Casualties of War (1989) Review

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(More customer reviews)Casualties of War is a unique film. There are many films that depict wartime atrocities. This one stands above the rest because of it's character development. We get to know the guilty parties, and they are not purely evil, but are in many ways quite ordinary. They seem like regular US GI's at first, just trying to survive day by day.
Sean Penn's character (Sgt Meserve) leads them into an abyss, and only one of them (Eriksson, played by Micheal J Fox) refuses to enter. The others commit murder and rape, while Eriksson cringes. The separate perpetrators display trepidation, anxiousness, remorse and the lack thereof. Other characters exhibit cynicism and callousness. Their victim shows her fear alone.
This film is effective because it shows all but one of the soldiers as having different and human sides. Eriksson and Diaz (John Leguizamo) know that what is happening is wrong, but one fails to stop it, and the other participates. Meserve comes up with absurd lies to try to justify what they are doing, not only for Eriksson, but for the others, and it seems even for himself. Only one character in this film (Clark) is completely inhuman. His sadistic fervor and amoral smugness makes him appear as a monster, plain and simple.
This film is effective because it shows seemingly normal men in a descent into utter barbarism. Thuy Thu Le sets the mood for this by portraying the terror of their victim so well. Sympathy for the victim will surely make anyone cringe. But, it is by showing that the perpetrators, except Clark, are like most anyone that this film has its' strongest affect. How would we each fare if faced by such a situation? Who among us would stand against it? Who would succumb to it? This film strikes deeper than any horror film, with obviously inhuman monsters. It shows real people who become monsters, and is therefore vastly more effective- even more so because it all really happened.

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The Practice - Volume One (1997) Review

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(More customer reviews)David E. Kelley created "The Practice" to be the flip side of "L.A. Law," the show for which he wrote 67 episodes and won his first Emmys. Bobby Donell and his partners are not a prestigious law firm in Hollywood, they are scrambling to stay solvent in Bean Town and do it defending clients who are so obviously guilty it is painful. The series lasted eight episodes before it morphed into "Boston Legal," and the keystone for the series was how both sides were always passionate about their positions, and somtimes too passionate. Cold logic is rarely the key to courtroom success in this series, which is just as well because you have clients that run the spectrum from "Free Willy," who likes to expose himself in public, to Gerald Braun, who murders his daughter's killer with the approval of his rabbi. Not surprisingly, these cases take multiple episodes to resolve.
Pay attention to the fact that this is "The Practice: Volume One" and not "The Practice: Season One." The show was a replacement series that first aired on March 4, 1997, and the first season was just six episodes. The second season was a whopping 28 episodes, so the first seven are included in this set of 4-discs. That still leaves 21 episodes from the second season to make up "Volume Two" down the road. This line of demarcation strikes me as strange because 20 episodes on five discs would seem to make more sense, but once we see the next volume the rationale should become clear.
Watching these early episodes again it was interesting to see how Kelley takes advantage of what is a large cast for a "small" law firm. Having a favorite is problematic because they might not have a case go to trial for a while (Eleanor always seems to be second chair early on). But everybody pretty gets their chance to shine: Bobby defending Rachel Reynolds in the "Pilot," Lindsey takes on the tobacco company defended by her law professor ("Part IV"), Eugene making a bet with a prosecutor on the case of Steven Frenault arrested for armed robbery ("Part V"), Jimmy with a little girl bit by a dog ("Dog Bite"), and Eleanor sued by George Vogleman ("Sex, Lies, and Monkeys").
This is a show where the judges matter, with Linda Hunt as Judge Zoey Hiller clearly standing out along with Ed Asner as Judge Matlin Pratt in "The Blessing." One of the fun things is seeing familiar faces as judges, from Ron Glass to Armin Shimerman, but what the judges have to say about the lawyers (on both sides) is part of the equation. Sometimes the clients take over the show, of which there is no better example than John Larroquette as Joey Heric in "Betrayal," although I also remember John Carroll Lynch as Dr. Robert Larson in "Search and Seizure," the final episode in this collection. Obviously, those who caught all eight seasons watch these early ones knowing what is going to happen with Vogleman, Heric, and other memorable clients as well as with the lawyers who defend them. Kelley made sure his shows were always watchable, but I have a slight preference for these early episodes when the cases were smaller and not always at the nexus of a whole bunch of issues.

