Showing posts with label goldie hawn. Show all posts
Showing posts with label goldie hawn. Show all posts

Thursday, August 18, 2011

Seems Like Old Times (1980) Review

Seems Like Old Times (1980)
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Seems Like Old Time is still one of my all time favorite films. This film is almost too funny for its own good. A terrific throwback to the sophisticated comedies of the 30's and 40's updated for the 80's. It's too bad that they just don't make these kinds of comedies anymore. Goldie is in top form, Charles Grodin is so dry and wonderful and Chevy Chase should've never moved beyond this type of film. He and Hawn made magic before in Foul Play and it was great to see them together again. Buy it! Oh and keep any eye out for Aurora, the Parks' housekeeper and her infamous Chicken Pepperoni, no one can get enough of it.

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Wednesday, June 22, 2011

Death Becomes Her (1992) Review

Death Becomes Her (1992)
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Directed by the amazing Robert Zemeckis, "Death Becomes Her" features a clever script, an awesome cast, and mind-blowing special effects that most Hollywood films lack nowadays. The film centers on the eternal quest for beauty and youth by an aging Hollywood starlet, Madeline Ashton, (played by the brillant Meryl Streep). Her high school rival, Helen, (Goldie Hawn), brings her latest beau to meet Ashton after a campy performance in a musical based on "Sweet Bird of Youth" (get the theme already?).
When Madeline runs off with Helen's fiance (Bruce Willis) Helen falls into a demented state and becomes obese and determined to get even with Madeline. After discovering a secret potion sold by a Hollywood witch (Isabella Rosellini) both Helen, and later Madeline regain their youth, vitality, and beauty. However, all this comes with strings involving immortality.
The wonderful script pokes fun at many stereotypes, rumors, and realities Hollywood is well-known for. From plastic surgery to the fact that no one has never met a neighbor in Los Angeles, the script is intelligent scriptwriting at its' best. The special effects by Industrial Light and Magic which has Helen walking with a hole through her midsection, and Madeline walking with a twisted neck are incredible to watch. One thing I adored about this film was the wicked, dark, and diabolical score by Alan Silvestri that incorporates harps and vengeful theme throughout the film.
The film's ending featuring a legion of Hollywood's undead (including Marilyn Monroe, Elvis, and James Dean)is hysterical and even the names of the two main characters, Madeline ("Mad" as in crazy) and Helen ("Hell" as in hellish) is genius. Personally along with "She-Devil," "Heathers," and "Scenes from the Class Struggle in Beverly Hills," this film ranks as one of the best black comedies to come out in recent years. A must-see for everyone!

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Saturday, March 26, 2011

The Out-Of-Towners (1999) Review

The Out-Of-Towners (1999)
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Anyone who has seen the original 1970 version with Jack Lemmon and Sandy Dennis, under the aegis of Neil Simon's tight scriptwriting, knows how an excellent cast, script, and director can put together a comedy masterpiece.
By the same token, it's easy to see how the opposite of that can create another insipid Hollywood bore-a-thon! Despite two stars in the lead that I simply adore, it falls miserably on its head. There are about 2-3 actual gags that evoke so much as a grin, and out of a full length movie that just isn't enough.
While I highly recommend the original, you'd probably be better off skipping this wannabe farce.

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