Showing posts with label team apatow. Show all posts
Showing posts with label team apatow. Show all posts

Sunday, December 16, 2012

Funny People (2-Disc Unrated Edition) (2009) Review

Funny People (2-Disc Unrated Edition) (2009)
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The psyche of the stand-up comedian is the subject of Judd Apatow's third and most ambitious directorial effort, but the elliptical, rather skewed characters that inhabit this serious-minded 2009 comedy obscure the personal revelations that he ironically attempts to mine. In certain ways, it's a dramatically audacious film, yet in others, Apatow comes back to the comfortably off-kilter humor of his previous ensemble efforts, The 40-Year-Old Virgin and Knocked Up. Sometimes the balance feels very off here, primarily because the protagonist is so hard to read from the outside. It was inevitable that the director cast his former roommate Adam Sandler as George Simmons, a comic who has become a major movie star based on the type of juvenilia he constantly ridicules. Sandler accurately captures both the demented comedy mind and the innate cruelty that keeps everyone at arm's length. It's a tricky part that has quite a few autobiographical elements for both director and star, but he plays it with melancholic deftness.
The meandering plot begins with George receiving bad news. He finds out he's dying of a rare blood disease and recognizes a need to reassess his priorities. George spots a struggling young comic, Ira Wright, at a local comedy club and hires him to write material and become his gopher. They bond quickly, and Ira becomes George's confidant, the only one who knows of his fatal diagnosis. Ira also has two roommates, another stand-up comic and an actor who has already caught his break starring as a teacher in a high school-set sitcom. Both become envious of Ira's budding relationship with George. Meanwhile, an old flame reenters George's life, Laura, a former actress who has turned into a suburbanite married to an Aussie exporter and raising two daughters in Marin County. Sparks are rekindled, and relationships start to get messy all around. As both writer and director, Apatow handles the situations dexterously but excessively. The film runs on far too long at a marathon 153 minutes and then simply trails off.
Newly trimmed down, Apatow protégé Seth Rogen plays his familiar dweebish persona as Ira, although he brings more depth to his submissive character with each humiliating act. Leslie Mann, Apatow's wife, has been promoted to leading lady this time as Laura, and she excels with her endearingly brittle style. In another justified act of nepotism, the director recruited their children to play the two precocious daughters. Jonah Hill and Jason Schwartzman play the roommates with their usual deadpan aplomb. The film's biggest surprise is the usually dour Eric Bana (Munich) lightening up quite a bit as Laura's suspicious husband. Cameos from well-known comics (Ray Romano, Andy Dick, Paul Reiser, Sarah Silverman, etc.) and even comic turns from the likes of Eminem and James Taylor are sprinkled throughout to give the film an air of Hollywood-style realism. The esteemed cinematographer Janusz Kaminski (Saving Private Ryan, Schindler's List) provides the film a bright, sharp look throughout.
The two-disc 2009 DVD set smacks of overkill, but there are highlights to consider, chief among them the amusing commentary from Apatow, Sandler, and Rogen, in which they hilariously separate fact from fiction. The first disc also contains a four-minute gag reel. Disc Two contains 21 minutes of deleted scenes; six extended and alternate scenes; another gag reel; and a line-o-rama, a standard extra on Apatow's DVDs where the actors riff on the same lines for maximum comic effect. A lengthy, one-hour-plus video diary from the director is the centerpiece of Disc Two. Other featurettes center on Aziz Ansari's obnoxious stand-up comic; archival footage of Sandler and a thirteen-year-old Rogen; and a faux-documentary on George Simmons' film career. There are also music clips from Taylor, as well as Sandler performing with musician Jon Brion.

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Adam Sandler, Seth Rogen and Leslie Mann star in this seriously funny film from writer-director Judd Apatow (The 40-Year-Old Virgin and Knocked Up). When famous comedian George Simmons (Sandler) is given a second chance at a new beginning, he and his assistant, a struggling comedian, Ira (Rogen), return to the places and people that matter most…including the stand-up spots that gave him his start and the girl that got away (Mann). Co-starring Jonah Hill, Eric Bana and Jason Schwartzman, it’s the film critics cheer is “uproariously funny!" (Sonny Bunch, The Washington Times)

