Showing posts with label jason schwartzman. Show all posts
Showing posts with label jason schwartzman. Show all posts

Sunday, December 16, 2012

Funny People (2-Disc Unrated Edition) (2009) Review

Funny People (2-Disc Unrated Edition) (2009)
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The psyche of the stand-up comedian is the subject of Judd Apatow's third and most ambitious directorial effort, but the elliptical, rather skewed characters that inhabit this serious-minded 2009 comedy obscure the personal revelations that he ironically attempts to mine. In certain ways, it's a dramatically audacious film, yet in others, Apatow comes back to the comfortably off-kilter humor of his previous ensemble efforts, The 40-Year-Old Virgin and Knocked Up. Sometimes the balance feels very off here, primarily because the protagonist is so hard to read from the outside. It was inevitable that the director cast his former roommate Adam Sandler as George Simmons, a comic who has become a major movie star based on the type of juvenilia he constantly ridicules. Sandler accurately captures both the demented comedy mind and the innate cruelty that keeps everyone at arm's length. It's a tricky part that has quite a few autobiographical elements for both director and star, but he plays it with melancholic deftness.
The meandering plot begins with George receiving bad news. He finds out he's dying of a rare blood disease and recognizes a need to reassess his priorities. George spots a struggling young comic, Ira Wright, at a local comedy club and hires him to write material and become his gopher. They bond quickly, and Ira becomes George's confidant, the only one who knows of his fatal diagnosis. Ira also has two roommates, another stand-up comic and an actor who has already caught his break starring as a teacher in a high school-set sitcom. Both become envious of Ira's budding relationship with George. Meanwhile, an old flame reenters George's life, Laura, a former actress who has turned into a suburbanite married to an Aussie exporter and raising two daughters in Marin County. Sparks are rekindled, and relationships start to get messy all around. As both writer and director, Apatow handles the situations dexterously but excessively. The film runs on far too long at a marathon 153 minutes and then simply trails off.
Newly trimmed down, Apatow protégé Seth Rogen plays his familiar dweebish persona as Ira, although he brings more depth to his submissive character with each humiliating act. Leslie Mann, Apatow's wife, has been promoted to leading lady this time as Laura, and she excels with her endearingly brittle style. In another justified act of nepotism, the director recruited their children to play the two precocious daughters. Jonah Hill and Jason Schwartzman play the roommates with their usual deadpan aplomb. The film's biggest surprise is the usually dour Eric Bana (Munich) lightening up quite a bit as Laura's suspicious husband. Cameos from well-known comics (Ray Romano, Andy Dick, Paul Reiser, Sarah Silverman, etc.) and even comic turns from the likes of Eminem and James Taylor are sprinkled throughout to give the film an air of Hollywood-style realism. The esteemed cinematographer Janusz Kaminski (Saving Private Ryan, Schindler's List) provides the film a bright, sharp look throughout.
The two-disc 2009 DVD set smacks of overkill, but there are highlights to consider, chief among them the amusing commentary from Apatow, Sandler, and Rogen, in which they hilariously separate fact from fiction. The first disc also contains a four-minute gag reel. Disc Two contains 21 minutes of deleted scenes; six extended and alternate scenes; another gag reel; and a line-o-rama, a standard extra on Apatow's DVDs where the actors riff on the same lines for maximum comic effect. A lengthy, one-hour-plus video diary from the director is the centerpiece of Disc Two. Other featurettes center on Aziz Ansari's obnoxious stand-up comic; archival footage of Sandler and a thirteen-year-old Rogen; and a faux-documentary on George Simmons' film career. There are also music clips from Taylor, as well as Sandler performing with musician Jon Brion.

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Adam Sandler, Seth Rogen and Leslie Mann star in this seriously funny film from writer-director Judd Apatow (The 40-Year-Old Virgin and Knocked Up). When famous comedian George Simmons (Sandler) is given a second chance at a new beginning, he and his assistant, a struggling comedian, Ira (Rogen), return to the places and people that matter most…including the stand-up spots that gave him his start and the girl that got away (Mann). Co-starring Jonah Hill, Eric Bana and Jason Schwartzman, it’s the film critics cheer is “uproariously funny!" (Sonny Bunch, The Washington Times)

