Showing posts with label simon baker. Show all posts
Showing posts with label simon baker. Show all posts

Saturday, January 19, 2013

Sex and Death 101 (2007) Review

Sex and Death 101 (2007)
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Told through first-person narration, Sex and Death 101 is a little like the Wachowskis' The Matrix collides with Shainberg's Secretary (stick with me here). The premise: a (sentient?) "machine" has begun interfering with humanity, issuing e-mails that reveal a person's fate. While many people received an e-mail revealing their death-day, Roderick Blank was "gifted" with a list of every woman he has and WILL sleep with. Sounds great, right? Well, what the viewer learns is that "the chase" is fairly boring when the results are a given. Watching Rodrick try to plow through his list is dark and hysterical (especially when we reach Bambi and Thumper ... a world-class, lesbian power-couple). Now for the twist, the FINAL person on Roderick's list is a notorious serial-killer ...
With a budget of five-million, Waters created a pretty slick film. The casting is quirky (in a fantastic way!!). Patton Oswalt (The King of Queens and Ratatouille) plays a lascivious lackey to the "Morpheus-like" Alpha. I'm entirely biased here (since I think Oswalt is one of the most adorable, underrated actors in Hollywood), but his character alone makes the film worth watching. Moreover, Mindy Cohn (The Facts of Life) was a brave and fabulous choice. All grown up, Cohn rocks her character. She adds sweetness to (what could have been) your typical "lesbian" character. Kudos!! Julie Bowen, Winona Ryder, and Simon Baker nicely round-out the cast. Overall, the acting is wonderfully on-point. We could genuinely loathe the character of Roderick BUT Baker brings an irrefutable charm to him. And, this is where the film is a success. Roderick may be a slick, handsome, fast-food King ("Have a startling and unique day!!"), but as he resigns himself to fate he becomes brooding and vulnerable. Love it.
Why should you watch this work? One: it has a montage of lower-back, Chinese-symbol tattoos to represent the passage of time (a great joke resides in this moment ... pay attention). Two: watching Roderick don faerie-wings just to join Bambi and Thumper (in slow-motion) ... TOTALLY WORTH IT! (And so funny). Three: the scene with the school bus ... that's all I can say (by far, the absolutely most unpredictable, wildly amusing moment).
I noticed that this work is receiving some seriously scathing reviews. As a harsh-critic, I respect the opinions of others. I have a feeling this film appeals to a niche crowd: one which seeks dark, erotic, adult faerie-tales (a la Shainberg's Secretary ... see, I told you to stay with me). If, like me, you find the American Pie style of films trite and juvenile, give Water's work a spin. It won't disappoint.

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Roderick Blank, Simon Baker, is a successful modern man, content with his personal and professional life. However, a week before his wedding to a suitably stuffy fiancee, Rodericks perfectly planned existence is upended by a mysterious e-mail containing the names of every woman he has had sex with and, eerily, every woman he will have sex with in the future. He is stopped in his tracks when he meets a femme fatale, Winona Ryder, who targets men guilty of sex crimes against women. Co-starring Patton Oswalt and directed by Daniel Waters, writer of the cult hit Heathers.

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Monday, September 10, 2012

The Mentalist: The Complete First Season (2008) Review

The Mentalist: The Complete First Season (2008)
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This TV show, in its first season, is, like "Life," a police procedural with lots of flavor--in this case, a former phony psychic who, years ago, talking insultingly about a serial killer on his psychic TV show.
The killer was watching the show, apparently, took offense, and proceeded to murder the guy's entire family.
After much soul searching, our hero quit his pseudoprofession and now works with a police agency doing for crimes what Gregory House does for his hospital--solving the cases no one else can solve. He uses his ability to read people and situations that stood him in good stead during his stint as a phony psychic.
Of course, like the cop in "Life" his merry, mischievous exterior conceals an iron core of permanent, near-psychotic rage. The Mentalist works with the police agency he works for in order to find the serial killer to killed his family, and he has told his boss there, in merry seriousness, that if/when he finds the guy, he will take him apart in a way Dexter (as in the HBO series) would admire.
All this is backstory. No spoilers, as I promised. There's considerable interaction with his boss, her boss, and the three person team that also works with the boss, and they're all competently played, seemingly pretty much credible as detectives.
So both this and "Life" have:
1. fine actor in the lead role--with "The Mentalist," Aussie heartthrob Simon Baker, who every woman appears to find irresistable (according to my wife).
2. multilayered plot, with an ongoing story arc on top of the case du jour, and evolving relationships among the team members.
3. light and shadow--lots of comic moments alongside very dark stuff indeed. In painting this would be called chiaroscuro (think Rembrandt paintings of interiors illuminated by candles).
If you like "Life" I'm certain you'll like "The Mentalist" even if the more run of the mill procedurals (all the CSIs for example) don't appeal to you. I'd also put "Bones" in this category FWIW.
And this is about as good as we can expect until Joss Whedon's next show shows up (presumably "Dollhouse" with Eliza Dushku, herself a master of chiaroscuro).

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"A mentalist is a master manipulator of thought and behavior." The mentalist is Patrick Jane (Simon Baker in an acclaimed performance), a celebrity psychic whose wife and child are viciously murdered by an elusive serial killer called Red John. Devastated, Patrick admits his paranormal act is fake, renounces his earlier life and uses his astonishing skills of observation and analysis – talents that made him appear psychically gifted – to bring killers to justice. At crime scenes across California, Patrick now helps an elite team of detectives break their toughest cases. But no matter how many criminals he catches, Patrick never forgets his central goal: Find Red John. And bring him down.

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Saturday, August 27, 2011

The Mentalist: The Complete Second Season (2009) Review

The Mentalist: The Complete Second Season (2009)
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The Mentalist is back and better than ever with 22 new episodes of innovative and manipulative crime-solving techniques. Season two starts off with a bang and keeps on delivering. There are lots twist and turns as Patrick Jane (Simon Baker) manipulates everyone and everything around him to uncover the truth behind the murders.
The story lines are better than ever and manage to develop the background, personalities, and lives of the main characters. We get insight into the childhood issues that drive both Jane and Cho. We get pulled in deeper as we watch the relationships between the characters grow and develop. The chemistry between Jane and Lisbon (Robin Tunney) continues to grow and the energy between them is electric.
This is the one show on TV where there is so much misdirection and redirection that guessing the ending isn't probable, even when all the info is sitting right in front of you.
If you're looking for excellent performances, spectacular writing, and a show where you can't predict what's coming next then this is definitely a show you want to watch.

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California Bureau of Investigation consultant Patrick Jane (Simon Baker in his Emmy®-nominated role) has a blatant lack of protocol but is self-assured and driven. The former “psychic" uses his talent for seeing the clues everyone else misses to solve the most baffling crimes. But there’s more than crime that makes this season a must-see: Lisbon and Cho reveal hints about their troubled pasts. Violence fells one CBI boss, and the new boss seems more interested in authority than teamwork. And as the Van Pelt-Rigsby relationship heats up, it threatens to cool down their careers. Match wits with the hit series that balances nimble humor with dark thrills.

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