Showing posts with label disturbing. Show all posts
Showing posts with label disturbing. Show all posts

Tuesday, June 19, 2012

Funny Games (2008) (2008) Review

Funny Games (2008) (2008)
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Not since "Requiem for a Dream" have I left a theater as speechlessly disturbed as I did when the final credits rolled for this one, the blood-red letters splattered over the deranged face of Michael Pitt's character driving home the relentless cruelty I'd just sat through. And never before had I personally felt so responsible for it. If Michael Haneke's point is that we as an audience become active participants in the violence the second we purchase our ticket for a film like this, his point is made rather forcefully. In the hands of the abundantly talented Naomi Watts and Tim Roth, who evoke pain and humiliation with grimaces and tears so compelling that they turn to daggers aimed at the audience itself, the film strips violence of any glamor it may have possessed as entirely as possible in a culture that shovels out billions every year in its name. Toying with the audience's conflicted emotions--the desire to witness cruelty mixing with a desperate hope that its victims will make it out alive--the movie feels like a murder mystery in which YOU, the reader, are guilty of the crime. "You," by paying to sit with your popcorn and 50-gallon soda to watch a film you knew contained unmitigated torture and death, are responsible for the victims' plight. The lasting irony of this profoundly disturbing film is that, through its own indulgence of extreme violence, it makes the most impassioned plea to the better side of our nature to hit the silver screen since Harvey Keitel's "Three Seasons." I recommend the film with great reservation, but I recommend it no less strongly--this is a film every human being must find the courage to confront.
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FUNNY GAMES - DVD Movie

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Tuesday, June 12, 2012

The Texas Chainsaw Massacre (2-Disc Ultimate Edition) (1974) Review

The Texas Chainsaw Massacre (2-Disc Ultimate Edition) (1974)
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First, the movie. The Texas Chainsaw Massacre is probably one of the scariest movies ever made. It was unique for its time, and there's still nothing quite like it today. The plot doesn't sound like much- 2 women and 3 men make a drive to rural Texas to check out a graveyard that has been 'defiled', and to also relax and enjoy themselves. This last part of their vacation plan doesn't go real smoothly, as they make the mistake of wandering into an area where an insane, backwoods, inbred, cannibalistic sociopathic family live. Things get more and more horrifying from there.
I've heard people complain this movie isn't scary and not gory enough. As far as the gore, it is fairly low-key by today's standards (though I'm sure my mother wouldn't want to watch it, and it couldn't be shown un-cut on regular network TV). There's not a lot of blood till the end of the movie, but the acting is so good, and the screams of the victims so wrenching, your imagination fills in the rest and it actually is painful to watch. I will agree that the movie is kind of slow to get started- I admit the first time I saw it as a teenager I was getting impatient for some action. However, the last half of the movie more than makes up for it.
But if you think this movie isn't scary, I seriously doubt you've watched alone, at home, at night, with all the lights off. The first time I saw it was in the daytime, and it still made my hair stand on end. When I got the Special Edition DVD I unwisely watched it after midnight with the lights off. I couldn't sleep until the sun came up. The opening scene of the rotting corpse in the cemetery wired to a headstone alone made my skin crawl. The scene where Pam first discovers Leatherface's room, with the furniture made of bones and the chickens in bird-cages, gets scarier each time I see it. The last 20 minutes, at the dinner table, has to be one of the most grueling and realistic scenes to sit through ever made. The final few images--well, over 10 years went by between the last time I saw the movie and the time I watched it on DVD a few weeks ago, and I *still* could remember those shots so vividly it was like I saw it yesterday.
The DVD is incredible-the transfer is so crisp that it seems like the movie was filmed last year instead of in the early 70's. Since I'd only seen it on "pan & scan" VHS, I never really appreciated how beautiful some shots of the rural setting are, and also how well-thought out and carefully put together most of the cinematography is. Breathtaking, actually. Until the commentary pointed it out, I never realized how perfect and effective the long, continuous shot of Pam hesitantly getting up off the porch swing and slowly walking to the screen door is. This movie does not look at all amateurish, even though it was made on an extremely low budget.
The DVD is packed with cool and interesting special features. First, the commentary by Tobe Hooper, Gunnar Hansen aka Leatherface, and director of photography Daniel Pearl is fascinating. There's lots of subtle but powerful elements in the movie I missed till now-for instance, the lack of almost any score or soundtrack that gives it a documentary feel, making it that much more disturbing. Hardcore fans of this movie know already this was NOT an easy shoot by any standards, but their accounts of how much energy and work it took to get certain things right, not to mention the really tortuous things many of the actors went through...well, if any actor deserves to be paid millions for a movie, this cast certainly earned it. The dinner scene was the most horrendous- they could only do one take, it went on for 20+ hours, and this was in 110 degree heat with no air conditioning. Gunnar Hansen said that by the end, he was so out of it he started to think he wasn't acting. Kind of gives the tag line "Who will survive and what will be left of them?" a whole new meaning.
There's also some deleted and alternate scenes, including some "lost footage" never available before. With many of them, you can read the script excerpt of the scene first. There's a hilarious blooper reel-the quality isn't that great, but you'll laugh your butt off. There's lots of production notes and stills, along with shots of rare publicity material. A couple scenes are broken down shot by shot, with Hooper explaining why he made the directing and editing choices he did. There's even more, I just don't have room for it all. The menu is also pretty great. I highly recommend the Special Edition to anyone who is a fan of TCM. You'll be able to spend hours enjoying it, and they couldn't have done a better job. My recommendation (for what it's worth) is to get this one fast, because it would be a shame if it went out of print and so many people missed this wonderful collector's edition.