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Friday, April 20, 2012

Pineapple Express (Two-Disc Unrated Edition + Digital Copy) (2008) Review

Pineapple Express (Two-Disc Unrated Edition + Digital Copy) (2008)
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A movie like PINEAPPLE EXPRESS should not be expected to be talked about in the same breath as CITIZEN KANE or GONE WITH THE WIND. However, it has nonetheless ascended to near the top ranks in its own particularly little sub-genre: the "pot" comedy.
While Cheech & Chong's UP IN SMOKE will probably always lead the pack, simply for being the first (and for being very edgy...in it's day)...EXPRESS is the first film of its ilk to boast huge laughs, modest thrills, enjoyable lead characters and a narrative structure that doesn't fall apart the further it goes. For example, the HAROLD AND KUMAR films can be greatly amusing, but their "plot" grows more and more flaccid and pointless as they move along. The lead "characters" are hardly believable as people...they are comic devices.
In PINEAPPLE EXPRESS, we have the story of a process server (Seth Rogan) who enjoys doing little else but smoking pot. He is decent at his job, but also spends much of it sitting in his car smoking. He's dating a high school girl who would have been seriously out of his league when HE was in school. His "best friend" may just be his pot dealer (James Franco.) And through an unfortunate circumstance, Rogan witnesses the murder of an Asian drug dealer by the leader (Gary Cole) of the other drug ring in his city. The murder is aided by a policewoman (Rosie Perez), who is also a pretty vicious killer. They get wise to who their witness is when Rogan makes the mistake of tossing his half-smoked joint out the window of his car as he hurriedly drives away. You see, the joint is made of a new weed called Pineapple Express, which thus far has been sold only to one drug middleman (Danny McBride), who has only sold it to one of his dealers...Franco. Thus, almost immediately, Rogan and Franco are on the run for their lives. Eventually they will have to beat these violent men at their own game just to survive.
That's about it for the basics of the plot...but what is nice about it is the way it holds together from beginning to end. The characters go through a journey and they change and grow a little. While the dialogue and humor are important, this is one "pot" movie where the plot is actually important to the film, not just an excuse to make "I'm so stoned" jokes.
Rogan is basically playing his character from KNOCKED UP again...but if you need that sort of character, he's got it down cold. He's a nice loser who actually looks like a real life person. Danny McBride joins this group of losers midway through, and he brings a nice jolt of almost absurdist humor the film. He's like Rasputin mixed with the character Terry on RENO 911 (you know, the "male prostitute" on roller skates). Gary Cole and Perez are a little too generic, and frankly, the bad guys in the film are not well-sketched out. Their behavior is inconsistent and not always credible.
James Franco steals the film, though. He was born to play this role. In movies as varied as SPIDERMAN and FLYBOYS...he often is unsuccessful at playing a button up, "serious" types. He's better when allowed to let his slacker show through. In FREAKS AND GEEKS, he was a stoner heartthrob, who discovered he had deep reserves of loyalty and love. In PINEAPPLE, he's a stoner with very little to offer, but who has a simplicity and openness about him that makes him likeable. Yes, it's the pot that has made him this way...but Franco refuses for settle for a simple caricature. His stoned but winning eyes & smile are the heart of this film.
The humor is certainly R-rated. Lots of "f" bombs. A fair amount of violence near the end too. It's crass and loud at times. Sometimes the jokes are obvious and unoriginal. But mostly it is sustained by moments of real feeling (as we see so often in films with the name Apatow stamped on them), likeable characters and a plot that has a beginning, middle & end.
Now, finally, let me comment on the "drug" elements. I don't use drugs. Even in my days of "youthful indiscretion" I was not a dabbler. I would certainly be what anyone would call "conservative" on this particular issue. So therefore, I might tend to take offense at such "glorification" of drugs. But I'm not sure that the film does that. True, it pretty much assumes that the entire world does drugs. But it also shows, quite clearly and without preaching, that the use of these drugs, while inducing pleasurable feelings, also induces stupid decision making, slothfulness and wastefulness. Clearly, it sides with those who would make pot legal...but it doesn't disdain those who oppose this. It simply IS. I can't imagine this film would make anyone change their behavior. Those who use pot regularly already are likely to smile in recognition at much of the behavior. Those who don't use it will NOT be inspired to give it a try. So while I'm not thrilled at a film that is clouded 90% of the time with pot fumes...I can't get upset about it either.

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A new comedy from the creative genius of Judd Apatow (40 Year Old Virgin, Knocked Up, Talladega Nights) follows a pair of druggie losers as they reach the top of the hit-list when one witnesses a mob murder and drags his buddy into a crazy flight from mobsters bent on silencing both of them permanently. The film stars new sensation Seth Rogen (Knocked Up, Superbad, 40 Year Old Virgin) and James Franco (Spider-Man 1-3) and it co-stars Rosie Perez (Do The Right Thing) and Gary Cole (The Brady Bunch Movie). Movie is directed by David Gordon Green.

