Tales from the Crypt: The Complete First Season (1989) Review

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(More customer reviews)Welcome to my review, horror freaks! So glad you could join me and read about the 6 eerie episodes of HBO's "Tales from the Crypt," the very ones that helped the series rise from its tomb back in 1989. It's been 9 long years since the show went off the air, and until now, I've been waiting for the Crypt Keeper's putrid puns and awful alliterations to be forever preserved on DVD format. And why not? The show lasted a full 7 seasons and featured many of the biggest actors and directors in Hollywood. Each tale carefully incorporates the grisly black humor William M. Gaines EC comic books, which were almost banned in the 1950's. Did I say 'almost?' Anyway, as other HBO programs like "Dream On," "Deadwood," and "Carnivale" were packaged and displayed on Best Buy shelves, I wondered if "Tales" would ever be among them. Well, the time has finally arrived, creeps! As stated by John Kassir himself, Warner Brothers wisely chose to create these discs so we ourselves can scare the next generation of kiddies to come. Even better is the fact that the second disc of this Season 1 set will contain a sickening array of never-before-seen extras. I don't want to give the surprises away, but I will briefly tell you the stories you are about to see. Enter, if you dare!
"Dig that Cat...He's Real Gone" stars Joe Pantoliano as Ulric, a homeless alcoholic who becomes a rich and famous sideshow performer after a mad doctor (Gustav Vintas) surgically implants a cat's gland into Ulric's brain. This procedure allows him to die and return to life nine times. Morbid hilarity ensues as a carnival barker (Robert Wuhl) presents Ulric the Undying to astounded audiences who watch him get electrocuted, hanged, drowned in a tank, and shot with an arrow (among other things).
In "The Man Who was Death," Bill Sadler (who eventually starred in the 1995 Tales from the Crypt film "Demon Knight") plays Niles Talbot, a state executioner who loses his job after spending 12 years pulling the switch. This resulted because the government unexpectantly repealed the death penalty. However, not wanting to abandon his favorite occupation, Niles drifts to the other side of the law by killing criminals who were acquitted by the courts.
The frightening and festive "And All Through the House" stars Mary Ellen Trainor as a devious housewife named Elizabeth, who brutally bludgeons her husband with a poker to collect on an insurance policy. Just when she is ready to eliminate the corpse, a homicidal maniac donning a Santa Claus costume (Larry Drake) terrorizes her with an axe. Even worse, Elizabeth can't call the police for fear of being convicted of first degree murder and losing custody of her daughter.
Vanity and greed play a central role in "Only Sin Deep," a tale about a street prostitute named Sylvia Vane (Lea Thompson). After killing a pimp and stealing his gold jewelry, she willingly sells her beauty to a strange pawnbroker (Britt Leach) in exchange for $10,000 cash. At first, Sylvia wins over the affections of a suave playboy millionaire. But immediately afterward, as a result of some black magic performed by the pawnbroker, she gets increasingly distraught as her face quickly ages. Desperate to buy back her looks, she shoots her rich lover dead, but is then forced to avoid prison by staying ugly for life.
Prepare for a honeymoon hell in "Lover Come Hack To Me." Here, a cunning bachelor named Charles (Stephen Shellen) marries a naive Peggy (Amanda Plummer) for her inheritance money. On a rainy night, after accidentally getting stuck in an abandoned mansion, the two go up to the bedroom and make perfect love for the very first time. Originally, Charles was going to kill Peggy and stage the crime to look like a burglary. But he soon discovers that her family history is cursed, and that much darker skeletons lie in the bride's closet.
Last but not least is one of my favorite episodes, "Collection Completed." M. Emmet Walsh plays Jonas, a grouchy tool salesman who finally gets to retire after 47 years on the job. His slightly odd wife Anita (Audra Lindley) has developed a fondness for pets...alot of pets. In fact, she keeps a zoo-full of cats, dogs, and birds in the house. On top of that, she talks to squirrels and runs an aquarium in the bathtub. Obviously, such an attachment to animals is enough to drive Jonas up the wall! Inevitably, he gets sick and tired of not having enough attention, and he gleefully takes up taxidermy as a hobby. But those poor animals weren't the only living creatures that ended up getting stuffed.