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Set in Boston, The Practice centers on a firm of passionate attorneys to whom every case is important and every client worth a fight to the end. Pursuing justice, however, sometimes means crossing the line...

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Seems Like Old Times (1980) Review

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(More customer reviews)Seems Like Old Time is still one of my all time favorite films. This film is almost too funny for its own good. A terrific throwback to the sophisticated comedies of the 30's and 40's updated for the 80's. It's too bad that they just don't make these kinds of comedies anymore. Goldie is in top form, Charles Grodin is so dry and wonderful and Chevy Chase should've never moved beyond this type of film. He and Hawn made magic before in Foul Play and it was great to see them together again. Buy it! Oh and keep any eye out for Aurora, the Parks' housekeeper and her infamous Chicken Pepperoni, no one can get enough of it.

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Conviction (2010) Review

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(More customer reviews)A sure-fire crowd pleaser, the film "Conviction" is based on an undeniably (and practically unbelievable) compelling true life story. Betty Anne Waters, a high school drop-out with a troubled youth, dedicated nearly two decades of her life to clear her unjustly convicted brother of a murder charge. She got a GED, applied and got into college, graduated law school and passed the bar, became her brother's representation and uncovered exculpatory evidence. But despite all her best efforts, it was still quite a trial to be heard and taken seriously. While I've thrown a lot of the film's plot at you right away, the advertising campaign already covers the same ground. This is a movie about character and the long road to justice as seen through Betty Anne's eyes (an imposing Hilary Swank). Far from a perfect movie, however, I'm sure audience will still embrace this--the ultimate underdog story.
Swank, as I mentioned, headlines this piece with a hard edged perseverance. She is quite believable as the matter-of-fact Betty Anne. Sam Rockwell plays her brother, the town troublemaker, with equal parts charm and menace. It's perhaps the film's most compelling performance and there are moments when he sinks to desperation that have real emotional resonance. Minnie Driver befriends Swank in law school, and though their friendship is contrived at best, she becomes a welcome presence in the film. She stands as the one truly appealing character as Swank's mania borders on selfishness and Rockwell is an unstable powder keg. Ironically, the film wants to continuously solicit sympathy for its leads without confronting the unpleasant truths--particularly that Rockwell was a violent repeat offender whom the entire town was able to embrace as a cold blooded killer.
My biggest concern about "Conviction" had little to do with the actual search for justice and everything to do with Betty Anne's character. She pursues her goal steadfastly--to the ruination of her marriage and the alienation of her children. Her conviction, as it were, has turned to obsession and every waking moment of her life in the film is dedicated to this one specific purpose. I can't help but think that the film necessarily glosses over some of the more unpleasant aspects of this pursuit. We get little of Swank's husband, her kids seem mildly annoyed once but are fine with their mother's lack of family focus, and there are never any concerns at work. More telling, Swank hasn't had a relationship with her beloved brother's daughter in all the time he's been in prison. I understand that such a relationship might have been complicated, but the film doesn't even try to explain her complete lack of concern over this family bond. She calls her niece near the end of the film and actually says in the message-- "you may not remember me." Wow! Seems like some of her dogged determination might have been applied to other relationships as well!
But, again, I don't think any of this will matter to most. At heart, there is no escaping the facts of "Conviction" and they present a uniquely fascinating story. The little guy sticking it to the man, David versus Goliath, "never quit"--man, I'm practically cheering myself. "Conviction" is a good film filled with earnest performances (a drunk Juliette Lewis is inspired) told in standard biopic format. I don't think it digs quite far enough into the characterizations, but the story sells itself. Fascinating, scary, frustrating, and even inspiring--the Betty Anne Waters saga was begging to be represented on the big screen! KGHarris, 10/10.

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Two-time Academy Award® winner Hilary Swank and Sam Rockwell deliver unforgettable performances in this incredible true story that co-stars Minnie Driver, Juliette Lewis and Peter Gallagher. Swank plays Betty Anne Waters, a young woman whose world is shattered when her beloved brother Kenny (Rockwell) is convicted of murder and sentenced to life in prison. Steadfastly convinced of his innocence, Betty Anne embarks on an 18-year journey to set Kenny free, using state-of-the-art forensic technology. The unshakable bond between a brother and sister, at the heart of this real-life drama, will stir your emotions and inspire you.

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