Showing posts with label rockumentary. Show all posts
Showing posts with label rockumentary. Show all posts

Monday, December 10, 2012

Meat Loaf: In Search of Paradise (2008) Review

Meat Loaf: In Search of Paradise (2008)
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First off, I give this 3 1/2 stars. They don't have a half-star option.
This is a documentary about the rehearsal stages and first several shows of a Meat Loaf tour through Canada to promote Bat Out Of Hell 3. The case is VERY misleading, as it lets you think you are going to see a full concert and even lists songs in the setlist of the concert as if you're going to see them. YOU WILL NOT SEE A WHOLE SONG. YOU WILL SEE SNIPPETS OF SONGS. The majority of the footage is Meat dealing with the various details of tour. There's quite a bit of attention paid to the Paradise On The Dashboard light controversy: the alleged indecency of him performing the number with Aspen Miller due to her perceived age. (She was 28 at the time of filming/touring.) Maybe even too much time is devoted to this. It honestly felt like this was the theme of the entire documentary.
We also see pieces of Meat's rituals before a show, and it shows the extreme level of perfection he demands from his crew, but mostly from himself. He is hardest on himself and never seems satisfied. This isn't the usual Rock Star ego trip, he continues to push himself to be better, louder, faster, and the best. He does so at a toll on his health, and we repeatedly see him pass out after shows.
I would recommend this to hardcore Meat Loaf fans, but casual fans or someone expecting to see a full or at least partial concert could easily come away disappointed.

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Actor, performer, and multi-platinum rock icon Meat Loaf reveals surprising shades of himself - and a fertile creative mind in constant flux - in this intimate and highly entertaining theatrical feature documentary that was celebrated as an official selection of the 2007 Montreal World Film Festival. The time is early 2007, one of the most stressful in Meat Loaf's career, when he is about to launch his most ambitious tour ever: an 18 month long marathon to support Bat Out Of Hell III, the final album of the legendary Bat Out Of Hell trilogy. His exhausting, and often poignant, journey takes him from rehearsals in Burbank, California through the first leg of his tour through Canada. Along the way, an unexpected media controversy erupts over the staging of one of his songs - a controversy that raises questions about his art and its ability to mature and transcend as it traverses multiple generations - bringing into focus the drive (and demons) that have fueled his over-the-top stage persona for almost 40 years.

