The Who - Tommy and Quadrophenia Live (2005) Review

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(More customer reviews)In my lifetime - hell, probably in ALL time - no band has come out of retirement more often than the Who. After Keith Moon's death, it appeared to be over, until Kenny Jones filled the drum slot for a few years. Bandleader songwriter/guitarist Pete Townshend had developing doubts that the Who were still the proper outlet for his songwriting, and in the late `80s, the band announced its dissolution, punctuated with a `farewell tour'. Anyone who attended any of those shows believing that it would be the band's last hurrah - as advertised - might be somewhat bitter about the experience now. Since then, the Who have been revived more often than patients in a cardiac ward.
Both performances featured on this DVD set are taken from tours posthumous to the band's breakup, so it is understandable if more than a few fans are cynical about this package, but the truth is that it is better than they might expect. Granted, this isn't the classic Who (they ceased to exist with the death of Keith Moon in 1978), but it is classic Who material, and most of it is performed quite brilliantly here. The performance of `Tommy' takes place in Los Angeles in 1989 and at the time, it was quite a special event. A star-studded affair, with guests ranging from Billy Idol, Phil Collins, Patti LaBelle, Steve Winwood and Elton John, the entire performance was televised live. At the time I was ready, and I taped the entire performance on my Sony Betamax (which was dated even then!). I thought the performance was absolutely excellent, and I still have that copy today, although this well-produced DVD makes it even more obsolete than it already has been. The band (which is aided by a plethora of additional musicians, with special praise due to drummer Simon Phillips) is nearly flawless, with the only `unfortunate' thing being the `80s fashion sense (Townshend with a pony-tail?), but who really cares about that now anyway?
The `Quadrophenia' disk is from a later date, compiled from the "Quadrophenia' tour of 1996-97. Coincidentally, I was also familiar with this piece of history, having seen the show at New York's Madison Square Garden. At the time, I was a bit disappointed. "Quadrophenia' is my favorite Who album, and the band performed more than admirably enough (special credit to drummer Zak Starkey), but the film footage that allegedly `connected' the songs did more to damage the rock and roll energy than to aid the story. Furthermore, the special guests detracted from the performance, with Billy Idol and PJ Proby making somewhat embarrassing cameo appearances. On DVD, though, the clever editing resolves the problem as I remembered it, and the pace is consistent.
Perhaps the best feature of this DVD is the special commentary from Pete Townshend and Roger Daltrey. By choosing a second `camera angle', they both appear onscreen, hovering over the concert footage like disembodied spirits. They speak candidly about the details of each event, and getting their insight and perspective while watching the concert is priceless. A third disk contains all of the `encore' footage from both shows, making this a well-rounded package of the band's latter-day performances, as well as an excellent documentary on one of the world's most important rock and roll bands.A-Tom Ryan

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Rhino Records is proud to present a 3-DVD boxed set showcasing one of the greatest live bands ever-The Who. Disc one features a live rendition of their full-blown rock opera about a deaf, dumb, and blind boy. Tommy was performed live in 1989 at The Universal Amphitheatre in Los Angeles, with special guests Elton John, Phil Collins, Billy Idol, Patti LaBelle, and Steve Winwood. Disc two contains the band's second rock opus, this time built around the story of a young mod's struggle to come of age in the mid-60s. This live version of Quadrophenia, from the 1996/1997 U.S. Tour was the first time it was performed as Townshend and Daltrey had visualized it, with live action and featuring a then-unknown Alex Langdon in a spellbinding performance as Jimmy, the disillusioned Mod.

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The Who - The Kids Are Alright (Special Edition) Review

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(More customer reviews)After having seen several other major DVD opportunities get squandered (The Beatles's HARD DAYS NIGHT leaps to mind), it is an utter delight to watch/listen to this DVD. It is great on several levels: the original film was one of the best collections of live performances in the history of rock, the reissue has dramatically improved the look and sound of the film, and the Special Edition extra disc includes some truly wonderful features. This ought to be the model for all future reissues, such as when/if they reissue the Rolling Stones's TWENTY-FIVE BY FIVE.
Only a couple of years ago I was trying to explain to my daughter that in the sixties and seventies, the Who were full-fledged members of the rock Pantheon, as revolutionary and crucial as the Stones, the Beatles, or Led Zeppelin. For some reason, they went into a bit of a decline in the general musical consciousness (I found kids my daughter's age might not know of them at all, whereas they knew the other aforementioned bands quite well). Thanks to some timely re-released and a tragic tour that saw the death of John Entwhistle, their star truly seems to be on the ascendant again. This album is crucial for proving what all of us at the time knew: the Who was without question one of the very greatest live bands of all time.
The Who was an amazing band, full of paradoxes. Roger Daltrey was one of the great front men in the history of rock, and Pete Townshend a crack songwriter and arguably the most entertaining to watch guitarist of all time. Yet, the lead instruments in the band, almost unique in rock, were Keith Moon and his maniacally abused drum kit and John Entwhistle's bass, both of them among the top two or three of all time on their instruments, if not the best. They were a great rhythm section, but they jointly tended to take over the songs musically, unlike Charlie Watts and Bill Wyman for the Stones, who were content to stay rock solid in the background. Live, they were amazing, with Daltrey marching in place, swinging the mike around like David about to use his sling against Goliath; Pete Townshend dancing disjointedly around while doing his famous helicopter chording of the guitar; Keith Moon playing as if he were on eight different drugs, tossing his drumsticks ten and twenty feet in the air; and amid it all, like the quiet in the eye of the hurricane, John Entwhistle standing stock still, motionless except for his hands moving up and down his bass, playing the instrument better than anyone else ever had, or perhaps has since.
The film begins with a bang, with a famous appearance on The Smothers Brothers Show (an awesome show because it was so amazingly subversive, with Tom and Dick acting like total squares, but in reality leftists who loved exposing the public to acts like Lenny Bruce and Mort Sahl, and bands like The Who and Cream). Unlike Ed Sullivan, Tom and Dick truly loved these bands, and the opening number/skit, a rollicking version of "My Generation" (with Roger Daltrey suffering so badly from a faux upper-induced stammer that was a badge of their identification with the amphetamine-crazed Mods that one isn't certain he is going to be able to finish each line). Each number brings new revelations or refreshes old memories. For instance, in "I Can't Explain" from SHINDIG! Keith Moon is sporting a T-shirt with a bull's eye on it, a full decade before Richard Hell would achieve notoriety in New York for wearing one when he was still with Television.
The numbers included in the film are both wide-ranging and representative. I suppose any Who fan will find many of their own favorites missing, but no one can complain that the numbers focus too much on one phase of their career. The selections are extraordinarily well balanced. One of the more poignant features is the fact that the performance of "Won't Get Fooled Again," which was performed specifically for the film so that they could have one really good performance on film of one of their most famous numbers, was the last time the Who ever performed in their original line up; Keith Moon would die only three months later.
The extras disc is truly worth having, with a feature on the restoration of the movie, and nice items like a tour of the Who's London, an interview with Roger Daltrey, and, my favorite bit, interesting versions of "Baba O'Riley" and "Won't Get Fooled Again," that features only John Entwhistle's bass and visuals. There is no question about it: the guy could play bass.
All in all, one is going to come across very few music DVDs quite this good. I highly recommend it.