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Based on the legendary and gruesome EC Comics from publisher William Gaines, this horror anthology featured stories of murder, the super natural, gore and humor and always had a twist ending of sorts. Some of Hollywood's biggest names took part, either working in front or behind the camera. Hosting duties fell to everyone's favorite decaying corpse, the Cryptkeeper. The success of this series spawned a Saturday morning cartoon series (Tales From the Cryptkeeper), a short-lived Saturday morning game show on CBS (Secrets of the Cryptkeeper's Haunted House) and lots of merchandise. Two feature films (Demon Knight and Bordello of Blood) were also produced and released in the late 90's. The TV series originally aired on HBO, but was later syndicated to Fox, the Sci-Fi Channel, and most recently AMC. Despite being a short season (only 6 episodes), Season 1 enjoyed the highest ratings in its HBO airings.

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The Tenant (1976) Review

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(More customer reviews)...... or, "Pardon Me, But Your Teeth Are In My Wall."
There are differing views on this somewhat small film, but I think in the big picture of RP's filmmaking career, The Tenant will stand out as his most personal work. If you know anything about this man's life, what he went through (and what he was about to go through, a scandal that caused him to flee the U.S.), the events in this very darkly humorous tale become all the more haunting.
The basic story: a socially awkward clerk moves in to an apartment previously occupied by a young woman who just died from injuries sustained by hurtling herself from that very apartment window. What he doesn't realize is that, by his moving in, the stage has been set for him to inherit the very miserable despair that possessed the former tenant. In the course of his solitary tenency, he hears disturbing sounds, sees strange things inside and outside his flat, and encounters inexplicable hostility from others in the building. Over time, he becomes increasingly unnerved and obsessed, incapable of controlling his own behavior, and the line between reality and delusion ultimately dissolves, giving way to psychosis.
This dark ride is not without Polanski's trademark warped, absurdist humor, and one gets a sense from sharing the deteriorating experience of his self-portrayed protagonist that he himself was trying to find a way to laugh at his own miseries and fears. This could be a therapeutic element of this film; by watching the ridiculously hopeless and wretched scenario unfold, hopefully we can laugh at our own vulnerabilities, while at the same time seeing that element in other peoples' callous behavior that drives others into such a state.
With Polanski's new found recognition in a film industry that cautiously turned its back on him nearly 30 years ago, we are finally given a chance to see this forgotten treasure, and it's about time. I've read many comparisons to Taxi Driver, but the subtle supernatural implications found in The Tenant's more surreal moments remind me more of The Shining, wherein an alienated individual renders himself prone to dark, irrational powers by way of his own obsession. A quiet, well-paced primal scream of a movie, this number will definitely give the viewer a twisted chuckle, and more than a few shivers after it ends. A no-holds barred, lights out masterpiece.

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The Blair Witch Project (1999) Review

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(More customer reviews)It seems like everyone now enjoy's ripping on "The Blair Witch Project", and I don't get it?! It's almost like when you scare the hell out of that kid when you are in 6th grade, and he might have been screaming wide-eyed with fright, only to tell you a couple minutes later "Hey, You Didn't Scare Me", just to repair his pride or ego. When I first saw "Blair Witch", it did scare me, and left me a little rattled at the end.....why? Because when I went to see it in the theater, there was still a strong buzz about the movie that it was either really an aborted documentary, or was a film based on true events...we were supposedly seeing the genuine article. Sure, I may have been duped by a clever marketing campaign that involved TV mocumentaries, internet gossip and radio buzz.....and looking back I think that was great. "Blair Witch" if nothing else, is a wonderful homage to William Castle, who back in the day of "The Tingler" would wire theater seats to shock select members of the audience to induce a well timed scream, or his film "The House on Haunted Hill", where skeletons would buzz the audience, or his movie "Straight Jacket" in which he offered the audience a chance to buy life insurance in case the film scared them to death. That is great stuff that put butts in the theater seats, and with the advances in technology, and modern communication, "Blair Witch" and it's marketing campaign did the same thing, only the updated version. It worked, the movie made a ton of dough and was the water-cooler talk around theoffice for weeks. Did I feel let down when I learned "Blair Witch" was just a movie? No. I applauded the idea behind the movie, and only wish more films would do the same. As far as the actual movie goes when I watch it on dvd....well it doesn't pack the same punch as when you might think these were actual events, but I still get a kick out of it. And it's obvious this film hit's a nerve with quite a few people, I mean at this time there are over 1700 reviews posted here at Amazon about this movie...most are ripping the film apart....but there just seems to be a hint of that 6th grader saying "Yeah....you didn't scare me" as they rush over to turn on the lights after the movie ends.