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Monday, October 22, 2012

The Who - The Kids Are Alright (Special Edition) Review

The Who - The Kids Are Alright (Special Edition)
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After having seen several other major DVD opportunities get squandered (The Beatles's HARD DAYS NIGHT leaps to mind), it is an utter delight to watch/listen to this DVD. It is great on several levels: the original film was one of the best collections of live performances in the history of rock, the reissue has dramatically improved the look and sound of the film, and the Special Edition extra disc includes some truly wonderful features. This ought to be the model for all future reissues, such as when/if they reissue the Rolling Stones's TWENTY-FIVE BY FIVE.
Only a couple of years ago I was trying to explain to my daughter that in the sixties and seventies, the Who were full-fledged members of the rock Pantheon, as revolutionary and crucial as the Stones, the Beatles, or Led Zeppelin. For some reason, they went into a bit of a decline in the general musical consciousness (I found kids my daughter's age might not know of them at all, whereas they knew the other aforementioned bands quite well). Thanks to some timely re-released and a tragic tour that saw the death of John Entwhistle, their star truly seems to be on the ascendant again. This album is crucial for proving what all of us at the time knew: the Who was without question one of the very greatest live bands of all time.
The Who was an amazing band, full of paradoxes. Roger Daltrey was one of the great front men in the history of rock, and Pete Townshend a crack songwriter and arguably the most entertaining to watch guitarist of all time. Yet, the lead instruments in the band, almost unique in rock, were Keith Moon and his maniacally abused drum kit and John Entwhistle's bass, both of them among the top two or three of all time on their instruments, if not the best. They were a great rhythm section, but they jointly tended to take over the songs musically, unlike Charlie Watts and Bill Wyman for the Stones, who were content to stay rock solid in the background. Live, they were amazing, with Daltrey marching in place, swinging the mike around like David about to use his sling against Goliath; Pete Townshend dancing disjointedly around while doing his famous helicopter chording of the guitar; Keith Moon playing as if he were on eight different drugs, tossing his drumsticks ten and twenty feet in the air; and amid it all, like the quiet in the eye of the hurricane, John Entwhistle standing stock still, motionless except for his hands moving up and down his bass, playing the instrument better than anyone else ever had, or perhaps has since.
The film begins with a bang, with a famous appearance on The Smothers Brothers Show (an awesome show because it was so amazingly subversive, with Tom and Dick acting like total squares, but in reality leftists who loved exposing the public to acts like Lenny Bruce and Mort Sahl, and bands like The Who and Cream). Unlike Ed Sullivan, Tom and Dick truly loved these bands, and the opening number/skit, a rollicking version of "My Generation" (with Roger Daltrey suffering so badly from a faux upper-induced stammer that was a badge of their identification with the amphetamine-crazed Mods that one isn't certain he is going to be able to finish each line). Each number brings new revelations or refreshes old memories. For instance, in "I Can't Explain" from SHINDIG! Keith Moon is sporting a T-shirt with a bull's eye on it, a full decade before Richard Hell would achieve notoriety in New York for wearing one when he was still with Television.
The numbers included in the film are both wide-ranging and representative. I suppose any Who fan will find many of their own favorites missing, but no one can complain that the numbers focus too much on one phase of their career. The selections are extraordinarily well balanced. One of the more poignant features is the fact that the performance of "Won't Get Fooled Again," which was performed specifically for the film so that they could have one really good performance on film of one of their most famous numbers, was the last time the Who ever performed in their original line up; Keith Moon would die only three months later.
The extras disc is truly worth having, with a feature on the restoration of the movie, and nice items like a tour of the Who's London, an interview with Roger Daltrey, and, my favorite bit, interesting versions of "Baba O'Riley" and "Won't Get Fooled Again," that features only John Entwhistle's bass and visuals. There is no question about it: the guy could play bass.
All in all, one is going to come across very few music DVDs quite this good. I highly recommend it.

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The Original Director's Cut, digitally remastered in Hi-Definition and remixed in 5.1 & DTS Restored to the original "Director’s Cut" length of 109 minutes. Almost 100 minutes of never-before-seen multi-camera angle footage. Completely re-mastered in Hi-Definition and 5.1 surround from the original film elements and multi-tracks. Presented in its original theatrical aspect ratio of 1.1:85. Packed with a 32 page collectable booklet. Commentary by Director Jeff Stein. Ultimate edition also includes: Multi Camera Angles - An extremely rare feature that is almost 100 minutes and featuring as many as 6 angles including a Pete cam, a Roger cam, a Moonie cam and an Ox cam. Making of the DVD - 40 minute feature offering an in-depth look at how the film was restored.Audio Comparison - This 8 minute feature provides a direct side-by-side comparison of the before and after audio. Video Comparison - This 6 minute feature provides a direct side-by-side comparison of the before and after so people can see what they’ve been missing all these 24 years! The Ox - A very special audio feature allowing the user to select an isolated audio track of legendary bassist John Entwistle. The Who's London - An interactive feature offering the viewer a video tour of Who landmarks. Trivia Games - Questions to test your knowledge with a prize of a newly mixed 5.1 rendering of the album version of "Who Are You" playing a video light/slide show and a long lost recording of Ringo Starr. English Subtitles - Figuring out the lyrics the band is singing is one thing, but deciphering what they say while screaming over each other is a whole other puzzle.

