Showing posts with label dying. Show all posts
Showing posts with label dying. Show all posts

Thursday, February 21, 2013

Two Weeks (2006) Review

Two Weeks (2006)
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The humor is way too forced, superficial and well-trodden to add the well-intentioned black comedy elements this otherwise bittersweet soap opera needs, but this 2007 film offers a vanity-free Sally Field giving a powerhouse performance as Anita Bergman, the dying mother of four grown children. The movie's title refers to the amount of time her character is expected to live before succumbing to ovarian cancer. With the clock ticking, the four children gather at her North Carolina home from different parts of the country and respond differently to the imminent tragedy. Directed and written by Steve Stockman as a series of vignettes, the characterizations represent different archetypes, and the actors are left to flesh them out to some human dimension. The results of their efforts are variable.
Affecting an unrecognizable American accent, Ben Chaplin fares the poorest as eldest brother Keith, an LA-based filmmaker whose sarcastic jokes are meant to shield him from feelings of insecurity and guilt. His character has the most screen time, yet his constantly jokey facade gets in the way of any sympathy we have for him. At first, Tom Cavanaugh plays Ben, the son Anita has dubbed the responsible one, as an obnoxious yuppie workaholic who gradually reveals his fears of loss but fades in the background. As only daughter Beth, Julianne Nicholson is terrific in unconditionally embracing her role as chief caretaker given that her mother is really her best friend, for better or worse. Youngest brother Matthew is drawn in the broadest strokes as the picked-upon baby of the family, and his resentment has manifested itself with a shrewish wife whom everybody else hates.
On the sidelines is Anita's second husband of 13 years, Jim, played by James Murtagh, who glowers in resentment as her children take over their house with nary a thought in his direction. Anita's first husband and the father of her children exists as a shadowy figure in the story, and Anita - in one of many revealing videotaped excerpts - has obviously not fully come to terms with her divorce. These clips - showing Anita recorded by Keith in an earlier stage of her cancer - are used as a dramatically effective framing device for the story, and Field shows herself to be at the height of her artistry in these scenes even when the material gets mawkish. Stockman based the story on the death of his own mother in 1997, and this experience informs a lot of the moments in the film, especially the brutalizing scenes of Anita's rapid decline under hospice care.
The 2007 DVD is two-sided split between full and widescreen versions and with the extras divvied up. Stockman provides an informative commentary track accompanied periodically by Dr. Ira Byock, a physician specializing in treating those knowingly facing death. There's also a solid 23-minute making-of featurette, "Learning to Live Through Dying", and four scenes labeled deleted though truthfully only one is deleted while the other three are extended. There is a group discussion guide included in each version that provides text questions to help the viewer face the death of a loved one.

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Sunday, April 8, 2012

Life or Something Like It (2002) Review

Life or Something Like It (2002)
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The best way that I feel I can describe this movie is this: I liked it, but I'm not exactly sure how much. There are several reasons why I liked the movie but not a lot of reasons to make me think it's one of the best ever made. First off, any fan of Angelina Jolie shouldn't think twice about seeing this movie. She continues to prove time and again what a versatile actress she is. And if anyone else had played her role, this movie would have come across extremely boring. The rest of the cast was well chosen but they definitely weren't enough to carry the movie by themselves. The addition of Stockard Channing was a very fitting one as she did an excellent job of playing the network news equivalent of Jenny Jones meets Barbara Walters. And Edward Burns does an adequate job of playing Jolie's cameraman and part time love interest.
The story itself had a lot of interesting elements to it. Angelina Jolie plays Lannie Kerrigan, a Seattle Reporter who is living the perfect life, or at least what she thinks is the perfect life. She has the perfect body, the perfect hair, a major league baseball player as her fiance, and is one step away from her perfect network news anchor job in New York City. Everything is running according to plan, when one day, while on assignment she is given some life altering news. A street prophet tells her that in one week she will die. At first she dismisses his prophecy as nothing to be taken seriously, but as his other predictions come true, her perfect world starts to unravel. She is forced to look at every aspect of her life and realizes that everything she thought was so important doesn't really matter. What follows is a mixture of sometimes funny and at times depressing series of events that teach her the true meaning of what a perfect life really is.

