Showing posts with label green arrow. Show all posts
Showing posts with label green arrow. Show all posts

Saturday, September 22, 2012

Smallville: The Complete Seventh Season (2007) Review

Smallville: The Complete Seventh Season (2007)
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**I'm going to SPOILER tag this review for anyone who hasn't seen this season yet. Some of the problems that I have with this season, I'll need to reference specific details**
The 7th Season of Smallville, unfortunately, has two fewer episodes due to the writer's strike. Some of the problems in this season could be a direct result of this. Another issue is that the CW renewed the show for an 8th season, but most of the contracts for the cast had ended, except for Tom Welling. In some ways, it seemed that the writers were struggling to come up with a good way to transition into Season 8 while finding a way to make plausible exits for those cast members who will not be returning to the show. Unfortunately, this hurt Season 7 of Smallville to a degree. The show loses some of its cohesiveness that they've enjoyed, especially in comparison to Seasons 5 & 6, which in my opinion, are the show's best seasons.
Of course, most people don't realize how difficult it is to be a show running for 7 years and maintain that high level of quality that Smallville has been. Most shows tend to lose something the longer they are on the air. Stories change, cast members come and go, and it can be very difficult to maintain the show's quality with so many changes.
Okay Smallville fans, we're finally treated to what many people had been waiting for: Lana finding out Clark's secret, AND Clark finding out that Lana knows. Many people, myself included, were expecting something big for this occasion, since, for some people, they had been waiting for this moment for 7 years. The emotional climax is dry. One is almost forced to ask, "Is that it? Is this as excited as they can get? Clark FINALLY gets what he wants, and yet, he doesn't seem as excited as he should be." Okay, we all know that Clark will eventually end up with Lois. But in that moment with Lana, I felt that there needed to be more than what they showed. I would think that Clark would be ecstatic! I would think that Lana would have a ton of questions to ask him, especially given their history.
Exit Martha Kent from the show, enter cousin Kara (aka, Supergirl). At first, I was extremely apprehensive about this addition. And yet, newcomer, Laura Vandervroot does a credible job with the limited amount of time that she is on the show. It's difficult to do a proper character development on a character who is only in a handful of episodes. Purists may find a distaste that Supergirl demonstrates more powers than Clark, at this point, as he is still unable AND unwilling to learn to fly.
Kristin Kreuk is also in the show for a limited time, and she even drops down to third billing in the opening credits behind Tom and Michael. She's barely in the last five episodes as Kristin was in Thailand shooting a movie. While it's not her fault, the final moment between Clark and Lana, via videotape is stale and leaves the viewer feeling cheated. Many fans who already seem to despise the character of Lana were given further ammunition when Lana breaks up with Clark via videotape.
James Marsters returns as Brainiac, and he's still as good as ever. I was glad to see them bring the character back.
Chloe is still Clark's faithful sidekick but now she's a "meteor freak;" a type of person that she has spent much of her time trying to expose. Now she's faced with her own dilema of whether or not to tell boyfriend, Jimmy Olson that she now possesses the power to heal. While interesting, one still can't help but wonder how and when Chloe suddenly came upon this power. We are given no explanation or even possible theories.
Lois is as headstrong as ever, but toward the end of the season, her character begins to soften a bit, especially toward Clark. You can't help but think that the writers are laying some groundwork for the future couple. I still think Erica is the best Lois to play the part, and Lois has some great moments with Clark at the end of the season.
Michael Rosenbaum is always fantastic, even though Lex still can't seem to avoid getting shot. The only problem is that Lex doesn't seem to be around as much. There are stretches where you miss him. I certainly did, considering he's one of the strongest actors of the cast. There is a classic moment when Lex finally rids himself of the last trace of good that is left. The scene after he has killed Lionel, and he throws "Alexander" on the fire shouting, "You make me weak!" is classic, vintage Lex, and Michael Rosenbaum has the character nailed cold.
Tom Welling is excellent as Clark. If he has one "weakness" it's his difficulty in showing real, genuine emotion. There are scenes were he appears to be trying too hard, and it loses some punch because it doesn't appear natural enough. His range as an actor has only grown with each season, but I'd love to see him lose his fear of expanding his emotional range to include complete sadness and the sense of loss. He showed real glimpses of this during the time when Jonathan Kent died. He's also still a fantastic director as shown in "Apocalypse" where Clark is given a chance to see how things would be if he never came to Earth. It's sort of a Smallville version of "It's a Wonderful Life."
This season still has some great and memorable episodes. Lana briefly possesses Clark's powers (though at no loss of his own) in "Wrath." It's a great episode, and you really understand why no one but Clark can handle that much power; not just physically but psychologically.
"Descent" may be the season's best episode as Lex and Lionel have their final confrontation that leads to tragic results for Lionel. The final scene with Lex and Clark standing on either side of Lionel's coffin is a classic and powerful Smallville moment that is not to be missed.
As good as many episodes were, the season finale, "Arctic" is bit of a let down, especially when you compare it to past finales that always had dazzling cliffhangers that made you dread the 5 months until you find out what happens! The problem with "Arctic" as well as with the main storyline leading to it, is that it feels rushed. It was as if the writers were trying to quickly get through it as fast as possible (especially with 2 fewer episodes to work with) in order to get things set-up for the next season. Unfortunately, the finale and main storyline suffer as a consequence.
Things might have improved greatly if they had done what other shows have done in the past: shoot a 90 minute finale. This gives them more time for better plot development, and it would not have felt rushed. You have the final confrontation with Brainiac. You have Clark and Lana dealing with their final moments. You have Clark trying to get to Lex to prevent him from using a device that will somehow control Clark (a fairly weak idea on the writer's part. It still seems unlikely from a character standpoint that Jor-El would actually create some device to control Clark that could be used by humans even if they had to find the clues to acquire it. Here Smallville went a little "Da Vinci Code" on us. Besides, I didn't see any concern on Jor-El's part when Clark was on red kryptonite and wreaking havoc in Metropolis).
Because past seasons of Smallville have all been great or beyond great, I couldn't help but feel that something was missing from this season. It felt rushed. It lacked the emotional depth that Smallville has utilized in the past, and the storyline turned out to be only satisfactory when compared to past seasons.
I still love this show and have since the first season. Since the show has been picked up for another season, I'm really hoping that with a full 22-episode season, Smallville can bounce back and end the series with the efficient capability that the writers have shown in the past. After all, Smallville is about Clark becoming Superman, and I for one, want them to go out in a blaze of glory as Clark finally accepts his destiny and becomes the iconic hero that we all know and love.

