for many audiences at a distance of 10,000 miles as a small New Zealand town faces down a demon in the form of David Gray. The courage displayed by little old ladies crawling about under fire to help others can only give hope to us all, and the final scene where Gray is roughly shackled and the police smoke cigarettes while he bleeds out is a satisfying glimpse of Kiwi justice. ANZUS is the Australia, New Zealand, United States treaty alliance, a commonality written in ink; "Out of the Blue" is a commonality we share through tragedy. Is this a review of events or a movie- you may well ask- but sometimes the two are inextricable, and the only way to face down the incomprehensible is through the medium of film.

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One horrific day, David Gray suddenly snapped. Based on the true story of a quiet, friendly town turned nightmare, Gray massacred those he'd known for all of his life, holding the whole town hostage through the night. A stunning portrait of a madman Out Of The Blue forces us to question the safety of our own communities and neighborly ties.

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