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It has been called "grisly," "sick," and "perverse," as well as "raw," "unshakeable," and "the movie that redefined horror." It was attacked by churches, banned by governments, and acclaimed by only the bravest of critics. It stunned audiences worldwide and set a new standard in movie terror forever. In 1974, writer-producer-directorTobe Hooper unleashed this dark, visionary tale about a group of five young friends who face a nightmare of torment at the hands of a depraved Texas clan. Today it remains unequaled as a landmark of outlaw filmmaking and unparalleled in its impact as perhaps the most frightening motion picture ever made.
Dark Sky Films presents this masterpiece like you've never seen or heard it before, newly transferred in High Definition from the 16mm camera originals, remixed in 5.1 and 2.0 Stereo Surround, and featuring never-before-seen Bonus Features produced exclusively for this definitive collection.
Bonus Features:

Steelbook Packaging
Feature-length commentary with actors Marilyn Burns, Paul A. Partain, Allen Danzinger, and art director Robert A. Burns
Feature-length commentary with director Tobe Hooper, cinematographer Daniel Pearl, and actor Gunnar Hansen
Theatrical Trailers & TV and Radio Spots
"The Texas Chain Saw Massacre: The Shocking Truth"
"Flesh Wounds"
A Tour of the TCSM house with Gunnar Hansen
Deleted Scenes and Outtakes
Blooper Reel
"The Shocking Truth" Outtakes
Still Gallery


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Friday, February 10, 2012

The Human Centipede (2010) Review

The Human Centipede (2010)
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Most of us loony horror fans have sat around and had that conversation where we come up with some of the most deranged and gruesome ideas we can just for the fun of doing it. Well, Todd Six has had this conversation, and then he went ahead and made a movie out of it.
So, here we have Human Centipede, a movie generating a cult film buzz based solely on it's gimmicky and oddball premise.......and what a premise it is! I do have to give it full points for originality. However, the gimmick is where all originality ceases. The gimmick is really all it has going for it. Otherwise this movie plays out pretty much like any other recent torture porn flick. Remove the Cronenbergism from the film and you could easily have this wacko doctor running a basement torture chamber where he hacks off victims' limbs to create artwork or forces people to listen to Nickelback, or whatever the hell they like to do in torture porn films anymore. Basically it's on par with the standard straight-to-video type horror, but with a bit of an edge. That's really all I can say about it.
I really do have to give kudos to the three principal actors who make up the "centipede". They're really not required to do much heavy acting per se, but they have to spend the bulk of the film dirt smeared,(mostly)naked, crying, and in an all around degrading position. They're definitely troopers.
All in all, I wouldn't let the hype get your hopes up. It's got a bit of entertainment value, but it's not nearly as disturbing, frightening , violent or gory as you're lead to believe. To the average Iron Man 2 goer, maybe. But aside from the "centipede", there's nothing here that horror fans haven't seen done before.....and better.

