Showing posts with label escape. Show all posts
Showing posts with label escape. Show all posts

Saturday, December 29, 2012

Prison Break: The Final Break (2009) Review

Prison Break: The Final Break  (2009)
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The previously not shown two hours of the TV show Prison Break were packaged as this film. It's a final hurray for the 4-season long show that started out strong and ran into "creative difficulties" at the end. These two hours fill in a few gaps that the series finale glanced over. This is definitely a movie for the die-hard fans, as there are character reveals and returning characters as well as the regulars acting in a predictable manner. This is not a stand-alone film. Anyone who has not been a fan of the show, even anyone who has skipped most of season 4, will not really understand what is going on in the storyline and why the leads are worth rooting for. My recommendation is to watch the series finale up to the "Four Years Later" sequence, then seeing Prison Break: The Final Break, then returning to the season finale and watching the last few minutes (the montage at the end). The storyline is thus complete and makes more sense as well as provides more canon and insight into the lives and storyline of each characters.

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The federal government can’t touch Michael Scofield, so they’re going after the woman he loves. When Sara is arrested for murder, only Michael can rescue her — and their unborn child — from an impenetrable women’s prison. With a price on Sara’s head and time running out, Michael must rely on his deadliest enemies to help attempt the most daring breakout ever.

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Thursday, February 16, 2012

Escape From Alcatraz (1979) Review

Escape From Alcatraz (1979)
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Seldom do Amazon.com reviewers agree on ratings for films they watch, but for this one, the vote is in and it is unanimous. Escape from Alcatraz is a winner.
Director Don Siegel is pitch perfect from beginning to end. Many reviewers who have been to Alcatraz comment on the realism of this film. Siegel gives us an inside look at what it might have been like to be imprisoned on "the rock." From the black hole of solitary confinement to the painfully small individual cells of the prisoners, Alcatraz was a nasty place meant for only the nastiest criminals.
One of these prisoners is Frank Morris, expertly played by Clint Eastwood, who is transferred to Alcatraz, gets into a fight with an inmate who wants to make him his "punk," and spends time in the black hole. When he gets out of solitary, Morris begins to plan his escape. Several reviewers comment on the fact that Hollywood does not get these facts straight, but I didn't much care. I was pulled very quickly into Morris's plans and then the actual mechanics of the breakout, which were genuinely interesting and toward the end, had me sitting at the edge of my chair as I waited with suspense to see how the story would end.
The escape is obviously central to the entire plot, but the life of prisoners at Alcatraz is also dramatized expertly by Don Siegel. The warden, Patrick McGoohan, is aloof and professional, but he has a mean streak, which makes life harder than it needs to be on the rock. Frank Morris is smart enough not to get mad, but to get even, and this he does with three other inmates who assist him in the breakout. The warden and his guards are constanly on the alert for any suspicious behavior and we hold our breath from time to time as the escape plan is almost detected.
At last the time comes and we go step by step with Morris and two of his crew as they head for the icy waters surrounding Alcatraz. The fourth member of the crew hesitated and was left behind. This appears to follow the real-life events as mentioned by other reviewers.
Did Morris and his buddies successfully navigate the treacherous waters surrounding Alcatraz? I'll leave that question unanswered. Viewers can decide for themselves.
What is certain, at least to the reviewers of Amazon.com, is that Escape from Alcatraz is a well-made, highly suspenseful film from beginning to end, and it is one of Clint Eastwood's best roles -- that's saying something. Highly recommended!

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Filmed on location on Alcatraz Island, this is an account of the only three men ever to escape from this maximum security prison.Genre: Feature Film-Action/AdventureRating: PGRelease Date: 28-MAR-2006Media Type: DVD

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Sunday, November 27, 2011

We're No Angels (1955) Review

We're No Angels (1955)
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Every year around the holidays, I sit down with a cup of coffee, wrap an afghan around myself and fall under the spell of this film yet again. It's the story of three convicts trying to escape Devil's Island at Christmas. And in spite of their best (or worst)intentions to do in a struggling shopkeeper and his family and steal all their money, they end up celebrating the holidays as part of the family.
The casting is unexpected but quite wonderful, with tough guys Humphrey Bogart and Aldo Ray showing their comic sides. Peter Ustinov rounds out the trio of crooks and murderers nicely, with his dry, self-effacing delivery. Leo G. Carroll, Joan Bennett and Basil Rathbone all turn in wonderful performances on the law-abiding side of things.
We're No Angels is a film that never drifts into sappiness or sentimentality. There's always a little edge to the comedy, a little darkness underlying the light, and that makes for delicious viewing. It's a very human and humane comedy for people who don't want their holiday spoiled by too much sugar. One caveat: Do NOT mistake the remake for this film. They're not the same by any stretch.