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There are two Clark Kents. One is the young man whose life in a tiny Kansas town sets him on destinys path. The other is a Bizarro who shares Clarks DNA but not his values. Only one of them can survive. Superman mythology grows deeper and more powerful in an event-packed season that includes the arrival of Clarks cousin Kara/Supergirl. Keep a low profile and master your powers, Clark says. Kara has other ideas. Plus: Lana Lang might prefer Bizarro to the real deal. Lois Lane makes a career leap. Chloe Sullivan finds that balancing a meteor power with a personal life isnt easy. And Lex Luthors power-lust has a new fixation Kara. New characters and complications. New secrets and lore. New thrills and special effects. Power up to Season 7!

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Monday, April 2, 2012

Batman: The Brave and the Bold - Season One, Part One Review

Batman: The Brave and the Bold - Season One, Part One
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My review will cover two parts. First let's talk about the show. When I first heard about it, I had my doubts. I grew up on the great "Batman: The Animated Series" and loved "The Batman," especially at the end. But when this came out I first thought they had ran out of ideas for Batman. I was wrong, it mixes action like from the last two shows and adds in humor in such a perfect amount for Batman that it comes off as enjoyable instead of cheesy.
Now as for the release. I agree with everyone else here, this should be the FULL season one. I hate when the studio release half a season of a show. Disney did it with "Gargoyles: Season Two," and Warner has done it with "The Real Adventures of Johnny Quest: Season One, both of which may never see the rest of their season on DVD. Warner has also done it with other shows like "Tiny Toons"and "Smurfs." Is it a cheep underhand move to try and force the consumer to fork over more money then they would for releasing these seasons whole? Sure is. Is it right? Nope, in fact it turns consumers off. But that fact is the way these studios think, if this set does not sell, good luck seeing much more of this show on DVD, even if it is Batman. "Gargoyles" and "Real Adventures of Johnny Quest" have shown that already.
Bottom line, despite how wrong it may be, if you love this show and want to see more of it on DVD, buy this release.

