Showing posts with label george c scott. Show all posts
Showing posts with label george c scott. Show all posts

Wednesday, February 20, 2013

A Christmas Carol (1984) Review

A Christmas Carol (1984)
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Christmas just isn't Christmas unless you watch at least one version of A Christmas Carol, and this is by far my favorite. George C. Scott gives one of the greatest performances I have ever seen an actor give; he truly becomes Ebenezer Scrooge to the fullest degree possible. Scott can say more with just the slightest hint of a facial movement than many actors can say during the course of an entire movie. All of the performers here are excellent, bringing to life adored characters such as Bob Cratchit, Tiny Tim, and Scrooge's nephew Fred. All four spirits are remarkable, none more so than Scrooge's old partner Jacob Marley; having Marley's jaw drop after untying the burial cloth holding his mouth closed is an important aspect of the story and certainly does make an impression on the viewer. This is just one example of the moviemakers' faithfulness to Charles Dickens' original story; another would be the inclusion of the two miserable children, Ignorance and Want, beneath the robes of the Ghost of Christmas Present.
This timeless tale works extremely well on its own, but the unsurpassed acting skills of Scott make it almost more than real. The change wrought in him during the course of the night, as he changes from a man of crass materialism and unkindness to a repentant soul pleading for a chance to change his ways, is powerfully presented and really touches the viewer emotionally. The simple happiness revealed in the lives of Bob Cratchit and others are as heart-warming as the forgotten mistakes and pains of a younger Scrooge are agonizing. If there is any heart out there that is not touched by the goodness and courage of Tiny Tim, I don't even want to know about it. No matter how many times you watch this movie, it proves itself capable of bringing a tear to your eye, a lump in your throat, and ultimately the very spirit of true holiday cheer and Christian charity that Dickens intended it to convey.
I cannot say I have seen every adaptation of A Christmas Carol, but I really cannot believe any other version could exceed the quality and emotional impact of this one. No matter how many times I read the story or watch the movie, it remains a source of eternal joy to me. This is more than a movie for me; it is an important and necessary part of each and every Christmas holiday season.

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Christmas elicits nothing more than "Bah, humbug!" from Ebenezer Scrooge (Scott), a miser whose sole pursuit of financial success has left him a bitter and lonely old man. But a ChristmasEve visit from the Ghosts of Christmas Past, Present and Future ultimately teaches him to open his heart to the spirit of Christmas and to the joys of friends and family.

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Monday, February 27, 2012

Malice (1993) Review

Malice (1993)
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Leonard Maltin, who usually agrees with me (!), gives this movie only 2 1/2 stars. The Amazon reviewer says it doesn't make much sense and is full of McGuffins! Well, they're both way off base this time. McGuffins? Try to come up with even one good one, and you'll have something that most thrillers don't have at all. Come up with several, as does MALICE, and you have a totally brilliant thriller. Yes, the serial killer subplot was thrown in--for laughs, maybe? No matter, it served its purpose of deflection, setting up the main character, and even -- horror of horrors! -- filling time while time needs to be passing by in order for the main plot to mature. The movie was touted as being from the same director who brought us SEA OF LOVE, which to my mind is an immediate turn-off. But it shows--as William Goldman shows so clearly in his books--that the same director can be quite different depending on the screenplay. MALICE has a great screenplay, so all the director had to do was film it. Of course, I exaggerate, but wait a moment--look who he had to work with: Nicole Kidman, Alec Baldwin, and Bill Pullman. Each turned in a totally outstanding, memorable performance. Pullman had the hardest role and he pulled it off. Kidman is one of the greatest actresses of our generation. Baldwin was good as usual, and we especially have to thank the casting director for choosing him for this role, which seems to be "pure Baldwin," if you know what I mean (e.g., most Bogart movies are "pure Bogart," as if there were no one else who could possibly play that role, including George Raft as Rick in CASABLANCA). And even Peter Gallagher shows up here in an early role that makes a strong impression. George C. Scott is perfect, as always, in a cameo role. Nicole Kidman does not seem to be all that impressive through most of the movie, but she's playing a role, and playing it to the hilt, as we find out later. She gets her chance to show what she can do in the last fifteen minutes, and you can see her incredible range, her ability to focus the film, the depth of her resources as an actress, which she exceeds only in her bravura role in TO DIE FOR. All in all, MALICE is one of the finest thrillers of the 90s, and my prediction is that it will become a major cult favorite and be reissued sooner or later on DVD.

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What happens when you open your home to someone who's gutsier than you, more devious than you and crafty enough to steal your life right out from under you? Plenty of Malice. Starring Alec Baldwin, Nicole Kidman and Bill Pullman and boastingan excellent supporting cast(The New York Times) that includes OscarÂ(r) winners* Gwyneth Paltrow and Anne Bancroft, this bold, riveting thriller isdeviously entertaining(The New York Times). Easy-going college dean Andy Safian's (Pullman) quiet New England world has just been terribly disrupted. Two coeds have been raped, a third has been killed and the police are beginning to suspect him! At home, bills are pilingup, his wife (Kidman) is developing severe stomach cramps and the new tenanta devilishly handsome surgeon (Baldwin)is regularlyentertainingnurses late into the night. Little does Andy know that all of these events are related and that he's about to be blindsided by something more daring and deadly than anything he could have ever imagined!*Paltrow: Actress, Shakespeare in Love (1998); Bancroft: Actress, The Miracle Worker (1962)

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Saturday, March 5, 2011

The New Centurions Review

The New Centurions
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This movie inspired me to a law enforcement career that lasted 28 years. George C. Scott (Officer Kilvinsky) delivers one of his best performances as a veteran patrolman of the L.A.P.D. He teaches a rookie cop "Stacy Keach" how to survive on the streets of L.A. Erik Estrada plays a former gang banger that turned cop, only to find himself working patrol in his old stomping grounds. The realism was great. No doubt they used police advisors when making the film. A sad movie that will make you realize that cops are human. Kilvinsky the cynical cop, shows compassion in dealing with illegal Mexican immigrants that are being taken advantage of by a money grubbing landlord. Stacy Keach suffers a failed marriage and gets involved in an interracial relationship. Truly a gut wrenching movie that shows the brutality of police work, both mentally and physically. I'd pay a hundred dollars if I could get the movie on DVD.

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Experiences of modern-day Los Angeles policemen portraying their hazards, adventures and rewards, starring George C. Scott as Sgt. Kilvinski and Stacy Keach as Roy Fehler. New Centurions is based on the novel by Joseph Wambaugh.

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