Showing posts with label adam sandler. Show all posts
Showing posts with label adam sandler. Show all posts

Sunday, December 16, 2012

Funny People (2-Disc Unrated Edition) (2009) Review

Funny People (2-Disc Unrated Edition) (2009)
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The psyche of the stand-up comedian is the subject of Judd Apatow's third and most ambitious directorial effort, but the elliptical, rather skewed characters that inhabit this serious-minded 2009 comedy obscure the personal revelations that he ironically attempts to mine. In certain ways, it's a dramatically audacious film, yet in others, Apatow comes back to the comfortably off-kilter humor of his previous ensemble efforts, The 40-Year-Old Virgin and Knocked Up. Sometimes the balance feels very off here, primarily because the protagonist is so hard to read from the outside. It was inevitable that the director cast his former roommate Adam Sandler as George Simmons, a comic who has become a major movie star based on the type of juvenilia he constantly ridicules. Sandler accurately captures both the demented comedy mind and the innate cruelty that keeps everyone at arm's length. It's a tricky part that has quite a few autobiographical elements for both director and star, but he plays it with melancholic deftness.
The meandering plot begins with George receiving bad news. He finds out he's dying of a rare blood disease and recognizes a need to reassess his priorities. George spots a struggling young comic, Ira Wright, at a local comedy club and hires him to write material and become his gopher. They bond quickly, and Ira becomes George's confidant, the only one who knows of his fatal diagnosis. Ira also has two roommates, another stand-up comic and an actor who has already caught his break starring as a teacher in a high school-set sitcom. Both become envious of Ira's budding relationship with George. Meanwhile, an old flame reenters George's life, Laura, a former actress who has turned into a suburbanite married to an Aussie exporter and raising two daughters in Marin County. Sparks are rekindled, and relationships start to get messy all around. As both writer and director, Apatow handles the situations dexterously but excessively. The film runs on far too long at a marathon 153 minutes and then simply trails off.
Newly trimmed down, Apatow protégé Seth Rogen plays his familiar dweebish persona as Ira, although he brings more depth to his submissive character with each humiliating act. Leslie Mann, Apatow's wife, has been promoted to leading lady this time as Laura, and she excels with her endearingly brittle style. In another justified act of nepotism, the director recruited their children to play the two precocious daughters. Jonah Hill and Jason Schwartzman play the roommates with their usual deadpan aplomb. The film's biggest surprise is the usually dour Eric Bana (Munich) lightening up quite a bit as Laura's suspicious husband. Cameos from well-known comics (Ray Romano, Andy Dick, Paul Reiser, Sarah Silverman, etc.) and even comic turns from the likes of Eminem and James Taylor are sprinkled throughout to give the film an air of Hollywood-style realism. The esteemed cinematographer Janusz Kaminski (Saving Private Ryan, Schindler's List) provides the film a bright, sharp look throughout.
The two-disc 2009 DVD set smacks of overkill, but there are highlights to consider, chief among them the amusing commentary from Apatow, Sandler, and Rogen, in which they hilariously separate fact from fiction. The first disc also contains a four-minute gag reel. Disc Two contains 21 minutes of deleted scenes; six extended and alternate scenes; another gag reel; and a line-o-rama, a standard extra on Apatow's DVDs where the actors riff on the same lines for maximum comic effect. A lengthy, one-hour-plus video diary from the director is the centerpiece of Disc Two. Other featurettes center on Aziz Ansari's obnoxious stand-up comic; archival footage of Sandler and a thirteen-year-old Rogen; and a faux-documentary on George Simmons' film career. There are also music clips from Taylor, as well as Sandler performing with musician Jon Brion.

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Adam Sandler, Seth Rogen and Leslie Mann star in this seriously funny film from writer-director Judd Apatow (The 40-Year-Old Virgin and Knocked Up). When famous comedian George Simmons (Sandler) is given a second chance at a new beginning, he and his assistant, a struggling comedian, Ira (Rogen), return to the places and people that matter most…including the stand-up spots that gave him his start and the girl that got away (Mann). Co-starring Jonah Hill, Eric Bana and Jason Schwartzman, it’s the film critics cheer is “uproariously funny!" (Sonny Bunch, The Washington Times)