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100% Medically accurate. The compelling simplicity of Saw. The stylish dread of Eraserhead. The black humor of A Nightmare On Elm Street. Those are the benchmarks of horror that the outrageous Dutch film The Human Centipede matches. The plot is diabolically simple: two stranded American tourists are given shelter by a famed German doctor (a maniacally intense Dieter Laser) who made his fortune surgically separating conjoined twins. Now his mad genius is pushing the doctor to do the reverse. He tells the women that they will be surgically attached to a Japanese businessman mouth to buttocks, one after the other and thus will be born a new creature: the human centipede! Compellingly perverse, hilarious, and shockingly straightforward, Dutch director Tom Six s new film is hands-down the most memorable horror film of the year.

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Sunday, September 25, 2011

Crash (1997) Review

Crash (1997)
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David Cronenberg takes chances and his pushing the edge of cinematic art is what makes his films so interesting. JG Ballard's controversial novel CRASH seemed an unlikely prospect for a film, so dark were its explorations of the outer zones of excitation and their relationship to near-death events. But Cronenberg worked through making Ballard's visions visual and his screenplay based on Ballard's book is more about interior dialogue and visceral sexual encounters as they relate to trauma.
James Ballard (James Spader) is a successful TV director who spends as much time as a lothario as he does making film. He is married to Catherine (Deborah Kara Unger) whose own sexuality leads her into stray paths. The two seem to connect physically but the fire is diminishing: they both concur that encounters with other partners enhance their sexual experiences. James is in a car accident and survives with a broken leg and scars, but the other car's male driver was killed and his surviving female companion Helen Remington (Holly Hunter) is hospitalized with James. While in the hospital both encounter a strange, scarred, limping male photographer Vaughn (Elias Koteas) who takes photos of the scars and trauma results of both James and Helen. Catherine visits James in the hospital and seems to find excitement in the scars and orthopedic paraphernalia binding her husband.
Once James is released from the hospital he is strangely drawn to the car he wrecked and finds Helen in the same mindset. The two move into physical attraction as well as an emotional attraction to Vaughn. Vaughn is obsessed with auto accidents, having been in many, and he stages famous car accidents (James Dean, Jayne Mansfield, etc) for a captive audience - which includes James, Helen, and Catherine. Vaughn insidiously draws the three into his obsession, sharing his 'actors' and fellow travelers - including Gabrielle (Rosanna Arquette - with both legs in orthopedic mechanisms), Colin and Vera Seagrave (Peter MacNeill and Cheryl Swarts) and those who help him stage his 'accidents'. Vaughn explains that he is exploring how to achieve that sensation of terror one feels during a car crash and equate it with orgasm. The odd group of folks all sexually interact with abandon: the crashed car becomes the bedchamber for bizarre sexual acting out. And how this all plays out in the end is the part of the film that simply must be seen to feel the experience.
This is clearly NOT a movie for everyone. The CD contains both the NC and the R rated version: I watched the NC version and while it is graphic and focused on sex it is oddly uninvolving emotionally - we care little about the people we meet. Perhaps part of the story here is that with the progressively dehumanization of man in his symbiotic relationship with machines, relating to fellow humans on anything except the sensual gratification is something we are losing. That is the kind of powerful statement Cronenberg shows us with these passionate yet cold people. The cast is exceptional, especially Koteas whose warped character is wholly three-dimensional as opposed to the oddly uninvolved characters Spader, Unger, and Hunter portray. A dizzying experience! Grady Harp, October 05

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A psycho-sexual journey into oblivion in this controversial film from acclaimed director David Cronenberg. James Spader is a bored film director who explores new realms after a near-fatal car accident introduces him to a world of sexually obsessed car cra
DVD Features:FeaturetteOtherProduction NotesTheatrical Trailer


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