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Sunday, January 29, 2012

Pineapple Express (Single-Disc Unrated Edition) (2008) Review

Pineapple Express (Single-Disc Unrated Edition) (2008)
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Saw this movie in the theater, and it was funny the whole way through. In my opinion, it wasn't like a normal pot movie, where people that don't smoke wouldn't enjoy it, it is funny for pretty much anyone. It's stupid funny sometimes, dark humor other times, smart and stupid, action and drama (a little bit), but all around hilarious. I laughed so hard I cried, and I felt it for days after--quite the ab workout! Definitely worth the money!

Click Here to see more reviews about: Pineapple Express (Single-Disc Unrated Edition) (2008)

A new comedy from the creative genius of Judd Apatow (40 Year Old Virgin, Knocked Up, Talladega Nights) follows a pair of druggie losers as they reach the top of the hit-list when one witnesses a mob murder and drags his buddy into a crazy flight from mobsters bent on silencing both of them permanently. The film stars new sensation Seth Rogen (Knocked Up, Superbad, 40 Year Old Virgin) and James Franco (Spider-Man 1-3) and it co-stars Rosie Perez (Do The Right Thing) and Gary Cole (The Brady Bunch Movie). Movie is directed by David Gordon Green.

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Tuesday, June 21, 2011

I Love You, Man (2009) Review

I Love You, Man (2009)
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At the core of what looks on the surface to be a standard summer buddy movie is an intriguing premise: What does become of the overly sensitized male when confronted with the reality that all his closest friends are female and that he is at a complete loss to find any groomsmen, in particular, a best man, for his wedding? It's not an earth-shattering dilemma to address, yet the situation gives rise to a lot of amusing questions about what constitutes masculine behavior in our supposedly evolved society. Fortunately, director/co-writer John Hamburg (Along Came Polly) has fashioned a 2009 comedy (with co-writer Larry Levin) full of shrewd observations and hilarious gags that transcend formula and elevate the story into something fresh and genuinely likeable.
When sweet-natured L.A. real estate broker Peter Klaven decides to marry Zooey, his girlfriend of eight months, it dawns on both of them that he has no close male friends. Whispers about his manhood and her fear of him being too clingy as a husband lead Peter to set up a series of disastrous man-dates, one being the predictable mistaken gay date. However, it's at an open house at Lou Ferrigno's manse that he meets his personality opposite - Sydney Fife, a slovenly, blunt albeit socially observant slacker. As it turns out, their differences complement one another in a way that makes them best buddies almost from the get-go - that and a common obsession for the 1970's power band Rush. Naturally, Zooey starts to resent Sydney's burgeoning role in Peter's life - and things get complicated before the inevitable conclusion.
Two of Judd Apatow's familiar rep company star. Finally at the center of a major movie, Paul Rudd is ideally cast as Peter since the role takes advantage of how he combines his boyish charm and unpredictable nebbishness into a memorable character. In fact, he manages to give Peter's awkward attempts to overcome his social anxiety a certain emotional resonance. We feel every painful step he takes in replicating Sydney's free spirit, and it becomes easy to root for his success. Much better cast here than as the self-conscious lead in last year's Forgetting Sarah Marshall, Jason Segel offers his doughy likeability to a role that suits his casual, lumbering personality, even when he exposes an intimate secret between Peter and Zooey in a wedding party dinner toast.
If the interplay between Rudd and Segel feels familiar from Apatow comedies like The 40-Year-Old Virgin and Knocked Up, it is a coincidence that Hamburg takes full advantage of to keep the movie comically involving. Rashida Jones brings a raspy appeal to Zooey, although she is kept mostly at the sidelines. Also underused are Jaime Pressly as Zooey's tart-tongued friend Denise and as Peter's parents, J.K. Simmons (playing the same wiseass father he played in Juno) and especially Jane Curtin. Jon Favreau has a thankless role as Denise's alpha-male jerk of a husband, while Andy Samberg makes a most unconvincing gay as Peter's sleep-around, personal trainer brother. There are plenty of laughs throughout its slightly long 105-minute running time, but what may surprise you is the number of insightful moments that this affectionate, satirical comedy provides.

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In this wildly funny hit comedy, Paul Rudd (Knocked Up) gets engaged to the girl of his dreams but has not a single guy friend to be his Best Man until he meets the ultimate dude, Jason Segal (Forgetting Sarah Marshall). Rudd and Segal’s “bro-mance” takes male-bonding to hilarious new heights that keep you laughing until the unforgettable last frame.

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