All in all a solid movie to go and see. The performances were all done very well, with Angelina Jolie being the bright spot in the whole movie. There were several memorable scenes, including the impromptu singing of "Satisfaction" during a bus driver strike. This movie was definitely a feel good comedy from start to finish, with a few sad parts that were necessary to bring the viewer back up. And my personal favorite scene was Jolie and her fiance taking batting practice. It just really cracked me up. This isn't a movie you have to see in theatre's by any means, but would be well worth the rental price sometime for a date night at home.
The Breakdown:
1. Plot-8 (neat structure for a romantic comedy)
2. Characters-8 (very detailed and well developed)
3. Flow-9 (moved along quite nicely)
4. Atmosphere-9 (you can tell a lot of thought went into the setup)
5. Cinematography-8 (not a lot of creativity but didn't look low budget either)
6. Entertainment value-9 (surprisingly attention grabbing for such a simple plot)
7. Replay Value-7 (not a movie I could watch all the time but not necessarily one I would turn off either)
8. Casting/character depth-9 (Great casting for the most part and excellent detail to characters)
9. Relevance to genre-8 (hard to categorize but a good all around movie)
10. X-factors-8 (Angelina Jolie alone makes this movie worth seeing)
83/100

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A reporter, Lanie Kerrigan (Jolie), interviews a psychic homeless man (Shalhoub) for a fluff piece about a football game's score. Instead, he tells her that her life has no meaning, and is going to end in just a few days, which sparks her to action, trying to change the pattern of her life...

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Thursday, May 5, 2011

Sweet November (2001) Review

Sweet November (2001)
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Charlize Theron brings on her charm, and Keanu Reeves turns in a surprisingly worthy performance in "Sweet November," a movie that's as light as a fall breeze. Slammed by most critics as a soggy romance with no star chemistry, the movie's premise centers around two people who, through an unlikely series of events, fall in love, though not without hardship.
Let it be known, the movie is not that bad. In fact, when put in comparison with movies like "Bounce" and "The Wedding Planner," "Sweet November" is actually kind of refreshing in it's own little way. Yes, the way in which the two develop their romance is a bit tough to swallow at first, but if you can ignore that and allow their growing relationship to touch your heart, then the movie succeeds on those terms.
Keanu Reeves plays Nelson Moss, a man who is all work and no play (when leaving for work one morning, he tells his girlfriend, "I have a life, and I'm late for it") as a big ad executive. While taking a test at the DMV, he runs into Sara Deever, played by Charlize Theron, who gives him an answer and gets caught cheating. What does Sara do? She milks the situation for everything she can in order to get Nelson to her home.
Her offer? To allow him to live in her house for a month, no more, no less, in order to help him get rid of all of his life's stresses and restrictions. She takes it to the extreme, too, giving his clothes to a homeless man, telling him he cannot go to work (he got fired, anyway), and taking him out into the town to show him the ways in which life can be fun.
Like any movie relationship, there are complications. Sara is reluctant to reveal anything about her past or her family, or her reasons for taking in a new man each month. All she will reveal is what she does to help each one of them. Near the end, there will come a revelation that will put the stability of their bond in jeopardy.
It seems preposterous, but with a movie like this, the events come in such an order that you can forgive these little pitfalls. Their budding romance really does have a kick to it, and despite the outside criticism, Theron and Reeves do have some good onscreen chemistry that lights up the screen in moments and provides for some very touching moments.
The film also has a lot of warm-hearted laughs. A scene in which Sara stands outside Nelson's apartment and begins shouting risque comments at people in order to gain his attention will have you chuckling, while her neighbors, two homosexuals who host a dinner party for the four of them in drag, are a riot. And the overall sweet nature of the relationship between the two is something to smile about, as well as shed a few tears over.
In one of his better roles, Keanu Reeves is convincingly emotional as Nelson. In the beginning, her perfectly portrays the egotistical attitude and outlook of his character, and then makes a very believable segue to someone who is so in love he is willing to change his whole life. Charlize Theron is, as always, a gem, bringing a touch of warmth and cheerfulness to her role as Sara. Her acting embodies her character with the zest for life needed to sell us on Sara's motives, and Theron captures that completely.
While it's not on par with many other romances on the market, "Sweet November" is nowhere near as bad as critics have made it out to be. In fact, it's a charming movie that is very uplifting, due in part to the moving relationship that Reeves and Theron bring to their characters. It met all of my expectations, which were few, but the fact that it met them is enough to recommend the film.

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HE'S A POWER-SUITED, PLUGGED-IN AD EXECUTIVE SPEED-DIALING THROUGH LIFE. SHE'S A BOHEMIAN, FREE-SPIRITED PET GROOMER TAKING LIFE AS IT COMES. YOU MAY NOT EXPECT THEM TO SHARE A LIFE-ALTERING ROMANCE TOGETHER. SPECIAL FEATURES: ORIGINAL THEATRICAL TRAILER: CAST/FILMMAKER CAREER HIGHLIGHTS & MORE.

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