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In WE’RE NO ANGLES, three convicts escape from Devil's Island and arrive at a nearby French colonial town. Their plan to steal supplies and clothing from the local store is ruined after they take a liking to the store’s owner, especially his attractive daughter.

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Tuesday, September 27, 2011

Coogan's Bluff (1968) Review

Coogan's Bluff (1968)
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The talented team of Clintus & Sigelini (Clint Eastwood & Don Siegel) show why they paired up in so many outstanding films together with Clint Eastwood's 1968 cowboy foray into New York City !
Eastwood is the quietly spoken, straightforward Arizona lawmen Walt Coogan sent to New York City to return captured escapee James Ringerman (Don Stroud). Coogan slips up, Ringerman escapes and the hunt is on through the bars, discotheques and parks of New York City for the violent criminal. Solid character actor Lee J. Cobb, plays the frustrated New York police Lieutenant McElroy trying to keep Coogan and his rough and tumble Arizona law enforcement methods in check.
One can't help but get the feeling that "Coogans Bluff" was almost like a dry run for Clint & Don Siegel for the pair's upcoming 1971 cop thriller "Dirty Harry"....about another maverick law enforcement officer refusing to accept mediocrity !
"Coogans Bluff" is an interesting and stylish work that is still enjoyable to watch.
PS. Keep your eyes open in the sequence when Clint enters the discotheque, and they are flashing various images on the walls...you see a very quick glimpse of footage from the 1958 film "Tarantula" where Clint had a bit part as a jet pilot sent to kill the giant arachnid with napalm !!

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Item Name: Coogan's Bluff; Studio:Universal Studios

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Friday, February 25, 2011

The Next Three Days (2010) Review

The Next Three Days (2010)
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Russell Crowe plays a man who's wife is convicted of a murder he's convinced she didn't commit. After she tries to kill herself, he decides to break her out of jail. Although the movie felt somewhat slow for a portion of it, ultimately I have to say that I enjoyed it, and can highly recommend it. Here's why:
1. It's a smart movie. It makes you think, and you're not told every last detail up front. In fact, you don't even know if the wife was innocent of murder or not for most of the movie. You're led through the story with pieces to the puzzle, and by the end it all comes together. It was really interesting.
2. It was not predictable. I found myself constantly evaluating what was happening, and trying to figure out what would come next. When you think you know what's coming, you realize you don't. It had some interesting turns and twists.
Although it started out slow, I think the way it progressed was important for the development of the characters and the story. It was, in my opinion, a good decision to develop the story this way, and worth sitting through.
3. It challenges your values. I had to keep wondering if I thought Crowe's character was doing right or not, and I found I kept evaluating whether I wanted him to succeed. Was he a desperate man who was forced to become a hero? Or was he a man who has gone over the edge into darkness? It certainly makes you think.
4. The acting was amazing, as you'd expect from Crowe. We think he's one of the very best actors of our time. Elizabeth Banks played the wife, and she was so believable. I was surprised that Liam Neeson had such a very tiny role, and Brian Dennehy, a powerful actor, barely said anything. Still, their presence in the film added to it.
5. There was some good action. Not a ton of it though, but enough to keep your adrenaline rushing once in a while. The last portion was edge of your seat exciting.
Ultimately I'd say this is a very satisfying movie experience. It's different, not a formula, and by the end you're on the edge of your seat.

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Life seems perfect for John Brennan until his wife, Lara, is arrested for a murder she says she didn’t commit. Three years into her sentence, John is struggling to hold his family together, raising their son and teaching at college while he pursues every means available to prove her innocence. With the rejection of their final appeal, Lara becomes suicidal and John decides there is only one possible, bearable solution: to break his wife out of prison. Refusing to be deterred by impossible odds or his own inexperience, John devises an elaborate escape plot and plunges into a dangerous and unfamiliar world, ultimately risking everything for the woman he loves. Lionsgate presents a Hwy 61 Films / Lionsgate production. The Next Three Days stars Russell Crowe, Elizabeth Banks, Brian Dennehy, Olivia Wilde and Liam Neeson, and is directed by Paul Haggis from a screenplay by Paul Haggis. The Next Three Days is produced by Michael Nozik and Paul Haggis, and Olivier Delbosc and Marc Missonnier.

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