Showing posts with label charles bronson. Show all posts
Showing posts with label charles bronson. Show all posts

Wednesday, September 5, 2012

Once Upon a Time in the West (Special Collector's Edition) (1969) Review

Once Upon a Time in the West (Special Collector's Edition) (1969)
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My title is a cliche but in this case it's the only phrase to use. The version of this movie available now, with its extra disc full of great bonus material, is an example of how to bring DVD format to its highest potential. First of course there's the movie, and its director Sergio Leone. Every Leone movie I've seen--Fistful of Dollars, For a Few Dollars More, The Good Bad and Ugly, Once Upon a Time in America--is wonderful, but this tops them all. Imagine the year 1969: what a great time to be a western film lover. You had this, and Sam Peckinpah's Wild Bunch in the same year. Incredible. Anyway, it's impossible to list all the great scenes, so I'll stick with the first. If you love the credit sequence you'll love the movie; it's not for everybody, however. So those credits, mostly silent except for a windmill creaking, which Leone somehow makes sinister, and one of the minimal details he uses to establish authentic mood, are the litmus test. You'll either love the movie or hate it. The scene is built on a genius contradiction: it's so tense that you want it to end, but it's so beautifully done, so built on image and gesture and glance, that you also hope it never ends. The whole movie is that delicious. And the cast--wow. Everyone is at top form, but check out Henry Fonda as the leanest meanest bastard imaginable, but also someone you can't avoid enjoying because it is the GREAT Mr. Fonda, with Leone getting maximum mileage out of close ups of Fonda's ice-blue eyes, as unforgiving as a western sky, generally acting like the amiable stalwart figure he always plays, until he shoots little kids and fat lackeys whom he doesn't trust because they wear both suspenders and belts: and as Fonda says, how can you trust a man who can't even trust his own pants? As the heroine, Claudia Cardinale isn't just gorgeous she's luscious, lust-us. And tough. Watch for the scene where she looks at herself in the mirror when she's all alone in her house. whose previous residents, her family, have been killed by Fonda and his thugs. Charles Bronson--what an underrated actor. Dangerous yet entirely sympathetic here. He finds wit in his role, knows exactly what the unique Leone's up to and gets in sync with the vision. Jason Robards is incapable of giving a performance less than brilliant, and this is another highlight in the film. As Cheyenne he is funny and tough and smart, maybe the most complex performance in the movie. There's so much more, too--the finest Ennio Morricone soundtrack, killer dialogue, extraordinary cinematography. This DVD is put together so well it's even a pleasure to look at the menus--you'll see what I mean. And all this for under FIFTEEN U.S. DOLLARS. What are you waiting for?

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When the husband of Jill McBain is killed by ruthless outlaws in the old West, she hires two guns of her own to get revenge.Genre: WesternsRating: PG13Release Date: 30-JAN-2007Media Type: DVD

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Saturday, December 17, 2011

Death Wish (1974) Review

Death Wish (1974)
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This is the first of several films featuring Charles Bronson as Paul Kersey, a modern day urban equivalent of Robin Hood, Zorro, and the Lone Ranger. When initially released, Death Wish was immediately controversial as was Dirty Harry (1971). Audiences tended to be divided between those who were offended by what they considered to be excessive violence and those who (like Harry Callahan and Paul Kersey) had lost confidence in society's willingness and/or ability to respond effectively to violent crime. After seeing each of the two films for the first time, I vividly recall joining those around me in the theatre as they rose and cheered...and continued to applaud for several minutes. (By the way, that was the same audience reaction when I first saw Walking Tall.) I asked myself, "What's going on here? What's this all about?"
At least in the larger U.S. cities 30 years ago, residents had become totally fed up with traditional law enforcement initiatives. It was no longer safe to walk the streets at night. Even more dangerous to do so in public parks. Homes were robbed while people worked during the day. Many of the same homes were robbed again later after insurance coverage replaced the articles previously stolen. Racial animosities, drug abuse, and a widespread contempt for institutional authority all contributed to such problems.
When we first meet Kersey, he is in all respects a gentle man. A successful architect who is happily married (Joanna, Hope Lange) and a proud father of his beloved daughter, he is carefully positioned as a law-abiding citizen. To repeat, a gentle man. Over time, after his wife and daughter are brutally attacked by thugs who escape punishment, Kersey commits himself to ridding the city of such creatures. In fact, he seeks them out in the most likely areas (e.g. public parks and on subways), coldly and systematically killing as many as he can. Of course, other law abiding citizens are wholly supportive of his efforts but law enforcement officials correctly fear the possible implications of such vigilantism.
Director Michael Winner does a brilliant job of orchestrating Kersey's crusade with efforts by detective Frank Ochoa (Vincent Gardenia) to identify and then capture the public hero. Ochoa seems torn between admiration of such heroism and obligations to end it. Many of those who live in areas plagued by violent crime admire this movie. Others quite properly have concerns about anyone who "goes outside the law," as Kersey obviously does. Who among vigilantes will be Paul Kerseys? And who among them will be Travis Bickles? Good question.