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Thursday, November 17, 2011

Spanglish (2004) Review

Spanglish (2004)
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When movie trailers come out months before the release of a film and movie billboards crowd the malls and other places trying to convince the public of what to expect (read 'how can we guarantee making the most money from the biggest crowd?'), it is difficult to get motivated to step over the hype and decide for yourself the merits and message of a little movie.
SPANGLISH used slapstick approach, beginning with focus on Adam Sandler of the superfluff/toilet mouth 'comedy' genre, to publicize this little story into a COMEDY. That was enough to keep this viewer out of the theater. But seeing James L. Brooks current opus at home without all the hoopla of the theater crowd resulted in a pleasant discovery: this is a well-written little drama, peppered with some comedy, that addresses a lot of issues about parenting, cross-ethnicity, living your dream vs skimming off the top, having loyalty to the inner self, the desperate need for communication in today's loud world, alcoholism, etc. Not the stuff for slapstick, nor is it treated that way.
John Clasky (Adam Sandler in a straight role that allows him to show substance over pratt falls) is a successful chef who is able to support his family with a home in Beverly Hills and a summer home at the beach (obviously Malibu). His wife Deborah (Tea Leoni in a wildly dysfunctional mother role which she handles well), in desperation for breathing room to pursue her lackluster life, hires a non-English speaking Latina maid Flor (Paz Vega) who has immigrated to the US with her young daughter Cristina (Shelbie Bruce, a amazingly bilingual young actress) to make a life for herself after her husband has left her. Deborah's daughter Bernice (Sarah Steele) is overweight and the victim of her mother's misconstrued attempts to correct her problem at the expense of acknowledging Bernice's self worth.
Though busy with his successful restaurant, John finds time to be a loving father, a husband who is as supportive of his wild wife as is possible, and who gradually finds in the new Flor a gentle, honest, compassionate/passionate human being that seems to be a soul mate. Things progress quickly: Flor learns English via language tapes on TV, Cristina moves in with the family when the move to Malibu occurs, Deborah dotes on the bright, attractive Cristina while ignoring her own daughter, Flor tends to the emotions of Bernice, and finally a marital crisis occurs which places into focus the idiosyncrasies of all members of the extended household (including Deborah's alcoholic mother - Cloris Leachman, as brilliant as ever).
The manner in which Brooks brings this chaos to closure does not sell out the way most stories do: there are no pat answers here but altered individual perceptions are suggested and we are given the opportunity to resolve them as we wish. Is this a comedy? No, though there are many cleverly funny lines and situations. This is a pertinent drama, unfortunately mislabeled in name and in media approach. For this reviewer this is a tender film about family needs and personal goals. The cast is excellent, each member taking risks that prove to be successful. Give it a try! Grady Harp, April 05

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John Clasky (Adam Sandler) is a devoted dad whose skillsas a chef have afforded his family (T=E9a Leoni, Cloris Leachman) a very upscale life, including a summer home in Malibu and a breathtaking new housekeeper, Flor (Paz Vega), who has recently immigrated to L.A. from Mexico, and is trying to find a better life for her remarkable daughter, Cristina (Shelbie Bruce), who is rapidly embracing the American way of life. When Flor and Cristina move in with the Claskys for the summer, Flor has to fight for her daughter's soul as she discovers that life in a new country is perilous...especially when you're being embraced by an affluent, eccentric American family.

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Sunday, March 27, 2011

Bedtime Stories (2008) Review

Bedtime Stories (2008)
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I gave this movie 5 stars because it deserves it,how did disney do it make an adam sandler movie that is actually understandably funny for both kids and adults alike I am 17 and I saw it I do not usually see PG rated movies but I went with my family on the 26th.
I laughed through most all of it.
you probaly would not want to read the other reviews as they have minor spoilers. Unless you want it to br ruined for you.
Really not crude not bad language but still funny. Anyone taking thier children for a show should check this out.
I will definitely buy it on DVD

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Funnyman Adam Sandler stars in Walt Disney Pictures' Bedtime Stories, the magical family comedy that's packed with adventure and lots of heart. When Skeeter Bronson (Sandler) babysits his sister's (Courteney Cox) children, his imagination runs wild as he dreams up elaborate bedtime stories always casting himself as the hero. Entranced, the children add their own ideas to these once-upon-a-time tales of heroics and chivalry. Then magic happens. These nighttime fantasies become Skeeter's daytime realities, leading him on a real-life adventure in search of his own happy ending. Filled with colorful characters, humor and whimsy, this heartwarming comedy will enchant your entire family again and again.

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Friday, March 11, 2011

Paul Blart: Mall Cop (2009) Review

Paul Blart: Mall Cop (2009)
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This movie is getting a surprising amount of hate and I don't know why. There is very little in the way of violence, even less in the way of sex and even the gross-out jokes are kept way below what is usually the minimum level for comedies lately. The bad guys get around the mall with mountain bikes, skate boards and by utilizing some impressive parkour moves. Clearly this movie was meant for the PG crowd and in that it succeeds. It's a nice clean family comedy that everyone can attend and enjoy. There were lots of families in the theater when I saw this movie and they all seemed to have a pretty good time. They laughed and giggled and there was very little of the bored chatter you hear sometimes at kids/family movies.
I was thinking a little about the John Candy movie Summer Rental after I saw this. Candy played a few different roles in films before he did Summer Rental but that movie is where you see the classic John Candy affable lug character that kind of served as a template for most of his following roles. His characters were usually some variation of that, he did it well and people loved it. Kevin James has a similar likable quality and I'm hoping that maybe he picks up the Easy Going Good Guy mantle where John Candy left it.
To paraphrase Paul Blart himself, "Don't write this movie off." Like I said, there were plenty of scenes that had both kids and adults laughing together. Isn't it worth at least the price of a matinee ticket to laugh for a while with your kids?

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In Columbia Pictures' comedy Paul Blart: Mall Cop, Kevin James stars as the title character, a single, suburban dad, trying to make ends meet as a security officer at a New Jersey mall. Though no one else takes his job seriously, Paul considers himself on the front lines of safety. When a heist shuts down the megaplex, Jersey's most formidable mall cop will have to become a real cop to save the day.

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