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Saturday, September 3, 2011

This is Spinal Tap (Special Edition) (1984) Review

This is Spinal Tap (Special Edition) (1984)
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Just about anybody reading this review has probably seen "This is Spinal Tap" as many times as the band has changed drummers. What you really want to know is whether the DVD extras are worth the price. YES. Theatrical trailers about cheese rolling festivals, David St. Hubbins with strait hair in an early short that eventually evolved into the film, Rob Reiner begging people to show the movie in their theaters, deleted scenes that develop and explain the cold sores the band keeps ending up with, and the bloody demise of Janine (well, we can dream can't we?) all this and more can be yours for the low low price of...whatever. Anyway, if you're a Tap fan and you've got a DVD player, get this disc. If you're a Tap fan and you've got this disc, get a DVD player. If you're a Tap fan without the disc or a DVD player, talk your rich buddy with all the cool home theater equipment into buying this disc, then watch it at his place and eat all the potato chips in the house. If you're not a Tap fan, you can get a copy of "The Sound of Music" around here somewhere, I'm pretty sure. I've always thought of Derrick Smalls as kind of a short hairy version of Julie Andrews anyway.

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You're about to get personal with one of music history's greatest and loudest heavy metal bands, Spinal Tap!Whether or not you're a die-hard fan of the group, you'll love this detailed "rockumentary" of Engand's legendary Spinal Tap. Acclaimed commercial director Marty DiBergi takes you behind the scenes for an intimate look at a band whose time has come and gone and come again and.... Through interviews, rare footage and lots of musicincluding classic Tap tunes like "Big Bottom" and "Hell Hole"you'll get acquainted with David St. Hubbins (lead guitar), Nigel Tufnel (lead guitar), Derek Smalls (lead bass) and every drummer who ever livedand diedfor this renowned rock band. Be a part of the sights, sounds and smells of this celebrated heavy metal phenomenon. It's an experience you'll never forget.

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Wednesday, May 4, 2011

Bat Out of Hell The Original Tour UK/US (2009) Review

Bat Out of Hell The Original Tour UK/US (2009)
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From June of 1978 comes this German television special that captures one of the original Bat Out of Hell tour concerts. The album was just exploding into its cult status at the time and everyone's very young and energetic.
THE GOOD: Well, it's a good view of a period of live Meat Loaf that hasn't been widely seen before. This is the tour where he started to destroy his voice, but he hasn't done it quite yet (though he does struggle with the high notes due to his reckless vocals). The result is a young, powerful voice that hits a lot of good notes. During his performance of "Heaven Can Wait," Meat pulls a Patti Labelle and finishes the song without a microphone emphasizing the size of his voice. Karla DeVito is gloriously fun as Meat's first rock chick. Rory Dodd doesn't really stand out, but it's great to see and hear him performing live. And of course, seeing Jim Steinman live and on stage is a tickle. The German TV interview offers an interesting look at Jim and Meat's early relationship (especially in contrast to what it later became).
THE BAD: The video isn't atrocious, but it sure isn't great. It's about as good as it can be considering its 1-inch videotape roots I suppose, but that isn't saying much. The audio mixing is a complete mess. The drums are trebled, forward, and really quite grinding. Everything else just mushes together into a poorly defined single-layer mess that's entirely too thin for the type of music. The camerawork and lighting are uniformly horrid. This band cannot hold a candle to the Neverland Express that Meat constructed years later. The German interviewer doesn't speak much English and seems absolutely clueless as to what he's doing.
THE CONFUSING: Amazon seems to be fixing how this product is advertised compared to what you actually get, but it was (at least originally) posted as including "River Deep, Mountain High" and "Johnny B. Goode" which are certainly not on the North American disc. Amazon listed this as containing a DTS audio track which is not true; there is only a Dolby Stereo track. And Amazon listed the run-time as 105 minutes, but it is actually only 74 minutes of concert. Amazon's mistakes don't affect my rating but are here just as an FYI.
THE VERDICT: This one's very middle-of-the-road for me. As a historical record, it's interesting. As an opportunity to hear Meat's voice pre-destruction, it's a valuable point of interest for die-hard fans. As a concert video, there's no way you'd reach for this audio mess when you could pop in Meat's "3 Bats" DVD. For the fan, the DVD is dirt cheap and probably a decent buy. For the curious onlooker, I'd advise looking at the more sonically and visually stunning Meat concerts. Ultimately, 2½ stars out of 5 for me.

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BAT OUT OF HELL:ORIGINAL TOUR - DVD Movie

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