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BLAIR WITCH PROJECT - DVD Movie

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The Machinist Review

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(More customer reviews)The Machinist would probably have to be one of the creepiest and psychologically complex movies of the year. The film is also a standout because of Christian Bale's withering, and soul-destroying performance as a man wracked by insomnia, and tortured by guilt. Much has been made of Bale's dramatic weight loss and his astonishing transformation into the main character - he purportedly wanted to undergo a complete physical and mental metamorphosis - but nothing will prepare the viewer for the reality of Christian's starving, skeletal-like body. Bale is nothing short of amazing in this movie - he's an actor of astounding capacities; and it's not just the feat of his physical transformation, but the fact that he totally inhabits and becomes so totally immersed in his character.
With a beautifully moody musical score and a dark, somber, yet visually stunning look, The Machinist is riveting jigsaw puzzle, an astute intellectual exercise where the viewer is left to put the pieces together, and decide which world is actually fantasy or reality. Trevor Reznick (Bale) has terrible insomnia and hasn't slept in a year. He's decimated physically and mentally and has become irrevocably trapped in a prison that is his own guilt-ridden, paranoid, and disillusioned mind - every time he tries to close his eyes something interrupts him. As the story opens, Trevor is busy trying to dispose of a dead body; the story then jumps to the events leading up to this incident.
By day Trevor works in a factory as a machinist, and at night he zealously writes messages on post-it notes, and fanatically washes his hands with bleach. He seeks solace in his favorite hooker (played with tender resolve by Jennifer Jason Leigh), and also the company of Marie (Aitana Sanchez-Gijon), a waitress at an airport coffee shop. He enjoys her company and likes to leave her extra large tips. One afternoon while at work, Reznick - distracted for a moment - contributes to a terrible accident involving a colleague. At the same time, Ivan (John Sharian), a bald-headed figure with a horribly malformed thumb and two fingers missing and whom no one else can see, constantly follows Trevor. Increasingly paranoid, Trevor becomes convinced that Ivan and Miller, his co-worker, (Michael Ironside) have trumped up some kind of conspiracy against him and are trying to drive him mad.
The Machinist is weird and difficult. As Trevor embarks on a journey of self-awareness, the viewer is left wondering whether fatigue has robbed him of reason, or whether there is some grand scheme to drive him nutty. Brave and visually sumptuous, one of the movie's many memorable visuals occurs when Trevor takes Marie's son on a horror ride called Route 666, with terrible results for both Trevor and for the boy. Guilt, loss of self, repression and odd mother fixations are all themes that are astutely and cleverly woven into the fabric of the story. For most of the film, Reznik is just a literal bag of bones, desperately floating through empty, dark apartments, and grey, storm-ridden industrial landscapes -a kind of postmodern anti-hero, a ghost who is desperately looking to make his peace. Mike Leonard October 04.