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RISE OF THE BLUE BEETLE,TERROR ON DINOSAUR ISLAND,EVIL UNDER THE SEA,INVASION OF THE SECRET SANTAS,DAY OF THE DARK KNIGHT,ENTER THE OUTSIDERS,DAWN OF THE DEAD MAN,FALL OF THE BLUE BEETLE, JOURNEY TO THE CENTER OF THE BAT,EYES OF DESPERO,RETURN OF THE FEARSOME FANGS,DEEP COVER FOR BATMAN,GAME OVER FOR OWLMAN

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Saturday, March 3, 2012

Smallville: The Complete Sixth Season (2006) Review

Smallville: The Complete Sixth Season (2006)
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*Possible spoilers within.*
"Smallville" fans continue to perplex me. It seems that the majority of "Smallville" fans consider what I and those with whom I watch the series have deemed the weakest seasons of the show to be the show's best years. Similarly, while I found the show's sixth season to be its best since Season One, most fans have ranked it among the series' worst. I'm not putting down those who think differently from me, but I have thoroughly evaluated each season and I cannot imagine what these viewers are seeing that I am not. There are those who are now dreading the next season and the season which may follow (creators Al Gough and Miles Millar have said that the show will run no longer than eight seasons). After Season Six, however, I am eagerly awaiting more of a show that has, after years of stumbling through piles and piles of mediocrity, finally reached its potential.
In Season Five, Clark Kent found himself without his most beloved "guiding light" when his father died. The feelings of loneliness grew as his relationship with Lex Luthor crumbled, rebuilt as a bitter rivalry, and Clark was forced to push the love of his life, Lana Lang, away. To make matters worse, Lana took refuge in Lex's open arms. By the end of the season, Clark had learned to deal with his grief and had a better sense of who he was, but he still had a long way to go before becoming the Man of Steel. In Season Six, Clark's destiny grows a lot nearer. Season Six revolves around Clark's discovery of who he is through two major storylines: 1) the tormented relationship between he and Lana Lang (which should have ended seasons ago and has now reached the point of absurdity), as well as Lana's potentially strong affections for Lex, and 2) Lex Luthor's rapid loss of morality and Clark's realization that he alone can stop him. There is a third major storyline as well, dealing with a number of alien ghosts which escape from the Phantom Zone in the season premiere; Clark must round them up before they wreak too much havoc.
There are a number of subplots too. The largest and most popular involves Oliver Queen, played by Justin Hartley, who was cast in the title role of "Smallville"'s failed spinoff "Aquaman." Queen is a young, attractive businessman who arrives in Metropolis with a dark secret: he is the Green Arrow (one of DC's most popular heroes), a hooded rogue who protects those who need protection. He is also a sort of Robin Hood - which is bad news for Clark, whose mother is now a full-fledged, popular politician. Queen also has a checkered past with Lex Luthor, which makes for one of the season's more interesting subplots. Others include Chloe's relationship with spunky young photographer Jimmy Olsen (played by Aaron Ashmore, whom I personally find extremely irking) and Lois Lane's beginnings in journalism.
I had a number of complaints about Season Five, and even a few seasons before that. The writing was foolish and predictable and the dialog was just trash. The acting was lackluster. The directing was virtually non-existent. The music was frankly turgid. The sixth season, however, corrects all of that. The writing is, for the most part, excellent. The season's story arcs were intricate and interesting, and more importantly, each individual episode was a blast, well-written and suspenseful. Thankfully, the writers finally focused a lot less on meteor freaks (in fact, they hardly crop up at all!) and a lot more on other foes, in this case the "Zoners" (those who have escaped from the Phantom Zone). The dialog picked up a lot as well, and felt a whole more natural and realistic than it did in previous seasons.
The acting improved as well. Tom Welling's Clark seemed rather oafish in the previous season, but in this season, he is Clark Kent once more: strong, brave, and noble. John Glover is as delectable as ever, and Michael Rosenbaum gets a much-deserved dose of unflinching evil. Erica Durance begins to show promise as Clark's future love - for example, "Crimson," a fan favorite episode in which Clark is exposed to red kryptonite after a kiss from Lois, who herself has been drugged with a love potion. Allison Mack is especially fun, and the writers have mercifully saved us from most of her godawful one-liners. Even Kristen Kreuk, whose character I couldn't stand in previous seasons, improves slightly.