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The Original Director's Cut, digitally remastered in Hi-Definition and remixed in 5.1 & DTS Restored to the original "Director’s Cut" length of 109 minutes. Almost 100 minutes of never-before-seen multi-camera angle footage. Completely re-mastered in Hi-Definition and 5.1 surround from the original film elements and multi-tracks. Presented in its original theatrical aspect ratio of 1.1:85. Packed with a 32 page collectable booklet. Commentary by Director Jeff Stein. Ultimate edition also includes: Multi Camera Angles - An extremely rare feature that is almost 100 minutes and featuring as many as 6 angles including a Pete cam, a Roger cam, a Moonie cam and an Ox cam. Making of the DVD - 40 minute feature offering an in-depth look at how the film was restored.Audio Comparison - This 8 minute feature provides a direct side-by-side comparison of the before and after audio. Video Comparison - This 6 minute feature provides a direct side-by-side comparison of the before and after so people can see what they’ve been missing all these 24 years! The Ox - A very special audio feature allowing the user to select an isolated audio track of legendary bassist John Entwistle. The Who's London - An interactive feature offering the viewer a video tour of Who landmarks. Trivia Games - Questions to test your knowledge with a prize of a newly mixed 5.1 rendering of the album version of "Who Are You" playing a video light/slide show and a long lost recording of Ringo Starr. English Subtitles - Figuring out the lyrics the band is singing is one thing, but deciphering what they say while screaming over each other is a whole other puzzle.

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Tommy (1975) Review

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(More customer reviews)As the five-star rating would indicate, I've loved TOMMY sincethe day it opened (and yes, I was there for its premiere). I've alsopurchased the movie in just about every incarnation that have been released: videotape, laserdisc, and now DVD.
What's most exciting about the DVD version -- and something which doesn't seem to have been mentioned in other Amazon reviews -- is that the soundtrack to the film has been completely restored. "Quintaphonic sound" may sound a little silly and may not even mean much in this age of digital sound, but TOMMY was the movie that saw the rebirth of multi-channel audio (most films of the late 60s and early 70s were either mono or 2-channel stereo). The enhanced 5-channel discrete sound was a perfect extension of Ken Russell's audacious visuals. The tag line to the movie was "Your senses will never be the same," and it perfectly described both the visual AND aural assault on audience members.
Well, this DVD is the first (and only) format to feature the complete "Quintaphonic" soundtrack. If you have a Dolby Digital decoder, you're going to hear the movie in a way that wasn't even possible back in 1975! All of the vocals are locked dead center while the score itself blasts out of the remaining four speakers. And there's absolutely no distortion, even when you jack the volume up (which you should, since it was intended to be heard that way). It's a wonderful - and quite unexpected - thrill to hear the movie this way. Previous editions had absolutely terrible audio tracks that were poorly mixed down from the originals. The result -- even on the laserdisc -- was a muddy mess. Not so with this DVD edition, which includes a written essay insert explaining the soundtrack's restoration.
The picture quality is also outstanding. One key moment: during the blackout section of "Fiddle About" the screen is absolutely dark -- not a speck can be seen, proof that this film was carefully transferred from a pristine source print!
This is an incredible film presented on an incredible DVD. If your home system isn't yet able to decode the Dolby Digital soundtrack, do yourself a favor and get a decoder at the same time you buy this disc. You won't be sorry.
I'd warn the neighbors first, though!

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Film version of the successful rock opera about a boy who witnesses the murder of his father by his mother and her lover. He becomes deaf, dumb and blind, and as he grows, he is taken to various experts for cures.Genre: MusicalsRating: PGRelease Date: 25-MAY-2004Media Type: DVD

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