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THE MACHINIST is the story of Trevor Reznik, a machinist who hasn’t slept in over a year. Working in a machine shop, Trevor faces the usual occupational hazards, yet his extreme fatigue only makes them worse, causing him to accidentally cut off a co-worker’s hand.What Trevor suffers from clearly isn’t a typical case of insomnia…

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Jeepers Creepers (2001) Review

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(More customer reviews)Boy, do I feel slow on the uptake...I've seen this film twice now, and I just got the 'other' meaning of the license plate on the Creeper's truck. I guess if it were a snake, it would have bit me...oh well...I may not get there the quickest, but I will get there...eventually. Jeepers Creepers (2001) is a fun, interesting, stylistic film that runs out of gas about halfway through, but still had enough going for it to earn critical and commercial success, spawning a sequel, Jeepers Creepers II (2003) which broke Labor Day box office records for that year. Written and directed by the controversial Victor Salva, who also did the chilling horror film Clownhouse (1988) and Powder (1995), Jeepers Creepers brings to life (or death) a new figure in the Hollywood creature pantheon with the Creeper, a demonic looking figure that awakens every 23 years and feeds for 23 days, according to legend.
The film stars Gina Phillips as Trish and Justin Long as her brother Derry, traveling together by car a lonely and desolate country highway on their way home from college. After a scary incident with an old truck, the two witness a sinister, cloaked figure unceremoniously dumping what appears to body sized parcels wrapped in cloth and rope down a large, corrugated metal pipe next to a boarded up church. Also parked nearby is the same truck that nearly ran them off the road earlier. Once past the old church, the two begin to question what exactly they saw, but are soon joined again by the mysterious truck, more intent than ever now to ram their car, and drive them off the road. After losing the truck, the two go back to the church, despite Trish's protests, to investigate. Derry proceeds to do something stupid, and see something no human was mean to see...oh, he did confirm what they originally thought, that the figure was indeed dumping bodies down this large drain, but that's just the tip of the proverbial iceberg. What other secrets are uncovered? What is the nature of the creature? Do Trish and Derry survive long enough to get help?
I thought the makeup and such on the Creeper looked quite good and suitably malevolent. And the revelations revealed about this character came at a nice, even clip as the plot unfolded. There were a number of minor points where one could argue that the plot is weak or very thin, and I would have a hard time disagreeing, especially during the last half hour of the film. I really enjoyed the scenes that focused on something in the foreground, but provided enough leeway on the screen to see something in the background, even if it was fuzzy and out of focus, before the characters on the screen understood what was happening. Cheap scares are had here, as things pop out `and go boo!' but there is also a nice build up of real tension throughout the film, along with a smattering of comedy, usually of the sarcastic kind, to temper the horror. The weakness of the film comes from the predictability of the second half of the film. The original beginning had brought forth high hopes, but these hopes diminished slightly as the film eventually tread the path repetition as most end up doing, but at least this one did so with style and professionalism most uncommon with those in the same genre. You may recognize Justin Long from TV's Ed were he plays Warren Parker Cheswick. It's pretty much the same affable character played in this film, but a little bit older and a little more cynical. Gina Philips is quite lovely, with her flowing, brownish hair and doe eyed appearance that conflicts with her more cynical than her brother attitude. Both actors did a wonderful job, showing a mixture of inherent and hard earned talent, the kind gained through lots of work and dedication.
The picture here, available in both wide screen and full screen, looks wonderful and crisp. Special features include theatrical trailers, a photo gallery, deleted, extended, and alternate scenes, behind the scenes featurettes (six), and a commentary track with director Victor Salva. Many of these features are located on the flip side of the disc, with the film being on the other side. I guess the one thing I took away from this film more than anything else is if you see a darkened figure dumping what appears to be bodies down a sewer pipe next to an abandoned church, just keep on moving. You can make a report at the next town, for sure, but avoid actually crawling into the pipe to confirm what you already know.
Cookieman108

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You can keep your doors locked. You can keep your eyes closed. But still, he'll get what he wants and what he wants is you. Brace yourself for "90 minutes of steadily mounting horror [that] delivers more than its share of honest chills" (The Baltimore Sun). From "the scariest opening sequence of any horror picture in recent memory" (Los Angeles Times) to "one of the gutsiest endingsto a film this year" (Dallas Morning News), Jeepers Creepers is the real deal in terror!On a desolate country highway, two homeward-bound teens (Gina Philips, Living Out Loud and Justin Long, TV's "Ed") are nearly run off the road by a maniac in a beat-up truck and later spot him shoving what appears to be a body down a sewer pipe. But when they stop to investigate,they discover that the grisly reality at the bottom of that pipe is far worse than they could have ever suspected and that they are now the targets of an evil far more unspeakableand unstoppable 'than they could have ever imagined!