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Thursday, July 5, 2012

The Darjeeling Limited (2007) Review

The Darjeeling Limited (2007)
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Wes Anderson is at his best when he explores a small group of people -- sometimes family, sometimes not -- and explores what makes them tick.
And after the cluttered "The Life Aquatic of Steve Zissou," Anderson returns to those roots with "The Darjeeling Limited." Technically it's an Indian road trip movie, and it's full of his quirky charm... but at heart it's just about three unhapppy brothers with a lot of baggage. Both literally and psychologically.
The forlorn Peter (Adrien Brody) and his luggage barely make it to an Indian train in time to join his brothers, woman-chasing writer Jack (Jason Schwartzman) and bandaged control freak Francis (Owen Wilson). They haven't spoken for a year, and now they're planning to awkwardly bond as they travel to their estranged mother's convent.
But after disasters involving a snake, painkillers and pepper spray, the three brothers find themselves (and their monogrammed suitcases) thrown off the train. As they trek back to civilization, the three men set out on a quest to explore the spiritual, deal with life, death, feathers, man-eating tigers, funerals and their own painful memories... and possibly find their mom.
Nobody in their right mind would expect Wes Anderson to spin up an ordinary good-ol'-boys road trip movie. At least, not the way most directors would. Instead, Anderson crafts this as the baby brother to "The Royal Tenenbaums," exploring a fractured, mildly dysfunctional family with an absent parent.
And the cinematic flavour of "Darjeeling Limited" is much the same as in "Royal Tenenbaums" -- bittersweetly funny and arch, with a tinge of poetic melancholy underlying the plot. It would be an endearing movie in any setting, but somehow putting it in the mellow glow of India's dusty roads, bright fields and cluttered shrines makes it even better. The bright, visual richness gives it a sense of whimsy.
For the record, Roman Coppola and Schwartzman helped Anderson out with the script, but there isn't much change. As always, lots of wry, amusingly contemplative dialogue ("I wonder if the three of us would've been friends in real life. Not as brothers, but as people"), though there is some hilarious comedic scenes of sibling infighting. It even gets slapsticky.
Fortunately, Anderson never puts artificial twists into the story, for any extra drama, comedy or thrills; the closest thing would be a brief detour into a child's funeral. The story simply flows by, because it's all about the brothers -- and focusing on anything but their self-imposed journey would just be extra baggage.
And the three men playing Jack, Francis and Peter are nothing short of brilliant. Brody is vaguely lost and forlorn, while Schwartzman is a quirky rake who is still haunted by his last girlfriend (played by Natalie Portman in the short intro, "Hotel Chevalier"). But there's something almost painfully wounded about Wilson's reckless control freak, which has nothing to do with his bandages.
"The Darjeeling Limited" is a visually astounding, contemplative little comedy, all about three men who have to deal with the past before they can move on. Put it on the shelf next to "Royal Tenenbaums."

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Owen Wilson, Adrien Brody, and Jason Schwartzman star as three brothers who have drifted apart over the years and try to re-forge their sibling bonds on a hilarious adventure across India. The Royal Tennenbaums meets Lost in Translation.

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Monday, March 12, 2012

Bored to Death: The Complete First Season (2009) Review

Bored to Death: The Complete First Season (2009)
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Jonathan Ames (Jason Schwartzman) is a freelance writer with one novel under his belt, a 447,000 rating on Amazon, and serious writers' block. He writes the occasional article for his friend George Christopher (Ted Danson, in a hilarious role), the bored-to-death editor of an Esquire-type magazine. Meanwhile, his buddy Ray (Zak Galifianakis)is a frustrated graphic novelist, comic-strip artist trying to hawk his work, with meager results. Zak's girlfriend Leah controls his every move, while Jonathan's girlfriend Suzanne moves out after Jonathan refuses to clean up his act according to her straight-edge wishes, i.e., no drinking, no pot smoking.
After losing his roommate/lover, Jonathan is unable to write, and suffers from a serious case of the doldrums. He mopes around his apartment, doing very little but reading Raymond Chandler novels and getting smoked up. Schwartzman is very good at conveying this bright-guy-turning-into-a-loser character. Apparently inspired by the Chandler novels, he decides to try his hand at being a private eye himself. Despite having no background whatsoever in police work, he figures he has nothing to lose and advertises on craigslist as an "unlicensed" private detective. He hopes that by doing this he will pad his bank account, as well as find inspiration for his writing. Thus, the hilarity ensues.
The series is stylish, with lots of allusions to Raymond Chandler potboilers, complete with gorgeous, troubled dames, topcoats, hats, and all the Chandler-esque parafernalia. Jonathan hasn't a clue as to what he's doing, but somehow his escapades all work out, with George and Ray as his Keystone cops sidekicks. Each episode is done tongue-in-cheek, requiring a large dose of literary license from the viewer. If the viewer has a sense of fun and enjoys a well-crafted farce, this isn't hard to do. I hope this series catches on, because in my household, this is half an hour of very entertaining television. All the actors do a fine job, my favorite being Ted Danson, who seems to thoroughly enjoy acting a fool and probably getting paid enormous amounts of money to do so. Some of the scenes are sidesplittingly funny; others have a Woody Allen-ish charm, as Schwartzman is exactly the kind of appealing nebbish that Allen always played. I hope for more "Bored to Death" episodes of this caliber in Season 2.

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Meet Jonathan Ames: writer, romantic, unlicensed private detective. Moonlighting from his job as a novelist and writer for a New York magazine, Jonathan is looking to jettison some heavy emotional baggage (his girlfriend just dumped him, okay?) through an unusual second careerof cracking cases of missing persons, espionage and infidelity in the Big Apple.
DVD Features:Audio CommentaryBEHIND THE SCENES


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