The show picks up some wonderful style from its directors, something it was completely devoid of in Seasons Four and Five. A great example of this is "Wither," which features some stunning visuals. I don't know what happened to Mark Snow, but his music went from cringeworthy and stale to downright fantastic. His score is hip, creative, cool, and grandiose, exactly what it should be. I really enjoyed hearing the music in each episode - even when Snow's theme for the Green Arrow is a painfully obvious rehash of Danny Elfman's theme for Tim Burton's "Batman" movies.
As far as the episodes go, this season holds a variety of standouts. The season premiere, "Zod," is great. It's not as epic as the fifth season premiere, but it's very cool anyway. Though I still find the producers' failure to cast an actor as Zod downright despicable, Rosenbaum plays his possession of Lex very well. Hearing Rosenbaum deliver "Superman II"'s classic "Kneel before Zod!" is really a delight, and the splitting resemblance between the disembodied Zod and Terence Stamp in "Superman II" is sure to please fans of the films. "Sneeze" introduces a new power for Clark: super breath. "Justice" is a very fun episode and has been called the best episode of the series by many. I don't agree in that aspect, but it is very neat to see all the show's past superheroes gathered together. The inevitable "It's All In Your Head" episode comes in the form of "Labyrinth," surprisingly a very enjoyable episode (in a twisted sort of way). "Freak" puts forth the revelation that Chloe herself has some sort of meteor power and has become a meteor freak after being exposed to so much kryptonite. That's an interesting and tense episode. "Promise" is a painful, dramatic episode, but its successor, the super-violent "Fight Club"-inspired "Combat," is a real blast. It's probably one of the show's weaker episodes, but it's also one of its most fun. Personally, I loved it: seeing Clark dress up in leather and kick the s--- out a jacked-up wrestler, seeing Lois in tight red leather - grand fun to be sure.
"Nemesis" is one of the series' strongest episodes, in which Clark and Lex are trapped in an underground tunnel and forced to deal with their issues which each other. Kudos to the writers for thinking this one up. The dramatic confrontation between Welling and Rosenbaum, Clark and Lex, good and evil, is just superb. "Noir," unfortunately, is not. What seemed like a brilliant idea - play the show as though it were a film noir in the 1940s - is interesting, but little more than that, and the final product falls flat on its face. As always, the season goes out with a bang, a lot of them, with "Phantom," which leaves one character on his way to jail, three characters possibly dead, one superpower revealed, and introduces a character I have long awaited but thought I would never seen on "Smallville." It also featured a much-advertised "death" of a major character. I would like little more than to see that character actually be killed, but the fact that she's not is ridiculously clear.
At its finish, the sixth season of "Smallville" is a wonderful surprise. It's quite possibly the best season since the show's outstanding first, and it's the first season to truly reach its potential since the series' early years. I have no idea what happened between the end of Season Five and the premiere of Season Six, but everything that was so wrong with the show was drastically improved. Season Six is quality, comic-bookish, fun television, and although the second half of the season is rather lopsided ("Progeny," which features a guest appearance by Lynda Carter, is arguably the most dull episode of the entire show), it's a spectacular season. Clark has yet to fly, and the show hadn't really flown since the beginning of Season Three, but with Season Six "Smallville" soars as it, like its young hero, seemed destined to from the start.

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They tried to be friends. But their chosen paths set them on a collision course. The Clark Kent-Lex Luthor rivalry explodes into the fierce good- versus-evil battle fans have long expected in Season 6 of the spectacular series that reinterprets the characters and events of Superman mythology from its roots.
Adding to the rivalry: Lana Lang becomes Mrs. Luthor. Clark/Superman would be stunned to find out why she says yes. But that’s not all that’s stunning. Green Arrow forms a Super Hero league. Will Clark join? Phantom Zone escapees menace Earth. Can Clark stop them? LuthorCorp expands its dark experiments. Will an awesome kryptonite-powered army be the result? The answers – and thrills – are here!

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