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Paranormal Activity (2009) Review

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(More customer reviews)A well-written review of any film should never label its subject "good" or "bad". Rather, it should give you an idea of whether or not you can expect to enjoy it, based on your own preferences and expectations. Paranormal Activity is a particularly controversial film when it comes to the potency of its terror. Most reviews either complain, with great disdain, "I hated it - it wasn't scary at all" or exclaim in total satisfaction, "It scared the pants off me - I loved it". There seems to be little in-between.
I saw the film today, having read enough reviews to know pretty much what to expect. But before I reveal my own reaction to Paranormal Activity, I would like to offer a few ideas that those who know little about this film may find helpful.
Alfred Hitchcock, the celebrated director who was known as "The Master of Suspense" held many interesting theories about what frightens an audience. Hitchcock believed that, when properly stimulated, the viewer's imagination was far more powerful - and far scarier - than many direct images that may or may not frighten the average viewer. Directly depicting a ghost, a monster or a demon for example, even with today's special effects, may scare many viewers, but that will depend solely on the quality of the effects. And even if well done, many viewers may find the images unconvincing or downright laughable, for they may have other ideas about what a ghost, monster or demon should look like.
However, if the filmmaker merely implies that a supernatural event is taking place, and sets up the situation with enough skill, the viewer's imagination can take over and sometimes yield a far more frightening experience than any vivid imagery ever will. After all, people go to horror films to be frightened, and what could be more frightening than unseen terrors from one's own imagination? By setting the mood with dark rooms, low lighting, eerie shadows and other effects that many people will associate with their greatest fears, an innocent image of two people peacefully sleeping, unaware of what may be going on about them or to them, can become very frightening indeed, even if few special effects are used. This is especially true if the moviegoer has developed enough empathy with the characters to place themselves in the same situation.
Many modern horror films rely on blood, gore and violence, with horrible creatures conjured up by special effects and vivid scenes involving battles with ugly demons or manic killers in order to provide thrills. That can be a lot of fun, and certainly very scary. But it can also be argued that, as CGI effects advance and become more vivid and frighteningly realistic, many viewers become inured to violence, blood and "creatures" while depending less and less on their own imagination, and in the process, they will sometimes forgo a far scarier experience. I know that no special effect ever came close to my own nightmares, because my nightmares are stirred by the things I fear most, and not the things that I've been conditioned to find scary. In short, no amount of vivid terrors can match the human imagination, provided that the imagination is properly stimulated.
Well, this is the basic idea behind Paranormal Activity. Largely on a shoestring budget, the writers/director/actors of Paranormal Activity have managed to create an old-fashioned thriller that relies almost exclusively on the viewer's imagination. Those who like their "scary movies" full of CGI, monsters, blood and violence are warned; you will probably be extremely disappointed. But if you have enough respect for your own imagination, and can allow yourself to be frightened not by what you see, but by what you think is there, you just may find Paranormal Activity to be every bit as frightening and well done as many people say it is.
By the way, I saw it with a friend. He did not find it frightening at all. On the other hand, I definitely expect to have trouble sleeping tonight. Whether or not you will agree may depend on how effective your own imagination can be.
Recommended.

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This intense edge-of-your seat horror film follows a young suburban couple who record the sinister disturbances in their home while they sleep – even as the domestic haunting becomes more frequent, more threatening and all too personal. Hypnotic and harrowing, Paranormal Activity uniquely delivers frightful suspense punctuated by moments of sudden and unexpected terror, all the way to the shocking ending.Featuring a version not shown in theaters with an exclusive alternate ending, Paranormal Activity is the one supernatural thriller DVD to own that plays on your most primal fears, and guarantees you’ll need to sleep with the lights on.

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