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Bronson is an urban liberal who becomes a vigilante in search of the gang of thugs who raped his daughter and raped and murdered his wife.Genre: Feature Film-Action/AdventureRating: RRelease Date: 8-AUG-2006Media Type: DVD

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Thursday, December 1, 2011

Charles Bronson Collection (Telefon / St. Ives) (2009) Review

Charles Bronson Collection (Telefon / St. Ives) (2009)
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I have been waiting for Telefon to be released on DVD for years and I must say that I am somewhat disappointed with the picture quality. I have found the image to be unusually soft in many places - mostly the interior scenes. There is a definite lack of sharpness. The movie itself is excellent.

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He toiled for years in the second-tier of movie casts. Then along came Death Wish, and Charles Bronson muscled into the top ranks of action stardom. He brings iron-willed resolve to the spy thriller TELEFON (Side A), directed by Dirty Harrys Don Siegel. Enemy agents have slipped into the U.S., programmed to carry out acts of Cold War sabotage when they are triggered by lines of a Robert Frost poem. Bronsons job: stop the would-be terrorists before its too late. The woods are lovely, dark…and deadly. The star plays a crime writer caught up in a web of crime in ST. IVES (Side B), the first of his nine films with director J. Lee Thompson. Jacqueline Bisset and John Houseman co-star in a corpse- and twist-filled mystery.

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Friday, June 17, 2011

The Mechanic (1972) Review

The Mechanic (1972)
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Charles Bronson (1921-2003) left us a legacy that spanned nearly five decades of acting, in many different styles. Though good at comedy as well as drama, he will mostly be remembered as a tough and gritty man of action, remaining very macho and attractive way into his gnarled, craggy later years, never losing that perspicacious glint in his eyes, or his masculine appeal.
"The Mechanic" is one of his best; a unique film with a taut script by John Lewis Carlino, that remains interesting after many years and many viewings.
The first memorable 15 minutes of this film are silent except for the tense, eerie score by Jerry Fielding, and set up the character of Arthur Bishop, who is a hit man with expensive tastes and a heart of steel. It is a part that fits Bronson like a velvet glove, with its complexity, bravado, and action sequences, which are well paced by director Winner, and photographed by Richard Kline. Jan-Michael Vincent is excellent as the cocky, cold-as-ice young man Bishop takes on to teach his "trade", and Jill Ireland (who was married to Bronson for many years) does well in a miniscule part.
Michael Winner made several films with Bronson, another favorite being "Chato's Land", which is an unusual, and very special Western.
The intricacy of the plot will keep you guessing; this is not your typical, predictable action movie, and like most films made in the '70s, it is fun to watch, with its nifty fashions and slightly tacky décor.
A must see for those that like intelligent thrillers, and a great film to celebrate Charles Bronson's life and talent

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Charles Bronsondelivers[in this]action-drenched(Variety) gangster thriller that delves into the dangerous minds of the underworld's most elite killers.Visually alive(Cue) and 'totally engrossing(The Hollywood Reporter), The Mechanic is a movie you won't want to miss!Arthur Bishop (Bronson) is a mob hit man who operates in a world of his own an uncompromising world where conventional rules of morality don't apply and where one wrong move could cost himhis life! He's always worked alone but, as age catches up with him, Bishop takes on a competent andruthless apprentice (Jan-Michael Vincent) and teaches him everything he knows. Together they becomean unmatchable team of globetrotting killers until the pupil's ruthlessness puts him on a collisioncourse with his teacher!

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